A Deeply Convex Domed Moghul & Sikh Indian Hand Forged Steel Shield, Decorated With Koftgari Work

Just returned from over 40 hours of specialist hand cleaning and polishing with final conservation . This Indo-Persian Dahl is a circular, convex shield used in military combat or as an ornamental item, originating from the Indian and Persian regions. This shields, also known as Sipar, were typically made from steel or leather and were adorned with elaborate floral designs, often using koftgari (gold and silver inlay), and featured four domed bosses.

a style of shield as popular with the Moghul and the Sikh empires

The Mogul-Sikh Wars were a series of conflicts between the Sikh community and the Mughal Empire, primarily during the late 17th and early 18th centuries. The tensions began with the growing popularity of Sikhism, founded by Guru Nanak in the Punjab, and escalated with the persecution of Sikh leaders, particularly under Mughal Emperor Jahangir. Key figures, such as Guru Hargobind and Guru Gobind Singh, played pivotal roles in militarizing the Sikh community in response to Mughal oppression, leading to the formation of the Khalsa, a collective of Sikh warriors devoted to defending their faith.

The conflicts intensified with the rise of Emperor Aurangzeb, who targeted the Sikhs due to their increasing power and influence. Following significant battles, including the siege of Anandpur, the Sikhs faced heavy losses, but their resolve only strengthened, leading to notable victories against Mughal forces. The eventual execution of Sikh leader Bandā Bahādur and subsequent massacres highlighted the brutal nature of these confrontations. Ultimately, the resistance of the Sikhs contributed to the decline of the Mughal Empire, as they established a robust martial tradition and expanded their influence throughout the Punjab region, fostering a sense of unity and resilience within the Sikh community.  read more

Code: 25900

A Beautiful Noble's Early Antique Sinhalese Ceylonese Piha Kaetta Knife Dagger

A most engaging ornate pihas and likely made exclusively by the Pattal Hattara (The Four Workshops). They were employed directly by the Kings of Kandy. Kandy, the independent kingdom, was first established by King Wickramabahu (1357-1374 AD). The last Kandyan king was in the early 1800's, and the workshops are no longer in existence today.The simplest are of plain steel, but very graceful form, with wooden or horn handles, and carried in the belt, to lop off inconvenient branches as one passes through the jungle, or, to open coconuts, or cut jungle ropes. From these knives there are all transitions to the finest versions of nobles and princes, the most elaborate and costly of silver or gold inlaid and overlaid knives worn by the greatest chiefs as a part of their formal dress, and possibly never intended for regular use. The workmanship of many of these is most exquisite but this fine work is done rather by the higher craftsmen, the silversmiths and ivory carvers, than by the mere blacksmith. Many of the best knives were doubtless made in the Four Workshops, such as is this example, the blades being supplied to the silversmith by the blacksmiths.
"The best of the higher craftsmen (gold and silversmiths, painters, and ivory carvers, etc.) working immediately for the king formed a close, largely hereditary, corporation of craftsmen called the Pattal-hatara (Four Workshops). They were named as follows; The Ran Kadu [Golden Arms], the Abarana [Regalia], the Sinhasana [Lion Throne], and the Otunu [Crown] these men worked only for the King, unless by his express permission (though, of course, their sons or pupils might do otherwise); they were liable to be continually engaged in Kandy, while the Kottal-badda men were divided into relays, serving by turns in Kandy for periods of two months. The Kottal-badda men in each district were under a foreman (mul-acariya) belonging to the Pattal-hatara. Four other foremen, one from each pattala, were in constant attendance at the palace.This beautiful noble's dagger is stunningly decorated with veka deka liya vela [double curve vine motif] and the flower motif sina mal, and a bold vine in damascene silver. The blade is traditonal iron and the hilt beautifully carved black coral  read more

Code: 14577

An Original 18th Century, Royal Naval, Board of Ordnance Issued Fire Bucket. Bearing BO Broad Arrow Stamp and Makers Stamp. Battle of Copenhagen, Battle of The Nile & Trafalgar Period

Hardened leather with all stitched seams in excellent condition, and leather handle. Bears the remainder of an applied royal crest. Broad arrow & Board of Ordnance stamp to the base.
Fire aboard a wooden ship was a constant peril, from such as burning powder shot or cannon fire, or even from an enemy fire ship, and could be the destruction of a vessel and crew in a very short time, if not subdued as quickly as possible. Thus good and sturdy leather fire buckets were an essential piece of Royal Naval equipment aboard every vessel. We show a row of Royal Naval issue fire buckets reproductions aboard Nelson's flagship, HMS Victory, now in permanent dock at Portsmouth. It is still the flagship of the Royal Navy in honour of Nelsons famous victory at Trafalgar. Fire buckets have been popular with collectors and owners of period homes for a very long time. They represent a time long before most towns had established and well-equipped fire departments ready to respond at a moment’s notice to a house or shop fire, when people relied on their neighbours to come to their aid. The risk for catastrophe from fire was great. A single stand-alone house could be consumed in minutes. In towns, fire in densely populated neighbourhoods could quickly result in the destruction of dozens of buildings.

Between 1630 and 1700 Boston experienced at least six major fires that destroyed well over 200 buildings. Most fire buckets were likely purchased from merchant craftsmen who specialised in leather goods, or wholesalers who imported wares from England. The earliest reference for the sale of fire buckets in Boston comes from a 1743 newspaper where an advertisement from an unnamed merchant simply states, “A Parcel of Choice Fire Buckets to be sold.” it is very rare to find a mark or signature on a fire bucket that identifies its maker.

At Christies auction house on the 17th December 2015 a fire bucket from HMS Victory, Nelson's flagship, sold for £6875
Leather handle likely replaced  read more

Code: 24005

A Fine & Most Rare, French Napoleonic Wars Consulat To Empire Period Early 19th Century Flintlock Officer's Pistol From 1801, Manufacture St Etienne, Lock Interior Marked Duran, Identical To Another Sold By the Smithsonian Institution Of New York in 1996

Lock marked St Etienne, and the barrel marked RS, the identical marking as on the Smithsonian Institutes pistol. Likely the version used by L'officier de marine, such as at Trafalgar in 1805, it was also an option for the L'officier Gendarmerie. It was the pattern designed to be used in most cavalry of the Consulat and during the early years of the Empire, as well as in the Navy. The cavalry examples were usually 3cm longer. They were produced until 1808

The modèle An IX replaced the modèle 1777, which had been criticized to the point where the older modèle 1763 had been brought back into service.

This pistol is superficially similar in appearance to the well respected Pistolet modèle 1763/66 pattern. The Pistolet modèle An IX is in effect the same in terms of changes made to the musket pattern of the same year, but when compared to the modèle 1777/1786 had the spring and brass barrel bands of its predecessor restored to make it much easier to service.

The Battle of Trafalgar, (October 21, 1805), was a naval engagement of the Napoleonic Wars, which established British naval supremacy for more than 100 years; it was fought west of Cape Trafalgar, Spain, between Cádiz and the Strait of Gibraltar. A fleet of 33 ships (18 French and 15 Spanish) under Admiral Pierre de Villeneuve fought a British fleet of 27 ships under Admiral Horatio Nelson.

Nelson was outnumbered, with 27 British ships of the line to 33 allied ships including the largest warship in either fleet, the Spanish Santísima Trinidad. To address this imbalance, Nelson sailed his fleet directly at the allied battle line's flank, hoping to break the line into pieces. Villeneuve had worried that Nelson might attempt this tactic but, for various reasons, had made no plans for this eventuality. The plan worked almost perfectly; Nelson's columns split the Franco-Spanish fleet in three, isolating the rear half from Villeneuve's flag aboard Bucentaure. The allied vanguard sailed off while it attempted to turn around, giving the British temporary superiority over the remainder of their fleet. In the ensuing fierce battle 20 allied ships were lost, while the British lost none.

Nelson's own HMS Victory led the front column and was almost knocked out of action. Nelson was shot by a French musketeer during the battle, and died shortly before it ended. Villeneuve was captured along with his flagship Bucentaure. He attended Nelson's funeral while a captive on parole in Britain. The senior Spanish fleet officer, Admiral Federico Gravina, escaped with the remnant of the Franco-Spanish fleet (a third of the original number of ships); he died five months later of wounds sustained during the battle.

The victory confirmed the naval supremacy Britain had established during the course of the eighteenth century, and was achieved in part through Nelson's departure from prevailing naval tactical orthodoxy.  read more

Code: 25387

A Superb & Very Rare Sword, From the Indian Sub Continent. A Beautiful 18th Century Kora With Krishna Inlay

All steel inlaid with brass bronze embellishments of with chased brass and copper-overlaid figural decoration, depicting Krishna playing the flute inside a domed shrine chhajjas, domed pavillion-shaped structure,

The Kora is the second best known weapon of Nepal, the first being the legendary Kukri (Khukuri), both are national weapons of Nepal. The third forward curved blade of Nepal is the Ram Dao, it is only used in religious affairs and was doubtfully used in times of war. Like Nepal, the Kora & Kukri are strongly associated with the Gurkhas and was firstly illustrated in Col. William Kirkpatrick's work "An Account of the kingdom of Nepaul" published in London, 1811 based on his travels in 1793 to Nepal.
There both the Kukri and Kora is for the first time illustrated to the wider worlds public. The Kora was traditionally used warfare and personal protection, but also played and still plays a function in the religious sphere where it is used to behead sacrificial animals in one blow, otherwise believed to bring bad fortune and the sacrifice is considered useless. Thus both a skilled man and a formidable blade is needed, the Kora certainly passes the criteria! Lord Egerton and Rawson share the main idea that the forward curved blade most likely goes back to the Egyptian Khopesh and from there over to the Grecco-Roman world where it was called Kopis. Most authors, collectors and people with knowledge will agree on this, so far it's the best option we have. So much of the past, its history is forgotten, unrecorded and often only minor fragments remain.

Krishna
Krishna, Sanskrit Kṛṣṇa, one of the most widely revered and most popular of all Indian divinities, worshipped as the eighth incarnation (avatar, or avatara) of the Hindu god Vishnu and also as a supreme god in his own right. Krishna became the focus of numerous bhakti (devotional) cults, which have over the centuries produced a wealth of religious poetry, music, and painting. The basic sources of Krishna’s mythology are the epic Mahabharata and its 5th-century-CE appendix, the Harivamsha, and the Puranas, particularly Books X and XI of the Bhagavata-purana. They relate how Krishna (literally “black,” or “dark as a cloud”) was born into the Yadava clan, the son of Vasudeva and Devaki, who was the sister of Kamsa, the wicked king of Mathura (in modern Uttar Pradesh). Kamsa, hearing a prophecy that he would be destroyed by Devaki’s child, tried to slay her children, but Krishna was smuggled across the Yamuna River to Gokula (or Vraja, modern Gokul), where he was raised by the leader of the cowherds, Nanda, and his wife Yashoda.

The child Krishna was adored for his mischievous pranks; he also performed many miracles and slew demons. As a youth, the cowherd Krishna became renowned as a lover, the sound of his flute prompting the gopis (wives and daughters of the cowherds) to leave their homes to dance ecstatically with him in the moonlight. His favourite among them was the beautiful Radha. At length, Krishna and his brother Balarama returned to Mathura to slay the wicked Kamsa. Afterward, finding the kingdom unsafe, Krishna led the Yadavas to the western coast of Kathiawar and established his court at Dvaraka (modern Dwarka, Gujarat). He married the princess Rukmini and took other wives as well.

Krishna refused to bear arms in the great war between the Kauravas (sons of Dhritarashtra, the descendant of Kuru) and the Pandavas (sons of Pandu), but he offered a choice of his personal attendance to one side and the loan of his army to the other. The Pandavas chose the former, and Krishna thus served as charioteer for Arjuna, one of the Pandava brothers. On his return to Dvaraka, a brawl broke out one day among the Yadava chiefs in which Krishna’s brother and son were slain. As the god sat in the forest lamenting, a huntsman, mistaking him for a deer, shot him in his one vulnerable spot, the heel, killing him.  read more

Code: 23295

A Rare & Beautiful Antique Burmese High Status Noble’s Silver Sword, With Silver Inlaid Blade

A 19th Century Burmese sword dha, curved, shallow fullered silver inlaid blade 26", slight swollen towards point, silver damascened for its full length on both sides, with a scene depicting seated warriors and sages, a dog chow, foliage and inscriptions, zig zag panel along the top edge, silver hilt, the central panels depicting figures of male and female deities, plain darkwood ball pommel, in its plain sheet copper- silver alloy panelled scabbard in eleven sections. Circa 1870. Callied a ‘story' dha, the whole sword is superbly decorated. A picture we show in the gallery of a Burmese prince with his similar sword dha on a stand before him. The blade decoration, with silver overlay on both sides, it is said, is sometimes believed to the horoscope of the Burmese nobleman for whom the dha was commissioned. This sword is a “story” dha, the silver onlay illustrate a popular folktale and Jataka legend, complete with vignette scenes of the highlights of the story, and accompanying captions in Burmese or Pali. The broad use and diffusion of the dha across Southeast Asia makes it difficult to attribute a definitive origin. The Burmese moved into Southeast Asia from the northwest (present day India), passing through Assam and Nagaland. The dha and its variants were possibly derived from the Naga dao, a broadsword used by the Naga people of northeast India for digging as well as killing. The Naga weapon was a thick, heavy, eighteen-inch long backsword with a bevel instead of a point, and this form of blade is found on some dha. Alternatively, the dha may have its origins with the Tai people who migrated to the area from present-day Yunnan Province in southern China. The Khmer and Mon peoples were well established before the arrival the Tai or the Burmese people; perhaps they invented the dha as 13th-century reliefs at Angkor depict the weapon. The history of the region includes many periods where one or the other of these groups dominated, bringing along their culture and weapons to conquered areas.

Similar terms exist in the surrounding area with slightly different meanings. The Chinese word dao (dou in Cantonese) means knife but can refer to any bladed weapon with only one edge. In Bengali, a dao is a six inch long knife. From the Himalayas, the dao spread to Southeast Asia where it came into its present shape. While it is pronounced dha in Burmese, among Khmer-speakers it is known as dao and it may be related to the Malay words pedang and sundang, meaning sword. A related term, dap, means a long-handled sword in Malay. In Thailand, the dha corresponds to the krabi but the equivalent Thai term is daab which is usually a stout double-edge sword. Other elaborate swords might have been made as presentation pieces perhaps to foreigners but the nature of the script on the blade suggests that this example may have been made for a very senior Burman or Shan aristocrat. Overall in scabbard 37.5 inches long, blade 26 inches long  read more

Code: 23315

A Fabulous & Huge Antique Chinese Ching Dynasty Dao, a Sword of War. A Combat Sword of Immense Stature. From The 1800's During The Imperial Qianlong, Emperor of the Qing, the Manchu Dynasty

Just returned from the conservation team after the blade has been stunningly hand polished and conserved. It now looks incredible

Large traditional plaited blue cord bound hilt with iron,m circular, disc and rimmed crossguard, and a hammered cushion shaped pommel, long single edged blade, that appears curved but is mostly straight but with a curved and expanded tip end. single fuller, likely late Qianlong {aka Chien-lung period}, used until the Boxer Rebellion. Most likely brought back to England by a British soldier that either served in the Opium War, or defended the legations at the siege in Peking.

The Qing dynasty (English pronunciation; Ching), officially the Great Qing, was a Manchu-led imperial dynasty of China (1636–1912) and the last imperial dynasty in Chinese history.
It emerged from the Later Jin dynasty founded by the Jianzhou Jurchens, a Tungusic-speaking ethnic group who unified other Jurchen tribes to form a new "Manchu" ethnic identity. The dynasty was officially proclaimed in 1636 in Manchuria (modern-day Northeast China and Russian Manchuria). It seized control of Beijing in 1644, then later expanded its rule over the whole of China proper and Taiwan, and finally expanded into Inner Asia. The dynasty lasted until 1912 when it was overthrown in the Xinhai Revolution. In Chinese historiography, the Qing dynasty was preceded by the Ming dynasty and succeeded by the Republic of China. The multiethnic Qing dynasty lasted for almost three centuries and assembled the territorial base for modern China. It was the largest imperial dynasty in the history of China and in 1790 the fourth-largest empire in world history in terms of territorial size. With 419,264,000 citizens in 1907, it was the most populous country in the world at the time.

The height of Qing glory and power was reached in the reign of the Qianlong Emperor (1735–1796). He led Ten Great Campaigns that extended Qing control into Inner Asia and personally supervised Confucian cultural projects. After his death, the dynasty faced foreign intrusion, internal revolts, population growth, economic disruption, official corruption, and the reluctance of Confucian elites to change their mindsets. With peace and prosperity, the population rose to some 400 million, but taxes and government revenues were fixed at a low rate, soon leading to fiscal crisis. Following China's defeat in the Opium Wars, Western colonial powers forced the Qing government to sign "unequal treaties", granting them trading privileges, extraterritoriality and treaty ports under their control. The Taiping Rebellion (1850–1864) and the Dungan Revolt (1862–1877) in Central Asia led to the deaths of over 20 million people, from famine, disease, and war. The Tongzhi Restoration in the 1860s brought vigorous reforms and the introduction of foreign military technology in the Self-Strengthening Movement. Defeat in the First Sino-Japanese War in 1895 led to loss of suzerainty over Korea and cession of Taiwan to Japan. The ambitious Hundred Days' Reform of 1898 proposed fundamental change, but the Empress Dowager Cixi (1835–1908), who had been the dominant voice in the national government for more than three decades, turned it back in a coup. Pictured in the gallery from the Metropolitan Museum, a Chinese noble or princes suit of armour of steel and gold and covered with a fabulous woven silk robe decorated with imperial dragons, with, at his waist, the very same form of sword of war, bound with the same green hilt cord, but, with a highly decorated scabbard as befitting a prince.

Every single item from The Lanes Armoury, Britain's famous, favourite, and oldest original Armoury Antique store, is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, and thus, it is a lifetime guarantee.

No scabbard 42.15 inches long overall, blade 34 inches.  read more

Code: 24869

A Stunningly Beautiful and Superb Ghurka’s Antique Koftgari Decorated Silver Hilted Kora

The Kora is the second best but little known weapon of the Ghurkas of Nepal, the first being the legendary Kukri (Khukuri), both edged weapons are national weapons of Nepal. The third used sword is the forward curved blade of Nepal, the Ram Dao, it is only used in religious affairs and was doubtfully used in times of war.

Like Nepal, the Kora & Kukri are strongly associated with the Gurkhas and was firstly illustrated in Col. William Kirkpatrick's work "An Account of the kingdom of Nepaul" published in London, 1811 based on his travels in 1793 to Nepal. There both the Kukri and Kora is for the first time illustrated to the wider worlds public. The Kora was traditionally used warfare and personal protection, but also played and still plays a function in the religious sphere where it is used to behead sacrificial animals in one blow, otherwise believed to bring bad fortune and the sacrifice is considered useless. Thus both a skilled man and a formidable blade is needed, the Kora certainly passes the criteria! Lord Egerton and Rawson share the main idea that the forward curved blade most likely goes back to the Egyptian Khopesh and from there over to the Grecco-Roman world where it was called Kopis. Most authors, collectors and people with knowledge will agree on this, so far it?s the best option we have. So much of the past, its history is forgotten, unrecorded and often only minor fragments remain
Similarly with the Kora (or Kukri), for that sake we only know a small drop of water in a great ocean?and can not blindly focus on only that but gather more info, facts, discuss and contemplate upon the matter to perhaps reach a better understanding. It is believed this is what specially Lord Egerton and Rawson did, added knowledge, expanded our understanding and shed some light on the little known weapons, of the Indian sub-continent, thus it why they can be held in such high regard.  read more

Code: 22405

A Very Sound and Good Condition World War II British Tank Site / Periscope-

Tank & AFV Periscope TD31917. War Dept stampings and maker markings. Likely manufactured 1930's. Perfect prisms. Their locationing can be seen in both the tank photographs, fitted to the two hatch lids in front of the turrets

Tanks and armoured vehicles use periscopes: they enable drivers, tank commanders, and other vehicle occupants to inspect their situation through the vehicle roof. Prior to periscopes, direct vision slits were cut in the armour for occupants to see out. Periscopes permit view outside of the vehicle without needing to cut these weaker vision openings in the front and side armour, better protecting the vehicle and occupants.

A protectoscope is a related periscopic vision device designed to provide a window in armoured plate, similar to a direct vision slit. A compact periscope inside the protectoscope allows the vision slit to be blanked off with spaced armoured plate. This prevents a potential ingress point for small arms fire, with only a small difference in vision height, but still requires the armour to be cut.

In the context of armoured fighting vehicles, such as tanks, a periscopic vision device may also be referred to as an episcope. In this context a periscope refers to a device that can rotate to provide a wider field of view (or is fixed into an assembly that can), while an episcope is fixed into position.

Periscopes may also be referred to by slang, e.g. "shufti-scope".  read more

Code: 25894

Superb Early to Mid Edo,Museum Quality Signed Samurai War Helmet Kabuto, by Nobutada, of 21 'Helmet Skull' or 'Bowl Plates', with a Leaping Animal, Carved Wooden and Gold Maedate & Clan Mon of the Sakai Clan, & “Fierce Face” Ressai, Face Armour

A truly fabulous, original, Edo samurai's antique kabuto, war helmet, worthy of a museum display, the best samurai or Japanese art collections, or as a single 'statement' piece for any home. This is, without doubt, one of the most beautiful and fine original antique samurai war helmets, kabuto, we have seen for a jolly long time. Helmets of such beauty and quality as this can be prized and valued as much as a complete original samurai armour.

The imposing beauty of the helmet is entrancing, and the menpo {the moustached, grimacing expression face armour} sets it off superbly with a most intimidating presence. When this was worn by its fierce-some armoured samurai he must have looked spectacularly impressive.

A 21 plate goshozan sujibachi kabuto, with ressei {fierce face } mempo face armour, that has just returned from having the mempo's moustache expertly conserved, and it looks as good as new.

Probably a 17th-18th century, 21 ken plate, Sujibachi, which is a multiple-plate type of Japanese helmet skull bowl with raised ridges or ribs showing where the 21 tate hagi-no-ita (helmet plates) come together creating the main skull bowl bachi, and culminating at the multi stage tehen kanamono finial, with the fukurin metal edges on each of the standing plates.
The mabisashi peak is lacquered and it has a four-tier lacquered iron hineno-jikoro neck-guard laced with gold, and the skull is surmounted by a gilt-lacquered wood leaping animal, the maedate (forecrest), possibly a rabbit or deer, the Fukigaeshi small front wings shows the mon crest symbol of a plain form katabami mon {the wood sorrel flower}.

It's one of popular kamon that is a design of the flower of oxalis corniculata.
The founder of the clan that chose this flower as their mon had wished that their descendants would flourish well. Because oxalis corniculata is renown, and fertile plant.
the mon form as used by clans such as the Sakai, including daimyo lord Sakai Tadayo

One of the great Sakai clan lords was Sakai Tadayo (酒井 忠世, July 14, 1572 – April 24, 1636). He was a Japanese daimyō of the Sengoku period, and high-ranking government advisor, holding the title of Rōjū, and later Tairō. You can see his image in the gallery wearing the very same form of war helmet kabuto.

The son of Sakai Shigetada, Tadayo was born in Nishio, Mikawa Province; his childhood name was Manchiyo. He became a trusted elder (rōjū) in Toyotomi Hideyoshi's government, alongside Tokugawa Ieyasu. Under Hideyoshi, he was made lord of Kawagoe Castle (in Musashi Province, today Saitama Prefecture) and later of Nagoya Castle in Kyūshū's Hizen Province. In 1600, in the lead-up to the decisive Sekigahara campaign, he fought against the Tokugawa at Aizu, and submitted to them at the siege of Ueda. Thus, having joined the Tokugawa prior to the battle of Sekigahara itself, Sakai was made a fudai daimyō, and counted among the Tokugawa's more trusted retainers. He served under Ieyasu for a time, and under the second shōgun, Tokugawa Hidetada, as a hatamoto.
The lacquered iron menpo (face mask) with four-lame yodarekake face armour. The kabuto is signed on the interior Nobutada saku Nobutada made this

After the introduction of firearms, smoke blanketed many battlefields, causing confusion for the troops. So they could be more readily identified, samurai began to wear helmets with elaborate ornaments at the front, back, or sides, often featuring an intricate crest (maedate).

In their quest for unique and meaningful armour, samurai turned to nature, folklore, or religion for inspiration. Whatever the source, they selected designs for their armor that would set them apart and communicate their personality and beliefs, whether whimsical, frightening, or spiritual.

An antique woodblock print in the gallery, likely of Sakai Tadayo, showing his same form of war helmet kabuto, decorated with his same Sakai clan mon of the katabami, and he also has a leaping animal, gold covered carved wood, as his maedate helmet crest as has ours. And he has the same 'fierce face' mempo face armour with the very same style of elaborate, pronounced moustache.

The Fukigaeshi on the left facing side of the helmet shows the mon crest symbol of a plain katabami mon but small surface lacquer area partly missing. There are very small age nicks to the helmet lacquer. It has its original helmet lining but most removed back to reveal the signature

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25056