Antique Arms & Militaria

A Simply Stunning Ancient Bronze Age Lobed Mace Head, from the Era of Rameses The Great, Pharoah of Egypt, Circa 1300 B.C.

Ist to 2nd Millenium B.C. The type of lobed mace style used by the Sardinian warriors that fought for Rameses IInd, alongside Thutmoses IIIrd, considered the greatest Pharoah of all the ancient Egyptian dynasties. One of the most beautiful and finely crafted examples we have seen.
One of two maces from the same era and collection. This one is the more elaborate of the two. Items such as this were oft acquired in the 18th century by British noblemen touring Northern France and Italy on their Grand Tour. Originally placed on display in the family 'cabinet of curiosities', within his country house upon his return home. A popular pastime in the 18th and 19th century, comprised of English ladies and gentlemen traveling for many months, or even years, througout classical Europe and the Middle East, acquiring antiquities and antiques for their private collections.

In use it would have slotted onto a wooden haft. The use of the stone headed mace as a weapon and a symbol of status and ceremony goes back to the Upper Paleolithic stone age, but an important, later development in mace heads was the use of bronze copper ally metal for their composition. With the advent of copper mace heads, they no longer shattered, and a better fit could be made to the wooden club by giving the eye of the mace head the shape of a cone and using a tapered handle.

The Shardanas or warriors from Sardinia who fought for Ramses II against the Hittities were armed with maces consisting of wooden sticks with bronze heads. Many bronze statuettes of the times show Sardinian warriors carrying swords, bows and original maces. Persians used a variety of maces and fielded large numbers of heavily armoured and armed cavalry (see cataphracts).

For a heavily armed Persian knight, a mace was as effective as a sword or battle axe. In fact, Shahnameh has many references to heavily armoured knights facing each other using maces, axes, and swords. The enchanted talking mace Sharur made its first appearance in Sumerian/Akkadian mythology during the epic of Ninurta. Roman though auxiliaries from Syria Palestina were armed with clubs and maces at the battles of Immae and Emesa in 272 AD. They proved highly effective against the heavily armoured horsemen of Palmyra. Photos in the gallery of original carvings from antiquity in the British Museum etc.; Ashurbanipal at the Battle of Til-Tuba, Assyrian Art, British Museum, London 650-620 BC, Limestone, An Assyrian soldier waving a mace escorts four prisoners, who carry their possessions in sacks over their shoulders. Their clothes and their turbans, rising to a slight point which flops backwards, are typical of the area; people from the Biblical kingdom of Israel, shown on other sculptures, wear the same dress, on a gypsum wall panel relief, South West Palace, Nimrud, Kalhu Iraq, neo-assyrian, 730BC-727BC.
A recovered tablet from Egypt’s Early Dynastic Period (3150-2613 BCE) shows a Pharoah smiting his foe with a war mace. The mace is complete with its display stand as shown. Approx. 6 inches high including stand. This wonderful piece would have been made and traded throughout the Western Asiatic region. As with all our items it comes complete with our certificate of authenticity. Antique ivory, 'worked' declaration for submission. We can only sell this sword within the UK, it is not allowed for export.  read more

Code: 23021

A Most Resplendent, Original Antique and Rare, Victorian, Royal Household, Royal Horse Guards Fanfare Trumpet Banner

Rarely seen or available these wondrous pieces of magnificent, British, Royal Household regalia were never made for use other than for royal service within the bodyguard of the reigning British monarch, they are used on horseback or standing on trumpets and in pairs when they fit on the front of both kettle drums . They were and are always made of the finest quality materials, such as silk, purest gold and silver, by craftsmen and women with superlative skill and dedication. When taken from service these wonderful pieces were more often than not hung in churches or cathedrals to commemorate men or officers of the Household Cavalry lost in battle. This banner is composed of crimson silk damask, embroidered with the 1837 Royal Arms of Her Majesty Queen Victoria, in silks, gold and silver bullion wire. Edged with a gold thread fringe. It is now in faded and worn condition as to be expected for a piece of such age and use. The present royal service trumpet banner conforms to the design type first introduced in the reign of Charles II (1660-1685).
The history of the Band of The Life Guards began when King Charles II entered London accompanied by a throng of 20,000 horse and foot on his birthday, 29th May 1660. On this day, commemorated as Oakapple Day in recognition of his escape when a fugitive by hiding in the Boscobel Oak Tree, it is recorded that, at the public entry into London, he was escorted by three troops of The Life Guards each preceded by it's own kettledrummer and four trumpeters. The origins of the Band you hear today derive from this proud occasion. At this time the use of kettledrums and trumpets was confined to the Army and the nobility and, even among the Kings troops. The Life Guards alone had the privilege of using kettledrums. The musicians held warrants of appointment from the King were paid at the rate of five shillings per day. In 1678 they wore uniforms of velvet, silver laced, and their instruments had richly embroidered and trimmed banners, the whole cost defrayed by the King. This is the origin of the State Dress worn to this day by the Band and Trumpeters. The design was based on that of the King?s racing colours and, when Parliament refused to cover the full cost of the Gold Coats, the Lord Mayor of London met the outstanding debt. In recognition of this he is the only person outside the Royal Family for whom Gold Coats are worn.

The Royal Horse Guards were formed in 1661 from cavalry of the former New Model Army and were given the nickname of the Oxford Blues, in recognition of their first colonel, the Earl of Oxford, and to their blue uniforms. It is recorded that from the outset that the Regiment had kettledrummers and trumpeters. In 1661 the Tangier Horse was raised for service on the Mediterranean coast of Africa. By 1702 the Tangier had changed to a Dragon Regiment and evolved to be The Royal Dragoons (1st Dragoons) and had a band consisting of 8 drummers and 8 hautbois (an early form of oboe). Soon after, in 1710, kettledrummers were added and in 1766 the drummers were converted to trumpeters. The Royal Horse Guards (The Blues) had also acquired trumpeters and drummers and in 1805 King George III personally presented a pair of solid silver kettledrums as testimony to their Honourable and Military conduct on all occasions. These kettledrums continue to be used today and can be seen carried and played by the mounted drummer on the Queen's Birthday Parade on Horse Guards. In 1969 The Royal Horse Guards (The Blues) amalgamated with 1st The Royal Dragoons (The Royals) to become The Blues and Royals (Royal Horse Guards and 1st Dragoons). This banner would have been used in the eras of; First Opium War 1839-1842
First Anglo Marri War 1840
First Anglo-Sikh War 1845-1846
Second Anglo-Burmese War 1852-1853
Crimean War 1853-1856
Anglo-Persian War 1856-1857
Second Opium War 1856-1860
Indian Rebellion 1857
New Zealand land wars 1845-1872
Second Anglo-Sikh War 1848-1849
Second Ashanti War 1863-1864
Bhutan War 1864-1865
Third Ashanti War 1873-1874
Second Anglo-Afghan War 1878?1880
Anglo-Zulu War 1879
Second Anglo Marri War 1880
First Boer War 1880-1881
Third Anglo-Burmese War 1885
Mahdist War 1891-1899
Fourth Ashanti War 1894
Anglo-Zanzibar War 1896 Shortest war in history lasted 38 minutes
Boxer Rebellion 1899-1901
Second Boer War 1899-1902
Framed and glazed in a simple modern gilt frame. It could be so much complimented by a fine antique Georgian or Victorian frame  read more

Code: 22531

A Personalised & Named Naval Sword of an 1804 Naval Hero Commodore of a British East Indiaman Fleet & His Original Framed Portrait

One of the great naval war heroes of the Napoleonic Wars, who won a commanding victory over a far superior French battle fleet in 1804. A super sword personally named to him. He was a famous King George IIIrd period naval fleet commander hero of the wars with Napoleon. His greatest achievement came during the Napoleonic Wars, in 1804, when having been appointed commodore of the Royal East India Volunteers and one of the company's fleets, that was carrying in today’s value almost a billion pounds sterling of cargo. He came across a far superior armed fleet, a French heavily armed battle squadron under Rear-Admiral Comte de Linois, which was raiding British shipping in the area.

Through simply remarkable and skillfull seamanship, and exemplary aggressive tactics, he fooled the French commander into thinking that the British convoy was escorted by powerful naval forces, instead of very lightly armed East Indiamen, and the French Admiral, horrified by what he assumed were a few, British, Royal Naval armed escort ships, decided not to risk attacking the convoy, and fled.The commodore skilfully compounded the deception by taking his lightly armed merchants and chasing the French away, despite the considerable disparity of force. Having saved the convoy from almost certain destruction, he was hailed as a hero throughout the kingdom, lavishly rewarded with praise, money, and a knighthood, and thus spent the last years of his life in most comfortable and well deserved retirement.

The Naval Chronicle declared at the time;

‘We cannot sufficiently express our opinion of the coolness, intrepidity, and skill, with which the Commander of this Fleet, unaccustomed as he was to the practice of naval engagements, provided against every emergency, and prepared his plans, either for attack or defence, as the manoeuvres of the French Admiral might render it expedient for him to adopt either the one of the other. His conduct was worthy of the experience and science of our most approved and veteran Admirals, while the ardour and promptitude with which his orders were obeyed and his plans executed by the several Captains under his command, may have been rivalled, but can scarcely be exceeded in the most renowned of our naval exploits. ‘
See the last photos in the gallery of famous paintings of the time depicting his battle and victory His near life size portrait accompanies his sword. The pictures in the gallery will show the brass sword hilt has been battle repaired, for the commodore, with immense skill on the shell guard and knuckle bow. The picture frame has some small areas of gesso and gilt the bottom that are missing, the blade has no scabbard.

Commodore Nathanial Dance was also awarded a £100 Lloyds Patriotic Fund Sword, today such a sword could be worth up to £200,000.  read more

Code: 23559

An Extremely Rare Example of a Vijayanagara Hooded Katar From South India,16th To Early 17th century.

Graduating triangular blade, engraved at the grip with two facing yali or leogryph (a part lion and part griffin), with some bird-like features. This mythological creature could be added to fine hooded katars by engraving to the hooded Katars as a means of spiritual protection in the battlefield. The Yali is a mythical creature seen in many South Indian temples, often sculpted onto the pillars. It may be portrayed as part lion, part elephant and part horse. The Vijayanagara Empire originated in the South of India through small Hindu Kingdoms as a resistance to the Muslim invasions from the North. These types of Hooded Katars are seen in the statues at Seshagiri Rayar Mandapam and were the staple of the Empire. As the Vijayanagara Empire slowly declined in the 17th century, this style of Katar declined and Katars without the hood became prominent.
This most rare Vijaynagara Katar exhibits the classical and traditional design, staying true to its roots. The blade is long, strongly tapering, with multiple grooves and fullers. The blade is also very sturdy and tight. Also if you notice the examples provided by Elgood, some of the katars do feature this type of blade. The grooves are deep and precisely cut and hold a consistent spacing and design, which adds to its aesthetic appeal. The blade is longer than the usual hooded Katars, which points towards this being an original blade, rather than a cut down european blade that is found on most other hooded katars on the market. The shield (hood) is a thick solid steel with a clean finish, engraved with floral designs and a yali. The Yali is a mythical creature seen in many South Indian temples, often sculpted onto the pillars. It may be portrayed as part lion, part elephant and part horse, and in similar shapes. Also, it has been sometimes described as a leogryph (part lion and part griffin), with some bird-like features. This mythological creature was added to the hooded Katars as a means of spiritual protection in the battlefield.

The handle bars are wide and larger than the typical Katar to match the aesthetic and size of the Vijaynagara Katar. The width of the handle bars provide an excellent protective layer for the user, but also creates an imposing presence when held due to the sheer size of the Katar. The grips features balls which give the user a good grip.  read more

Code: 25353

19th Century Oil Portrait of Arthur Wellesley, 1st Duke Of Wellington, The Iron Duke, The Victor Of Napoleon’s Waterloo in 1815, With Marshal Blucher.

After Sir Thomas Lawrence

Portrait of Arthur Wellesley, 1st Duke of Wellington, K.G., K.B., M.P. (1769-1852), bust-length, in civilian clothes with a military cloak, wearing the insignia of the Order of the Golden Fleece
Oil on canvas, nicely framed.
Lawrence was specially commissioned by George IV to paint a pantheon of military heroes, diplomats and powerful heads of state responsible for the defeat of Napoleon initially in 1814 and ultimately (after his escape from Elba) at the Battle of Waterloo on 18 June 1815. These paintings were initially proposed for Carlton House, but George IV’s plans for Windsor Castle latterly came to include a new room specially created for the display of Lawrence’s portraits: the Waterloo Chamber. The similar posed drawing of Wellington pictured in our gallery was purchased by Sir Henry Russell in 1842 was once believed to be Lawrence's original study for the subsequent oils he painted on which our portait that we offer here is based and it could have been drawn as early as 1814 when Farington noted Wellington's first visit to Lawrence's studio, however, Sir Henry Russell would have been naturally optimistic about his drawing and it was not Lawrence's usual practice to begin a sitting with this type of sketch. It has more the air of being a pencil copy made later from one of the oils and kept in the studio possibly as a reminder or for a present or even made expressly for Lewis's engraving published eventually long after Lawrence's death. The head is similar to that in the Apsley House oil of c.1815-16 but the high collar resembles its later variant painted for Charles Arbuthnot MP, exhibited RA 1822 and multiplied in numerous studio copies. Our painting is 19th century, an oil on canvas, framed in a 20th century gilt and black wooden frame. Arthur Wellesley, 1st Duke of Wellington, KG, GCB, GCH, PC, FRS (1 May 1769 ? 14 September 1852) was an Anglo-Irish soldier and Tory statesman who was one of the leading military and political figures of 19th-century Britain, serving twice as Prime Minister. He ended the Napoleonic Wars when he defeated Napoleon at the Battle of Waterloo in 1815.

Wellesley was born in Dublin into the Protestant Ascendancy in Ireland. He was commissioned as an ensign in the British Army in 1787, serving in Ireland as aide-de-camp to two successive Lords Lieutenant of Ireland. He was also elected as a Member of Parliament in the Irish House of Commons. He was a colonel by 1796 and saw action in the Netherlands and in India, where he fought in the Fourth Anglo-Mysore War at the Battle of Seringapatam. He was appointed governor of Seringapatam and Mysore in 1799 and, as a newly appointed major-general, won a decisive victory over the Maratha Confederacy at the Battle of Assaye in 1803.

Wellesley rose to prominence as a general during the Peninsular campaign of the Napoleonic Wars, and was promoted to the rank of field marshal after leading the allied forces to victory against the French Empire at the Battle of Vitoria in 1813. Following Napoleon's exile in 1814, he served as the ambassador to France and was granted a dukedom. During the Hundred Days in 1815, he commanded the allied army which, together with a Prussian Army under Blucher, defeated Napoleon at Waterloo. Wellington's battle record is exemplary; he ultimately participated in some 60 battles during the course of his military career.

Wellington is famous for his adaptive defensive style of warfare, resulting in several victories against numerically superior forces while minimising his own losses. He is regarded as one of the greatest defensive commanders of all time, and many of his tactics and battle plans are still studied in military academies around the world. After the end of his active military career, he returned to politics. He was twice British prime minister as a member of the Tory party: from 1828 to 1830, and for a little less than a month in 1834. He oversaw the passage of the Roman Catholic Relief Act 1829, but opposed the Reform Act 1832. He continued as one of the leading figures in the House of Lords until his retirement and remained Commander-in-Chief of the British Army until his death. Portrait by an unknown artist. However, original late Georgian to Victorian copies of this portrait are extremely popular and in 2014 another copy was estimated to sel at £2,000-£4,000 eventually achieved £27,500.

In frame; 14 inches x 18.25 inches  read more

Code: 23074

A Very Fine, 17th Century, King 'William & Queen Mary' Period Hangar Sword Cutlass of Senior Naval Officer's Admirals and Captains of the Royal Navy. & Notorious Pirates 🏴‍☠️ Gold Inlaid Flower Head Stamped Blade

From a superb family collection we just acquired, that was accumulated over decades, of fine early swords, pistols and cutlasses.

The sword of choice for senior officer's {Admirals and Captain's} serving in the Royal Navy during the 17th and early 18th century. We show three portraits in the gallery of admirals of the age each bearing their same swords, plus notorious pirates Blackbeard using the same sword.

Short flat sided blade. Antler handle made of antler of a male deer, called “hartshorn,” brass single knuckle bow bar hilt with cap pommel.
Blade bears two armourer's marks, of an 8 petealed flower stem and leaf with gold inlay. Overall in superb condition for its age.

Another very similar 'William and Mary period cutlass hangar was recovered {in a very poor state} from the wreck of notorious pirate, Captain Blackbeard's ship, the Queen Anne's Revenge, that was found at Beaufort inlet in 1996, the remains of the vessel have become the property of the people of North Carolina. And another 'William and Mary' period sword-cutlass is in a museum collection in Colonial Williamsburg in America.

William and Mary were the co-regnants over the Kingdoms of England, Scotland, and Ireland, namely the Dutch Prince of Orange King William III (& II) and his spouse (and first cousin) Queen Mary II. Their joint reign began in February 1689 after they were offered the throne by the Convention Parliament irregularly summoned by William after his victorious invasion of England in November 1688, the so-called Glorious Revolution. They replaced James II (& VII), Mary's father, who fled the country. Parliament offered William and Mary a co-regency, at the couple's behest. After Mary died in 1694, William ruled alone until his death in 1702. William and Mary were childless and were ultimately succeeded by Mary's younger sister, Anne.
This was the most popular form of sword used by the early British Naval Commanders when at sea. There are numerous great portraits in the National Gallery, and at the National Maritime Museum, of 17th and 18th century Admirals adorned with identical swords. Such as Admirals Benbow, Shovel et al. we show three such portraits in our gallery, of Hopsonn, Shovel and Benbow.

Vice-Admiral John Benbow (10 March 1653 – 4 November 1702) was an English Royal Navy officer. He joined the Navy in 1678, seeing action against Barbary pirates before leaving to join the Merchant Navy in which Benbow served until the 1688 Glorious Revolution, whereupon he returned to the Royal Navy and was commissioned.

Benbow fought against the French Navy during the Nine Years' War, serving on and later commanding several English warships and taking part in the battles of Beachy Head and Barfleur and La Hogue in 1690 and 1692. He went on to achieve fame during his military accomplishments, which included fighting against Barbary pirates such as the Salé Rovers, besieging Saint-Malo and seeing action in the West Indies against the French during the War of the Spanish Succession.

Admiral of the Fleet Sir Cloudesley Shovell (c. November 1650 – 22 or 23 October 1707) was an English naval officer. As a junior officer he saw action at the Battle of Solebay and then at the Battle of Texel during the Third Anglo-Dutch War. As a captain he fought at the Battle of Bantry Bay during the Williamite War in Ireland.

As a flag officer Shovell commanded a division at the Battle of Barfleur during the Nine Years' War, and during the battle distinguished himself by being the first to break through the enemy's line. Along with Admiral Henry Killigrew and Admiral Ralph Delaval, Shovell was put in joint command of the fleet shortly afterwards.

During the War of the Spanish Succession, Shovell commanded a squadron which served under Admiral George Rooke at the capture of Gibraltar and the Battle of Málaga. Working in conjunction with a landing force under the Earl of Peterborough, his forces undertook the siege and capture of Barcelona. He was appointed commander-in-chief of the Navy while at Lisbon the following year. He also commanded the naval element of a combined attack on Toulon, base of the main French fleet, in coordination with the Austrian army under Prince Eugene of Savoy in the summer of 1707. Later that year, on the return voyage to England, Shovell and more than 1,400 others perished in a disastrous shipwreck off the Isles of Scilly.

Thomas Hopsonn enjoyed a naval command on 18 May 1688, when James II appointed him to the Bonaventure. This ship was part of the fleet sent to The Nore under Strickland to prevent the Dutch invasion. However, Hopsonn was one of the conspirators within the fleet who supported William of Orange in the Glorious Revolution.

Following the revolution, Hopsonn retained command of the Bonaventure and was part of the squadron that relieved the siege of Derry in June 1689. On 28 October 1689, he was posted to the York, and commanded that vessel during the battle of Beachy Head the following year. Hopsonn's immediate commander in the battle was Sir George Rooke, who formed a high opinion of his gallantry and was afterwards much associated with him. He commanded Royal Katherine for two months starting in August 1690, before moving to command the St Michael. It was aboard the latter that he followed Rooke in the battle of Barfleur on 19 May 1692. In the same year, he was promoted to become a captain in the foot guards on the recommendation of admiral Edward Russell.

Blackbeard or Edward Teach (c.1680-1718) is one of the most infamous pirates to have ever lived.
Known for his fearsome image and daring acts on land and sea throughout the West Indies and along the North American East coast, his legacy has been the inspiration for many depictions of pirates throughout history. In possibly his most brazen act, Teach used his flotilla to blockade the port of Charlestown in the province of South Carolina. Over the course of a week, nine vessels were stopped and plundered as they attempted to sail out of the harbour, where Teach's fleet was moored.
Teach informed some of his prisoners that his fleet required medical supplies from the colonial government of South Carolina and that if none were provided, all would be beheaded and their ships burned.
Two pirates and a prisoner were sent to the town but when they did not return he moved eight ships into the harbour, causing panic and looting within the town. Shortly after his supplies were delivered and the prisoners released, after reportedly being robbed of all worthy possessions.
This siege represents the height of Teach’s notoriety, not just as a skilled captain but a fierce leader who was not confined to the sea and would maraud where he pleased. Exploits such as these made Teach was one of the most commonly reported pirates in the news and in the print of his age.

22.75 inches long overall, 17.5 inch long blade  read more

Code: 25381

A Very Fine, 17th Century, King 'William & Queen Mary' Period Hangar Sword Cutlass of Senior Naval Officer's Admirals and Captains of the Royal Navy. Plus Infamous Pirates 🏴‍☠️.. King's Head Stamped Blade

The sword of choice for senior officer's {Admirals and Captain's} and pirates serving in the Royal Navy during the 17th and early 18th century. we show three portraits in the gallery of admirals of the age each bearing their same swords, plus Edward Teach aka Blackbeard. .

Short flat sided blade. Antler handle made of antler of a male deer, called “hartshorn,” brass single knuckle bow bar hilt with cap pommel.
Blade bears two 'king's heads' armourer's marks. Overall in superb condition for its age.
Another very similar 'William and Mary hilted cutlass hangar was recovered {in a very poor state} from the wreck of notorious pirate, Captain Blackbeard's ship, the Queen Anne's Revenge, that was found at Beaufort inlet in 1996, the remains of the vessel have become the property of the people of North Carolina. And another 'William and Mary' period sword-cutlass is in a museum collection in Colonial Williamsburg in America.

William and Mary were the co-regnants over the Kingdoms of England, Scotland, and Ireland, namely the Dutch Prince of Orange King William III (& II) and his spouse (and first cousin) Queen Mary II. Their joint reign began in February 1689 after they were offered the throne by the Convention Parliament irregularly summoned by William after his victorious invasion of England in November 1688, the so-called Glorious Revolution. They replaced James II (& VII), Mary's father, who fled the country. Parliament offered William and Mary a co-regency, at the couple's behest. After Mary died in 1694, William ruled alone until his death in 1702. William and Mary were childless and were ultimately succeeded by Mary's younger sister, Anne.
This was the most popular form of sword used by the early British Naval Commanders when at sea. There are numerous great portraits in the National Gallery, and at the National Maritime Museum, of 17th and 18th century Admirals adorned with identical swords. Such as Admirals Benbow, Shovel et al. we show three such portraits in our gallery, of Hopsonn, Shovel and Benbow.

Vice-Admiral John Benbow (10 March 1653 – 4 November 1702) was an English Royal Navy officer. He joined the Navy in 1678, seeing action against Barbary pirates before leaving to join the Merchant Navy in which Benbow served until the 1688 Glorious Revolution, whereupon he returned to the Royal Navy and was commissioned.

Benbow fought against the French Navy during the Nine Years' War, serving on and later commanding several English warships and taking part in the battles of Beachy Head and Barfleur and La Hogue in 1690 and 1692. He went on to achieve fame during his military accomplishments, which included fighting against Barbary pirates such as the Salé Rovers, besieging Saint-Malo and seeing action in the West Indies against the French during the War of the Spanish Succession.

Admiral of the Fleet Sir Cloudesley Shovell (c. November 1650 – 22 or 23 October 1707) was an English naval officer. As a junior officer he saw action at the Battle of Solebay and then at the Battle of Texel during the Third Anglo-Dutch War. As a captain he fought at the Battle of Bantry Bay during the Williamite War in Ireland.

As a flag officer Shovell commanded a division at the Battle of Barfleur during the Nine Years' War, and during the battle distinguished himself by being the first to break through the enemy's line. Along with Admiral Henry Killigrew and Admiral Ralph Delaval, Shovell was put in joint command of the fleet shortly afterwards.

During the War of the Spanish Succession, Shovell commanded a squadron which served under Admiral George Rooke at the capture of Gibraltar and the Battle of Málaga. Working in conjunction with a landing force under the Earl of Peterborough, his forces undertook the siege and capture of Barcelona. He was appointed commander-in-chief of the Navy while at Lisbon the following year. He also commanded the naval element of a combined attack on Toulon, base of the main French fleet, in coordination with the Austrian army under Prince Eugene of Savoy in the summer of 1707. Later that year, on the return voyage to England, Shovell and more than 1,400 others perished in a disastrous shipwreck off the Isles of Scilly.

Thomas Hopsonn enjoyed a naval command on 18 May 1688, when James II appointed him to the Bonaventure. This ship was part of the fleet sent to The Nore under Strickland to prevent the Dutch invasion. However, Hopsonn was one of the conspirators within the fleet who supported William of Orange in the Glorious Revolution.

Following the revolution, Hopsonn retained command of the Bonaventure and was part of the squadron that relieved the siege of Derry in June 1689. On 28 October 1689, he was posted to the York, and commanded that vessel during the battle of Beachy Head the following year. Hopsonn's immediate commander in the battle was Sir George Rooke, who formed a high opinion of his gallantry and was afterwards much associated with him. He commanded Royal Katherine for two months starting in August 1690, before moving to command the St Michael. It was aboard the latter that he followed Rooke in the battle of Barfleur on 19 May 1692. In the same year, he was promoted to become a captain in the foot guards on the recommendation of admiral Edward Russell.

Blackbeard or Edward Teach (c.1680-1718) is one of the most infamous pirates to have ever lived.
Known for his fearsome image and daring acts on land and sea throughout the West Indies and along the North American East coast, his legacy has been the inspiration for many depictions of pirates throughout history. In possibly his most brazen act, Teach used his flotilla to blockade the port of Charlestown in the province of South Carolina. Over the course of a week, nine vessels were stopped and plundered as they attempted to sail out of the harbour, where Teach's fleet was moored.
Teach informed some of his prisoners that his fleet required medical supplies from the colonial government of South Carolina and that if none were provided, all would be beheaded and their ships burned.
Two pirates and a prisoner were sent to the town but when they did not return he moved eight ships into the harbour, causing panic and looting within the town. Shortly after his supplies were delivered and the prisoners released, after reportedly being robbed of all worthy possessions.
This siege represents the height of Teach’s notoriety, not just as a skilled captain but a fierce leader who was not confined to the sea and would maraud where he pleased. Exploits such as these made Teach was one of the most commonly reported pirates in the news and in the print of his age.


24 inches long overall, 19.25 inch long blade  read more

Code: 25380

A Simply Captivating & Outstanding Solid Silver Mounted ‘Mermaid’ Shell Guard Hilted Sword, Likely of of an Admiral or Vice Admiral, Such as Admiral Lord Nelson’s Walpole-Suckling Silver Hunting Hanger Sword

A wonderfully pulchritudinous sword of extraordinary quality, of chiselled and engraved silver, that bears numerous embellishments in full relief of mermaids, on the shell guard and the pommel. The pommel appears to have silver hallmarks that sometime in its life have been struck out, {see photo 7 in the gallery}. there also appears to be a mermaid in the knuckle bow midsection.

The sword of choice for senior officer's {Admirals, Vice Admirals & Rear Admirals } serving in the Royal Navy during the 17th and early 18th century. We show three portraits in the gallery of admirals of the age each bearing their same swords, especially the silver hilted shell guard hilted sword of Admiral Sir Cloudesly Shovel
It is also very similar to the the Walpole-Suckling Hunting Hanger Sword believed Carried by Capt. Horatio Nelson, sold by Sotheby's special treasures sale in 2003, see photo 10 in the gallery.

Double fullered blade, cast and chiselled silver hilt with a solid antler grip made of antler of a male deer, called “hartshorn,” silver single knuckle bow bar hilt with shell guard decorated with two mermaids ether side of the anthus leaf bordered edge, and a 17th century bewigged mounted nobleman mounted on a horse possibly in combat with an armoured figure on another creature, possibly a horse but it has horns coming from its head. At the base of the shell guard is a clam shell form. Silver mounted leather scabbard with mermaid head silver frog belt mount, and long, top and bottom mounts, very finely and profusely engraved with scrolling acanthus leaves, possibly during the Georgian era. Likely made during the reigns of King William and Queen Mary or Queen Anne.

William and Mary were the co-regnants over the Kingdoms of England, Scotland, and Ireland, namely the Dutch Prince of Orange King William III (& II) and his spouse (and first cousin) Queen Mary II. Their joint reign began in February 1689 after they were offered the throne by the Convention Parliament irregularly summoned by William after his victorious invasion of England in November 1688, the so-called Glorious Revolution. They replaced James II (& VII), Mary's father, who fled the country. Parliament offered William and Mary a co-regency, at the couple's behest. After Mary died in 1694, William ruled alone until his death in 1702. William and Mary were childless and were ultimately succeeded by Mary's younger sister, Anne.
This was the most popular form of sword used by the early British Naval Commanders when at sea. There are numerous great portraits in the National Gallery, and at the National Maritime Museum, of 17th and 18th century Admirals adorned with identical swords. Such as Admirals Benbow, Shovel et al. we show three such portraits in our gallery, of Hopsonn, Shovel and Benbow. Shovel in particular had a near identical silver shell guard hilted sword just as this one.

Vice-Admiral John Benbow (10 March 1653 – 4 November 1702) was an English Royal Navy officer. He joined the Navy in 1678, seeing action against Barbary pirates before leaving to join the Merchant Navy in which Benbow served until the 1688 Glorious Revolution, whereupon he returned to the Royal Navy and was commissioned.

Benbow fought against the French Navy during the Nine Years' War, serving on and later commanding several English warships and taking part in the battles of Beachy Head and Barfleur and La Hogue in 1690 and 1692. He went on to achieve fame during his military accomplishments, which included fighting against Barbary pirates such as the Salé Rovers, besieging Saint-Malo and seeing action in the West Indies against the French during the War of the Spanish Succession.

Admiral of the Fleet Sir Cloudesley Shovell (c. November 1650 – 22 or 23 October 1707) was an English naval officer. As a junior officer he saw action at the Battle of Solebay and then at the Battle of Texel during the Third Anglo-Dutch War. As a captain he fought at the Battle of Bantry Bay during the Williamite War in Ireland.

As a flag officer Shovell commanded a division at the Battle of Barfleur during the Nine Years' War, and during the battle distinguished himself by being the first to break through the enemy's line. Along with Admiral Henry Killigrew and Admiral Ralph Delaval, Shovell was put in joint command of the fleet shortly afterwards.

During the War of the Spanish Succession, Shovell commanded a squadron which served under Admiral George Rooke at the capture of Gibraltar and the Battle of Málaga. Working in conjunction with a landing force under the Earl of Peterborough, his forces undertook the siege and capture of Barcelona. He was appointed commander-in-chief of the Navy while at Lisbon the following year. He also commanded the naval element of a combined attack on Toulon, base of the main French fleet, in coordination with the Austrian army under Prince Eugene of Savoy in the summer of 1707. Later that year, on the return voyage to England, Shovell and more than 1,400 others perished in a disastrous shipwreck off the Isles of Scilly.

Thomas Hopsonn enjoyed a naval command on 18 May 1688, when James II appointed him to the Bonaventure. This ship was part of the fleet sent to The Nore under Strickland to prevent the Dutch invasion. However, Hopsonn was one of the conspirators within the fleet who supported William of Orange in the Glorious Revolution.

Following the revolution, Hopsonn retained command of the Bonaventure and was part of the squadron that relieved the siege of Derry in June 1689. On 28 October 1689, he was posted to the York, and commanded that vessel during the battle of Beachy Head the following year. Hopsonn's immediate commander in the battle was Sir George Rooke, who formed a high opinion of his gallantry and was afterwards much associated with him. He commanded Royal Katherine for two months starting in August 1690, before moving to command the St Michael. It was aboard the latter that he followed Rooke in the battle of Barfleur on 19 May 1692. In the same year, he was promoted to become a captain in the foot guards on the recommendation of admiral Edward Russell.

Overall 25 inches long in the scabbard, the blade 19 inches long  read more

Code: 25373

Original Ancient Roman ‘Cross-bow” Fibula Bronze Toga Pin Military Issue, Fine Piece For Higher Ranking Figures in the Legion, Such As a Centurion or Tribune

Bow Fibula with a folded or rolled sleeve hinge, c. Early Imperial - Beginning of 2nd Century. We acquired a very small collection of roman toga pins, from super, small collection of original, historical, Imperial Roman and Crusader's artefacts
Shaped in the form of a roman military crossbow fibula, in bronze.
It became the most popular form of closure for Roman fibulae, and is characteristic of the bow brooches from the early imperial times to the beginning of the 2nd century. Outside the Roman Empire and after that time, this type of hinge was seldom used. The sleeve hinge consists of a small sleeve at the top of the head which is forged from a square sheet metal plate and then rolled up. In a center-cut slot, the spiked needle is inserted and held by a shaft (usually iron) passing through the whole sleeve. At the ends of each of the Aucissa fibulae and their early successors were buttons holding the hinge axis; later, the hinge axis was clamped in the sleeve and needed no buttons. The needle always carries a thorn-like projection on its perforated oval plate, which beats against the head of the fibula and, by virtue of this resistance, causes the suspension to spring forth. The sleeve hinge is used exclusively in bow fibulae. The needle is primarily rectilinear, but bends hand in hand with the flattening of the bow to the outside to continue to leave enough space between the bracket and needle. The sleeve hinge is considered a typical Roman construction. The paludamentum was usually worn over one shoulder and fastened with a fibula (ancient version of a safety pin). Arguments abound over what shoulder was exposed, but it seems fairly clear that the garment was fastened loosely enough to move around, The paludamentum was a cloak that was specifically associated with warfare. A general donned one for the ceremonial procession leading an army out of the sacred precinct of the city of Rome and was required to remove it before returning to the city…a sign that he was no longer a general, but a common citizen. The paludamentum or sagum purpura (purple cloak) was the iconic red cloak worn by a Roman general (Legatus) and his staff officers. Originally, it’s distinctive red/purple color clearly delineated between these officers and the rest of the army, which sported the sagum gregale (cloak of the flock). Although the sagum gregale, worn by the rank and file, started out the color of the flock (i.e. undyed wool), it seems likely to have transitioned to a coarser version of the sagum purpura by the imperial period (27BCE – 476CE). Outfitting the entire army in red garments would have been a mark of the great wealth of Rome – well, that and the fact that the Romans controlled the source of purple dye by then.The pin is now frozen through two millennia in a fixed position. Fibula 47mm x 22mm [not incuding pin] 68mm long x 22mm including the pin extended  read more

Code: 23985

An Eastern Roman Empire Battle War Axe 4th - 10th Cent. A.D.

This is a typical axe for the Eastern Roman Empire legionary and warrior. From the time of Emperor Constantine 'The Great' and used to The beginning of Byzantium period.

The Battle of Cibalae was fought in 316 between the two Roman emperors Constantine I (r. 306–337) and Licinius (r. 308–324). The site of the battle, near the town of Cibalae (now Vinkovci, Croatia) in the Roman province of Pannonia Secunda, was approximately 350 kilometers within the territory of Licinius. Constantine won a resounding victory, despite being outnumbered.
The opposing armies met on the plain between the rivers Sava and Drava near the town of Cibalae (Vinkovci). The battle lasted all day. The battle opened with Constantine's forces arrayed in a defile adjacent to mountain slopes. The army of Licinius was stationed on lower ground nearer the town of Cibalae, Licinius took care to secure his flanks. As the infantry of Constantine needed to move forward through broken ground, the cavalry was thrown out ahead, to act as a screen. Constantine moved his formation down on to the more open ground and advanced against the awaiting Licinians. Following a period of skirmishing and intense missile fire at a distance, the opposing main bodies of infantry met in close combat and fierce hand-to-hand fighting ensued. This battle of attrition was ended, late in the day, when Constantine personally led a cavalry charge from the right wing of his army. The charge was decisive, Licinius' ranks were broken. As many as 20,000 of Licinius' troops were killed in the hard-fought battle. The surviving cavalry of the defeated army accompanied Licinius when he fled the field under the cover of darkness
It is a matter of debate when the Roman Empire officially ended and transformed into the Byzantine Empire. Most scholars accept that it did not happen at one time, but that it was a slow process; thus, late Roman history overlaps with early Byzantine history. Constantine I (the Great) is usually held to be the founder of the Byzantine Empire. He was responsible for several major changes that would help create a Byzantine culture distinct from the Roman past.

As emperor, Constantine enacted many administrative, financial, social, and military reforms to strengthen the empire. The government was restructured and civil and military authority separated. A new gold coin, the solidus, was introduced to combat inflation. It would become the standard for Byzantine and European currencies for more than a thousand years. As the first Roman emperor to claim conversion to Christianity, Constantine played an influential role in the development of Christianity as the religion of the empire. In military matters, the Roman army was reorganised to consist of mobile field units and garrison soldiers capable of countering internal threats and barbarian invasions. Constantine pursued successful campaigns against the tribes on the Roman frontiers the Franks, the Alamanni, the Goths, and the Sarmatians, and even resettled territories abandoned by his predecessors during the turmoil of the previous century.

The age of Constantine marked a distinct epoch in the history of the Roman Empire. He built a new imperial residence at Byzantium and renamed the city Constantinople after himself (the laudatory epithet of New Rome came later, and was never an official title). It would later become the capital of the empire for over one thousand years; for this reason the later Eastern Empire would come to be known as the Byzantine Empire. His more immediate political legacy was that, in leaving the empire to his sons, he replaced Diocletian’s tetrarchy (government where power is divided among four individuals) with the principle of dynastic succession. His reputation flourished during the lifetime of his children, and for centuries after his reign. The medieval church upheld him as a paragon of virtue, while secular rulers invoked him as a prototype, a point of reference, and the symbol of imperial legitimacy and identity. The Varangian Guard was an elite unit of the Byzantine Army, whose members served as personal bodyguards to the Byzantine Emperors. The Varangian Guard was known for being primarily composed of recruits from northern Europe, including Norsemen from Scandinavia and Anglo-Saxons from England. The recruitment of distant foreigners from outside Byzantium to serve as the emperor's personal guard was pursued as a deliberate policy, as they lacked local political loyalties and could be counted upon to suppress revolts by disloyal Byzantine factions. This axes form and evolution; A somewhat similar correspondent to the type 1 of the classification made by the Kirpichnikov for the early Russian axes. Particularly, it seems akin to the specimens of Goroditsche and Opanowitschi, dated in the turn of 10th - 11th centuries however, its shape is slightly different, and considering the strong influence of the Roman Armies on the Russian ones in 11th century.
The general Nikephoros Ouranos remembers in his Taktika (56, 4) that small axes were used at the waist of the selected archers of infantry : "You must select proficient archers - the so called psiloi - four thousand. These men must have fifty arrows each in their quivers, two bows, small shields and extra bowstrings. Let them also have swords at the waist, or axes, or slings in their belts".

The axe was inserted in its wooden shaft and fixed to it by means of dilatation of the wood, dampened by water. The Byzantine Empire is the great Greek-language Christian empire that emerged after 395AD from the eastern part of the Roman Empire, Thanks to efficient government and clever diplomacy that divided its many enemies, the empire survived. Much diminished after 1204 AD when it was sacked by Christian Crusaders from the west en route to liberate Jerusalem, it finally fell to the Turks in 1453--indeed its fall is often used to date the end of the Middle Ages. Its capital was Constantinople, built on the site of the Greek colony of Byzantium and which is now known as Istanbul). The center of Orthodox Christianity, it is famous as well for its art and culture. The inhabitants of the empire referred to themselves as 'Romans' and considered themselves as such, the term 'Byzantine' not being used to describe the empire and its peoples until the seventeenth century, but after the seventh century the language of empire changed from Latin to Greek. Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only the swords of kings, that have been preserved in national or Royal collections are today still in a good state and condition.  read more

Code: 22671