An 1801 Pattern, Tower of London, Royal Navy Issue, Long ‘Sea Service Pistol’, Tower of London GR Crown Lock, Fine Stock & 'Skull Crusher' Butt Cap, From The Battle Of Trafalgar Historic Nelson Period, Stock Dated 1803

A very fine example indeed, profusely stamped.
Profusely struck with numerous ordnance and inspectors marks, fairly clearly issue date stamped 1803 into the stock, without belt hook. Some belt hooks were removed in service.
The 'Skull Crusher' butt cap was so called as once the shot was discharged at the enemy, in close hand-to-hand combat, there was no time to re-load, so the pistol was turned around, and firmly held in the left hand, by the barrel, and thus used as a stout club, and used for exactly the same purpose. The right hand, once free, could then hold a cutlass or sword, simultaneously.

Lock stamped Tower and GR Crown, but with wear, so now faded from distinct view. Also, with clear ordnance inspector stamp of Crown 2. The primary, senior Tower ordnance inspector, Richard Duce {his mark of Crown 2}. Who was also the controller of tempering & hardening of locks,

Fantastic patina to the stock. The King George IIIrd issue British Royal Naval Sea Service pistol has always been the most desirable and valuable pistol sought by collectors, but this example, like our previous 1801 sea service pistol, {sold last year} is truly exceptional.

Exactly as issued and used by all the British Ship's-of-the-Line, at the Battle of Trafalgar in 1805.
Such as;
HMS Victory,
HMS Temeraire,
HMS Dreadnought,
HMS Revenge,
HMS Agamemnon,
HMS Colossus
HMS Leviathan &
HMS Achilles.
Some of the most magnificent ships, manned by the finest crews, that have ever sailed the seven seas.

Battle of Trafalgar, (October 21, 1805), naval engagement of the Napoleonic Wars, which established British naval supremacy for more than 100 years; it was fought west of Cape Trafalgar, Spain, between Cádiz and the Strait of Gibraltar. A fleet of 33 ships (18 French and 15 Spanish) under Admiral Pierre de Villeneuve fought a British fleet of 27 ships under Admiral Horatio Nelson.

At the end of September 1805, Villeneuve had received orders to leave Cádiz and land troops at Naples to support the French campaign in southern Italy. On October 19–20 his fleet slipped out of Cádiz, hoping to get into the Mediterranean Sea without giving battle. Nelson caught him off Cape Trafalgar on October 21.

Villeneuve ordered his fleet to form a single line heading north, and Nelson ordered his fleet to form two squadrons and attack Villeneuve’s line from the west, at right angles. By noon the larger squadron, led by Admiral Cuthbert Collingwood in the Royal Sovereign, had engaged the rear (south) 16 ships of the French-Spanish line. At 11:50 AM Nelson, in the Victory, signaled his famous message: “England expects that every man will do his duty.” Then his squadron, with 12 ships, attacked the van and centre of Villeneuve’s line, which included Villeneuve in the Bucentaure. The majority of Nelson’s squadron broke through and shattered Villeneuve’s lines in the pell-mell battle. Six of the leading French and Spanish ships, under Admiral Pierre Dumanoir, were ignored in the first attack and about 3:30 PM were able to turn about to aid those behind. But Dumanoir’s weak counterattack failed and was driven off. Collingwood completed the destruction of the rear, and the battle ended about 5:00 PM. Villeneuve himself was captured, and his fleet lost 19 or 20 ships—which were surrendered to the British—and 14,000 men, of whom half were prisoners of war. Nelson was mortally wounded by a sniper, but when he died at 4:30 PM he was certain of his complete victory. About 1,500 British seamen were killed or wounded, but no British ships were lost. Trafalgar shattered forever Napoleon’s plans to invade England.

Obviously this arm has signs of combat use and the stock has minor dings. But when taken into consideration its service use, it is of little consequence compared to it's condition, which is truly exceptional.

It still has it's original 12" barrel, which is very scarce as the barrels were shortened by official order, to 9", before the Napoleonic wars. Overall in very nice order, good tight action, one sideplate screw-head is half lacking  read more

Code: 26300

The Lanes Armoury, View Europe’s Leading Original Samurai Sword Gallery. Plus, 1000’s of Other Magical & Rare To Find Ancient and Vintage Wonders. Another Historic Collection Acquired This Week, Including Amazing, Historical, Royal Naval Collectables

View online and in our gallery, hundreds and hundreds of original antique and ancient samurai swords, armour, and spears.

For those of you that are serious maritime collectors, we have the privilege to have acquired a superb and historical 20th century Royal Naval sword, that has just arrived, a stunning named officer’s sword of former member of the tragic HMS Hood’s ships company. HMS Hood was an Admiral-class battlecruiser and the largest warship in the Royal Navy for 20 years. Affectionately known as "The Mighty Hood," she served as a potent global symbol of British power. During World War II, a fatal shell from the German battleship Bismarck struck her in May 1941, causing a catastrophic explosion that claimed 1,415 lives. Probably the most infamous sinking of a British warship in history. A naval tragedy almost beyond comprehension for the people of Britain at the time. On May 24, 1941, HMS Hood and the battleship HMS Prince of Wales intercepted the German battleship Bismarck and cruiser Prinz Eugen in the Battle of the Denmark Strait. During the engagement, a single shell from the Bismarck pierced Hood's armour and detonated her internal magazines. The ship broke apart and sank in just minutes. Tragically, there were only three survivors from a crew of 1,418

A KIA officer whose brother was also part of the Hood’s crew, who was lost at sea in its last great combat sinking. Both brothers were lost at sea in WW2, one on the Mighty Hood, the other, who had earlier transferred off the Hood, to serve as Lt. of a submariner crew, was also lost at sea, in its own tragic sinking off the Italian coast.

At the moment it is being no expense spared cleaned and conserved for future posterity. We are considering adding this sword to be a part of our family collection.

Including lots of other unique treasures, such as, a fabulous, early, and large, polished rock crystal quartz witch ball, with breathtaking internal clarity and patterns.

Our weekly emailer was due out this weekend, however, we were absorbed in the arrival of another collection that consumed all our time sadly, so it will be sent out early this coming week {with some fabulous new pieces}

This week a stunning collection of many superb pairs of 18th century flintlock pistols, and brass barrelled blunderbusses, they will be added to the site over the next week or so after cleaning and museum grade conservation.

Also, to be added this coming week, an 18th century naval midshipman’s dirk, a naval brass barrelled blunderbuss with spring bayonet, a Royal Naval Trafalgar sea service flintlock, a Crimean War sea service percussion pistol, and pair of naval ships captains brass barrelled flintlock pistols, plus, another small collection of original James Bond, Ian Fleming, 1960's Ist editions, added recently, and numerous original WW2 German combat awards, taken as war booty by one of Lt Commander Ian Fleming's 'Red Indians', the 30 Assault Commando's, operation in 'behind the lines' clandestine ops in occupied France. Also, a fabulous Napoleonic 1st Empire library clock designed on the bookcases in Napoleon's palace the Palais Des Tuileries. {This beauty was just sold after one day online}. And, an incredible 500 plus year old samurai sword from one of the great swordsmith lines of the Mino-Den, with an incredibly rare 'Summer Lightning' hamon, only created by the great master swordsmiths. {Also sold the same day it was put online}
Just the other day we further acquired a fabulous, and rare, SOE secret agent's WW2 suitcase transceiver. As used by the legendary, clandestine operatives and heroines of WW2, Odette Churchill and Violette Szabo.

Just the other week one visiting couple from the States, a retired Yale professor and his wife, very kindly remarked:

" We have just spent five weeks travelling the UK, visiting all the great tourist sites, museums and castles, but, nothing, simply nothing, was as amazing and fascinating as the collection your store, congratulations, well done, and keep up the good work"


Thanks to us being so long established here in Brighton we are contacted or visited every day by private families interested in selling their long past collected antiques and antiquities.
Artefacts of all kinds, from all eras and all nations are offered to us every single day. Some collected by their ancestors hundreds of years ago. And this week has been particularly fascinating for the diversity and beauty of our finds.

After more than 55 years personal experience by Mark, the elder partner, in our galleries, since 1971, and David’s 45 years since 1981, we are also regarded by many as Europe’s leading original samurai sword gallery, and probably the leading samurai sword specialists in the world, outside of Japan.
With hundreds of original ancient and antique samurai swords to view and buy online, or, to journey to our world famous gallery in Brighton on a personal visit, 6 days a week.

By train we are just under an hour from Victoria Train Station in London.

It has been said that the Hawkins family, have, in their sword dealing history, handled, bought and sold more original Japanese swords than any other sword dealers outside of Japan since World War I, trading over 100 years, numbering well into the tens or even hundreds of thousands of samurai weapons and artefacts. In one single acquisition alone, in the early 1960’s, David senior {the current partner’s father} purchased, in one collection, over 500 original antique and vintage Japanese swords, and Mark helped to disassemble each and every one of them, and was in charge of stringing together the tsuba sword guards into string mounted loops, 20 at a time. In those days tsuba were more collectable than swords. It was one of Mark’s very first introductions to the workings of the wonderful works of art that make up a complete samurai sword.

He can still remember listening to the very first hit of the Beatles ‘Love me do’ on the radiogram, in late 1963, while stringing together 25 loops of 20 tsuba, before he started school that early morning.

Our close family association with the legendary samurai sword continues unabated. In fact we still know of no better and varied original samurai sword selection, for sale under one roof, anywhere in the world today, outside of Japan, or possibly, even within it. Hundreds of antique pieces for sale to choose from, and some up to an incredible 800 years old.

Why is The Lanes Armoury probably the worlds most popular, original Japanese samurai gallery?
Well, we believe that not only are we the oldest still thriving store of our kind outside of Japan, but we have an entirely historical view of all our samurai artefacts, be they armour, helmets, swords, spears or accoutrements,

We place each piece within its historical context, a unique, holistic view if you like, never concentrating on such as simply the minutiae of blade detail alone {that has never been our forte} but of the entire sword as a work of art, and an example of the worlds highest craftsmanship, and thus it’s potential place within all of over 1000 years of samurai history.

Can they be expensive?
Well, they certainly can appear so, however up to 70% of our completely fitted swords may still be half the price of just a newly made sword blade alone, commissioned from one of the few still remaining fine sword smiths in Japan, and ours could well be up to 500 years old, completely and stunningly fitted in fabulous quality original antique mounts, and potentially used in the past by up to 30 samurai within their own working life and history. And yet, they can still look as good as new.

A samurai sword for example, is in many respects, more the sum of its parts, although always dated by its blade’s vintage, each sword can have amazing koshirae mountings of equal beauty to the blade, displaying the skill of likely the most talented artisans in sword making history, and representing the most intriguing and certainly one of the most popular forms of ancient hand to hand combat in the world today.

For example one of the greatest films ever made in the history of cinema is Akira Kurosawa’s 1954 “Seven Samurai”. A groundbreaking epic of such influence on modern cinemas it is said to inspired more films in its genre than any other film ever made. A well deserved masterpiece of cinema, based entire on a simple single event of legendary samurai combat.

Still today, more incredible films in the genre are made involving the legendary samurai sword than any other, such as some of the billion dollar epics made by the Marvel Universe, that still enthral the worlds movie watching audiences.

There is no other country in the world that continually used the very same form of weaponry, in hand to hand combat, for over 800 years. A samurai sword of around 800 years of age, would be just as recognisable and as usable to any 19th century samurai, or even current exponent of samurai martial arts, if he were alive today.

As once told to us by an esteemed regular visitor to us here in our gallery, Victor Harris, in order to study and discuss our extensive collection, and he used the same words that are repeated in his book below;

“In these textures lies an extraordinary and unique feature of the sword - the steel itself possesses an intrinsic beauty. The Japanese sword has been appreciated as an art object since its perfection some time during the tenth century AD. Fine swords have been more highly prized than lands or riches, those of superior quality being handed down from generation to generation. In fact, many well-documented swords, whose blades are signed by their makers, survive from nearly a thousand years ago. Recognizable features of the blades of hundreds of schools of sword-making have been punctiliously recorded, and the study of the sword is a guide to the flow of Japanese history.”
Victor Harris
Curator, Assistant Keeper and then Keeper (1998-2003) of the Department of Japanese Antiquities at the British Museum. He studied from 1968-71 under Sato Kenzan, Tokyo National Museum and Society for the Preservation of Japanese Swords

Finally, a visit to The Lanes Armoury is considered and remarked upon, by near every single visitor to our store, numbering thousands of people every day, that is is an unforgettable experiance, and every samurai sword buyer is afforded the best possible attention, not just for the time that they may view, choose, and buy a sword, but for as long as they own the sword. We are available for every aspect of ownership to its new owner, essentially, forever. Our world renown 5 Star service knows no time limit.

And be assured, every single item, from a cap badge to a 800 year old ancient samurai sword, to an Ancient Greek solid gold crown, will be accompanied with our unique Certificate of Authenticity. Based on over 100 years and four generations of experience.  read more

Code: 24230

A Fine, Original, 19th Century Antique, King George IIIrd Carved Hound's Head Long Bladed Swordstick. Carved Ivory Head & Blue and Gilt Finely Engraved Steel Blade. Finest Quality Bamboo Handle and Haft

Overall in stunning condition for age, as much a work of art as a former, functional, walking cane sword. Likely made in the same era, and possibly by the same maker as Lord Byron's swordstick

Lord Byron's was a most exponent of the use and carrying of the gentleman’s sword stick. His was exhibited in King's College London, bearing a mercurial gilt collar bearing his name, coronet and adopted surname Noel. Upon the death of Byron's mother-in-law Judith Noel, the Hon. Lady Milbanke, in 1822, her will required that he change his surname to "Noel" so as to inherit

An interesting 19th century conversation and collector's piece, and one can ponder over of the kind of gentleman who would have sought and required such a piece of personal defence paraphernalia. Although one likes to think that jolly old England had a London full of cheerful cockneys and laddish chimney sweeps, it was also plagued with political intrigue, nefarious characters and caddish swine prowling the endless foggy thoroughfares and dimly lit passageways. The swordstick was a popular fashion accessory for the wealthy during the 18th and 19th centuries. While the weapon's origins are unknown, it is apparent that the cane-sword's popularity peaked when decorative swords were steadily being replaced by canes as a result of the rising popularity of firearms, and the lessening influence of swords and other small arms.

The first sword canes were made for nobility by leading sword cutlers. Sixteenth century sword canes were often bequeathed in wills. Sword canes became more popular as the streets became less safe. Society dictated it mandatory that gentlemen of the 18th and especially 19th centuries would wear a cane when out and about, and it was common for the well-dressed gentleman to own and sport canes in a variety of styles, including a good and sound sword cane. Although Byron was proficient in the use of pistols, his lameness and his need to defend himself in some potentially dangerous situations made a swordstick doubly useful to him. He received lessons in London from the fencing master Henry Angelo and owned a number of swordsticks, some of which were supplied by his boxing instructor Gentleman John Jackson.

On Byron’s sword cane was the name NOEL BYRON, upon the ferrule of his one indicated that it was used after 1822, when Byron added the surname Noel after the death of his mother-in-law.

There are several references to sword sticks in the correspondence of Byron and his circle. Byron wrote to Hobhouse from Switzerland on 23 June 1816 asking him to Bring with you also for me some bottles of Calcined Magnesia a new Sword cane procured by Jackson he alone knows the sort (my last tumbled into this lake ) some of Waite's red tooth-powder & tooth-brushes a Taylor's Pawrsanias Pausanias and I forget the other things. Hobhouse responded on 9 July: Your commissions shall be punctually fulfilled whether as to muniments for the mind or body pistol brushes, cundums, potash Prafsanias Pausanias tooth powder and sword stick.

In the entry for 22 September 1816 in Byron's Alpine Journal he describes how, at the foot of the Jungfrau,
"Storm came on , thunder, lightning, hail, all in perfection and beautiful, I was on horseback the Guide wanted to carry my cane I was going to give it him when I recollected it was a Sword stick and I thought that the lightning might be attracted towards him kept it myself a good deal encumbered with it & my cloak as it was too heavy for a whip and the horse was stupid & stood still every other peal."

In a letter to Maria Gisborne of 6-10 April 1822, Mary Shelley described the "Pisan affray" of 24 March, in which Sergeant-Major Masi was pitch-forked by one of Byron's servants. She recounted how Byron rode to his own house, and got a sword stick from one of his servants.

Sword sticks came in all qualities, and for numerous purposes, from the simplest bamboo sword cane personal defender to stout customs officer’s ‘prod’, to offensive close quarter stiletto dagger canes and even to the other side of the world in the form of Japanese samurai’s shikome-sue, hidden swords.

We show two famous sword sticks in the gallery, one that belonged to Lord Byron, and another in a Presidential Centre Library collection, a historic sword stick is part of the Rutherford B. Hayes Presidential Centre Library collection in Fremont, Ohio from the Waggoner family, the sword-cane was said to have been presented to Mr Waggoner by General George Washington in honour of Waggoner's service in Washington's Life Guard during the American Revolutionary War.

But it was Louis XIII who brought the cane to importance as a royal accessory. The king, as his portraits depict, supposedly always held one in his hands. He also gave them – along with valuable snuffboxes – as gifts of honour. Accordingly, gentlemen who wanted to be fashionable never went without this accessory from that time on. At the time, these were sort of ornate rods without a curved handle that were held in the hand or carried under the arm.

The 19th century and the beginning of the 20th century became the age of the cane. The tremendous popularity then created the desire to be seen with a cane. And so a wealth of unique
pieces with practical and strange handles and a mysterious inner life were created. The painter
Henri de Toulouse-Lautrec, for example, owned a cane containing a bottle that held a pint of absinthe.
In the mid-18th century Saxony's prime minister, Heinrich Graf von Brühl, possessed 300 sticks to go with 300 suits, together with just as many snuffboxes which he wore in turn. King Friedrich II, too, had a huge collection of luxurious walking sticks and snuffboxes. After the Seven-Years War one particular type of stick, with a handle formed like a rope, which was King Friedrich’s constant companion, became so popular, that it was dubbed the "Fritz crutch".

Overall in very nice condition, the ivory hounds head has the usual natural use age cracking, and the blade some old surface pitting in some areas.

Ivory Declaration Submission
Antique ivory, 'worked' declaration submitted, we can sell this sword to collectors (over 18) within the UK, but it is not allowed for export. Ivory, however old, can be owned in the USA but cannot be imported into the USA  read more

Code: 26298

Original German WWII 15cm Nebelwerfer 41 Inert Rocket. Original, WW2 German Third Reich 'Nebelwerfer 41' Un-Fired or Failed Detonation Rocket. D-Day 'Operation Overlord' Vintage

The German designation Nebelwerfer, (Smoke Launcher), was actually a camouflage term used to hide the development of rocket launchers which had been banned as a result of the Treaty of Versailles following the end of WWI. Under the camouflage term German armament firms continued development of rocket launchers which fired smoke or high explosive shells in direct violation of the Treaty. In 1941 the 15cm Nebelwerfer 41 was introduced and it would be come the standard weapon utilized by the Nebeltruppen. The Nebelwerfer 41 consisted of six firing tubes mounted on a two wheeled split trail carriage. The 15 cm Nebelwerfer 41 (15 cm NbW 41) was a German multiple rocket launcher used in the Second World War. It served with units of the Nebeltruppen, German Chemical Corps units that had the responsibility for poison gas and smoke weapons that were also used to deliver high-explosives during the war. The name Nebelwerfer is best translated as "smoke mortar". Allied troops nicknamed it Screaming Mimi and Moaning Minnie due to its distinctive sound.

Rocket development had begun during the 1920s and reached fruition in the late thirties. This offered the opportunity for the Nebeltruppen to deliver large quantities of poison gas or smoke simultaneously. The first weapon to be delivered to the troops was the 15 cm Nebelwerfer 41 in 1940, after the Battle of France, a purpose-designed rocket with gas, smoke and high-explosive warheads. It, like virtually all German rocket designs, was spin-stabilized to increase accuracy. One very unusual feature was that the rocket motor was in the front, the exhaust venturi being about two-thirds down the body from the nose, with the intent to optimize the blast effect of the rocket as the warhead would still be above the ground when it detonated. This proved to greatly complicate manufacture for not much extra effect and it was not copied on later rocket designs. It was fired from a six-tube launcher mounted on a towed carriage adapted from that used by the 3.7 cm PaK 36 and had a range of 6,900 meters (7,500 yd). Almost five and a half million 15 cm rockets and 6,000 launchers were manufactured over the course of the war.

Inert rocket example is dated 1944 and bears the manufacturer code emh. Round is approximately 37" tall constructed in steel with three main sections which can be taken apart with its inner workings present and waffenamt stamped. Overall condition is excellent with areas of minor pitting.

The Nebelwerfer 41, is unlimbered and placed in position by its crew of four men. As soon as the protective coverings have been removed, the projector is ready to be aimed and loaded. The ammunition is attached to the right and to the left of the projector, within easy reach, and the shells are introduced two at a time, beginning with the lower barrels and continuing upward. Meanwhile, foxholes deep enough to conceal a man in standing position have been dug about 10 to 15 yards to the side and rear of the projector. The gunners remain in these foxholes while the weapon is being fired by electrical ignition. Within 10 seconds a battery can fire 36 projectiles. These make a droning pipe-organ sound as they leave the barrels, and, while in flight, leave a trail of smoke. After a salvo has been fired, the crew quickly returns to its projectors and reloads them. Only its original empty steel shell casing and parts, no propellant, no ingnition system, thus completely safe in all regards.
No restrictions to ownership or personal display, but only for sale to over 18's. Generic photos from our stock

Not suitable to Export. UK mainland delivery only. 38 inches long approx.
Copy and paste for original film of Nebelwefer in use on youtube; https://www.youtube.com/watch?v=xtSTMYGEyaM


A similar example can be found at the Smithsonian National Air and Space Museum as seen at this link; Rocket, Surface-to-Surface, Nebelwerfer 15cm Wgr. 41 Spr.  read more

Code: 25868

An 18th Century 1770's Royal Naval or Scottish Highlander's Officer's Dirk. Steel and Staghorn Hilt With 'S' Quillons Rare Original Leather & Steel Mounted Scabbard, With Scottish Bullet & Dart Pattern Embossed Leather & Scottish Staghorn Hilt

18th century, original sword and dirk leather scabbards, especially the decorated embossed Scottish type, rarely ever survive.

This form of 'Bullet and Dart' decorative embossing, on 18th century leather scabbards, was very much the mark of Scottish basket hilted swords {aka claymores}, and Highlanders dirks, during the 18th century, but, almost all have subsequently rotted away, or, have been lost due to lack of care and maintenance over the past 300 years, since their time of use.

The condition of this dirk and its scabbard is truly exceptional as certainly as good or better than anything in the Scottish United Services Museum in Edinburgh. The Scottish United Services Museum is now known as the National War Museum, located inside Edinburgh Castle Or within the Royal Collection and the Tower of London Collection. This form of decor for the scabbard strongly indicates its owner was of Scottish descent, especially as its hilt is formed around a Scottish Highland stag's antler.

18th Century: Early Georgian-era dirks typically featured a straight, single or double-edged steel blade, an S-shaped guard, and a grip made of various organic materials such as stag-horn ivory or bone. This dirk has a strong blade with a long single cutting edge and a clip back sharpened short cutting edge to the back edge butting up to a back edge narrow fuller, and with a lot of its original bright steel polish.

The traditional Scottish dirk is a probable development from the 16th century but like all medieval societies, the Highlander needed a knife for everyday use. The dirk became symbolic of a Highland man’s honour and oaths were sworn on the steel which was believed to be holy. The following highlights the importance of the dirk in Highland culture

The dirk occupies a unique niche in Highland culture and history. Many Highland Scots were too cash-poor to buy a sword, following the Disarming Acts enacted to erode Highland martial insurrections but virtually every male carried a dirk—and carried it everywhere! If in Japan the katana was the soul of the Samurai, in Scotland the dirk was the heart of the Highlander. In many warrior cultures oaths were sworn on one's sword. Among the Gael, however, binding oaths with the force of a geas (involving dire supernatural penalties for breaking such an oath) were sworn on one's dirk. The English, aware of this, used the custom against the Highlanders after Culloden:
When Highland dress was prohibited in 1747 those Gael who could not read or sign an oath were required to swear a verbal oath, "in the Irish (Scots Gaelic) tongue and upon the holy iron of their dirks", not to possess any gun, sword, or pistol, or to use tartan: "... and if I do so may I be cursed in my undertakings, family and property, may I be killed in battle as a coward, and lie without burial in a strange land, far from the graves of my forefathers and kindred; may all this come across me if I break my oath."

During the period of proscription, only service in a British regiment permitted Highlanders to bear their traditional arms and dress. The 78th Fraser Highlanders, raised in 1757, wore full highland dress uniform; their equipment was described by Major-General James Stewart as including a "musket and broadsword, to which many soldiers added the dirk at their own expense."

When worn, the dirk normally hangs by a leather strap known as a "frog" from a dirk belt, attached by the 'frog' button on the scabbard throat mount, which is a wide leather belt having a large, usually ornate buckle, that is worn around the waist with a kilt.

The Royal Naval dirk around 1770 was a compact, practical sidearm primarily carried by midshipmen and young officers during the Age of Sail for close-quarters combat and boarding actions.

Dirks, originally intended for midshipmen in the Royal Navy, in the 18th century, are described in the book 'Bellerophon' by Edward Fraser p.239.

Fraser says, 'Many Captains wore their old midshipman's dirks in battle as being useful in boarding, for parrying cuts or thrusts'.

Overall almost 16 inches long, blade 10.25 inches long  read more

Code: 26313

A Simply Stunning Quality 18th Century Pair of Double Barrelled Side By Side Flintlock Pistols, Most Often The Preserve of Generals During The American Revolutionary War in the 1770’s, and Generals Into the Napoleonic Period

They are truly magnificent, in superb condition for age. Made and used from the revolutionary period right through the Napoleonic Wars.

The ideal way to be armed with the firepower of a pair of pistols, in a single hand. However, with a pair of double barrelled pistols, one in each hand, one was the most formidably armed combatant, in hand to hand combat, for both attack, or defence.

The most famous historical military commander in history, Napoleon Bonaparte carried such a pair of double barrelled flintlocks, and was renowned for presenting such pairs to his great marshals and allies.

Very similar to the double barrel pistol once belonging to General Richard Montgomery, hero of the American Revolution. Similarly commissioned and created by a finest gunmaker.

There are several very fine, early, similar quality pairs of double pistols in the Metropolitan Museum, Les Invalides Napoleonic War Museum in Paris, and the Royal Collection

A most fine quality pair of pistols, with a fabulous carved walnut stock and brass mounts. The juglans Regis walnet had superb hand carved florid touches at the barrel breech, in the wondrous Chinoiserie style, made most famous in England by its finest cabinetmaker and designer, Thomas Chippendale.
The wonderful Chinoisserie style influenced everything from architecture, to furniture, to paintings, gun fittings, silver, and clocks.

Twin individual steel barrels. Finest flintlock actions in the most crisp and tight order. Finest scroll Chinoiserie engraving, to match the stock embellishing the steel breech mounts.

This is a stunning pair of double barrelled pistols was a form that were often chosen by the most senior or high status officers, such as the wealthiest and most influential figures, of distinguished families of the 18th century, in both England, France and America.

Such as, for example, General Sir John Cope who had similar such pistols, but decades before. He was one of the commanders of British forces fighting Charles Stuart the so-called Pretender, Bonnie Prince Charlie in Scotland. General Cope was defeated at the Battle of Prestonpans, with a force of around 2500 men, by the army of Prince Charles.

The famed possessor of a pair of double barrel flintlocks, was the aforementioned General, Richard Montgomery, who was a hero of the American Revolutionary War of 1775.
He was a gentleman of Anglo Irish descent who first served in the British Army in the Americas, but through his Whig ideals went on to become one of Washington's loyal Generals. He was on the committee that drafted the Declaration of Independence and led the army into the Invasion of Canada. He died at the Battle of Quebec, in December 1775, after capturing Montreal.

Yet another historic pair, in the fine Queen Anne style, were presented by Captain Hardy to no less a world renowned hero, Admiral Nelson, and they are in the National Maritime Collection (exhibit number E857).
They are inscribed on the silver escutcheon ‘
To Adm. Nelson from his Friend Cpt. Hardy, June 1801.’

Fine quality good size,18th century twin barrel pistols are the most highly collectable of all pistols, and highly scarce.

Chinoiserie, from 'chinois' the French for Chinese, was a style inspired by art and design from China, Japan and other Asian countries in the 18th century. At its height in Britain from 1750 to 1765, this fanciful style relied more on the designer's and craftsman's imagination than on accurately portraying oriental motifs and ornament. Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of orientalism. The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the rococo style and with works by Francois Boucher, Thomas Chippendale, and Jean-Baptist Pillement. It was also popularized by the influx of Chinese and Indian goods brought annually to Europe aboard English, Dutch, French, and Swedish East India Companies.Though chinoiserie never fully went out of fashion, it declined in Europe by the 1760s when the neoclassical style gained popularity, though remained popular in the newly formed United States through the early 19th century.

As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 26292

A Most Beautiful Late Edo Japanese Gilt Lacquer Wooden Samurai Sword and Samurai Armour Folding Display Stand. Decorated with A Hand Painted White Crane Flying Over A Bamboo Grove. For Ancestral Display of Samurai and Bushido Artifacts.

A folding wood and hand painted lacquer sword rack display stand, for the display of three samurai swords and for the area beneath for the decoration of samurai artefacts such as sword fittngs, mempo, abumi, war fans, or, such as beautiful Japanese tea ceremony pieces, early iron water vessels, and tea bowls etc.

See a selection of items shown for illustrative purposes. It may once have also displayed hand painted small portraits of ancestral samurai to honour their past samurai family.

Signed by the artist on both the obverse and reverse side. The hand painted cranes and bamboo are on fine gold leaf covered panels, and show considerable age wear, but this enhances its air of contrived antiquity for the display of early samurai swords, weaponry and artefacts

It has long been the tradition of areas of Japanese art to make for display late Edo pieces, in the much earlier ancient forms and styles. Such as, for example, russetted Higo style iron sword mounts. Actually made in the 18th century, but made to appear as they were ancient iron pieces from many centuries before. In many respects as an homage to much revered ancient Japanese art forms

Naturally it has natural age wear, yet it adds to its overall impression of a function yet beautiful interior display temple for all the elements of Bushido and the samurai arts.

The Crane and Bamboo in Japanese Art. While the crane features heavily in stories of gratitude and supernatural love, the bamboo grove serves as the sacred, serene backdrop in both folklore and classical painting.In traditional Japanese art, the crane and bamboo often appear together to represent resilience, purity, and longevity. Because both bamboo and cranes can endure harsh winter conditions while maintaining their grace, they are considered symbols of perseverance. The bamboo's flexibility and the crane's nobility form a perfect pairing in classical hanging scrolls, such as the famous Edo-period painting Pair of Cranes in Bamboo Grove by Tanomura Chikuden

One very rarely ever see them outside of Japan as their transportation back to England, in the 19th century, using sailing and early steamships may well have been cumbersome and not to mention expensive.  read more

Code: 24455

A Very Good Victorian 92nd Gordon Highlanders Silver Cross Belt Badge

92nd Regiment (Gordon) officer's crossbelt badge, silver plated 4 pointed star with St Andrew cross with battle honours, Sphinx below XCII Highlanders, with three threaded screw mounts.

In December 1878, the regiment was ordered to Afghanistan where it was engaged in various security operations following the outbreak of the Second Anglo-Afghan War. In October 1879, it took part in the Battle of Charasiab, where the regiment captured three hills, thereby turning the enemy's flank. Major George White received the Victoria Cross for his part in this action. A further Victoria Cross was won by Lieutenant William Dick-Cunyngham at the Siege of the Sherpur Cantonment on 13 December 1879. At the end of August 1880, the regiment formed part of the force which marched under General Frederick Roberts from Kabul to Kandahar, and at the Battle of Kandahar on 1 September 1880, formed part of the 1st Brigade, which led the advance in sweeping the enemy out of the closely wooded enclosures along the western slopes of the hill on which the village of Gundi Mullah Sahibdad stood.

Instead of returning to the United Kingdom in 1881, the regiment was diverted to Natal to serve in the First Boer War. The regiment participated in the disastrous Battle of Majuba Hill on 27 February 1881. After capturing the hilltop in order to dominate the Boer line, the force of 350 British soldiers of the 58th and 92nd Regiments including a number of Royal Navy gunners, found themselves exposed to heavy and accurate fire early on the following day. This was followed by an assault by 2,000 Boers; despite a desperate last stand, the survivors were swept from the summit.  read more

Code: 16705

A Superb Victorian Hampshire Regt. Officers Full Dress Belt and Belt Plate One of the Best Examples We Have Ever Seen

A most scarce pattern of Victorian Hampshire regimental waist belt In 24 carat gilt and gold bullion, over red Morocco leather. Very few of these beautiful quality belts survive complete, and this is a truly exceptional one. Manufactured by Potter of London. Known as the Hampshire Tigers, the buckle bears the symbols of the Indian Tiger, and the Rose plucked from the Battle of Minden. The Hampshire Regiment was formed on 1st July 1881 when The 37th (North Hampshire) Regiment of Foot and The 67th (South Hampshire) Regiment of Foot were merged as part of the Childers reforms. Portrait miniature of an officer of the 37th or North Hampshire Regiment of Foot in the gallery for reference not included

The 37th Regiment of Foot was first formed in 1702 and as was the tradition at the time named ?Meredith?s Regiment? after Thomas Meredith, the Colonel of the Regiment who raised it in Dublin. The Regiment then served in various campaigns including The War of Spanish Succession (1704-1710) and The War of the Austrian Succession (1740?1748). In 1745 The Regiment returned to England when Bonnie Prince Charlie (the grandson of the deposed James II) landed in Scotland, attempting to regain the crown lost to the Stuart family in 1688 and incited the Jacobite Rising. The Regiment fought for the Hanoverian King George II at the Battles of Falkirk and Culloden. In 1751 the Regiment became The 37th Regiment of Foot as part of a scheme to simplify the naming system of British Army Regiments. The Regiment was once again involved in foreign campaigns including, The Seven Years War (1756?1763) and The American War of Independence (1775-1783). In 1783 The 37th became The 37th North Hampshire Regiment in order to aid recruitment. The Regiment was involved in various campaigns including The Peninsular War and The First War of Indian Independence.
The 67th Regiment of Foot was initially the 2nd Battalion of the 20th Foot but detached in 1758 and became the 67th of Foot. The Regiment saw its first action on the aborted expedition to capture St. Malo in 1758. It was part of the force sent to capture Belle Isle during the Seven Years War, also served in The Spanish invasion of Portugal 1762 and was stationed in India from 1805 after the Second Anglo-Maratha War and participated in The Third Anglo-Maratha War (1817?1818), remaining in India for 21 years. In 1783 The 67th became The 67th South Hampshire Regiment in order to aid recruitment. The Regiment was further involved in foreign campaigns including The Second and Third China Wars (1857-1865) and The Japan Expedition (1862?1864).The 67th return to England after 21 years and authorisation to carry the Royal Bengal Tiger on the Regimental Colours
In February 1826, after spells in Sholapore and Poona, the regiment was sent to Rangoon to reinforce British troops engaged in the Burmese war.
Both Regiments were amalgamated in 1881 as part of the Childers Reforms and became the Hampshire Regiment. The Childers Reforms restructured the British army infantry Regiments. The newly formed Regiment engaged in various foreign campaigns including; Secunderabad (1886-1888), Burma (1888?1891), South African War (1899?1902), and two World Wars.  read more

Code: 21180

A Rare, Antique, Kamakura, {鎌倉時代}, Kamakura Jidai, 1185–1333 Style, Ageha 'V' Shaped 'Swallow Tail' Arrow Of Yadake Bamboo, With Sea Eagle Flights and Steel Head

The ageha swallow tail arrows of this type appear mostly in the Kamakura period, the head may indeed be from that period, and the early eagle feathers are now considerably worn. Experienced Kamakura archers were allowed to use arrows with the V-shaped swallowtail prong {ageha}. If armour is struck, it will splinter, so, the optimum target for a lethal blow on any opponent, wearing full traditional samurai armour (O-Yoroi), is the space just beneath the helmet visor that is often bare. It was once told to us by a very aged and respected Japanese sensei visitor, who was a master of Yabusame mounted archery, that to hit a samurai at the bridge of the nose, beneath his kabuto helmet peak, with the swallowtail ageha ya, it would penetrate both eyes at once. It may not be instantly lethal but the samurai would be immediately blinded, and thus have no function in combat. The samurai’s Ya could also be made with tamehagane steel, the same as used for swords, with similar tempering, despite potentially being a ‘fire and forget’ weapon, used only once for barely a minute of combat for each arrow.

In the post Kamakura era, in the Edo period, the swallow tail arrow was changed slightly and used with two interior sharpened edges, and its use was changed to cut the retaining straps of cuirass armour and the like.

The arrows are made using yadake bamboo (Pseudosasa Japonica), a tough and narrow bamboo long considered the choice material for Japanese arrow shafts. The black {now faded to brown} and white feather flights {hane} are likely Steller's sea eagle feather. Period 1599 -1863.Kyu Jutsu is the art of Japanese archery.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) In the twelfth and thirteenth century a bow was the primary weapon of a warrior on the battlefield. Bow on the battlefield stopped dominating only after the appearance of firearm.The beginning of archery in Japan is pre-historical. The first images picturing the distinct Japanese asymmetrical longbow are from the Yayoi period (c. 500 BC – 300 AD).
The changing of society and the military class (samurai) taking power at the end of the first millennium created a requirement for education in archery. This led to the birth of the first kyujutsu ryūha (style), the Henmi-ryū, founded by Henmi Kiyomitsu in the 12th century. The Takeda-ryū and the mounted archery school Ogasawara-ryū were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū (Ogasawara Nagakiyo), began teaching yabusame (mounted archery) Warriors practiced several types of archery, according to changes in weaponry and the role of the military in different periods. Mounted archery, also known as military archery, was the most prized of warrior skills and was practiced consistently by professional soldiers from the outset in Japan. Different procedures were followed that distinguished archery intended as warrior training from contests or religious practices in which form and formality were of primary importance. Civil archery entailed shooting from a standing position, and emphasis was placed upon form rather than meeting a target accurately. By far the most common type of archery in Japan, civil or civilian archery contests did not provide sufficient preparation for battle, and remained largely ceremonial. By contrast, military training entailed mounted maneuvers in which infantry troops with bow and arrow supported equestrian archers. Mock battles were staged, sometimes as a show of force to dissuade enemy forces from attacking. While early medieval warfare often began with a formalized archery contest between commanders, deployment of firearms and the constant warfare of the 15th and 16th centuries ultimately led to the decline of some archery in battle. In the Edo period archery was also considered an art, and members of the warrior classes participated in archery contests that venerated this technique as the most favoured weapon of the samurai.

Picture 8 in the gallery shows a different arrow head, but the same form of elongated tang, similar to yari, is used to hold the arrow head firmly in place. Some are signed by the smith. Naturally this ageha head cannot be removed to show this.

THE LANES ARMOURY, THE PREMIER HOME OF ORIGINAL AND AFFORDABLE ANCIENT ANTIQUITIES , MILITARY ARMOURY ANTIQUES & COLLECTABLES IN BRITAIN  read more

Code: 25808