A Sengoku Era Samurai Battle Katana, Koto Period, With An Amazing Blade, & All Original Edo Fittings Circa 1500.

With all original Edo period mounts, the fuchi is of pure gold decoration on dragon over shakudo on a nanako ground {see below for the details on nanako-ji,} the fuchi of gilt dragon on shakudo on a nanako ground.

A very attractive patinated copper tsuba with gold highlights, on the takebori decoration of two samurai kabuto helmets and a pair of abumi samurai stirrups with a background of prunus blossom on a nanako ground.

The blade has an amazing hamon, and grain {somewhat akin to woodgrain} in the hada, and the polish is simply beautiful.

The Sengoku period was initiated by the Ōnin War in 1467 which collapsed the feudal system of Japan under the Ashikaga Shogunate. The Sengoku period was named by Japanese historians after the similar but otherwise unrelated Warring States period of China. The era is beautifully depicted in Akira Kurowsawa’s films called Jidaigeki. The Sengoku Period (1467-1568 CE) was a lawless century-long era characterized by rising political instability, turmoil, and warlordism in Japan. During this period, field armies and soldiers rapidly rose in number, reaching tens of thousands of warriors. Many castles in Japan were built during the Sengoku Period as regional leaders and aristocrats alike competed for power and strong regional influence to win the favours of the higher-class Japanese at the time. Kurosawa’s film depiction of Macbeth, Throne of Blood, is set in this era of Japan’s feudal period. Original title 蜘蛛巣城, Kumonosu-jō, lit. 'The Castle of Spider's Web'

Initiated by the collapse of the country’s feudal system during the 1467 Onin War, rival warlords or daimyō, continued to struggle to gain control of Japan until its reunification under Japan’s three “Great Unifiers” –– Nagoya Nobunaga, Hideyoshi, and Ieyasu Tokugawa –– thus, bringing the war-stricken era to an end in the siege of Osaka.

The Samurai sword, from all eras, in all its forms, has grown to be one of the most highly desired and iconic military antiques of all time.

There are many reasons why people enjoy collecting swords. Some people are drawn to the beauty and craftsmanship of swords, while others appreciate their historical and cultural significance. Swords can also be a symbol of power and strength, and some collectors find enjoyment in the challenge of acquiring rare or valuable swords.

One of the greatest joys of sword collecting is the opportunity to learn about the history and culture of different civilisations. Swords have been used by warriors for millennia, and each culture has developed its own unique sword designs and traditions. By studying swords, collectors can gain a deeper understanding of the people who made and used them.

Another joy of sword collecting is the sheer variety of swords that are available. There are swords in our gallery from all over the world and from every period of history. Collectors can choose to specialize in a particular type of sword, such as Japanese katanas or medieval longswords, or they can collect a variety of swords from different cultures and time periods. No matter what your reasons for collecting swords, it is a hobby that can provide many years of enjoyment. Swords are beautiful, fascinating, and historically significant objects.

** Authentic, currently, modern hand-made nihonto (Japanese sword blades) from top-tier, licensed swordsmiths in Japan today, typically start around $10,000–$25,000 for a katana, with prices often exceeding $60,000 for renowned masters or customized commissions. These, forged from tamahagane steel, require 12+ months to create due to strict legal limits on production, with some high-end, custom pieces from master smiths such as Yoshindo Yoshihara exceeding $10,000 for smaller tanto blades.
A brand new, katana blade from a reputable but lower ranked smith usually starts around $7,500–$10,000.
Master Smith Pricing, by high-ranking, famous, or award-winning smiths can range from $25,000 to over $60,000. With the added restriction that if the smith created a blade that was ranked high enough to be within the $ 60,000 range, it would be forbidden for it to leave Japan by law.
Japanese law limits smiths to producing roughly 24 long swords (katana/tachi) per year, significantly driving up demand and cost.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us.

Something else important to consider for potential collectors. Although it is fair to say that very fine, ancient, and available Japanese samurai swords are not the most inexpensive pieces to buy, compare them to the same equally highly ranked and available collectables in literally any other medium. The best available watercolour paintings will be priced from the hundreds of thousands to millions. The best available oil paintings will be from lower millions to tens of even hundreds of millions. The same for jewels, clocks, fine art, watches and certainly some rare vintage cars.

Of course, there are Japanese swords that can rank in value within the millions of pounds, in fact one of the most valuable works of art in the world, according to Forbes list, is a samurai sword, valued at 100 million dollars, and if a Masamune samurai sword ever appeared on the open market, it would certainly be priced at the ten’s of millions range. However, they simply are never available, but maybe, in theory, one 'might' appear on the open market but only every 50 to 100 years or so. However, the next level down within the world of collectable samurai swords, below the ‘very rarest’ of national treasure masterpieces, are available {and we have dozens of them} yet, they are still within the upper thousands to tens of thousand of pounds, which, by comparison, is utterly remarkable.
A wonderful Renoir, Cezanne, or any of best French Impressionist oil paintings are readily available though, in fact they appear for sale every month or so, in either London, Paris, New York or Tokyo, but, selling for tens or even the hundreds of millions of pounds range,and rare, early 1960's Ferraris can be also within that incredible range of value. So, where else can one find, within the collectable world of fine art, the finest ‘available’ collectable samurai sword, that can be less than one percent the cost of its equivalent competition. However, view a fabulous 500 year old samurai sword beautifully displayed and decorating a billionaire's home, and the uninformed will assume it will likely have cost millions of pounds, and it could certainly look as if it would have. But no, it will likely have been purchased for under £20,000.



Samurai have been describes as "the most strictly trained human instruments of war to have existed." They were expected to be proficient in the martial arts of aikido and kendo as well as swordsmanship and archery---the traditional methods of samurai warfare---which were viewed not so much as skills but as art forms that flowed from natural forces that harmonized with nature.
Some samurai, it has been claimed, didn't become a full-fledged samurai until he wandered around the countryside as begging pilgrim for a couple of years to learn humility. When this was completed they achieved samurai status and receives a salary from his daimyo paid from taxes (usually rice) raised from the local populace.

Nanako Ji: "fish roe ground" A surface decoration produced by forming very small raised bosses by a sharply struck punch or burin called 'nanako tagane'. Shakudo is the metal most often used, but copper and gold are quite often employed. The harder metals, shibuichi, silver and iron are rarely decorated in this way. The size of the dots vary from 0.04" to 0.008" (25 to 125 and inch) and the regularity of the work is marvelous as the dots must be spaced entirely by touch. The dots are usually arranged in straight lines or in lines parallel to the edge of the piece being decorated, but sometimes in more elaborate patterns. Used on guards since the Momoyama period although the technique existed since much earlier periods. Usually done by specialist 'nanako-shi', but sometimes done by the maker of the guard himself. The articles of sword ornamentation made by the Goto artists were practically all on shakudo grounds with nanako finish; after the emergence of the machibori artisans in the mid-Edo period and the popularity of the newly inspired kozuka, shakudo grounds with nanako finish "became the rage". Nanako finish is probably an evolution and refinement of a very old style finish (which it vaguely resembles); "millet finish", 'awa ishime', which is found on some old armorer tsuba. However, awa ishime consisted of small, round dimples punched into the surface of the ground; on the other hand, nanako is formed by striking the ground with a cup-shaped punch to raise, and project upward from the surface, small semi-hemispheric nipples. Since we find nanako finish on old yamagane grounds, it was in use as early as the Kamakura period. It is note-worthy that a nanako finish on a shakudo ground has been used since the time of the first Goto 1440 - 151 in the mitokoromono, "set of three", for use on formal or ceremonial occasions. Later, shakudo nanako became the regular finish for use by the metal artisans. (deleted repeated sentences) In applying nanako, meticulous and scrupulous care must be used in positioning and striking the "cupping tool" in order to achieve fine, regular, carefully and closely spaced, identical results, row after row. Careless, imprecise and even coarse workmanship can be detected in the nanako of some older works and on "ready made" products, but work of later years, executed with infinite and scrupulous care, are beautiful beyond belief. However, even the finest of execution of nanako finish applied to brass (shinchu) or shibuichi fails to carry the distinct air of refinement and elegance of similar work on shakudo. The very elegance of nanako workmanship reflects not only the extraordinary skills of the Japanese in the execution of minute, detailed work, but also their tremendous patience and artistic inspiration. It is said that blindness of nanako workers at thirty years of age was usual because of the microscopic and meticulous work so carefully and patiently executed. On many old tsuba, pre-dating the period of the Goto, one encounters nanako laid in horizontal or vertical rows; on subsequent work nanako was applied along curved lines conforming to the shape of the tsuba.

In the current photos the saya lacquer appears slightly bruised, these slight marks have been removed and now the urushi lacquer looks perfect. Blade length 26.75 inches, overall in saya 37 inches

Akira Kurowsawa & Jidaigeki

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 24387

A Superb Pair of Red Lacquer Over Steel Abumi, Samurai Stirrups, Edo Period Used by Daimyo or Seieibushi (Elite Samurai) Traditionally the Highest Rank of Elite Samurai of The Sakai Clan,

Simply stunning pieces of antique samurai armour, perfect for the collector of samurai swords, armour and artifacts, or simply as fabulous object d'art, they would be spectacular decorative pieces in any setting, albeit to compliment contemporary minimalistic or fine antique decor of any period, oriental or European.

Decorated at the front with a beautiful kamon samurai clan crest of the renown samurai it's one of popular kamon that is a design of the flower of oxalis corniculata.
The founder of the clan that chose this flower as their mon had wished that their descendants would flourish well. Because oxalis corniculata is renown, and fertile plant.
the mon form as used by clans such as the Sakai, including daimyo lord Sakai Tadayo

One of the great Sakai clan lords was Sakai Tadayo (酒井 忠世, July 14, 1572 – April 24, 1636). He was a Japanese daimyō of the Sengoku period, and high-ranking government advisor, holding the title of Rōjū, and later Tairō.

The son of Sakai Shigetada, Tadayo was born in Nishio, Mikawa Province; his childhood name was Manchiyo. He became a trusted elder (rōjū) in Toyotomi Hideyoshi's government, alongside Tokugawa Ieyasu. Under Hideyoshi, he was made lord of Kawagoe Castle (in Musashi Province, today Saitama Prefecture) and later of Nagoya Castle in Kyūshū's Hizen Province. In 1600, in the lead-up to the decisive Sekigahara campaign, he fought against the Tokugawa at Aizu, and submitted to them at the siege of Ueda. Thus, having joined the Tokugawa prior to the battle of Sekigahara itself, Sakai was made a fudai daimyō, and counted among the Tokugawa's more trusted retainers. He served under Ieyasu for a time, and under the second shōgun, Tokugawa Hidetada, as a hatamoto.
The lacquered iron menpo (face mask) with four-lame yodarekake face armour. The kabuto is signed on the interior Nobutada saku Nobutada made this

During the Japanese civil wars (1467-1568), red was revered by the samurai and worn as a symbol of strength and power in battle, in ancient times it was a lacquer called sekishitsu (a mixture of cinnabar and lacquer). For example it was the trademark colour of the armour of the Li clan, the so called Red Devil’s. In the Battle of Komaki Nagakute, fought in 1584, Ii Naomasa's clan fronted 3,000 matchlock gunmen, his front line forces up wearing what would become the clan’s trademark, bright red lacquered armour, with high horn-like helmet crests. Their fearsome fighting skills with the gun and long-spear, and their red armour had them become known as Ii’s Red Devils. He fought so well at Nagakute, that he was highly praised by Toyotomi Hideyoshi leader of the opposition! Ii Naomasa was known as one of the Four Guardians of the Tokugawa.

Also the similar clan mon of the Chōsokabe clan (長 宗 我 部 氏Chōsokabe-shi ), Also known as Chōsokame (長 曾 我 部 、 長 宗 我 部 ) , Was a Japanese clan from the island of Shikoku . Over time, they were known to serve the Hosokawa clan then the Miyoshi clan, and then the Ichijō clan although they were later liberated and came to dominate the entire island, before being defeated by Toyotomi Hideyoshi . The clan claimed to be descendants of Qin Shi Huang (d. 210 BC), the first emperor of a unified China .

The clan is associated with the province of Tosa in present-day Kōchi prefecture on the island of Shikoku . Chōsokabe Motochika , who unified Shikoku, was the first twenty daimyo (or head) of the clan.

In the beginning of the Sengoku period , Chōsokabe Kunichika's father, Kanetsugu, was assassinated by the Motoyama clan in 1508. Therefore, Kunichika was raised by the aristocrat Ichijō Husaie of the Ichijō clan in Tosa province. Later, towards the end of his life, Kunichika avenged the Motoyama clan and destroyed with the help of Ichijō in 1560. Kunichika have children, including his heir and future daimyo of Chosokabe, Motochika, who continue unifying Shikoku.

First, the Ichijō family was overthrown by Motochika in 1574. Later, he gained control of the rest of Tosa due to his victory at the Battle of Watarigawa in 1575. Then he also destroyed the Kono clan and the Soga clan . Over the next decade, he extended his power to all of Shikoku in 1583. However, in 1585, Toyotomi Hideyoshi ( Oda Nobunaga's successor ) invaded the island with a force of 100,000 men, led by Ukita Hideie , Kobayakawa Takakage , Kikkawa Motonaga , Toyotomi Hidenaga and Toyotomi Hidetsugu . Motochika surrendered and lost the Awa provinces, Sanuki and Iyo ; Hideyoshi allowed him to retain Tosa. The smiths name Motochika was linked to the clan itself. The last picture In the gallery is of samurai Chōsokabe Morichika, ruler of Tosa province. His clan mon, that appears on the abumi and on the tanto on the habaki, can be seen on the collar of his garb, As ruler of Tosa Province, in 1614 he went to join the defenders of Osaka Castle against the Tokugawa, he arriving there the same day as Sanada Yukimura. His Chōsokabe contingent fought very well in both the Winter and Summer at Osaka Campaigns. After the fall of Osaka, Morichika attempted to flee but was apprehended at Hachiman-yama by Hachisuka men, He and his sons were beheaded on May 11, 1615, following the defeat of the Toyotomi and Chōsokabe forces at the Battle of Tennōji. We acquired these abumi with tanto of the 1390's of the same clan, but sold separately.

These abumi are in superb condition for their age, certainly showing signs of use on horseback, but these slight wear marks etc. perfectly compliment their provenance for display.  read more

Code: 23472

A Very Attractive & Good Edo Period Antique Nanban Tsuba in Tetsu and Applied Gold

The style of decoration that involves a mass of tendrils occupied by dragons, with elongated oval seppa dai decorated with waves or bars and the like. Unusually the pierced design travels around the edge as well, a very nice sign of extra fine quality workmanship, and beautiful undercutting.

Nanban often regarded as meaning Southern Barbarian, are very much of the Chinese influence. The Chinese influence on this group of tsuba was of more import than the Western one, however, and resulted not merely in the utilisation of fresh images by the existing schools, but also in the introduction of a
completely fresh style of metalworking.
The term 'namban' was also used by the Japanese to describe an iron of foreign origin.
Neither can the Namban group be considered to represent 'native Japanese art'.
The required presence in the group, by definition, of 'foreign influence', together with the possibility of their being 'foreign made', was probably responsible for their great popularity at the time.

Tsuba are usually finely decorated, and are highly desirable collectors' items in their own right. Tsuba were made by whole dynasties of craftsmen whose only craft was making tsuba. They were usually lavishly decorated. In addition to being collectors items, they were often used as heirlooms, passed from one generation to the next. Japanese families with samurai roots sometimes have their family crest (mon) crafted onto a tsuba. Tsuba can be found in a variety of metals and alloys, including iron, steel, brass, copper and shakudo. In a duel, two participants may lock their katana together at the point of the tsuba and push, trying to gain a better position from which to strike the other down.  read more

Code: 24581

A Rare & Amazingly Intriguing, 19th Century King's 'Status' Knife of the Zande or the Mengbetu People, A Trombash Power Authority Knife or Short Sword

A long knife or short sword consisting of a short cylindrical wooden handle, round in section, with a flat end bound in iron banding at the pommel end. The other end of this is cut flat, and has a smaller cylindrical body as the middle hand grip section. Above this point, the handle connects with the blade tang. Which goes through the handle, the tang has been inserted through the centre of the handle, and then its rectangular end hammered over at the top to fix it in place. This is end is visible where it emerges through the handle top, and is off centre. The narrower part of the handle have been decorated with an iron binding strip. Both binding strips top and bottom have their ends hammered into slots in the wood to secure them. The blade is curved, with a broad flat ridge running along the length on both sides. This is not centred. On one side of the ridge, the blade extends to form a broad, sharpened base edge with a pointed corner; a more narrow blade extends from the other side of this, slightly higher up the knife. The sides then begin to taper in towards the point at the other end. Both edges were once sharpened. The object is complete, with some minor cut marks on the blade and handle.

Very similar to a Mengbetu collected by Robert Grenville Gayer-Anderson in the Bahr el Ghazal region, probably between 1909 and 1914, in the period immediately before World War I. At the time this object was collected, the Bahr el Ghazal province was much larger than it is today, extending from roughly the Bahr el Arab all the way to the border with the Belgian Congo; this area is now divided into the districts of Western Bahr el Ghazal, Northern Bahr el Ghazal, and parts of Warab, El Buheyrat and Western Equatoria. The drawing in the gallery is a 19th century depiction of Munza, the king of the Mangbetu. Seated on his throne, he holds a similar knife to ours as a symbol of power and authority.  read more

Code: 19166

A Most Beautiful Signed Koto Katana, Circa1500's. All Original Edo Mounts of Onlaid Pure Gold, Silver & Shakudo Fuchi-Kashira of A Samurai Warrior In Armour On Horseback

A circa 500 year old Koto period samurai katana blade, with a signed nakago, Bitchu ju Kuni... {the last part of the name can't be clearly read}.
It has a very good suguha hamon, and a traditional silk bound over samegawa gint rayskin tsuka, with stunning shakudo fuchi-kashira with gold and silver decoration of a takebori samurai on horseback on the kashira, and a samurai by a shoreline with overhanging trees and wave,s on the fuchi, beautiful gold bamboo leaves menuki, circular iron tsuba chiselled with leaves, in its black urushi lacquered saya. Black tsuka-ito over gold bamboo leaves, on samegawa giant rayskin.

The motif of this iron tsuba’s takebori design seems to be numerous conch shells, known as “Horagai” (法螺貝). The conch shell originates from Hinduism and is closely linked to the teachings of Buddha. Historically, Yamabushi (mountain ascetics) used it to convey sermons. The conch was brought to Japan around 806 AD by monks like Kukai (空海) and Saicho (最澄), who returned from Tang China, with five of the eight bringing conch shells. Its sound represents the teachings of Buddha, making it a sacred instrument in Japanese esoteric Buddhism. The conch is one of the Eight Auspicious Symbols in Tibetan Buddhism, symbolizing purity and the dissemination of Buddhist teachings.

Shellfish have been eaten all over the world since ancient times. At the same time, they have been used in a wide variety of applications, such as coins, ornaments, daily necessities, and toys, due to the beauty and preservability of their shells. In Japan, there is also a folk belief that seashells with prominent projections are hung from the eaves to ward off evil spirits, and their names are said to ward off fire, such as the Suijigai (水字貝, 水 means water in Japanese). In addition, ascetic monks who trained in the mountains blew trumpet shells to exorcise evil spirits. During the Warring States period (戦国時代, 1467-1615), trumpet shells were used to signal the formation of battle lines and to boost the fighting spirit. It is only natural that this shell, which was used as a cue in battle and to raise the fighting spirit of soldiers, was incorporated into the decoration of armour, which is the uniform of fighting.

The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.
Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means "one who serves."

Samurai have been describes as "the most strictly trained human instruments of war to have existed." They were expected to be proficient in the martial arts of aikido and kendo as well as swordsmanship and archery---the traditional methods of samurai warfare---which were viewed not so much as skills but as art forms that flowed from natural forces that harmonized with nature.
Some, it is said, warriors, didn't become a full-fledged samurai until he wandered around the countryside as begging pilgrim for a couple of years to learn humility. When this was completed they achieved samurai status and receives a salary from his daimyo paid from taxes (usually rice) raised from the local populace. Swords in Japan have long been symbols of power and honour and seen as works of art.
Shakudo {that can be used to make samurai sword mounts and fittings} is a billon of gold and copper (typically 4-10% gold, 96-90% copper) which can be treated to form an indigo/black patina resembling lacquer. Unpatinated shakudo Visually resembles bronze; the dark colour is induced by applying and heating rokusho, a special patination formula.

The Samurai sword, from all eras, in all its forms, has grown to be one of the most highly desired and iconic military antiques of all time.

There are many reasons why people enjoy collecting swords. Some people are drawn to the beauty and craftsmanship of swords, while others appreciate their historical and cultural significance. Swords can also be a symbol of power and strength, and some collectors find enjoyment in the challenge of acquiring rare or valuable swords.

One of the greatest joys of sword collecting is the opportunity to learn about the history and culture of different civilisations. Swords have been used by warriors for millennia, and each culture has developed its own unique sword designs and traditions. By studying swords, collectors can gain a deeper understanding of the people who made and used them.

Another joy of sword collecting is the sheer variety of swords that are available. There are swords in our gallery from all over the world and from every period of history. Collectors can choose to specialize in a particular type of sword, such as Japanese katanas or medieval longswords, or they can collect a variety of swords from different cultures and time periods. No matter what your reasons for collecting swords, it is a hobby that can provide many years of enjoyment. Swords are beautiful, fascinating, and historically significant objects.

** Authentic, currently, modern hand-made nihonto (Japanese sword blades) from top-tier, licensed swordsmiths in Japan today, typically start around $10,000–$25,000 for a katana, with prices often exceeding $60,000 for renowned masters or customized commissions. These, forged from tamahagane steel, require 12+ months to create due to strict legal limits on production, with some high-end, custom pieces from master smiths such as Yoshindo Yoshihara exceeding $10,000 for smaller tanto blades.
A brand new, katana blade from a reputable but lower ranked smith usually starts around $7,500–$10,000.
Master Smith Pricing, by high-ranking, famous, or award-winning smiths can range from $25,000 to over $60,000. With the added restriction that if the smith created a blade that was ranked high enough to be within the $ 60,000 range, it would be forbidden for it to leave Japan by law.
Japanese law limits smiths to producing roughly 24 long swords (katana/tachi) per year, significantly driving up demand and cost.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us.

Something else important to consider for potential collectors. Although it is fair to say that very fine, ancient, and available Japanese samurai swords are not the most inexpensive pieces to buy, compare them to the same equally highly ranked and available collectables in literally any other medium. The best available watercolour paintings will be priced from the hundreds of thousands to millions. The best available oil paintings will be from lower millions to tens of even hundreds of millions. The same for jewels, clocks, fine art, watches and certainly some rare vintage cars.

Of course, there are Japanese swords that can rank in value within the millions of pounds, in fact one of the most valuable works of art in the world, according to Forbes list, is a samurai sword, valued at 100 million dollars, and if a Masamune samurai sword ever appeared on the open market, it would certainly be priced at the ten’s of millions range. However, they simply are never available, but maybe, in theory, one 'might' appear on the open market but only every 50 to 100 years or so. However, the next level down within the world of collectable samurai swords, below the ‘very rarest’ of national treasure masterpieces, are available {and we have dozens of them} yet, they are still within the upper thousands to tens of thousand of pounds, which, by comparison, is utterly remarkable.
A wonderful Renoir, Cezanne, or any of best French Impressionist oil paintings are readily available though, in fact they appear for sale every month or so, in either London, Paris, New York or Tokyo, but, selling for tens or even the hundreds of millions of pounds range,and rare, early 1960's Ferraris can be also within that incredible range of value. So, where else can one find, within the collectable world of fine art, the finest ‘available’ collectable samurai sword, that can be less than one percent the cost of its equivalent competition. However, view a fabulous 500 year old samurai sword beautifully displayed and decorating a billionaire's home, and the uninformed will assume it will likely have cost millions of pounds, and it could certainly look as if it would have. But no, it will likely have been purchased for under £20,000.

Blade surface has areas of the usual age surface micro thinning seen in Koto blades

Blade 27.25 inches long tsuba to tip, overall sword length in saya 38 inches long  read more

Code: 24182

A Very Attractive, Edo Era 17th to 18th Century Samurai's Tetsu Abumi Stirrup, Inlaid With Silver in a Pattern Of a Flower Mon

This Japanese stirrup, is made in the traditional dove's breast (hato mune) shape with an open platform lined slightly curved forward so that the foot fits in without sliding backwards. In the front extremity the stirrup has a rectangular buckle with several horizontal slots which also serve as a handle.
The whole surface is in ancient russetted iron in the distinctive Higo school style, with a large onlaid decorative mount of a bird and various flora.

It is to be noted that these stirrups, due to their weight, were also used as weapons against the infantry adversaries. Abumi, Japanese stirrups, were used in Japan as early as the 5th century, and were a necessary component along with the Japanese saddle (kura) for the use of horses in warfare. Abumi became the type of stirrup used by the samurai class of feudal Japan Early abumi were flat-bottomed rings of metal-covered wood, similar to European stirrups. The earliest known examples were excavated from tombs. Cup-shaped stirrups (tsubo abumi) that enclosed the front half of the rider's foot eventually replaced the earlier design.

During the Nara period, the base of the stirrup which supported the rider's sole was elongated past the toe cup. This half-tongued style of stirrup (hanshita abumi) remained in use until the late Heian period (794 to 1185) when a new stirrup was developed. The fukuro abumi or musashi abumi had a base that extended the full length of the rider's foot and the right and left sides of the toe cup were removed. The open sides were designed to prevent the rider from catching a foot in the stirrup and being dragged.

The military version of this open-sided stirrup, called the shitanaga abumi, was in use by the middle Heian period. It was thinner, had a deeper toe pocket and an even longer and flatter foot shelf. It is not known why the Japanese developed this unique style of stirrup, but this stirrup stayed in use until European style-stirrups were introduced in the late 19th century. The abumi has a distinctive swan-like shape, curved up and backward at the front so as to bring the loop for the leather strap over the instep and achieve a correct balance. Most of the surviving specimens from this period are made entirely of iron, inlaid with designs of silver or other materials, and covered with lacquer. In some cases, there is an iron rod from the loop to the footplate near the heel to prevent the foot from slipping out. The footplates are occasionally perforated to let out water when crossing rivers, and these types are called suiba abumi. There are also abumi with holes in the front forming sockets for a lance or banner. Seieibushi (Elite Samurai)
Traditionally the highest rank among the samurai, these are highly skilled fully-fledged samurai. Most samurai at the level of Seieibushi take on apprentices or Aonisaibushi-samurai as their disciples.

Kodenbushi (Legendary Samurai)
A highly coveted rank, and often seen as the highest attainable position, with the sole exception of the rank of Shogun. These are samurai of tremendous capability, and are regarded as being of Shogun-level. Kodenbushi are hired to accomplish some of the most dangerous international missions. Samurai of Kodenbushi rank are extremely rare, and there are no more than four in any given country.

Daimyo (Lords)
This title translates to 'Big Name' and is given to the heads of the clan.

Shogun (Military Dictator)
The apex of the samurai, the Shogun is the most prestigious rank possible for a samurai. Shoguns are the leaders of their given district, or country, and are regarded as the most powerful samurai.  read more

Code: 26134

A Fine & Beautiful Edo Period Iron Tsuba in Nikubori Jisukashi Of Waterfalls Rocks and River with A wooden Bridge Being Traversed by a Figure On Horseback Carrying a Parasol

The tsuba was possibly created by Yoshiharu (吉春), of the late Edo period .
He was living in the Hagi (萩) domain (another name of the Choshu domain) in Nagato no Kuni (長門国,

It is engraved with the Nikubori Jisukashi. Nikubori Jisukashi is a Japanese tsuba (sword guard) carving technique, translating to "relief-carved openwork" (肉彫地透). It combines thick, high-relief (nikubori) sculptural carving with openwork (sukashi) techniques on the iron plate (ji). Primarily used during the Edo period by schools like Shoami, this style creates a three-dimensional effect, making the motif stand out from the ground, often featuring detailed, rounded figures rather than simple silhouettes.

Technique: "Niku" (肉) refers to meat/flesh, implying thickness or rounding of the metal, while "Ji-sukashi" (地透) means openwork on the ground plate.  read more

Code: 26131

Most Interesting & Incredibly Rare 19th Century Cornish Tin Miner’s Leather 'Tull' Helmet

A most rare artefact of early English mining. this amazingly historical piece of the earliest British mining industry would make an incredible display for a former miner or miner's family.
These days they are only ever to be seen in museums or recreated for historical dramas such as 'Poldark'. A style of helmet that was copied by the British army to create the WW1 Brodie helmet. This helmet was formed from a single piece of boiled leather, some economy versions were made of shaped felt soaked in pine resin. Under the tull, miners would wear a strip of cloth; helping the tull to fit. Candles were attached to the tull using lumps of clay. While working the tull was usually removed and the candle stuck to a nearby ledge. 4 small holes to brim. GC  read more

Code: 20945

A Most Impressive Original 16th -17th Century Nuremberg 'Black and White' Comb Morion Helmet, The Very Same Form of Helmet As Was Made Famous by the Spanish Conquistador’s in Their Conquest of Central America

A most similar morion, was in the great historical collection of arms armour from the armoury of Fortress Hohenwerfen near Salzburg, Austria, that was augmented by H.I.R.H. Archduke Eugen. A collection that was sold, and entered the collectors market and various museums, in 1927, which contained some Nuremberg and Augsberg 'black and white' morion helmets such as this. Morion is a type of open helmet used from the middle 16th to early 17th centuries, such as by the Munich Town Guard, usually having a flat brim and a crest from front to back. Its introduction was contemporaneous with the exploration of North, Central, and South America. Explorers like Hernando de Soto and Coronado may have supplied them to their foot soldiers in the 1540s. The iconic morion, though popularly identified with early Spanish explorers and conquistadors, was not in use as early as the conquest of Mexico by Hernan Cortez or Francisco Pizarro's conquest of the Incas in South America. Thirty to forty years later, it was widely used by the Spanish, but also common among foot soldiers of many European nationalities, including the English; the first English morions were issued during the reign of Edward VI. The crest or comb on the top of the helmet was designed to strengthen it. Later versions also had cheek guards and even removable faceplates to protect the soldier from sword cuts.

The morion's shape is derived from that of an older helmet, the Chapel de Fer, or "Kettle Hat." Other sources suggest it was based on Moorish armor and its name is derived from Moro, the Spanish word for Moor. The New Oxford American Dictionary, however, derives it from Spanish morrion, from morro 'round object'. The Dictionary of the Spanish Language published by the Royal Spanish Academy indicates that the Spanish term for the helmet, morrion, derives from the noun morra, which means "the upper part of the head". A somewhat similar example is in the Metropolitan Museum in New York accession number 14.25.508

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 22718

Welcome to The Lanes Armoury, Britain's Truly Magical Place, Where Thousands of Original & Breathtaking Wonders Are For Sale

Our beautiful pieces from history are not always just for looking at, some can still be enjoyed and worn for every one to see.

We Are Not Just A Webstore, We Are Always Welcoming Thousands Personal Visitors To View or Buy our Museum Pieces in Our Gallery In Brighton, Every Day* {but Sunday}

Thousands of original, historic, ancient, antique and vintage collectables. For example; from Ancient Rome, China and Greece, to Medieval Japan, and Viking Europe. Covering British, European, and in fact, all worldwide eras of historical events from the past 4000 years, with antiquities, weaponry, armour, object d’art, militaria and fabulous books, from the Stone Age, the Bronze Age and the iron age, and right up to WW2.

Where else in the world could you find, under one roof, original artifacts, such as,; a mace and archer’s ring recovered from the site of Battle of Crecy, a sword of a British Admiral or notorious pirate fleet captain of the Golden Age of piracy of 17th century England, a battle mace, possibly once used by of one the personal guards in the service of the most famous Pharoah, Rameses the Great of Egypt, or, a museum quality 500 year old sword of a samurai clan Daimyo lord, and a pair of gold and enamel Art Deco 1920’s Magic Circle medals awarded to a friend of Harry Houdini. And all of the above, with many other pieces, have been just been offered upon the site within the past week.

Personalised and unique ‘Certificates of Authenticity’ can be supplied for every, single, purchase.

Our family have been personally serving the public in Brighton for several generations, in fact, for over 105 years.

* Opening hours Monday to Saturday 11.00am till 4.00pm, closed Sundays and Bank Holidays.


See in the gallery Will Young wearing one of our fabulous Victorian tunics, plus, James Marshall ‘Jimi’ Hendrix  read more

Code: 24055