Recovered From Waterloo Battle Site in the 1820's A Pair of Late 18th Early 19th Century Napoleonic War's Officer's Crossbow Pistol Bolts

Very finely made steel quarrel heads, beautifully facetted, with brass lined collars. On wooden hafts. We acquired a very small collection of these Napoleonic quarrels uncovered at Waterloo from the Grand Tour family, the two shown in gallery were sold within 24 hours but we have two other pairs for the same price.

Superbly made pieces and very scarce indeed. Illustrated with the kind of pistol used from the Napoleonic era. We acquired another rare pair from a Napoleonic collector around 14 years ago, thus we recognised them immediately. Apparently when they were recovered over 200 years ago from the battle site they were contained in the original crossbow pistols case, the pistol had long gone, likely lost in the battle, but the lengthy box within the case still contained at least half of its store of crossbow bolts, the case was marked by its French maker.

A weapon as silent as the grave, yet more deadly than a pistol as it's range was greater and penetrating power more effective. The heads could easily be beautifully polished to brighter steel. A picture in the gallery of an idisyncratic Napoleonic officer's pistol that used such bolts.

From the field of the 1815 Battle of Waterloo, during a Grand Tour at the building of the Waterloo mound, a huge lion monument at the battle site of Waterloo, in honour of the Prince of Orange. A collection antiques recovered by members of the Hamilton family, Originally purchased by the nobility from the peasant excavators in Belgium, while building the Prince of Orange's Waterloo Mound at the battlefield in the 1820's, and acquired by us from their descendants as a collection of 20. From part of our antiquities and curiosities acquired from a circa 1820's Grand Tour classical collection from Europe and the Middle East. Such as Agincout, Poitiers, Crecy, Waterloo, Philippi, and following Alexander's campaign trail of his conquests then part of the Ottoman Empire. We have been purchasing piecemeal from the same family for around 20 years, military items and artefacts from the family's forebears Grand Tour in the early 19th century.


Strategic importance

A view of the battlefield from the Lion's mound. On the top right are the buildings of La Haye Sainte. This view looks east, with Allied forces behind the road to the left (north) and French forces out of shot to the right(south)
The road leads from La Belle Alliance, where Napoleon had his headquarters on the morning of the battle, through where the centre of the French front line was located, to a crossroads on the ridge which is at the top of the escarpment and then on to Brussels. The Duke of Wellington placed the majority of his forces on either side of the Brussels road behind the ridge on the Brussels side. This kept most of his forces out of sight of the French artillery.

During the night from the 17th to the 18th, the main door to the courtyard of the farm was used as firewood by the occupying troops. Therefore, when the King's German Legion (KGL) was stationed in the farm at the morning of the battle they had to hastily fortify La Haye Sainte.

The troops were the 2nd Light Battalion KGL commanded by Major Georg Baring, and part of the 1st Light Battalion KGL. During the battle, they were supported by the 1/2 Nassau Regiment and the light company of the 5th Line Battalion KGL. The majority of these troops were armed with the Baker rifle with grooved barrels, as opposed to the normal Brown Bess musket of the British Army. The French troops also used muskets which were quicker to load than the Baker rifle but the latter was more accurate and had about twice the range of a musket.

Both Napoleon and Wellington made crucial mistakes about La Haye Sainte as it was fought over and around during most of the day. Napoleon failed to allocate enough forces to take the farm earlier in the day while Wellington only realised the strategic value of the position when it was almost too late.

9 inches long.

They could look superb framed.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery.  read more

Code: 17642

Fabulous and Rare Aeronautical Set. Germany 1912 Gordon Bennett Zeppelin Airship Flight, 12 Poster Vignette Cinderella Stamps

Original, period vignette for 1912 Gordon Bennett air show with pioneering German Zeppelin before WWI. Size 1.5 x 2 inches Gum: MH {Mint Hinged} Photographed against a card background, but all the stamps are gummed and separate.

Very rare to get large number sets. Two sets of x 12, we have 24 but we have split them for sale into 2 sets of 12.

The 1914 Cazin and Rochas catalog claims they were printed in nine colours of ink on nine different papers

The Gordon Bennett Cup (or Coupe Aéronautique Gordon Bennett) is the world's oldest gas balloon race, and is "regarded as the premier event of world balloon racing" according to the Los Angeles Times. Referred to as the "Blue Ribbon" of aeronautics, the first race started from Paris, France, on September 30, 1906. The event was sponsored by James Gordon Bennett Jr., the millionaire sportsman and owner of the New York Herald newspaper. According to the organizers, the aim of the contest "is simple: to fly the furthest distance from the launch site." The contest ran from 1906 to 1938, interrupted by World War I and in 1931, but was suspended in 1939 when the hosts, Poland, were invaded at the start of World War II. The event was not resurrected until 1979, when American Tom Heinsheimer, an atmospheric physicist, gained permission from the holders to host the trophy.  read more

Code: 25112

Fabulous and Rare Aeronautical Set. Germany 1912 Gordon Bennett Zeppelin Airship Flight, 12 Poster Vignette Cinderella Stamps

Original, period vignette for 1912 Gordon Bennett air show with pioneering German Zeppelin before WWI. Size 1.5 x 2 inches Gum: MH {Mint Hinged} Photographed against a card background, but all the stamps are gummed and separate.

Very rare to get large number sets. Two sets of x 12, we have 24 but we have split them for sale into 2 sets of 12.

The 1914 Cazin and Rochas catalog claims they were printed in nine colours of ink on nine different papers

The Gordon Bennett Cup (or Coupe Aéronautique Gordon Bennett) is the world's oldest gas balloon race, and is "regarded as the premier event of world balloon racing" according to the Los Angeles Times. Referred to as the "Blue Ribbon" of aeronautics, the first race started from Paris, France, on September 30, 1906. The event was sponsored by James Gordon Bennett Jr., the millionaire sportsman and owner of the New York Herald newspaper. According to the organizers, the aim of the contest "is simple: to fly the furthest distance from the launch site." The contest ran from 1906 to 1938, interrupted by World War I and in 1931, but was suspended in 1939 when the hosts, Poland, were invaded at the start of World War II. The event was not resurrected until 1979, when American Tom Heinsheimer, an atmospheric physicist, gained permission from the holders to host the trophy.

With its extraordinary fineness and silky matt surface, bisque porcelain exudes an unmistakable charm. Sculptural qualities, modelling skills and decorations such as reliefs are shown to full effect and are further accentuated by the material’s fascinating tactile quality. Developed in the 18th century by the French painter Jean-Jacques, the fine material rose to prominence as a substitute for ivory, alabaster and marble in the manufacture of the Château Vincennes. To this day, bisque porcelain is often compared to marble because of its unique way of diffusing light rather than reflecting it. At MEISSEN, this effect and material quality is achieved by polishing the unglazed surface of fired porcelain pieces in painstaking detail, resulting in the bisque's characteristic velvety soft surfaces.

Porcelain in its purest form. Contrary to popular belief, bisque porcelain has the same properties as its glazed counterparts in terms of density, hardness, strength and resistance. By omitting the glaze, details, such as sculptural swerves, elaborate embossing work and decorations, such as reliefs, are highlighted and given a unique tactile quality, showing off the skills of Meissen artisans in a particularly compelling way  read more

Code: 25113

A Beautiful & Fine Quality Early Post Medieval to Early 17th Century Renaissance Wrought Iron Chest or Door Lock, German

From a Norman or Gothic carved wooden chest. Superbly crafted and engraved. We show in the gallery the types of chest to which it could have been fitted in order to make them secure. The decoration of Gothic iron locks and keys was often elaborate and of the highest standard of workmanship. The motifs were frequently drawn from Gothic architecture, reproducing on a miniature scale complicated tracery patterns and even tiny statuettes. A number of these tiny locks were compound, with some of the mechanisms concealed from view, and required two or even three keys used in sequence to open them. It has been suggested that the greatly expanded use of locks on doors, or coffrets and other types of storage chests was a result of the increasing urbanization of life and the new emphasis on material wealth and private ownership which developed in the late Middle Ages. From the 15th century on, locksmiths gained a privileged status in society. They had advanced technical skills and were master craftsmen in decoration techniques. Their main clients were town burghers, the clergy, nobility who built castles and other large residences, and the Royal Family. Ever since the Viking era (the 9th to the 11th centuries), chests and small boxes have been important personal storage places in all levels of Swedish society – from the common people to the royal families. Locks made storage more secure. The Oseberg ship was discovered and excavated in the early 1900s in Vestfold, Norway. The ship was built in the first half of the 9th century. Many items were found on board – including storage chests. Chests were generally used by the crews of the Viking ships, who sat on them to row, as well as storing things in them.

In 1936, a Viking wooden tool chest was discovered during the plowing of a field at Mästermyr on Gotland. Over two hundred iron objects were found inside and around the chest, which is 90 cm long and 24 cm high. Of particular interest in the present context is the fact that these objects included blacksmith tools as well as two large keys, lock parts, other lock hardware and three small padlocks.

King Louis XVI of France proved to be a man of very few interests and pleasures in the midst of the whirlwind of entertainment that was Versailles. One was the hunt and the other was his amateur blacksmithing.

A small forge was installed above his private library to indulge the King in his pursuit of this particular hobby. Here there were two anvils and every tool that could possibly be needed was available. As it happened, locks were of a particular interest to Louis. The room was filled with all kinds of locks: common locks, hidden locks and elaborately gilded locks. The château's blacksmith by the name of Gamin was employed to teach the King all he knew - probably in all secrecy . When he was not with the King he was in charge of all the locks at Versailles. From him we know that Louis was eager to conceal this hobby from his courtiers and his Queen which resulted in the two coming up with countless stratagems for removing and bringing in the anvils. Sadly, Gamin would eventually betray Louis during the revolution.

The court was not very approving of their King's hobby. It was thought to be a profession for the lower classes - not a a hobby for a King. Even Marie Antoinette had the occasional complain about this hobby but for a far more practical reason: the work left the King's hands blackened and he would often visit her without washing them first much to the damage of her furniture.
Louis XVI seemed to have paid them little mind. Instead, he agreed with Rousseau that every man should know a manual craft. Meanwhile, the pamphleteers had a field day making the King's interest in keys and locks a fitting symbol of his ... marital problems. This would look stunning mounted or framed. Size 22.5 x 20 cm some photos appear to show its colour as greenish, this is a photographic lighting optical illusion it is in fact blackened with age  read more

Code: 23389

A Most Elegant Equestrian Walking Stick Cum Dandy Cane

Finely carved handle of a horses hoof and fetlock. The stick is a superb close grain hardwood. Overall in super condition. Every other portrait of a Georgian, Victorian, or Edwardian gentleman, shows some nattily dressed fellow with a walking stick pegged jauntily into the ground or a slim baton negligently tucked under the elbow. The dress cane was the quintessential mark of the dandy for three centuries, part fashion accessory, part aid to communication, part weapon, and of course, a walking aid. A dandy, historically, is a man who places particular importance upon physical appearance, refined language, and leisurely hobbies, pursued with the appearance of nonchalance in a cult of self. A dandy could be a self-made man who strove to imitate an aristocratic lifestyle despite coming from a middle-class background, especially in late 18th- and early 19th-century Britain.

Previous manifestations of the petit-maitre (French for "small master") and the Muscadin have been noted by John C. Prevost, but the modern practice of dandyism first appeared in the revolutionary 1790s, both in London and in Paris. The dandy cultivated cynical reserve, yet to such extremes that novelist George Meredith, himself no dandy, once defined cynicism as "intellectual dandyism". Some took a more benign view; Thomas Carlyle wrote in Sartor Resartus that a dandy was no more than "a clothes-wearing man". Honore De Balzac introduced the perfectly worldly and unmoved Henri de Marsay in La fille aux yeux d'or (1835), a part of La Comedie Humaine, who fulfils at first the model of a perfect dandy, until an obsessive love-pursuit unravels him in passionate and murderous jealousy.

Charles Baudelaire defined the dandy, in the later "metaphysical" phase of dandyism, as one who elevates esthetics to a living religion, that the dandy's mere existence reproaches the responsible citizen of the middle class: "Dandyism in certain respects comes close to spirituality and to stoicism" and "These beings have no other status, but that of cultivating the idea of beauty in their own persons, of satisfying their passions, of feeling and thinking Dandyism is a form of Romanticism. Contrary to what many thoughtless people seem to believe, dandyism is not even an excessive delight in clothes and material elegance. For the perfect dandy, these things are no more than the symbol of the aristocratic superiority of mind."

The linkage of clothing with political protest had become a particularly English characteristic during the 18th century. Given these connotations, dandyism can be seen as a political protest against the levelling effect of egalitarian principles, often including nostalgic adherence to feudal or pre-industrial values, such as the ideals of "the perfect gentleman" or "the autonomous aristocrat". Paradoxically, the dandy required an audience, as Susann Schmid observed in examining the "successfully marketed lives" of Oscar Wilde and Lord Byron, who exemplify the dandy's roles in the public sphere, both as writers and as personae providing sources of gossip and scandal. Nigel Rodgers in The Dandy: Peacock or Enigma? Questions Wilde's status as a genuine dandy, seeing him as someone who only assumed a dandified stance in passing, not a man dedicated to the exacting ideals of dandyism. 36.5 inches long  read more

Code: 23211

A Super Balinese Carved Wooden 'Demon Kris Stand Probably Representing One of the Vanaras, Forest Dweller Human-Ape Like Demi-God Warriors That Helped Rama Defeat Ravana

Possibly representing Hanuman, or Anoman, one of the Vanara human-apes of Ramayana epic. In Hindu mythology, Vanara forest-dwellers, either refers to the monkeys or a race of forest dwelling people. In the epic the Ramayana and its various versions, the Vanaras help Rama defeat Ravana. They are generally depicted as humanoid apes or monkeys. Vanaras are created by Brahma to help Rama in battle against Ravana. They are powerful and have many godly traits. Taking Brahma's orders, the gods began to parent sons in the zion of Kishkindha (identified with parts of present-day Karnataka, Andhra Pradesh & Maharashtra). Rama first met them in Dandaka Forest, during his search for Sita. An army of Vanaras helped Rama in his search for Sita, and also in battle against Ravana, Sita's abductor. Nala and Nila built a bridge over the ocean so that Rama and the army could cross to Lanka. As described in the epic, the characteristics of the Vanara include being amusing, childish, mildly irritating, badgering, hyperactive, adventurous, bluntly honest, loyal, courageous, and kind

Carved in one piece of wood vividly decorated in polychrome colours, approx 18 inches high, 9 inches deep.
The respect with which krises were always treated extended to the careful attention given to them even when they were not being worn. The weapons were stored in fitted bags, custom-made boxes and chests, and on wall-mounted display boards, as well as in kris stands. The use of three-dimensional sculptures as kris stands, however, was limited to the islands of Bali and Lombok. Not including the kris as shown. The kris or kêrìs "to slice"; is an asymmetrical dagger with distinctive blade-patterning achieved through alternating laminations of iron and nickelous iron (pamor). While most strongly associated with the culture of Indonesia the kris is also indigenous to Malaysia, Thailand, Brunei, Singapore and the Philippines where it is known as kalis with variants existing as a sword rather than a dagger. The kris is famous for its distinctive wavy blade, although many have straight blades as well. Kris have been produced in many regions of Indonesia for centuries, but nowhere—although the island of Bali comes close—is the kris so embedded in a mutually-connected whole of ritual prescriptions and acts, ceremonies, mythical backgrounds and epic poetry as in Central Java. As a result, in Indonesia the kris is commonly associated with Javanese culture, although other ethnicities are familiar with the weapon as part of their culture, such as the Balinese, Malays, Sundanese, Madurese, Banjar, Thais, Bugis, Makassar, and Filipinos. Kris history is generally traced through the study of carvings and bas-relief panels found in Southeast Asia. It is believed that the earliest kris prototype can be traced to Dongson bronze culture in Vietnam circa 300 BC that spread to other parts of Southeast Asia. Another theory is that the kris was based on daggers from India.[7] Some of the most famous renderings of a kris appear on the bas-reliefs of Borobudur (825) and Prambanan temple (850).
However, Raffles' (1817) study of the Candi Sukuh states that the kris recognized today came into existence around 1361 AD in the kingdom of Majapahit, East Java. The scene in bas relief of Sukuh Temple in Central Java, dated from 15th century Majapahit era, shows the workshop of a Javanese keris blacksmith. The scene depicted Bhima as the blacksmith on the left forging the metal, Ganesha in the center, and Arjuna on the right operating the piston bellows to blow air into the furnace. The wall behind the blacksmith displays various items manufactured in the forge, including kris. These representations of the kris in the Candi Sukuh established the fact that by the year 1437 the kris had already gained an important place within Javanese culture. The best material for creating kris pamor, was acquired in a quite unusual way, as it is made from rare meteorite iron. Traditionally the pamor material for the kris smiths connected with the courts of Yogyakarta and Surakarta originates from an iron meteorite that fell to earth at the end of 18th century in the neighborhood of the Prambanan temple complex. The meteorite was excavated and transported to the keraton of Surakarta; from that time on the smiths of Vorstenlanden (the Royal territories) used small pieces of meteoric iron to produce pamor patterns in their kris, pikes, and other status weapons. After etching the blade with acidic substances, it is the small percentage of nickel present in meteoric iron that creates the distinctive silvery patterns that faintly light up against the dark background of iron or steel that become darkened by the effect of the acids  read more

Code: 24195

A Scarce Original WW2 British '37 Pattern Commando Officer's 9mm Browning Hi-power Holster, Ammunition Pouch & Waistbelt 1942/3 in Excellent Plus Condition

This 3 commando holster set was acquired with a German Luftwaffe officers PPK holster but sold seperately. After WW2 the officer kept his Browning and the Walther PPK as souvenirs, but surrendered his Browning and the Walther to the police in the 1960's. We acquired both holsters from his grandson

The 9mm automatic holster was easily identifiable by its level top edge almost all revolver holsters being angled upwards. With top hooks to connect underneath an ammunition pouch as an option. The neat ammunition pouch could accommodate two 12 round packets, a fabric strip went over the brace adaptor and a fabric loop fitted at the bottom accepted the top hook of a holster. dated 42/43.

No. 3 Commando was a battalion-sized Commando unit raised by the British Army during the Second World War. Formed in July 1940 from volunteers for special service, it was the first such unit to carry the title of "Commando". Shortly afterwards the unit was involved in a largely unsuccessful raid upon the German-occupied Channel Island of Guernsey.

In 1941 they were involved in successful raids on the Lofoten Islands and Vaagso, in Norway, before taking part in the costly Dieppe raid in August 1942, where the unit was tasked with knocking out a German coastal artillery battery on the eastern flank of the main landings, although due to a chance encounter in the Channel with a German convoy, a large majority of the unit failed to make it ashore.

In early 1943, the unit was sent to Gibraltar before moving to North Africa in April from where they were involved in the Allied invasion of Sicily and operations in Italy prior to being withdrawn to Britain to prepare for Operation Overlord. On D-Day they went ashore on 6 June 1944 as part of the 1st Special Service Brigade tasked with linking up with the 6th Airborne Division on the eastern flank of Sword before being withdrawn. Later they took part in the Allied counterattack during the Ardennes Offensive in early 1945 before taking part in the advance into Germany as part of Operation Plunder.

Following the end of the war, No. 3 Commando carried out occupation duties in Germany before it was disbanded on 4 January 1946.  read more

Code: 25143

A Very Good, Antique, Edo Period 1700's, Wakazashi Maru Gata Heianjo Tsuba

Antique Japanese Edo period tsuba for wakizashi sword or large o-tanto
Fine engraved with gold and high quality brass inlay Heianjo-style that was established in Yamashiro (Kyoto Pref. today). It was inspired by the Ounin-style.
Heianjo tsuba are elaborate and most decorative. It is mainly iron tsuba, of circular shape with brass inlay. Its designs were simply family crests, or arabesque patterns in the beginning. However, as time past they made different shapes of tsuba and started using gold, silver, or copper for inlaying.

The tsuba, is a fundamental element in the mounting of the Japanese sword, it is the guard, the most important element of the fittings, and has two main functions: the first to protect the hand against the slashes and lunges of an opposing sword; the second is to prevent that the hand ends up directly on the cutting edge of the blade. Over the course of more than ten centuries of history, the tsuba has undergone a number of important changes, as regards the materials used for its manufacture and its appearance.

During the centuries of wars that characterised Japan until the advent of the Tokugawa Shogunate during the first half of the 17th century, the tsuba was essentially made of iron or steel. From the mid-17th century onwards the tsuba became a real work of art, with the use of soft metals used in various ways, with engravings, incrustations; well made tsuba were the pride of hundreds of craftsmen’s schools whose value sometimes exceeded that of the same blades of the mounting where tsuba was part of.
66mm across.  read more

Code: 24166

A Rare Victorian 2nd Regiment NSW Volunteer Infantry Helmet Badge Circa

Circa 1878. Silvered brass hat badge with centrally mounted Maltese cross featuring a number '2' within a circle in the centre. The cross is surmounted by a large Kings Crown and surrounded by a wreath of waratahs with intertwined scrolls. The scroll on the left reads 'NUMERO SECUNDUS' and the right scroll reads 'NULLI SECUNDUS'. Beneath the cross on a central scroll is 'VIRTUTE' and 'SECOND REGT INFANTRY'. The back of the badge has three lugs for attaching it to the hat. They have a near identical example in the Australian War Memorial Collection that may be associated with the Ferguson family from Goulburn as it was found in the personal affects of 9146 Gunner Leopold Ferguson who was killed on 9 June 1917 while serving with the Australian Imperial Force.  read more

Code: 18628

Mauvillon, Jacob - Essai Sur L’Influence de la Poudre a Canon dans L’Art de la Guerre Moderne.Used By All the French Artillery Officers from the Revolution to Waterloo

Ex libris Henry B.H .Beaufoy F.R.S. (1785–1851) with bookplate to front pastedown. & large folded plates.

'The' French manual on the use of artillery cannon in warfare from before the French Revolution and right through all of Napoleon's campaigns from Egypt to Spain, Austria, Prussia, Russia, Belgium etc.

In better condition we have sold these books up to £700, so this original historical manual on artillery is very inexpensive, due to its external condition. However, internally is has all the same information and certainly its historical context, it is just the same as a fine example.

Ex libris: A Latin phrase meaning "from the library of," used to indicate former or current ownership of a book.

Henry B.H. Beaufoy F.R.S. (1785–1851): The book's previous owner. The "F.R.S." suffix denotes his status as a Fellow of the Royal Society. Beaufoy inherited a wealthy family vinegar distillery in Lambeth, served as an MP, and built an extensive library containing over 25,000 volumes. His collection famously included the first four Folio editions of Shakespeare.

In the antiquarian book market, a bookplate from the Beaufoy Library acts as a verified badge of historical pedigree. Because his substantial library was systematically dispersed at major auctions (such as Christie's in 1909 and 1912), his distinctive armorial bookplates continue to surface in rare collections globally.  read more

Code: 26390