Welcome to The Lanes Armoury, Britain's Truly Magical Place, Where Thousands of Original & Breathtaking Wonders Are For Sale

Our beautiful pieces from history are not always just for looking at, some can still be enjoyed and worn for every one to see.

We Are Not Just A Webstore, We Are Always Welcoming Thousands Personal Visitors To View or Buy our Museum Pieces in Our Gallery In Brighton, Every Day* {but Sunday}

Thousands of original, historic, ancient, antique and vintage collectables. For example; from Ancient Rome, China and Greece, to Medieval Japan, and Viking Europe. Covering British, European, and in fact, all worldwide eras of historical events from the past 4000 years, with antiquities, weaponry, armour, object d’art, militaria and fabulous books, from the Stone Age, the Bronze Age and the iron age, and right up to WW2.

Where else in the world could you find, under one roof, original artifacts, such as,; a mace and archer’s ring recovered from the site of Battle of Crecy, a sword of a British Admiral or notorious pirate fleet captain of the Golden Age of piracy of 17th century England, a battle mace, possibly once used by of one the personal guards in the service of the most famous Pharoah, Rameses the Great of Egypt, or, a museum quality 500 year old sword of a samurai clan Daimyo lord, and a pair of gold and enamel Art Deco 1920’s Magic Circle medals awarded to a friend of Harry Houdini. And all of the above, with many other pieces, have been just been offered upon the site within the past week.

Personalised and unique ‘Certificates of Authenticity’ can be supplied for every, single, purchase.

Our family have been personally serving the public in Brighton for several generations, in fact, for over 105 years.

* Opening hours Monday to Saturday 11.00am till 4.00pm, closed Sundays and Bank Holidays.


See in the gallery Will Young wearing one of our fabulous Victorian tunics, plus, James Marshall ‘Jimi’ Hendrix  read more

Code: 24055

A Truly Exceptional & Rare Original 16th Century Italian Renaissance Sfondagiaco Eared Dagger, Named From The Protruding Twin ‘Ears’ of the Pommel Shaped As Stunning Masked Horned Goats.

An original and rare dagger used by Princes, Dukes and Kings, capable of perforating chainmail and sliding between metal armour plates.
An exceptionally rare and important so called 'Ear Pommel Dagger', from 16th century Venice, Italy. With a traditional form brass hilt, of twin plates double rivetted through the blade tang, finely engraved, with a pair of ear pommels, in the form of two simply stunning full relief masks of horned goats, backed with clam shell decoration. Double edged graduating blade.

What has been described the most valuable dagger in the world was another, most similar 'Ear Form Pommel Dagger', from the same era of the 15th century.
It was from the Nasrid dynasty in Spain and it sold in Sotheby's Auction house nine years ago for an incredible $6 million dollars. However that example was decorated with Islamic decoration in gold. Ear Daggers are considered the most important contribution to the Nasrid panoply of arms and armour. Ear Daggers probably originated from North Africa, although ancient Asiatic versions existed from 1200 bc. They were used in Spain during the 15th and 16th centuries, and also introduced to Italy and Christian Europe in the 15th century. Daggers of this type were once extremely fashionable among great and powerful nobles, princes and kings, and there exists a portrait of the young King Edward VI of England, now in the Royal Collection at Windsor Castle, clutching an Ear Dagger at his waist. Deriving its name from the striking design of the hilt pommel, the Ear Dagger (dague oreilles in French and alla Levantina in Italian) comprises two flattened, embossed or conical discs which resemble ears, issuing from either side of the grip a.
Only a handful of comparable examples of the Nasrid daggers exist, and mainly in museum collections.
Original 15th century ear daggers are only generally to be found in the finest national museums such as the Louvre, the British Royal Collection, the Metropolitan Museum, Fifteenth-century Italy was unlike any other place in Europe. It was divided into independent city-states, each with a different form of government. Florence, where the Italian Renaissance began, was an independent republic. It was also a banking and commercial capital and, after London and Constantinople, the third-largest city in Europe. Wealthy Florentines flaunted their money and power by becoming patrons, or supporters, of artists and intellectuals. In this way, the city became the cultural centre of Europe, and of the Renaissance. Italian Wars, (1494-1559) series of violent wars for control of Italy. Fought largely by France and Spain but involving much of Europe, they resulted in the Spanish Habsburgs dominating Italy and shifted power from Italy to north-western Europe.
The wars began with the invasion of Italy by the French king Charles VIII in 1494. He took Naples, but an alliance between Maximilian I, Spain, and the pope drove him out of Italy. In 1499 Louis XII invaded Italy and took Milan, Genoa, and Naples, but he was driven out of Naples in 1503 by Spain under Ferdinand V. Pope Julius II organized the League of Cambrai (1508) to attack Venice, then organized the Holy League (1511) to drive Louis out of Milan. In 1515 Francis I was victorious at the Battle of Marignano, and in 1516 a peace was concluded by which France held onto Milan and Spain kept Naples. Fighting began in 1521 between Emperor Charles V and Francis I. Francis was captured and forced to sign the Treaty of Madrid (1526), by which he renounced all claims in Italy, but, once freed, he repudiated the treaty and formed a new alliance with Henry VIII of England, Pope Clement VII, Venice, and Florence. Charles sacked Rome in 1527 and forced the pope to come to terms, and Francis gave up all claims to Italy in the Treaty of Cambrai (1529). By the Peace of Cateau-Cambr?sis (1559), the wars finally ended. 16 inches long overall, blade 11 inches.  read more

Code: 22159

Roman Key Ring, A Bronze Amulet-Ring Key. 1st to 3rd Century A.D.Around 1900 to 1800 Years Old. Worn From The Period of Emperors Trajan, Hadrian, Marcus Aurelius, Lucius Verus, & Commodus

Ancient Roman bronze key ring, an intriguing piece of functional jewellery.

For lack of pockets in their togas, the ancient Romans often wore keys to important boxes, etc on their fingers. The most intriguing items of Roman security hardware seem to be keys and lock bolts. Keys were used mainly for doors, chests, boxes, caskets, cupboards and padlocks. Less often they were used for ceremonial or decorative purposes, such as matron keys, jewelry items and votive offerings.

It is alleged that some ring keys were worn by women as symbols of household authority, as "keeper of the keys". This is probably true, but such are difficult to identify as having served that purpose. The wooden Egyptian pin tumbler locks were over two thousand years old by this time. Roman engineers modernized them and other lock constructions by replacing the wooden parts with corresponding parts made of metal.

The clumsy Egyptian pin tumbler locks were transformed into elegant Roman pin tumbler locks of steel, fitted with an ingenious Roman invention, steel springs. The locks were often tiny masterpieces in terms of both precision and design. All Roman door locks can only be opened from one side. There were illustrations in Le case e monumenti di Pompeii, four volumes by Fausto and Felice Niccolini, printed in Naples in 1854–96. Another author, Albert Neuburger, used the same images in his book on ancient technology, Die Technik des Altertums, printed in Leipzig in 1921. The cities of Pompeii and Herculaneum were buried in ash when the nearby volcano Mount Vesuvius erupted in 79 AD, and were eventually forgotten.
Likely worn over the first knuckle before the second, knuckle position, or around the neck as an amulet

Illustrations in Technik des Altertums. Reconstruction of a Roman pin tumbler door lock of metal, inside and outside, and an example of a key. Deutsches Museum, Munich. The first reconstruction of this lock was made by Louis Jacobi (1836–1910) for the Saalburg Museum north of Frankfurt.

For example; With regards to some expert conservation methods of bronze objects {and some other materials} The dirt from the surface of the object could be removed manually using a scalpel under magnification. Care would be taken not to dislodge the powdery, corroding surface. Where the surface was in particualrly bad condition the dirt will be left in situ and small areas might be locally consolidated using 2.5% HMG Paraloid B72 (methyl ethyl methacrlylate) in 50:50 Acetone (propan-1-one/dimethyl ketone) and Industrial methylated spirits (ethanol,methanol).  read more

Code: 25466

Superb, 1908 Pattern, Historical, British Cavalry Trooper's Sword by Mole & Wilkinson Sword Co. Issue of 1909. British Front Line Cavalry Issue, & 1918 Australian Light Horse Issue, Original 1918 Australian Light Horse Service Issue Buff Hide Sword Knot

Just returned from the workshop after 40 hours of expert hand polishing and conservation in order to return it, as close as possible, to its original issue bright polish finish. It revealed after all that expert effort it has just natural age wear and surface patination, and with no damage signs at all. It is now transformed back into its excellent condition for its age. We pride ourselves for the use of our expert conservation and restoration artisans, that are some of the very best available in the country, some expertly trained for over 40 years. Many types of conservation skills are now sadly lost, but some are still maintained, with no expense spared attitude in order to preserve historical artefacts for generations to come.

With many original ordnance inspection stamps still present, an the earliest is {'09} 1909, with several others, {'14} 1914, {'17} 1917, {'24} 1924, {'36}1936. It still has its original WW1 Australian issue buff hide sword knot still attached, by Hepburn, Gale & Ross Ltd. The knot also shows over 100 years of completely natural aging and darkening, yet still retains its great condition. The Australian service pattern issue knot differed somewhat from the standard British service issue leather knot.

Early British army regimental markings on the inner bowl, for the British front line regiments to which it was issued in 1909, and thus used at the outbreak of the war and through to the end of 1917, but its early war regimental markings were later struck out for its later war re-issue to the Australian Light Horse in 1918. No Australian Light Horse issue swords ever bore any Australian issue markings {certainly none that been found so far}. Likely as they were issued straight to the regiments direct at the front line in Turkey, and never went to the Australian ordnance until after the war.

One of the earliest issued examples of the 1908 trooper's sword, issued and used by British front rank cavalry, lancers and hussars from 1914, right through 1914,15,16,17, until it was re-issued and sent to Australian forces in 1918, as a WW1 Australian service, Australian Light Horse 1908 trooper's sword.
All the Australian issued swords came in 1918 to units in the Middle East and came from most British and Canadian cavalry units who were eventually dismounted in the trenches and had no further need for swords. The Australian regiment mostly used the 1908's in 1918 for routing entrenched Turkish forces positions. Before the availability of the swords the cavalry famously used their 1907 pattern hook quillon bayonets.

In its earliest service, it would have seen service with, for example, such as the 6th Dragoon Guards. In August 1914, the 6th D.G, deployed to France as part of the British Expeditionary Force. It served throughout the First World War (1914-18) on the Western Front, fighting in many engagements in both a mounted and infantry role. These included Mons (1914), the Marne (1914), the first two battles of Ypres (1914 and 1915), the Somme (1916), Arras (1917), Cambrai (1917) and Amiens (1918). 6 DG remained as mounted cavalry throughout the war, but there were occasions, notably during March/April 1918, when they did duty in the trenches or helped stem an attack. For these occasions they were dismounted temporarily. An original sword as can be seen used to incredible effect in the magnificent epic, by Steven Spielberg, 'Warhorse'. An antique original issue trooper's sword with full ordnance markings, used in the frontline British cavalry regiments during WW1. A current Cavalry pattern still used today by all forms of the current British Cavalry. Considered to be the best designed cavalry sword ever made. In exceptionally good condition, a superb collector's item from the finest cavalry in the world. Steel bowl with inner part still with original darkening present. Its steel scabbard is superb, as is its traditional service issue hardened rubber grip with crosshatching. Early in WW1, cavalry skirmishes occurred on several fronts, and horse-mounted troops were widely used for reconnaissance. Britain's cavalry were trained to fight both on foot and mounted, but most other European cavalry still relied on the shock tactic of mounted charges. There were isolated instances of successful shock combat on the Western Front, where cavalry divisions also provided important mobile fire-power. Beginning in 1917, cavalry was deployed alongside tanks and aircraft, notably at the Battle of Cambrai, where cavalry was expected to exploit breakthroughs in the lines that the slower tanks could not. At Cambrai, troops from Great Britain, Canada, India and Germany participated in mounted actions. Cavalry was still deployed late in the war, with Allied cavalry troops harassing retreating German forces in 1918 during the Hundred Days Offensive, when horses and tanks continued to be used in the same battles. In comparison to their limited usefulness on the Western Front, "cavalry was literally indispensable" on the Eastern front and, in the Middle East, & Turkey.  read more

Code: 25527

A Superb, Original, WW1 British Brodie 'Tommy' Combat Helmet. Veteran Painted With WW1 Cartoon & Theatre Character 'Old Bill'

Unlike the closure of most wars, every WW1 Tommy veteran was allowed to take home his helmet. A very few then decorated the surface with comedic scenes or regimental devices etc.

Old Bill is a fictional character created in 1914–15 by cartoonist Bruce Bairnsfather. It became a worldwide sensation. Old Bill was depicted as an elderly, pipe-smoking British "tommy" with a walrus moustache. The character achieved a great deal of popularity during World War I where it was considered a major morale booster for the British troops. Old Bill and his younger troopmate little Alphie were private infantrymen in the British Expeditionary Force.

Many claims have been put forth as being the model for "Old Bill" but the most likely appears to be Thomas Henry Rafferty, a lance corporal from Birmingham in Bairnsfather's regiment, the Royal Warwickshires, who was killed in the same action that invalided Bairnsfather in April 1915. Rafferty was featured in the Weekly Dispatch in 1917, referred to as "Old Bill," along with a photograph taken by Bairnsfather.

Bill & Alphie's, the Royal Military College of Canada on-campus cadet pub in Kingston, Ontario is named after Bruce Bairnsfather's Great War cartoon characters. Yeo Hall at the Royal Military College of Canada features sculptures of Bill and Alphie.

After the huge success of his first theatrical sketch Bairnsfatherland or the Johnson 'Ole (written in collaboration with Basil Macdonald Hastings) in the London Hippodrome revue Flying Colours in September 1916 , and with a second sketch due to open in See-Saw at the Comedy Theatre in Spring of 1917, the suggestion was made that Bruce Bairnsfather should write a full length play based around his popular character Old Bill,

The idea was taken up by Bairnsfather and, in collaboration with Capt. Arthur Eliot, he wrote a comedy-drama titled The Better 'Ole. It was made up of two acts and eight scenes (described in the programme as "Two explosions, Seven Splinters and a Short Gas Attack"): at a "Gaff" behind the lines, outside the Cafe des Oiseaux near the front, in billets behind the line, on the way back "in," in the trenches, at Headquarters, on the Leave Train and back at Old Bill's home in England.

First produced by Charles B Cochran at the Oxford Theatre, London on 4 August 1917, The Better 'Ole was an instant hit. Within a few months Cochran had sent out several touring companies, which took the play to all corners of the UK over the next 2 years. It was also produced around the world - from New York to Sydney, and Bombay to Tokyo - by several theatrical companies, and met with huge success wherever it was played.  read more

Code: 25537

A Solid Hallmarked Sterling Silver Horse, By Carrington and Company Of Regent Street, London, In 1961. Silversmiths To Queen Victoria, Prince Albert, Edward VII and George V, Czar Nicholas I & II,Queen Alexandra of Russia.

A beautifully crafted horse, standing erect and proud, finely cast with a finely hand engraved coat

Made in two parts, with the horse free standing upon its rectangular base {hallmarked}. The horse is hallmarked upon its hoof.

The firm of Carrington was named after its founder John Bodman Carrington who established his manufacturing business at 130 Regent Street.

He was listed as a silversmith, goldsmith and jeweller working from the London premises of the Birmingham silversmiths G.R. Collis & Co. The business was re-styled Carrington & Co in 1880 and the firm specialised in extra strong silver plate for use in restaurants, hotels and ships.

By the early 1890s Carrington were advertising themselves as jewellers, diamond merchants, dealers in precious stones and manufacturing silversmiths. At this time the partners were John Carrington, William Carrington Smith and George Bruford. They were awarded the Royal Warrant by Queen Victoria and would go on to gain the warrants of Prince Albert, Edward VII and George V, as well as Nicholas I and II and Queen Alexandra of Russia. In 1893 they created the beautiful Dorset bow brooch for Queen Mary and in 1911 they set the famous Cullinan diamonds numbers III and IV into a brooch/ pendant for her, a jewel now owned by the Queen who affectionately refers to them as ‘Granny’s chips’.

John Carrington became Prime Warden of the Goldsmiths’ Company in 1903 and retired from his business in 1906 leaving W.C. Smith to continue as sole remaining partner. Carrington co-authored a book ‘The Plate of the Worshipful Company of Goldsmiths’ which was published shortly before his death in 1926. The firm was converted into a limited liability company in 1922 and was eventually bought out by the firm Collingwood.  read more

Code: 25509

A Superb Crimean War and US Civil War Period Crystal Masonic Gaming Tumbler

A good size crystal gaming tumbler, engraved with numerous Masonic symbols, including the square and compass, with three gaming dice sealed within the glass hollow base.
Circa 1850's.
After 4 years of war, the weary and almost defeated Confederate Army was retreating and leaving the Confederate capital of Richmond to its own fate. As the army retreated, fires broke out in all sections of the city. Hoodlums, deserters, and criminals, with no law and order, began to pillage the city.

Just as the city seemed to be doomed, a Union cavalry unit swung up Franklin Street. The bearded colonel looked warily at the riff raff around him who were about to fire a building which bore a sign "Masonic Hall." Taking command of the moment, he halted his troopers and ordered that an adjutant "have all Masons wheel out of column." Almost half of his force moved out. From this group he ordered a suitable guard to protect the Masonic Temple. The column reformed and resumed its ride. Later General Godfrey Weitzel, a Mason, gave the order, after a request by the Lodge, to continue the guard. The building saved is said to have been the oldest purely Masonic building in America with records dating back to 1787, and the historic building itself was built in 1785 by Richmond Lodge 10. The Grand Lodge assembled here after its formation in Williamsburg until its move in 1869.

In the battle for Galveston, Texas a young Union naval officer who was a Mason was killed on board one of the Union vessels.

An armistice was sought and given for his burial at sea and his father, a Confederate officer, attended the funeral on board.

It was an April morning three days after General Robert E. Lee had surrendered to General U.S. Grant. The Southern troops, led by General John B. Gordon, a Mason, were marching in columns towards the Northern troops who were standing in formation waiting for the Southerners to stack arms and fold their flags. Suddenly a shifting of arms is heard. Gordon looked up with alarm. There was nothing to fear. General Joshua Chamberlain had ordered his troops to assume the position of "honor answering honor." Immediately, the Confederate troops snapped to attention and returned the honor. It was the first act to heal the wounds of a nation that had spent four years and 618,000 lives in civil war. That command of "honor answering honor" was ordered by a Mason.

Major General Joshua Chamberlain was a member of United Lodge 8, Brunswick, Maine. After the war, he became Governor of Maine from 1866-1871 and President of Bowdoin College from 1871-83.  read more

Code: 25504

Most Incredible & Finest Quality King George IIIrd Napoleonic Wars Scottish Presentation Sword, Presented In The Months Following the Battle of Trafalgar The Regiment of Midlothian Infantry, East Midlothian, By the Officer's & Men of The New Battle Co.

This is a magnificent ‘royal grade’ museum piece, a sublime quality presentation sword, made with the finest copper-gilt mounts, silver panels, and a stunning blue and gilt blade with deluxe engraving and etched presentation panel. A sword of the highest rank, commissioned to be hand made by Mr Phillip Rundell & Mr George Bridge, partners of their company of personal goldsmiths to King George IIIrd, and one of the worlds finest makers of objects of magnificence, including the British Crown Jewels, universally recognised as the finest, and most valuable by far, suite of royal regalia in the world.

Formerly in the world famous Smithsonian Collection in Washington, America, sold by them over 25 years ago to raise an urgent need of funds.
In the days it was commissioned it would have been made for the equivalent and likely same cost of the £100 Lloyds Patriotic Fund Presentation Swords, that were presented to the heroes of the Royal Navy, such as that fought at Trafalger etc. Bearing in mind the value of £100 in 1806 was a simply remarkable sum, for example only 6% of the families in Britain had a total income of £100 in an entire year in 1806, an equivalent today of around £80,000.

Presentation inscription motto etched onto the blade reads;
‘Into whose hand
this sword is put,
It’s hop’t will not
fear Buonaparte,

So draw me out
I shine so clear
and if I strike
my foes may fear”

This fabulous sword, was made by Philip Rundell and George Bridge whose company later made The British Imperial State Crown, the most famous and important royal crown of state ever made, and last used by her Majesty Queen Elizabeth II for her coronation in 1953. This wondrous sword was formerly from the Smithsonian Collection in Washington, and is remarkably similar to the most valuable and highest quality presentation British swords of the Napoleonic Wars, the Lloyds Patriotic Fund sabres, that today can fetch up to £220,000, considerably more than they were achieving 40 years ago when we sold a fine £100 pound Lloyds sword, and even 20 years ago when we sold our last Lloyds £100 pound sword. This sword's makers were King George IIIrds personal goldsmiths, and made the Irish Crown Jewels in 1830, and Queen Victoria's Imperial State Crown " expressly made for the solemnity of the Coronation" That was last used by Her Majesty Queen Elizabeth IInd for her coronation. This spectacular sword is inscribed that its bearer should fight Napoleon Bonaparte without fear, but his foes The French will fear its startling brightness and beauty. It has a sharply curved blade, decorated with stands of arms, a crowned GR cypher, the king's Royal arms, a figure of Britannia, and the motto see photo in the gallery and another further Scottish regimental presentation panel on the opposing side of the blade see photo. The dedication reads;

Presented by the New battle company of
The Eastern Regt. of Midlothian Volunteer
Infantry, to David Wight Esq, their Captain
as a Mark of their Regard and Esteem, 1806


It has a superbly detailed classically styled stirrup hilt decorated with acanthus scrolls, oak leaves and acorns, with the langets decorated with stands of arms, it has a copper gilt simulated wire and ribbon bound grip, contained in its ornately mounted silver and copper gilt leather scabbard, each mount finely engraved and decorated with acanthus leaf bouquets and featuring a central oval silver plaque decorated with stands of arms, the upper mount with maker's panel. This amazing sword was formerly in the collection of the Smithsonian in Washington, USA, bequeathed to them by a famed American collector of Napoleonic arms, which they sold for the benefit of the Smithsonian's funds over 25 years ago. Blade 75 cm approx. Maker marked by Philip Rundell and George Bridge of London. The firm was appointed as one of the goldsmiths and jewellers to the king in 1797 and Principal Royal Goldsmiths & Jewellers in 1804, and the firm held the Royal Warrant until 1843. They served four monarchs: George III, George IV, William IV and Victoria. After the Congress of Vienna (1814–1815), the firm prepared 22 snuff-boxes to a value of 1000 guineas each to be given as diplomatic gifts.

In 1830–1831, the firm created the Irish Crown Jewels from 394 precious stones taken from the English Crown Jewels of Queen Charlotte and the Order of the Bath star of her husband George III, and Queen Victoria's Imperial State Crown for her coronation. Despite the incredible success of the Battle of Trafalgar, and the routing of Napoleon’s French and Spanish fleet by Admiral Nelson, concern was still great amongst the people of Britain, in fact it was never greater, of the fear that Bonaparte would continue his efforts to confound and attempt to conquer Britain and its empire, and thus to create his own empire controlling all of Europe And Russia. Rundells quality of workmanship was so fine and renowned throughout the world that there are over 100 items by Rundells in the Royal collection alone.

This wonderful sword was obviously worn with pride by its recipient officer, thus the blade shows commensurate signs of light surface wear as to be expected.

We can, if required, commission a contemporary, bespoke glazed & framed display cabinet made by our local specialist artisan. Perfectly suitable for table or wall mounting. With several options of wood framing types, such as gilt, black or silver, also with coloured velvet backing options, and a suitably engraved brass plaque if required.

The scabbard has a blank silver panel on the inner throat mount that could have been presentation engraved but hasn't been  read more

Code: 23375

A Wonderful, Original, German 'Zweihander' Great Sword, 16th Century. Probably The Most Impressive And Largest Sword Ever Used in Historic Warfare. Following the Form of Sword Made Famous By The Scots in The Time Of Sir William Wallace

This Spectacular Original Great Sword, just a half inch under six feet long, is a simply stunning original antique artefact of history, that is also a remarkable 'statement' piece. It is taller than the average man, and worthy of a primary display position in any noteworthy location, wether albeit in a castle, an armoury, museum or a private home, this piece displays its dramatic form with grandeur and nobility alongside great beauty.

We consider ourselves very lucky indeed if we are able to acquire such a fabulous type of sword available on the collectors market today

Around 500 years old, this ‘Great Sword’ is a later example of their earliest most famous appearance in the great wars in Scotland against the English, during the reign of Edward Ist, the principle of the original design and use of the ‘Great Sword’ remained the same for around 300 years.

Effectively it is the weapon of the so called ‘berserker’ warrior, who was skilled at running full pelt at the enemy positions, with the spinning great sword rotating above his head, terrifyingly clearing a way through defensive pikemen and the such, in order for the offensive charge of his fellow infantry and cavalry warriors behind him to breakthrough the defensive enemies ranks.

This is a most incredible and stunningly beautiful example of its type, with a long early straight double-edged blade, tapering to a sharp point and formed with a pair of near full length fullers on each face, struck with a brass inlaid running wolf mark on one face (with small hairlines and overall a natural russetted surface) rectangular ricasso with engraved border, struck with a series of armourers' marks on each side including a Pi and cross and orb, and crowned head with running wolf in gold. The armourer’s mark representing the blade work of Johannes Wundes, and all of these armourers marks are indicative of his fine work. The sword is fitted with a later crescentic defensive hooked, iron cross-guard, comprising pair of drooping quillons with tightly scrolling terminals each with an additional lug front and back, formed en suite. An inner and outer ring-guard each filled with a fleur-de-lys, fluted globular pommel, decorated throughout with scrolls, and designed for the Landsknecht Mercenary Foot Knights, for use as a hugely effective, offensive sword, and, as we previously described, swung around the head in a fast rotational movement [in essence, just like a helicopter blade] to create a twelve foot circle of terror and destruction.

An experienced Landsknecht warrior could be designated a Doppelsoldner, an armoured foot soldier who served as the backbone for the armed formation in battle (and was paid double for it) and also, in addition to being armed with the pike, as more recent recruits, they could also be alternatively employed wielding a 6-to-8-foot-long (1.8 to 2.4 m) halberd or partisan, or, more famously, a Zweihander (literally: "Two-hander") such as this sword, a two-handed sword as long as 180 cm (6 ft). These great war swords could be swung in a great circular arc [somewhat akin to a helicopter motion] and thus, incredibly effectively, used to knock the forward pointed long pikes, held by enemy pikemen, aside, that were wielded by a phalanx of pikemen, thus creating disorder among the tightly-arranged enemy pikemen in order to break through their lines.

However, another primary use of the two-handed sword, would be to serve as the 'guard' for the standard bearer, for it is a weapon that allows for a few to oppose many.
The Swiss adversaries to the Landsknechts had specifically attempted to prohibit the use of these swords during the late 15th century, as they deemed them unsuitable for the constricted manner of pike warfare.

The handle grip, is now in appearance, showing just the narrow all steel blade tang, but, would originally been leather bound, over partial wood, and leathered right down to the cutting edge of the blade. The original leather and wooden grip would never survive intact for 500 years, being organic it has little ability to last for so many centuries.
52 1/8 in blade, 71.5 inches long overall  read more

Code: 21508

A Superb Piece Of WW2 Anglo American Aeronautical History, and An Absolute Beauty. An Original, 1940's B3 WW2 USAAF Pilots Sheerling Jacket. Perry Sportswear Co of Newburgh New York Contract. In Super, Wearable Condition

In superbly fully conserved condition, perfectly wearable today.
Good size 40 inch chest

Exactly As Used in WW2 By General George Patton, and the WW2 US Aircrew. pilots, navigators, gunners etc. Type B-3 early American WW2 Contract; No. 33-H-5595 , 43-13612-AF Manufactured by Perry Sportswear Co.​ Newburgh, New York.

There is no doubt that jacket has seen incredible times, and true historical collectors will absolutely love it with all its amazing character and signs of age. Our last example was certainly not mint, in fact pretty worn, but this example is certainly in very good conserved condition indeed. Perfectly wearable

It we had had it when Steve McQueen visited us in the 60’s, we could likely have named our price. He would simply not have left our shop without it!

Made and issued for the Army Air Forces, from 1933 till 1943. Original examples of these super WW2 Aeronautical gems are so very scarce indeed, and the beauty of them is, they are still superbly wearable, in fact the more aged the better!.
US legend General George Patton wore his favourite B3 during the entire Battle of Bulge campaign {and we show a photo of him wearing it,}. Plus we show a movie still of the legendary Steve McQueen and Bob Wagner in their B3's that they both wore in their iconic WW2 movie during 1962, 'The War Lover'. It was while he was filming in Cambridge that he came down to see us in Brighton to view a vintage car we had for sale.

It was a year later in 1963, he starred in one of the greatest war movies of all time 'the Great Escape', as Captain Virgil Hilts 'The Cooler King'.

A faithful modern very fine quality reproduction copy today can cost more than $4,400, {such as by Mc Coys Manufacturing Co.,new made in Japan} so how much more can you value an early, wartime superb condition original.

Over two million American servicemen passed through Britain during the Second World War. In 1944, at the height of activity, up to half a million were based here with the United States Army Air Forces (USAAF).

The job of the half million British based USAAF officers and servicemen was to man and maintain the vast fleets of aircraft needed to attack German cities & and industry.

Working alongside the Royal Air Force (RAF), their aim was to severely weaken Germany's ability to fight. This was a central part of the Allied strategy for winning the war. American women also served, working for the American Red Cross or as members of the Women's Army Corps.

Over 200 airfields were occupied or newly-built by the USAAF. Each one would house around 2,500 American men many times the population of the nearest village. Thousands more were based at smaller sites. Halls and country houses became headquarters for commanders and planners. Some were converted to hospitals or rest-homes for combat-weary fliers. Barns and outbuildings would house teams of truck drivers and their vehicles. Even specialist bakery units were dotted around the UK, providing fresh bread for the airmen.

No wonder, then, that the Americans' arrival was known as the 'friendly invasion' their impact on British life was huge and they profoundly changed the places they inhabited.

The majority of the Americans left Britain in 1945. They left an enduring legacy and are fondly remembered by those they met. Including, all our six aunts! our mother’s sisters. Hundreds of volunteers across East Anglia still help preserve these memories. They look after memorials in village squares, on corners of former airfields, or at crash sites. They manage museums in former control towers, or preserve precious collections in pubs or farm buildings.

Brighton was home to thousands of US and Canadian servicemen in 1944, billeted at all the hotels on Brighton seafront. Despite much of Brighton being off limits to civilian visitors due to it coastal location. With barbed wire fenced off beaches and the mined sea. And our piers were cut in half so they couldn’t be used as Jerry landing jetty’s.

The B-3 flight jacket, introduced by the U.S. Army Air Corps in 1934, was the standard-issue "heavy zone" garment for WWII bomber crews, designed to withstand temperatures down to
at high altitudes. Made of sheepskin with a thick shearling lining, leather exterior, and large collar, it was essential for survival in unpressurized planes.
Developed for crew members flying in open or unpressurized, high-altitude bombers (up to 25,000 feet) during WWII.
Design & Material: It featured sheepskin with fur (shearling) on the inside and a leather exterior. Unlike the lighter A-2 jacket, it did not have knit cuffs or waistbands, which could freeze; instead, it used leather straps for cinching to retain heat.
Features: A large collar with dual buckled straps enabled it to be secured against the face for maximum protection.
Standardized in 1934, it was inspired by the British Irvin flying jacket. While initially, they were crafted with unfinished white sheepskin, designs evolved, and by 1943, they were frequently made in brown, hand-dyed finishes with horsehide reinforcing stress points.
Usage: It was considered the "ultimate" Cold War-era sheepskin jacket, famously worn by figures like General George Patton. It remained in service until May 1943 before being replaced by newer models.

The B-3 is now a legendary, iconic piece of military history often associated with the"tough-as-nails", image of WWII aviators.

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