Antique Arms & Militaria

An 1801 Pattern Baker Rifle Sword {Bayonet}. Brass D Hilt & Single Edged Long Sword Blade

Traditional ribbed grip hilt, flattened section knucklebow, slightly bent quillon with long retaining spring, released by press catch. 23 inch steel flat sided single edged blade with return false edge. No maker markings remaining.

The sword that affixes to the end of a rifle as a bayonet. However, as all British Army riflemen know, the rifleman carries a sword, not a bayonet, despite it looking and acting as one. The rifle was used throughout the entire Peninsular Wars, the War of 1812 in America and Waterloo, by the world's greatest marksmen to fight for King and Country. This is not the denigrate our cousins, the American Riflemen of course, but they were not fighting for King and Country.

The British army had learned the value of rifles from their experience in the American rebellion in the 1770's. However, existing rifle designs were considered to be to cumbersome, slow-firing, fragile or expensive to be put to use on any scale beyond irregular companies. Rifles had been issued on a limited basis and consisted of parts made to no precise pattern, often brought in from Prussia. The war against Revolutionary France resulted in the employment of new tactics, and the British Army responded, albeit with some delay. Prior to the formation of an Experimental Rifle Corps in 1800, a trial was held at Woolwich by the British Board of Ordnance on 22 February 1800 in order to select a standard rifle pattern; the rifle designed by Ezekiel Baker was chosen.

Colonel Coote Manningham, responsible for establishing the Rifle Corps, influenced the initial designs of the Baker. The first model resembled the British Infantry Musket, but was rejected for being too heavy. Baker was provided with a German Jager rifle as an example of what was needed. The second model he made had a .75 calibre bore, the same calibre as the Infantry Musket. It had a 32-inch barrel, with eight rectangular rifling grooves; this model was accepted as the Infantry Rifle, but more changes were made until it was finally placed into production. The third and final model had the barrel shortened from 32 to 30 inches, and the calibre reduced to .653, which allowed the rifle to fire a .625 calibre carbine bullet, with a greased patch to grip the now-seven rectangular grooves in the barrel. The rifle had a simple folding backsight with the standard large lock mechanism (marked 'Tower' and 'G.R.' under a Crown, although later ones had 'Enfield,' but these only saw service after Waterloo), with a swan-neck cock as fitted to the 'Brown Bess.' Like the German Jager rifles, it had a scrolled brass trigger guard to help ensure a firm grip and a raised cheek piece on the left-hand side of the butt. Like many rifles, it had a 'butt-trap' or patchbox where greased linen patches and tools could be stored. The lid of the patchbox was brass, and hinged at the rear so it could be flipped up. The stocks were made of walnut and held the barrel with three flat captive wedges. The rifle also had a metal locking bar to accommodate up to a 23- inch sword bayonet, similar to that of the Jager rifle. The Baker was 45 inches from muzzle to butt, 12 inches shorter than the Infantry Musket, and weighed almost nine pounds. Gunpowder fouling in the grooves made the weapon much slower to load and affected its accuracy, so a cleaning kit was stored in the patch box of the Baker; the Infantry Muskets were not issued with cleaning kits.  read more

Code: 25073

A Very Fine and Beautiful, Original 16th Century ‘Conquistadors.’ Type Morion Helmet, Captured From the Spanish Armada Attempted Invasion of Britain. Used by All Ranks, Commanders and Warriors Alike

The traditional 'pear stalk crown' with wide upslanting brim. All the lining rivets intact. Small hole in the rear brim to attach feather plumes or to hang the helmet behind the soldiers backplate armour when not worn. The form of helmet worn by the Spanish during the attempted invasion of England, and by the Spanish explorer warriors [conquistadors] that colonised much of South America. Taken as war booty, often using early diving bell technology, from the sunken Spanish fleet's attempt to destroy the British using its seemingly unstoppable Armada of 130 ships against Queen Elizabeth Ist.
Met by the British fleet, under Sir Francis Drake's commanded, he engaged the superior gunned Spanish during a storm, that ultimately led to his fleet to victory against the Spanish fleet, and effectively crushed the planned invasion. The Spanish fleet fled in fear and mostly met its doom on the coast of Ireland, and North Britain, caught in persistant storms and foul weather. The Spanish Armada campaign of 1588 changed the course of European history. If Medina Sidonia, the Spanish commander, had managed to escort Philip II’s 26,000-strong invasion army from Flanders, the future of Elizabeth I and her Protestant England would have looked very black indeed.

After landing near Margate in Kent, it is probable the battle-hardened Spanish troops would have been in the streets of London within a week. England would have reverted to the Catholic faith, and there may not have been a British empire to come. We might indeed still be speaking Spanish today.

But Medina Sidonia suffered one of the most signal catastrophes in naval history.

The Spanish were not only defeated by the queen’s plucky sea dogs fighting against overwhelming odds: it was utterly destroyed by appalling weather, poor planning and flawed strategy and tactics. Interestingly at least four of Medina's so-called gentlemen adventurers were English, and there were 18 among the salaried officers.

Inevitably, some of the traitorous swine paid the heavy price of disloyalty to the British crown: five Catholics slipped away by boat from the stricken Rosario before Drake’s arrival, but two Englishmen were captured on board and taken to the Tower of London as rebels and traitors to their country.

One, identified as the Cornishman Tristram Winslade, was handed to officers employed by Elizabeth’s spymaster, Sir Francis Walsingham, who were ordered to interrogate him using torture at their pleasure. Miraculously, Winslade survived the rack and Elizabeth’s justice, and died in the Catholic seminary at Douai in France in November 1605).

On board the battle-damaged San Mateo, beached between Ostend and Sluis after the battle of Gravelines, two Englishmen were killed by Dutch sailors one named as William Browne, a brother of Viscount Montague. The local commissioner for the Protestant States of Zeeland reported that the second man killed was very rich, who left William as his heir.

Other Englishmen were reported to having been aboard this ship, eating with her captain, Don Diego Pimentel. One was called Robert, another Raphael, once servant to the mayor of London. We do not know their surnames. They may have been among those forcibly drowned or hanged by the Dutch who were rebelling against Spanish rule. Medina, however, was no fool and although a great commander, and considering his appointment as admiral of the Armada for two days, Medina Sidonia made clear his absolute conviction that the Armada expedition was a grave mistake and had little chance of success. Only a miracle, he added in a frank and outspoken letter, could save it.

King Philip of Spain’s counsellors, horror-struck at its electrifying contents, dared not show it to the king. ‘Do not depress us with fears for the fate of the Armada because in such a cause, God will make sure it succeeds” they begged the new admiral.
As for his suitability for command, “nobody knows more about naval affairs than you “ they stated.
Then their tone became menacing: “Remember that the reputation and esteem you currently enjoy for courage and wisdom would entirely be forfeited if what you wrote to us became generally known (although we shall keep it secret)”. The Spanish Armada was not the last Armada sent against England. Two more were despatched in 1596 and 1597, but these fleets were also dispersed by storms.

Cannon and armour such as this were in fact recovered from the Spanish wrecks using diving bell technology in the 1590’s. Effectively huge bronze church bells.

Staying submerged began as a simple trick, a novelty meant mostly for spectacle. But like most human exploration, the underwater landscape became appealing for its latent revenue opportunities. At first, diving bells appear to have been most heavily used in the pearl and sponge industries. Then, in 1531, the Italian inventor Guglielmo de Lorena came up with a new application. Using slings to attach a bell to his body, he could collect treasure from capsized Roman ships. After the defeat of the Spanish Armada in 1588, according to Francis Bacon, Spanish prisoners spread the word that their captors’ riches had sunk off the coast of Scotland; industrious divers used bells to recover cannon armour and booty.
The first account of diving bells comes from Aristotle in the 4th century B.C. Legend has it Aristotle’s pupil Alexander the Great went on to build “a very fine barrel made entirely of white glass” and used it in the Siege of Tyre in 332 B.C. However, the facts of Alexander the Great’s adventures come mostly from depictions in fragments of ancient art and literature, which render him as a demigod who conquered the darkness and returned to the dry realm of historians and poets.
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Code: 21777

Princess Victoria's (Royal Irish Fusiliers) OR's fur cap grenade circa 1890

Die-stamped brass, the ball bearing Eagle on a tablet inscribed '8'.
The Eagle and '8' represents the flagstaff eagle of the 8th French Light Infantry captured by Sgt Patrick Masterson of the 87th Fusiliers at Barossa on 5th March 1811. It is 3.75 inches long. The French Imperial Eagle was the emblem of the Grande Armee of Napoleon I, and during the Peninsular War of 1808-1814 and the Battle of Waterloo, the capture of an eagle by enemy troops was a massive blow to any regiment.

In the instance of the Battle of Barrosa, in 1811, the British captured their first ever eagle. The captor was an Irish Sergeant of the 87th (Royal Irish Fusiliers) Regiment of Foot. Looking at the history of the battle  read more

Code: 20306

One of The Earliest Pieces of Its Kind You May See Anywhere In the World, An Original Man-Made Weapon and Tool A Most Fine, Large, Palaeolithic 300,000 Year Old Stone Age Hand Axe

A most fine and impressive axe of large size and in superb condition. An axe one could only normally expect to see in the British Museum or the Smithsonian. Only a few months ago, another very similar example, also determined to be 300,000 years old, was found in Kent, and it made world news, appearing in hundreds of newspapers and news programmes around the globe.

It is simply incredible to try to comprehend just how long human kind walked the earth with so little improvement in weapon and tool making. from the Palaeolithic right through to the Neolithic age covering around 300,000 years and it wasn't until less than 5,000 years ago that the move from stone to bronze enabled the incredible leap forward right through to the modern day. From bronze age axes and spears to flights to Mars, in under 5000 years, yet for the previous 295,000 years we made little or no progress at all, such as from big knapped flint axes, to small polished ones.

To put the time frame in today's context, when Anthony and Cleopatra were conducting their famous affair in ancient Egypt, over 2000 years ago, this flint axe would have still been 298,000 years old to them.

Precisely when and where did our species emerge Anthropologists have struggled with that question for decades, and scattered clues had suggested the answer lay somewhere in sub-Saharan Africa about 200,000 years ago.

However, new evidence now exists as outlined in two papers published in the journal Nature that challenges that hypothesis. Instead, the authors describe recently discovered remains that suggest the first Homo sapiens showed up more than 100,000 years earlier than we thought in a place many experts didn't suspect.

The fossils could represent the earliest known examples of H. sapiens ever found (if confirmed by further research), and they serve as evidence that members of our species lived beyond sub-Saharan Africa. As with all our items it will be accompanied with our lifetime guarantee Certificate of Authenticity. 8.25 inches long very substantial & weighty  read more

Code: 22746

PRICE DROP AN AMAZING SPECIAL 50% OFF A Very Rare US Civil War 'C.Howard' Rimfire Long Gun with Underlever Action

Only the second we have seen in the past 10 years.
The Howard-Whitney Thunderbolt. This is undoubtedly one of the scarcest patent action guns made in the 1860's used in the American Civil War. .44 Cal Rimfire cartridge. There are elements of similarity in this rifle to the profile of Jean Baptiste Revol's of New Orleans patent breech loading rifle of 1853. In America around this time all manner of new gun actions and mechanisms were being created, in order to utilize the latest breech loading cartridges that had been designed to replace the outdated percussion muzzle loading system. This rifle, although not in pristine condition, and showing an overall russet finish, is a mighty rare gun and a must for collectors of rare patented long guns from this incredible era. For it was this very time, when no one new for certain which way the new cartridges could be made to function to their best advantage, that probably the most significant weapons were being created, and those systems and actions were to mould the whole industry of arms production even until today. Great and legendary gunsmiths, such as Henry who sold out to Winchester, were striving to create the best, most efficient, and indeed most marketable methods to evolve the rifle into the next level of development and progress, and this is likely one of those that simply failed to make the grade. This gun is one of only 2000 Mr. C. Howard's patent guns ever made, including the examples made under contract by Whitney Arms of Conn. USA. Made from the 1862 patent by Howard from the Civil War and by Whitney from 1866 to 1870. Most examples are marked by Whitney but just a few earlier examples were completely unmarked, and this is one of those. Some came to England in the late 19th century some after the war, so although a very rare gun, it is far rarer here in the UK. As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 22921

A Fabulous & Impressive Large 10th Century Original Viking Spear, Classified as 'Petersen type G'... Vápnum sínum skal-a maðr velli á feti ganga framar, því at óvíst er at vita, nær verðr á vegum úti geirs of þörf guma

From the 13th century Codex Regius, a collection of Old Norse poems from the Viking Age. Verse 38 quoted above is translated here;

Let a man never stir on his road a step
without his weapons of war;
for unsure is the knowing when need shall arise
of a spear on the way without.

Circa 10th century. A fabulous example of an original Viking war spear.
Using the Petersen scale of dating swords axes and spears of the medieval era, it is around 1100 years old, and in super condition for its age. With a slightly impacted tip, possibly bent from penetration of mail armour or shield. With edge shoulders placed low on the blade and a short conical socket with marked narrowing below the blade. Although not as glamorous as the sword, the spear was in every sense the definitive weapon of the Viking Age and used as the primary weapon of combat by almost every warrior. Decorated spearheads inlaid with precious metals prove that in the Viking Age spears were not seen as the poor man's choice and one has only to look at the representations of warriors from the illuminated manuscripts of the era to quickly come to the conclusion that the use of the spear was ubiquitous. Many of the Anglo-Saxon phrases used to describe both battle and warrior help to underline the importance of the spear.

The spearheads were made of iron, and, like sword blades, were made using pattern welding techniques (described in the article on swords) during the early part of the Viking era . They could be decorated with inlays of precious metals or with scribed geometric patterns
After forming the head, the smith created the tang in the early period, such as for a javelin type spear, or in the later Viking mostly a socket fitting for a regular spear. Sometimes with holes for rivets to grip onto the haft.

However, there is little evidence that tells us the length of the shaft. The archaeological evidence is negligible, and the sagas are, for the most part, silent. Chapter 6 of Gísla saga tells of a spear so long-shafted that a man's outstretched arm could touch the rivet. The language used suggests that such a long shaft was uncommon.

Perhaps the best guess we can make is that the combined length of shaft and head of Viking age spears was 2 to 3m (7-10ft) long, although one can make arguments for the use of spears having both longer and shorter shafts. A strong, straight-grained wood such as ash was used. Many people think of the spear as a throwing weapon. One of the Norse myths tells the story of the first battle in the world, in which Odin, the highest of the gods, threw a spear over the heads of the opposing combatants as a prelude to the fight. The sagas say that spears were also thrown in this manner when men, rather than gods, fought. At the battle at Geirvör described in chapter 44 of Eyrbyggja saga, the saga author says that Steinþórr threw a spear over the heads of Snorri goði and his men for good luck, according to the old custom. More commonly, the spear was used as a thrusting weapon. The sagas tell us thrusting was the most common attack in melees and one-on-one fighting, and this capability was used to advantage in mass battles. In a mass battle, men lined up, shoulder to shoulder, with shields overlapping. After all the preliminaries, which included rock throwing, name calling, the trading of insults, and shouting a war cry (æpa heróp), the two lines advanced towards each other. When the lines met, the battle was begun. Behind the wall of shields, each line was well protected. Once a line was broken, and one side could pass through the line of the other side, the battle broke down into armed melees between small groups of men.

Before either line broke, while the two lines were going at each other hammer and tongs, the spear offered some real advantages. A fighter in the second rank could use his spear to reach over the heads of his comrades in the first rank and attack the opposing line. Konungs skuggsjá (King’s Mirror), a 13th century Norwegian manual for men of the king, says that in the battle line, a spear is more effective than two swords

Part of an original medieval collection we have acquired, of Viking and early British relics of warfare from ancient battle sites recovered up to 220 years ago. 14 inches long.

Almost every iron weapon that has survived today from this era is now in a fully russetted condition, as is this one, because only a very few of the swords of kings, that have been preserved in national or Royal collections can today be still in a relatively good state and surface condition. However, Bronze Age swords, daggers etc. that are usually much earlier, survive far better as they only suffer from surface ageing and patination, unlike iron and steel weaponry, which makes early iron weapons so incredibly rare, especially the Viking examples, as so many were abandoned, lost in battle or sacrificed due to precious few Viking burials discovered.

As with all our items it comes complete with our certificate of authenticity, and an attractive complimentary display stand.  read more

Code: 22758

A Most Fine 18th-19th Century Indo Persian Khula Khud Helmet

The helmet has a hemi-spherical skull engraved throughout, the skull fitted at its apex with a high spike, a pair of plume-holders at the front and with a staple for a sliding nasal guard, decorated over the greater part of its surface with traces of gold koftgari of scenes of a hunt, and a band of koranic Islamic text, and mail neck-defence of butted links. Khula Khud helmets originated in Central Asia, and were worn by Persian Empire soldiers in the 18th and 19th Centuries. Despite the similarity in their design, the Khula Khud helmets were decorated with a wide degree of variations depending on the cultures from which they were created. Decorations often appeared in the skull and the nasal bar, which were often heavily decorated with patterned motifs of inlaid brass, silver or gold; or decorated with figurative images. Some Mughal helmets feature calligraphic inscriptions from the Quran, supposedly to gain "Help from Allah and a speedy victory." Made of steel, these bowl-shaped helmets were designed as either low and flat, or high and pointed. They sometimes contained a spike socket such as this one, at the top of the helmet, which resembles a spearhead with a cross-like section. Two or three plume holders were attached on either side of the skull, used to mount feathers from birds such as the egret or peacock.  read more

Code: 22516

A Simply Beautiful Original Napoleonic Wars French 'Prisoner of War' Straw Valuables Box. Around 220 Years Old Made By French Prisoners from The Battle of the Nile To Waterloo

A fabulous original souvenir of the Anglo French wars, that is not only beautiful, and historically important, it is perfectly functional as a desk top jewel case, or, anything of similar use, such as a gentleman's watch and cufflink case

Napoleonic prisoner of war straw work marquetry ladies jewelry box with hinged lid opening to reveal three compartments, and one is hinge lidded. Overall in super condition. Decorated throughout with numerous and varied scenes of the British built Prisoner of War wooden fort.

This box dates to the Napoleonic wars between the French and English. Prisoners-of-war were held in purpose-built prisoner-of-war depots and typically were soldiers and sailors of the rank and file. Straw was a popular craft material for prisoners of war. They turned their skill to the making of cases and boxes covered with intricate straw patterns created using the contrasts between the light and dark sides of the straw strips. Those who understood dyes were also able to add colour to their work and produced some very sophisticated objects. Fewer of these straw items have survived to the present day, but there are still some lovely straw-covered boxes and cases which are intact.

Very similar example to one that is on display in the Burghley House Collection. Made by the captured Napoleonic and French wars French Prisoners-of-War in the early 1800's in order to subsidise their meagre prison rations, and this fine piece is made to give the impression it is a sizeable book when closed. All of the interior straw-work is pristine in colour and unfaded showing wonderful contrasts.

Great Britain was at war with France continuously from 1793 to 1802. Hostilities ceased briefly in 1802, but conflict soon recommenced. The Napoleonic Wars continued until 1815, when Napoleon's forces were finally defeated at Waterloo.

In 1796 the first prison to house French prisoners was built at Norman Cross, some 5 miles north of Peterborough. Conditions must have been both harsh and crowded; disease killed more that 1,700 inmates between 1797 and 1814.
To supplement their rations and to provide small income, some prisoners made ornaments, models and toys, which they were allowed to sell. The materials used included straw, wood, bone and even human hair. Many of the items made were extraordinary in their complexity and design and were always very desirable to collectors. The proximity of Burghley House to the camp meant that members of the Cecil family acquired many fine examples.

Those displayed at Burghley include a number of containers made of wood with applied decoration of coloured straw, a stationery box, a set of bone spillikins in a pocket case, a framed straw-work picture of the house built for Napoleon Bonaparte on St Helena, to where he was exiled, a bone set of dominoes and playing cards and a detailed model of an 80-gun ship-of-the-line with hair rigging.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading

9 inches x 6 3/4 inches x 3 inches when closed
some very small straw inlay losses but overall in beautiful order.  read more

Code: 25072

An Exceptional 1821 Pattern Victorian British Cavalry Officer's Combat Sabre By Hawkes & Co. Piccadilly. Fully Etched Deluxe Quality Blade. The Regulation Pattern Used in the 'Charge of the Light Brigade' in the Crimean War.

Bearing Queen Victoria's VR cypher with crown. Regulation three bar steel hilt and sharkskin bound wired grip. Slightly curved blade, bearing the maker's name, address and Royal Warrant of Hawkes and Co.

The very type of Hussar's and Lancer's sabre as used by British Cavalry Officer's in the ill fated charge in the Crimean War against Russia. All steel three bar steel hilt, Full original wire binding over complete fish skin grip. Overall in fine all bright patina. Sadly, of course, we have no way of knowing if this sword was ever used by a specific officer in the charge, however it is absolutely used at the time and is the type used by all the serving Cavalry officers The Cavalry officers actually used two types of sword, this, the 1821 pattern, and a few officers also used the mamaluke pattern sword In the Crimean War (1854-56), the Light Dragoons were in the forefront of the famous Charge of the Light Brigade, immortalized by Tennyson's poem of that name ("Into the valley of death rode the six hundred").
The regiments adopted the title hussars at this time, and the uniform became very stylish, aping the hussars of the Austro-Hungarian army. But soon the blues and yellows and golds gave way to khaki as the British army found itself in skirmishes throughout the far-flung Empire, in India and South Africa especially.
In 1854 the regiment received its orders from the War Office to prepare for service overseas. Five
transport ships - Harbinger, Negotiator, Calliope, Cullodon, and the Mary Anne – embarking
between the 8 May and 12 May, carried 20 officers, 292 other ranks and 298 horses. After a
troubled voyage, the regiment arrived at Varna, Bulgaria on the 2 June. On the 28 August the
entire Light Brigade (consisting of the 4th Light Dragoons and 13th Light Dragoons, 17th
Lancers, the 8th Hussars and 11th Hussars, under the command of Major General the Earl of
Cardigan) were inspected by Lord Lucan; five men of the 13th had already succumbed to cholera.
On the 1 September the regiment embarked for the Crimea - a further three men dying en-route.
On the 20 September the regiment, as part the Light Brigade, took part in the first major
engagement of the Crimean War, the Battle of the Alma. The Light Brigade covered the left
flank, although the regiment’s role in the battle was minimal. With the Russians in full retreat by
late afternoon, Lord Lucan ordered the Light Brigade to pursue the fleeing enemy. However, the
brigade was recalled by Lord Raglan as the Russians had kept some 3,000 uncommitted cavalry
in reserve.

During the 25 October the regiments, the Light Brigade, took part in the Battle of
Balaclava and the famous Charge of the Light Brigade.
The 13th Light Dragoons formed the right of the front line. The 13th and 17th moved forward; after 100 yards the 11th Hussars, in the second line, also moved off followed by the
4th and 8th. It was not long before the brigade came under heavy Russian fire.Lord Cardigan, at the front of his
men, charged into the Russian guns receiving a slight wound. He was soon followed by the 13th
and 17th. The two squadrons of the 13th and the right squadron of the 17th were soon cutting
down the artillerymen that had remained at their posts. Once the Russian guns had been passed,
they engaged in a hand-to-hand fighting with the enemy that was endeavouring to surround them
by closing in on either flank. However, the Light Brigade having insufficient forces and suffering heavy casualties, were soon forced to retire. The last picture in the gallery is of Capt. Louis Edward Nolan (January 4 1818-October 25 1854), who was a British Army officer of the Victorian era, an authority on cavalry tactics, and best known for his controversial role in launching the disastrous Charge of the Light Brigade during the Battle of Balaclava. He was the first casualty of that engagement. His identical sword can be plainly seen in that painting. This sword has no scabbard at present, however, it may well become available, as the last owner had it but it was lost in their home, if it is found, and if required, it will be supplied by us at its cost price to us.

Overall in excellent condition for age.

The regulation pattern of sword used by British cavalry officer's, such as all the hussar and lancer officer's that took part in the 'Charge of the Light Brigade' in the Crimean War.

We show in the gallery a photograph of Winston Churchill holding his sword around the time he was in the Charge of Omdurman, another with Lord Cardigan of the Charge, holding his identical sword, and a photograph by Fenton, taken in the Crimean of officers of the Light Brigade all with their identical sword.  read more

Code: 25050

A Selection of Our Amazing, Latest New Additions, Recovered from Waterloo. Whether We Find Private Collectors For our Pieces, or, For Public Museums Such As The Royal Armouries, Every Treasure Will Find A New Home

We are always thrilled to offer ‘re-discovered’ pieces from history, that can be found new owners to love and enjoy them, or museums that can display them for the enjoyment of all. Last year, for example we traced and acquired the second oldest known cannonball fired in combat in England. From the second battle of St Albans in the War of the Roses. That wonderful relic of history now resides in the St Albans museum, and was part of a public exhibition held this year from March 24, 2023 - June 28, See our re-discovered cannon ball, now on display in the St Albans museum, in the last photo in the gallery. All due thanks to SAHAAS President, Dr. John Morewood. A short while ago we furnished, for the Royal Armouries, Tower of London collection, a ‘Waterloo’ 1796 Heavy Cavalry Trooper’s sword, that was subsequently used in a fascinating documentary, filmed at the armouries, presented by Sean Bean

Fine pieces added this week are from the Cotton Collection, a former 7th Hussars Waterloo veteran who owned the Waterloo Museum, The Hotel Du Musee. They will be added to the site, for sale, separately

We have more from our Waterloo recovered souvenirs to add this coming week. Some very small, amazing yet most inexpensive pieces, and a few absolute beauties, shrapnel, cannon balls, grenades, some ‘housewife’ thimbles, rings etc, and swords, French and British, including a French Grenadier's sword, recovered relatively early from the battle, so it is in exceptional condition and polished, with old blade pitting, a very good British 1796 light Infantry officer's sabre in scabbard, a 1796 Light Dragoon sabre in scabbard, and a 1798 spadroon officer's sword, overall russetted, and, including, a cast iron fire back {NOW SOLD} that bears an unknown family crest that was likely ripped out from a fire place at La Haye-Sainte farm house, to use just like sniper shield’s were a hundred years earlier in the trenches of WW1. The rear, of the very heavy iron plate, about two feet square, shows likely impact marks of ball and shrapnel. * in the Napoleonic Wars every soldier was required to keep upon his person, a ‘housewife’, a small kit comprising needle, thread and a half or full thimble. Apparently they are no longer called a ‘housewife’ probably now a ‘househuman’ or some such.

We show in the gallery pages from Waterloo Relics, by Gilles Bernard, and Gerard Lachaux, detailing excavated recoveries, identical to ours.

The Cotton Collection, the full weapons, militaria, and recovered artifact display, from the battlefield, housed at the Hotel du Musee at Waterloo, owned first by Edward Cotton, then by his descendant family, was sold by auction in 1909.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars who personally fought at Waterloo. Another photo shows the front page of his collection catalogue

An extract from an 1862 publication;

A VOICE FROM
WATERLOO
A HISTORY OF THE BATTLE
FOUGHT ON THE 18TH JUNE 1815
WITH A SELECTION FROM THE WELLINGTON DISPATCHES, GENERAL ORDERS
AND LETTERS RELATING TO THE BATTLE.
ILLUSTRATED WITH ENGRAVINGS, PORTRAITS AND PLANS.
BY
SERGEANT-MAJOR EDWARD COTTON
(LATE 7TH HUSSARS).
“Facts are stubborn things.”
SIXTH EDITION, REVISED AND ENLARGED.


HOTEL DU MUSÉE,
AT THE FOOT OF THE LION MOUNT.
This Hotel, kept by a niece of the late Sergeant-Major Cotton, is situated in the very centre of the field of Waterloo, and is strongly recommended to visitors on account of its proximity to the scenes of interest connected with the great battle, and also for the excellent accommodation and comfort it offers at moderate charges.—See Bradshaw’s continental Guide.

Sadly, each sword once had its inventory label attached, but they are all now lost. With cotton's labels present the prices can be many times the value.

As with all our items, every piece will be accompanied by our fully detailed Certificate of Authenticity

{Available from the Project Gutenberg.}  read more

Code: 25003