A Rare, Archaic Chinese Warrior's Bronze Jian Sword, Engraved with Seal Script, Around 2,300 to 2,800 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu
The blade bears the maker's name in ancient script, and potentially for whom it was made. This is hopefully being translated for us by a scholar from a Chinese museum, who arrived again to film it here in our shop this week for his chief museum curator and researcher in China.
Chinese Bronze 'Two Ring' Jian sword, of tin rich over bronze alloy construction, engraved with two rows of archaic lesser or greater seal script, used in the era of the Seven Kingdoms period, likely in the Kingdom of Wu, up to the latter part of the Eastern Zhou dynasty (475 – 221 BC). It is incredibly rare to find a sword from this period of ancient history, from any country, that has provenance script of any kind engraved upon it, it may well detail the name of the King for whom the sword was made, and other details, the swordmaker who made it, and even the name of the man by whom it was used. The surface is covered in superb patination and age encrustations with traces of tinning.
From a collection of antiquities, swords daggers, and rings, many pieces sold for the part benefit of the Westminster Abbey fund, and the Metropolitan Museum fund
This sword is the near pair, but slightly longer than another we acquired from the same British collection two years ago, and previously sold. Also that sword and this sword bears engraved script, in the same ancient Chinese character form, but with slight differences on the right row. This would likely indicate they came from the same original ancient Chinese location, tomb etc, a hundred plus years ago.
Tinning was used in China from the Eastern Zhou period (770–221 BC), and various methods were employed. A special technique was amalgam tinning, documented since the seventh century BC
Dazhuan (大篆), or Greater Seal script. This stage of Chinese writing flourished from the Late Shang to the Western Chou dynasties (1100 BCE to 700 BCE). Unlike Jiaguwen, which was carved on bones, Dazhuan mainly appeared on cast bronze vessels. In fact, Jiaguwen and Dazhuan overlapped in time, and they might have been the same script but as they were inscribed on different materials their visual styles differ due to the quality of the surfaces.
Xiaozhuan, (小篆), or Lesser Seal script. This elegant script is the direct parent of the modern, unsimplified Chinese script. Not only are Xiaozhuan characters are more stylized and less "pictographic" like Jiaguwen and Dazhuan, but also exhibits systematic and extensive use of radicals much like modern Chinese. This script has survived the passage of time and continues to be used in the present age in calligraphy and seals.
Swords of this type are called “two-ring” swords because of the prominent rings located on the hilt. this is the very type of sword used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword.
The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.
The blade is heavy with a midrib and tapered edges with seal script engraving on both sides of the bottom section of the blade near the hilt. See the photo in the gallery that shows a close up of the section of blade with the seal script.
A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top is a broad, round pommel.
Although the manufacturing techniques used may have varied from region to region, it is generally believed that such tin-rich decoration was achieved by a deliberate tinning process,including cold-tinning hot-tinning (dipping or wiping) the use of a mercury-tin amalgam ,or the application of a tin-rich paste.
In 1965 a similar form sword from the same era was found in an ancient tomb in Hubei, it was also engraved with seal script, but of a different form. The Sword of Goujian (越王勾践剑) is a tin bronze sword, renowned for its unusual sharpness, intricate design and resistance to tarnish rarely seen in artifacts of similar age. The sword is generally attributed to Goujian, one of the last kings of Yue during the Spring and Autumn period.
On one side of the Hubei sword’s blade, two columns of text are visible. Eight characters are written in an ancient script, now known as Bird-worm seal script (literally "birds and worms characters", owing to the intricate decorations of the defining strokes), a variant of seal script. Initial analysis of the text deciphered six of the characters, "King of Yue" (越王) and "made this sword for his personal use" (自作用劍). The remaining two characters were assumed to be the name of the particular King of Yue.
The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name.
The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.
In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.
Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".
Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.
Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.
The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.
The Warring States period saw a transition in military styles, from bronze weaponry and chariot-based fighting to iron and cavalry. However, the old period was still revered. Despite the cost of manufacturing bronze swords like this on a mass scale, this particular style of duan jian – a double-edged straight sword – was used in China for approximately 2,500 years. Finely made bronze weapons such as this one were signs of prestige, wealth, and fighting prowess used in both ceremonial and funerary contexts. For example, swords were worn by the Emperor and his officials in ceremonial or official dress, attached to the belt with jade ornaments.
This is one of a stunning collection of original archaic bronze age Zhou dynasty weaponry we have just acquired. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China. As with all our items, every piece is accompanied by a certificate of authenticity. Just over 26 inches long overall.
From the Tony Dove F.S.A. Collection, formed circa 1970's, one of England’s most revered and highly respected collectors, and publisher on learned reports on the identification and electronic analysis of the construction of ancient Chinese swords. He was especially devoted to collecting early silver, & he was a past honorary President of London’s Silver Spoon Society.
Other bronze swords bearing inscriptions inlaid in gold include the example dated to the 5th century BC in the Freer Gallery of Art, illustrated by T. Lawton, Chinese Art of the Warring States Period, Change and Continuity, 480-222 BC , Washington, DC , 1982, p. 70-71, no. 28, and one in the Musée Guimet dated 5th-4th century BC, illustrated by C. Delacour, De bronze, d'or et d'argent, Sumptuary Arts of China , Paris, 2001, p. 131. Both the Freer sword and the Guimet sword bear the same twenty-character inscription, arranged in ten characters to each side, which Thomas Lawton translates as, "On the auspicious day jen-wu, this sword was made for righteous use . " read more
4750.00 GBP
A Good 1950's Early ERII Royal Naval Officer's Sword & Scabbard. Queen Elizabeth Cypher Blade & Traditional Queen's Crown Fouled Anchor Naval Pattern Hilt
Original gilt hilt with fine leather and brass mounted scabbard ERII cypher, Royal naval devices design of oak leaf with acorn and rope design, fouled anchor. Traditional triple wire bound sharksin grip, brass mounted leather scabbard. Royal naval pattern etched blade with royal cypher and fouled anchor.
Overall in nice condition. Ideal for a current or future serving Royal naval officer.
The two most frequently encountered designs within the hilt are the St Edward’s Crown and the Tudor Crown. In the former of these, the arches supporting the orb and Cross are depressed towards the centre. This design, often termed a Queen’s Crown by collector, has been used as the regal crown by Queen Elizabeth II, Queen Victoria and the monarchs preceding her. The arches of the Tudor Crown rise towards the centre to support the orb and crown. This design was used by Edward VII, George V, Edward VIII and George VI. Collectors often refer to this as a King’s Crown. The Sovereign chooses the regal crown pattern as it was chosen by Prince Charles on his accession to king. read more
575.00 GBP
Presented By The Queen of Spain in 1837 To US General John H Eaton, President Jackson’s Aide in the Creek War, & The War of 1812. Worn in The American Civil War By Col. Magruder The Hero of Fredericksburg, And By Him At The Funeral of President Lincoln
After personal presentation from the Queen of Spain to General Eaton this sword became the property, by inheritance, and was worn, during the American Civil War, by of US Civil War hero of Fredericksburg, Colonel James A Magruder
Just at the time the war was threatening Colonel Magruder was with General Meigs in erecting fortification in Virginia around the city. When the war came on he was commissioned as Major of the 15th New York Engineers. His regiment was immediately ordered to the front. The pontoon bridge across the Rappahannock River, at Fredericksburg, Virginia, was built under his directions, he at the time remaining in the saddle for sixty straight hours, under a steady fire from the enemy. Soon after going to the front he was promoted to the rank of Lieutenant Colonel and he held that position until the close of the war. He was a personal friend of General Grant. From the repeated cannonading, Colonel Magruder became deaf,
This fabulous eagle hilted sword was worn, after its inheritance from General Eaton, by the friend of Ulysses S. Grant, Col. James A. Magruder, during the Cival War and at the funeral of President Lincoln.
Since 1967, for several decades, this wonderful and historic sword was on display at Dumbarton House in Washington DC, a federal historic house museum
A simply stunning historical Spanish presentation General’s sword, presented, by tradition, to United States General John H Eaton, Envoy Extraordinary & Minister Plenipotentiary for President Andrew Jackson's America, to the Kingdom of Spain, by Her Majesty Maria Christina de Borbon, Queen Consort, and Regent for her daughter Isabella II Queen of Spain, in 1837.
This magnificent sword has a fine tapering double-edged blade of flattened-hexagonal section, stamped 'Ano D 1837' and 'Fa Ntl Di Toledo' on the respective faces at the forte, finest mercurial gilt bronze hilt, cast with wonderful classical ornament in relief, including oval shell-guard decorated with the eagle perched astride the lightning bolts, flanked by classical figures, the quillon-block bears the letter 'F' for Ferdinand' enclosed within a laurel wreath, a pair of straight quillons, knuckle-guard and pommel, and integral grip all decorated en suite, in its blued iron scabbard with gilt-bronze suspensions mounts and drag 76.8 cm; 30 1/4 in blade
Provenance;
By tradition presented to General John H. Eaton US General J.H.Eaton, Envoy Extraordinary for President Andrew Jackson to Spain, who was married to the ward of President Andrew Jackson. It was presented by the Regent of Spain, Her Majesty Queen Maria Christina in 1837, when General Eaton was Envoy Extraordinary and Minister Plenipotentiary to Spain (1836-1840). Maria Christina of Spain (when Regent for her daughter, the future Isabella II) was Maria Cristina de Borbon, Princesa de las Dos Sicilias; 27 April 1806 - 22 August 1878) she was Queen Consort of Spain (1829 to 1833) and Regent of Spain (1833 to 1840). This sword was thence passed after his death to his friend and physician Dr William B. Magruder; thence to his brother Colonel James A. Magruder, a personal friend of General Grant, who wore the sword during the Civil War and on full dress occasions including the funeral of President Lincoln.
Thence by descent and inheritance this sword passed to Mrs. Millicent Magruder Nichols, of Massachusetts, who gifted the sword to Dumbarton House in 1967. Dumbarton House, is a Federal period historic house museum in Washington, DC. The house serves as the headquarters for The National Society of Colonial Dames of America, a group of women whose ancestors contributed to America’s founding. Eaton originally became active in the Tennessee militia, and attained the rank of major. He developed a close friendship with Andrew Jackson, and served as an aide to Jackson during the Creek War and the War of 1812. Eaton took part in all Jackson's major campaigns. He supported Jackson's controversial decision in November 1814 to attack Pensacola in Spanish Florida, claiming that Spain had put herself in a belligerent position by allowing its territory to be occupied by British soldiers. Eaton participated in the Battle of New Orleans, and became a major proponent of Jackson's presidential candidacy following the war. He was later appointed governor of Florida by President Jackson
The First Carlist War was a civil war in Spain from 1833 to 1840, the first of three Carlist Wars. It was fought between two factions over the succession to the throne and the nature of the Spanish monarchy: the conservative and devolutionist supporters of the late king's brother, Carlos de Borbón (or Carlos V), became known as Carlists (carlistas), while the progressive and centralist supporters of the regent, Maria Christina, acting for Isabella II of Spain, were called Liberals (liberales), cristinos or isabelinos. It is considered by some authors the largest and most deadly civil war of the period.
The Carlist forces were split in three geographically distinct armies: Norte ('North'), Maestrazgo and Cataluña ('Catalonia'), which by and large operated independently from each other.
Aside from being a war of succession about the question who the rightful successor to king Ferdinand VII of Spain was, the Carlists’ goal was the return to a traditional monarchy, while the Liberals sought to defend the constitutional monarchy. Portugal, France and the United Kingdom supported the regency, and sent volunteer and even regular forces to confront the Carlist army.
This sword was previously on display {donated by the Magruder family} at Dumbarton House Historic Museum, a Federal Period house in Washington D.C. operated by The National Society of the Colonial Dames of America
As with every item we sell it will be accompanied with a Certificate of Authenticity, our unique lifetime guarantee read more
5795.00 GBP
An Extraordinary Original Conversation Piece. A Superb, Original, Late Queen Elizabeth Ist to King James Ist Period Miniature Pistol. Late 1500's, To The Turn of The 17th Century, Functioning Miniature Pistol
A pistol made in bronze, many hundreds of years ago, to fire off for the entertainment of the nobility and their children. Dark blue-black bronze age patination
An extraordinary little piece of rarely known history, from the earliest age of the black powder pistol. These intriguing miniature functioning pistols were called petronel, named after the original early name of matchlock and wheellock pistols, and very much of the period, from the Elizabethan to the Carolean age.
A petronel is a 16th and 17th century black powder muzzle-loading firearm, defined by Robert Barret (Theorike and Practike of Modern Warres, 1598) as a horsemans peece. It was the muzzle-loading firearm which developed on the one hand into the pistol and on the other into the carbine. The name (French petrinel or poitrinal) was given to the weapon either because it was fired with the butt resting against the chest (French poitrine, Latin pectus) or it was carried slung from a belt across the chest. Petronels are found with either matchlock or wheellock mechanisms.
The sclopus was the prototype of the petronel. The petronel is a compromise between the harquebus and the pistol. Early petronels date back to the end of the 14th century, with a crude buttstock. Generally the touch hole is on the right side, and fired by a separate slow match. Sometimes they had small hinged plate covers to protect the priming from moisture. By extension, the term petronel was also used to describe the type of light cavalry who employed the firearm. The petronel (cavalryman) was used to support the heavy cavalry such as demi-lancers and cuirassiers. The petronel was succeeded by a similarly armed cavalryman called the harquebusier.
We acquired a stunning little collection of miniature petronel, effectively toys, and they are the Zenith of original, and historical conversation pieces, especially when one considers they are around 450 year old working pistols. Naturally they were not made with the action mechanism of a full sized petronel, one just ignited them with a smouldering match cord, to create an instantaneous small bang and puff of smoke.
Please note, under no circumstances should one try to use them today. Each pistol is to be sold seperately. read more
200.00 GBP
A Fabulous, Rare, Original, Ancient Viking Wrought Iron Battle Hammer-Axe. Around 1100 to 1200 Years Old. Discovered During An Old Excavation at York in 1872. Typography Wheeler TypeIV From The Earliest Period of The Viking Incursions Into England
The renown and famed battle axe of a fearsome Viking warrior, however this is an exceptional and rare type, that incorporates a battle-hammer for smashing and crushing helmets and the like. It is also of heavy weight, ideal for two handed use, but also for single handed combat, provided the owner had considerable strength. This fabulous example has an extra large hammer, likely for use by such as the homicidal Viking Berserkers who had that vital extra strength and power associated with their iconic reputation at the time. Ironically even the Viking warriors, who were no shrinking violets, had huge respect and considerable fear of their combat allies, the Viking Berserkers {from where the term 'going berserk' stems from}. It is thought that they may have ingested some form of hallucinogenic plant immediately before combat, in order to remove all forms of hesitation and fear, thus, many regular Vikings feared they could be just as dangerous to them in combat, as their enemies.
We were delighted to acquire this superb historical piece, with a Berserker's bronze torc collar, together with a few other fine original Viking artefacts, however, we are offering them all separately.
Renown scholar Alcuin of York was back at Charlemagne's court by at least mid-792, writing a series of letters, regarding the brutal Viking raid at Lindisfarne, to Æthelred, to Hygbald, Bishop of Lindisfarne, and to Æthelhard, Archbishop of Canterbury in the succeeding months, dealing with the Viking attack on Lindisfarne in July 793. These letters and Alcuin's poem on the subject, "De clade Lindisfarnensis monasterii", provide the only significant contemporary account of these events. In his description of the Viking attack, he wrote: "Never before has such terror appeared in Britain. Behold the church of St Cuthbert, splattered with the blood of God's priests, robbed of its ornaments.
The Vikings began arriving en masse with armies intent on conquest. These armies were led by Ivar the Boneless, Halfdan, and Ubba, three of the sons of Ragnar Lodbrok, who had been killed by the Northumbrian King Ælla. The first English city to fall to the invaders was York, conquered in 866. The Northumbrians tried in vain to retake the city, and King Ælla was killed in the process. One-by-one, other Saxon realms capitulated until virtually all of north and eastern England was under the direct control of the Danes.
At this point, the strongest Anglo-Saxon kingdom was Wessex, and upon the death of its king Æthelred, Alfred succeeded the throne and took the fight to the Vikings in England, who had begun annexing huge chunks of Mercia, an ally of Wessex. Alfred’s initial campaign against the Vikings was, however, a complete failure. Anglo-Saxon military tactics and defenses were incapable of dealing with Viking raids, and Alfred was eventually forced into hiding in the Somerset Marshes. The Vikings in England had succeeded in opening up the whole of Anglo-Saxon England to their mercy.
In 878, King Alfred came out of hiding and met with the lords still loyal to his cause. During his time in the Somerset Marshes, he had carefully planned a major counter-offensive against the Danish Viking army under Guthrum. Alfred’s campaign was successful, and Guthrum’s army was beaten, first in the field at Edington and then starved into submission at Chippenham. Several years later, a boundary was established, dividing England in two, with one half under Anglo-Saxon control and the other half, known as the Danelaw, under the control of the Vikings.
King Alfred organized better defenses, as well as a powerful free-standing army better equipped to deal with Viking tactics. As a result, subsequent raids and a major invasion attempt were thwarted. The Vikings who were part of this invasion attempt either ended up settling in Danelaw or sailing to Normandy and settling there.
Beyer, Greg. "The Vikings in England (Or were they Danes?)" TheCollector.com, March 11, 2023, https://www.thecollector.com/danes-or-vikings-in-england/
Title page of a late manuscript of the Prose Edda written by Snorri Sturluson (13th century), showing the Ancient Norse Gods Odin, Heimdallr, Sleipnir, and other figures from Norse mythology, plus the legendary axe hammer.
The Tjängvide image stone with illustrations from Norse mythology
By Berig - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=3682858
Showing axe hammers in combat and a Viking longship
7 1/2 inches across, cutting edge 2 3/4 inches, read more
1295.00 GBP
An Original Very Rare Neck Torc of a Legendary, Notorious & Terrifying Viking Mercenary Warrior, A Spectacular, Original & Ancient Viking 'Berserker's' Status Neck Adornment in Bronze. Even the Fiercesome Viking's Were in Fear Of Them. 1200 Years Old
This superb historical antiquity was acquired by us, with a companion piece, a Viking War Hammer- Axe, and, due to its heft, it was also likely used by a Viking Berserker, rather that a more regular Viking warrior. They are both {the axe and torc} around same age, circa 840 ad.
It was thanks to our last, very rare example, being noticed on our website by a Viking collector, who owned this fabulous similar torc, and a war hammer-axe and javelin spear, who then offered us his pieces.
This example however has a different twist copper bronze alloy design, and a naturally 'polished' patinated surface, our last example had an unpolished patinated surface, caused by differing geological conditions that it was conserved within, for the past 1000 years, that it was buried. There is normally ten to twenty years between pieces such as this appearing to us, but thanks to our improving worldwide presence we are delighted to be offered this beauty in such a remarkably short time frame since our last remarkable example.
If any former collector of original Viking warfare bronze adornments has similar pieces they may wish to sell, please consider contacting us, we are always incredibly keen to acquire additional rare Viking antiquities for our gallery’s collection. As the largest specialist dealers in Europe in military antiques and antiquities we are always keen to be contacted by current or former collectors.
A very large bronze Torc, in traditional Viking twisted wirework, heavy grade copper bronze with a fine emerald green patina. Berserkers were among the most feared of the Norse Viking bare-skinned warriors of their age, ingesting hallucinogens to induce a trance-like fury that carried them through battle.
It is believed they fought hand to hand, naked, and bearing nothing but their weapons, a shield and wearing only their status neck torc
The Lewis Chessmen, discovered in Scotland but believed to be Norwegian, date to the 12th century and include a number of pieces showing wild-eyed berserkers biting their shields.
In the fierce warrior culture of the Vikings, there was one type of elite, almost possessed, norse warrior that stood out for their battle fury and violence: the Viking Berserker.
They were careless in their fury, leading many historians to think that they used mind-altering substances to hype themselves up for battle. Berserkers may have felt as though nothing could hurt them. And the English phrase “berserk,” usually describing a frenzied state of anger, comes from these Norse warriors.
Viking berserkers existed as mercenaries for hundreds of years during the Scandinavian Middle Ages, traveling in bands to fight wherever they could get paid. But they also worshiped Odin and were associated with mythological shapeshifters.
And eventually, Norse berserkers became so fearsome that they were entirely outlawed by the 11th century
The Torslunda Plates, which were discovered in Sweden and date to the 6th century, likely depict how berserkers would have dressed in battle.
Most of what comprised the life of a Viking berserker is a mystery because their practices weren’t recorded in detail until the using mind-altered states in battle had been outlawed by the Christian church.
At this time, Christian writers on a mission to condemn any sort of pagan traditions often gave biased, altered accounts.
We do know that berserkers were inhabitants of Scandinavia. It’s written that they guarded Norway’s king Harald I Fairhair as he reigned from 872 to 930 A.D.
They also fought for other kings and royal causes. Archaeological findings from the time when a Viking berserker would have reigned supreme show that they were among elite warriors who were wild and reckless when fighting battles.
A detail of one of the 6th-century Torslunda Plates found in Sweden. It is believed to depict Odin wearing a horned helmet and a berserker wearing the mask of either a wolf or bear.
According to Anatoly Liberman in Berserks in History and Legend, the berserkers roared and otherwise made a lot of noise when in battle. One artistic depiction of the berserkers found in Tissø, West Zealand, showed them wearing a horned helmet.
The word “berserker” itself is derived from the Old Norse serkr, meaning “shirt,” and ber, the word for “bear,” suggesting that a Viking berserker would have worn the hide of a bear, or possibly wolves and wild boars, to battle.
But, rather than wearing the skins animals, the stories told of the Norse warriors who would be so enraged for war that they would literally become wolves and bears to win the battles before them.
In the National Museum of Denmark is the Golden Horn
Imagery of berserkers often depicted them semi-nude, like on this 5th-century golden horn discovered in Møgeltønder, Denmark with naked berserkers wearing neck torcs
Berserkers were originally thought to be named after a hero in Norse mythology who fought without any protective gear or “bare skinned.”
“The nakedness of the berserkers was in itself a good psychological weapon, because such men were naturally feared, when they showed such disregard for their own personal safety,” according to the National Museum of Denmark.
“The naked body may have symbolized invulnerability and was perhaps displayed to honour a war god. The Berserkers were thus dedicating their lives and bodies to the battle.”
Although this imagery is fascinating, experts now think that the term comes from wearing bear skins instead of “bare skin”. So, it’s likely that they got their name from wearing animal skin in battle.
Artistic depictions of a Viking Berserker showed Norse warriors wearing the skins of animals in battle. They may have felt like wearing the skins of perceived wild animals like wolves and bears helped increase their strength.
They might have also thought that it helped them channel the aggression and brutality that hunting animals have when going after their prey.
In 872 AD, Thórbiörn Hornklofi described how Norse warriors that were bear-like and wolf-like fought for King Harald Fairhair of Norway. Nearly a thousand years later, in 1870, four cast-bronze dies depicting Berserkers were discovered by Anders Petter Nilsson and Erik Gustaf Pettersson in Öland, Sweden.
Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading read more
1295.00 GBP
A Very Good & Most Rare Viking Period Javelin Spear, A 'Frakka' Head, ᚠᚱᛅᚴᚴᛅ. During the War Between The Aesir & The Vanir, Odin Threw A Javelin Into The Vanir Host. Circa 900 AD.
Just arrived with a bronze copper alloy Viking Berserker's neck torc and a substantial war hammer-axe. possibly all from a grave of a Viking Berserker uncovered in the 1870's.
Medially ridged leaf shaped blade, with a long tapering spiked tang. Although not as glamorous as the sword, the spear was in every sense the definitive weapon of the Viking Age and used as the primary weapon of combat by almost every warrior. This form of long throwing javelin spear has an iron socket spike at the base, that in order to create a javelin, its bottom spike would be driven into a suitable haft by around 4.5 inches, up to the end of the socket, and this would thus create a most devastating long distance throwing weapon of warfare.
Decorated spearheads inlaid with precious metals prove that in the Viking Age spears were not seen as the poor man's choice and one has only to look at the representations of warriors from the illuminated manuscripts of the era to quickly come to the conclusion that the use of the spear was ubiquitous. Swords are considered a most valuable historical find, as is a same era spear, however, a similar condition surviving Viking era sword could cost today well over 18,000 pounds, so the cost of this large spear by comparison is very good value indeed.
A fine example of a 10th century spear that can be found in England, that came from Viking invaders, who used such spears from Eastern Europe, all Scandinavia, Northern Europe, Central Europe and Britain. Many of the Anglo-Saxon phrases used to describe both battle and warrior help to underline the importance of the spear. In Voluspo (from the Norse Poetic Edda) line 24 onwards -we read :
Vápnum sínum skal-a maðr velli á
feti ganga framar,
því at óvíst er at vita,
nær verðr á vegum úti geirs of þörf guma
let fly a spear, hurled it over the host;
that was still the first war in the world,
the palisade surrounding the Aesir's stronghold was breached
by the Vanir battle-magic, as they strode the plain.
During the War between the Aesir and the Vanir, Odinn threw a javelin into the Vanir host to signal the commencement of hostilities. The practice of symbolically throwing a spear into the enemy ranks at the start of a battle was sometimes used in historic clashes, to seek Odinn’s blessing.
17.5 inches long overall. Part of an original medieval collection we have just acquired, of Viking and early British relics of warfare from ancient battle sites recovered up to 220 years ago. Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only the later swords of kings, that have been preserved in national or Royal collections, are today still in a good state and condition, but due to rarity no Viking swords remain that are still in a good surface condition. read more
1175.00 GBP
A Scarce Victorian 1895 Pattern British Infantry Officer's Sword, With Field Service Scabbard. Used At The Battle of Omdurman, Through WW1 & Into WW2. Reports From Its Use, The 1895 'New Pattern' Were Very Positive In Its Use In Combat At Omdurman
This infantry officer's sword, of regulation pattern, with its Field Service leather covered wooden scabbard, was used in combat service in the The Battle of Omdurman. Then continually, in the following 20th century, in the two world wars. It is the rarest pattern of its type of infantry officer's sword, that was made in 1895 for just two years before the pattern was slightly altered at the half basket. The 1895 had a sharp edge in the inner bowl that used to wear when it rubbed against the officer's uniforms, this was changed by creating a small curl at that inner edge in 1897, and the pattern then titled the 1897 regulation pattern
Omdurman was fought on September 2, 1898, and was a decisive victory for the Anglo-Egyptian forces led by General Kitchener against the Sudanese Mahdist army commanded by the Khalifa Abdallahi ibn Muhammad.
This battle marked the culmination of the Anglo-Egyptian reconquest of Sudan and effectively ended the Mahdist state.
The blade is straight and symmetrical in shape about both its longitudinal axes. The thick blade has a deep central fuller on each side and is rounded on both its edge and back towards the hilt, giving a “dumbbell” or “girder” cross section. Through a gradual transition, the blade becomes double edged towards the tip, and the last 17 inches were sharpened when on active service. The blade ends in a sharp spear point.
The guard is a three-quarter basket of pressed, plated steel. It is decorated with a pierced scroll-work pattern and had the royal cypher of the reigning monarch set over the lower knuckle bow. In this case it is VR for Queen Victoria.
The 1895 regulation pattern Infantry officer's sword was slightly improved after two years with a small rim fold in the half basket in 1897, and has thus remained unchanged to the present day.
By the time of its introduction, the sword was of somewhat limited use on the battlefield against rapid-firing rifles, machine guns and long-range artillery. However, the new sword was regarded, when needed, as a very effective fighting weapon. Reports from the Sudan, where this sword was used in close-quarters fighting, during the Reconquest of the Sudan 1896-99, were highly positive.
Field Marshal Montgomery advanced into battle with his 1897 Pattern drawn during a counter offensive in the First World War. The actual sword he carried is exhibited in the Imperial War Museum, London.
One of the famous British officer's of WW2, who was a devoted exponent of hand to hand sword combat, using his sword in battle, was infantry officer 'Mad' Jack Churchill.
After fighting at Dunkirk, he volunteered for the Commandos. On one occasion, a general who had commented on his weaponry, Churchill is said to have replied "Any officer who goes into action without his sword is improperly dressed."
Very bright polish with traces of old polished out light pitting throughout. Small leather chape lacking from the base of the scabbard read more
475.00 GBP
A Super, 1950's Vintage, Yet Incredibly Affordable, Triple Calender Moon-Phase, Complication Movement of 17 Rubies, Wristwatch, in Rolled Gold By Rex of Switzerland. Hand Winding Movement. An Amazingly Beautiful Collector's Piece.
We show in the gallery two other vintage hi-end collectors watches, of around the same age, and looking very similar to ours. However, the Rolex examples we show are valued at six figures, one for sale by top class watch specialist is $250,000 dollars!.
Important note, we are specialists in many fields, such as antiquarian books, affordable, original antiquities, and military antiques, especially Japanese. But, we are not watch specialists, in any way at all. We have bought many thousands of fine pocket and wrist watches, over the past 100 years, but we have yet to service a single example. We buy them, enjoy brief ownership, and pass them on to collectors, ‘as is’, as antique or vintage collectables, but, always priced accordingly.
This delightful watch we offer is a Circa 1950's Rex triple calendar, moon-phase, plus small seconds dial, watch, in a 34mm yellow gold filled case with steel back. With its original silvered dial, with embossed yellow gold indices and red 'crescent moon' day date on a perimeter arm. Overall, in nice original condition for its age, working, but not inspected for cleaning etc. at all. The lens looks original, but does have the usual old surface scratches and a near invisible very small hairline crack.
It looks extraordinarily similar to the two Rolex examples we show in the gallery, but at a mere fraction of a fraction of the price.
Apparently founded in 1783, Rex was a Swiss watch maker specialising initially in fine pocket watches, day date disk complication pocket watches, and latterly in the 20th century, in wrist watches, however, they are no longer trading anymore.
In its essence, a moon-phase watch relays the 29.5 day lunar cycle by displaying the current phase (sunlit portion) of the moon on the dial of the watch. The 29.5 day cycle is the time it takes to get from a new moon, when it’s not visible, to a full moon and back again. Most often a moon-phase display is referred to as a moon-phase complication since it’s an added feature to the watch similar to the date.
The moon-phase complication was instrumental in developing a perpetual calendar. The first wristwatch with a moon-phase complication and perpetual calendar was by Patek Philippe in 1925 with the reference 97975. Rolex introduced its own version of the complication in 1949 with the reference 8171.
The true magic of these tiny mechanisms is that they are like miniature mirrors, reflecting to the wearer nothing more than the passage of the earth around the sun, decoding this celestial information and compiling it in a tangible and readable format.
Every function that is added to a mechanism requires further math, more gears and greater attention to the precision of the passage of time. These additional functions are aptly referred to as complications.
The triple-date moon phase watch has four extra complications, each marking the next higher increment of time. First we have the inclusion of the date, a common enough complication among mechanical pieces. Next is the addition of the day of the week, still a relatively straightforward addition. Beyond this, the addition of the month, a feature that necessitates further calculation, higher orders of the accumulation of time across many days. Finally, is the addition of a complication which indicates the phase of the moon – from the new moon to the full and back again, it marks the position of the moon in relationship to our position on the planet.
While moon phase clocks have been in existence for centuries (and in some cases even longer!), the first known example of a wristwatch with this level of complication was the Breguet Perpetual Calendar, released in 1929. Not surprisingly, these early moon phase watches trade at incredible values (a version of this early Breguet sold at Christies a few years ago for over $475,000), many brands successfully created moon phase watches of their own, such as REX and Movado, allowing for many great options at much more approachable price points.
As a point of interest, one of the best points about this watch, is, that from only four feet away, when worn on the wrist, it looks near identical to its same aged cousin { the Rolex moon-phase watch}, however, it's finest advantage is that it is £995, not, $250,000. read more
995.00 GBP
