Antique Arms & Militaria

A Very Fine & Incredibly Impressive Napoleonic 1st Empire French Cuirassier's Sword. The Largest Cavalry Sword Ever Made, for The Tallest Soldiers of France, & Used At Waterloo

Superb and beautiful hilt, with very fine original leather bound grip, and a very fine double fullered blade with stunning bright patina. Steel combat scabbard without denting. French Napoleonic 'An 13' year 13 swords were manufactured from 1805 and discontinued in late 1815, whereupon it was superceded in general by the later hilt style of the 1816 model, although some of the surviving models, such as this beauty, continued in service.
Renown throughout the world of historic sword collectors as probably the biggest and most impressive cavalry sword ever designed. This would have seen service in the Elite Cuirassiers of Napoleon's great heavy cavalry regiments.

Napoleon hoped to compel Tsar Alexander I of Russia to cease trading with British merchants through proxies in an effort to pressure the United Kingdom to sue for peace. The official political aim of the campaign was to liberate Poland from the threat of Russia. Napoleon named the campaign the Second Polish War to curry favour with the Poles and provide a political pretence for his actions. The Grande Armee was a very large force, numbering nearly half a million men from several different nations. Through a series of long marches Napoleon pushed the army rapidly through Western Russia in an attempt to bring the Russian army to battle, winning a number of minor engagements and a major battle at Smolensk in August. Napoleon hoped the battle would mean an end of the march into Russia, but the Russian army slipped away from the engagement and continued to retreat into Russia, while leaving Smolensk to burn. Plans Napoleon had made to quarter at Smolensk were abandoned, and he pressed his army on after the Russians. The battles continued, but once the winter set in Napoleon's army was facing insurmountable odds that left it effectively shattered beyond repair. Napoleon fled, it is said, dressed as a woman, and the army left to it's sad and miserable fate. Only around 27,000 were able to return after a mere six months of the Russian campaign. The campaign was a turning point in the Napoleonic Wars. The reputation of Napoleon was severely shaken, and French hegemony in Europe was dramatically weakened. The Grande Armee, made up of French and allied invasion forces, was reduced to a fraction of its initial strength. These events triggered a major shift in European politics. France's ally Prussia, soon followed by Austria, broke their alliance with France and switched camps. This triggered the War of the Sixth Coalition. The Cuirassiers Heavy Cavalry Regiments used the largest men in France, recruited to serve in the greatest and noblest cavalry France has ever had. They fought with distinction at their last great conflict at the Battle of Waterloo in 1815, and most of the Cuirassiers swords in England very likely came from that field of conflict, after the battle, as trophies of war. However, this sword was one of the few that were allowed to remain in the elite cuirassier corps after Waterloo, serving King Louis XVIIIth both before Napoleon's 100 days, and after his crushing defeat by Wellington at Waterloo. In fact one can see it has been service together with its scabbard, as they are bearing the same serial numbers matching. Inspected on the blade by Lobstein and Bick, also back strap engraved Manufacture Imperial Klingenthal, January 1814. Hilt stamped with the serial number 614, as on the scabbard

Every warrior that has ever entered service for his country sought trophies. The Mycenae from a fallen Trojan, the Roman from a fallen Gaul, the GI from a fallen Japanese, the tradition stretches back thousands of years, and will continue as long as man serves his country in battle. In the 1st century AD the Roman Poet Decimus Iunius Iuvenalis Juvenal
wrote; "Man thirsts more for glory than virtue. The armour of an enemy, his broken helmet, the flag ripped from a conquered trireme, are treasures valued beyond all human riches. It is to obtain these tokens of glory that Generals, be they Roman, Greek or barbarian, brave a thousand perils
and endure a thousand exertions". A truly magnificent Napoleonic sword in superb condition for it's age.
The largest sword of it's kind that was ever made or used by the world's greatest cavalry regiments. The cuirassiers were the greatest of all France's cavalry, allowing only the strongest men of over 6 feet in height into it's ranks. The French Cuirassiers were at their very peak in 1815, and never again regained the wonder and glory that they truly deserved at that time. To face a regiment of, say, 600 charging steeds bearing down upon you mounted with armoured giants, brandishing the mightiest of swords that could pierce the strongest breast armour, much have been, quite simply, terrifying. The brass basket guard on this sword is first class, the grip is totally original leather and a great colour
only shows expected combat wear, the blade is double fullered and absolutely as crisp as one could hope for. Made in the Napoleonic Wars period.
Just a basic few of the battles this would have been used at such as
1814: La Rothiere, Rosnay, Champaubert, Vauchamps, Athies, La Fere-Champenoise and Paris
1815: Quatre-Bras and Waterloo. Apparently every remaining French elite cuirassier regiment fought at Waterloo for Napoleon, and there were no cuirassier reserve, and there were no cuirassier militia

The blade has wonderful steel bright colour, and the hilt has fabulous patina. Overall 45.5 inches long in its scabbard, the spear pointed blade is 37.6 inches long. Old original aged patina and regular usual surface staining to the scabbard steel.  read more

Code: 25231

Choose The Ideal Christmas Gift From Great Britain's Favourite Armoury Antiques & Collector's Shop. Some of The Best Ideas You Could Imagine, For Both Christmas & New Year, Have Come From The Lanes Armoury’

To one and all, we wish a Merry Christmas season

Feliz Navidad
聖誕快樂
Joyeux Noël
عيد ميلاد مجيد
Frohe Weihnachten
Buon Natale
Prettige Kerstdagen
Feliz Natal
メリー クリスマス

This is our 104th year of family trading this coming Christmas, and the dawn of our 105th year. The world famous New York Times included our gallery in their list as one of the very best places to visit in the UK when travelling to Europe from America.

Unique, ancient, antique and vintage beautiful items are our specialty, and be sure and certain that anything from us will be the best choice you can make this Christmas time. Just arrived this week! A 500 year old samurai sword of breathtaking beauty, together with another collection of original samurai swords including a fine daisho.

All kinds of other unique and fabulous conversation pieces, including some delightful volumes, have been acquired lately, such as, for example,
Another part of our original Japanese katana acquisitions arrived, and as usual many are stunning beauties

A most rare late 17th early 18th century Japanese-Dutch ‘Black Ship’ captain’s sword was added, made by Japanese emigre sword koshirae makers from Nagasaki. A sawasa technique of gilded copper alloy with black shakudo detailing, a European style naval captain’s sword, made by Japanese samurai sword artisans, from Nagasaki, a sword of incredible beauty and rarity. Plus, a hanger sword, the same type as used by the notorious pirate, Blackbeard,

We have had arrive here recently some wonderful, original pieces of history,

Every item, as usual, will be accompanied with our unique, presentation quality, 'Certificate of Authenticity' that will not only fully certify it's genuineness, but it will detail the circumstance of it's origin, and where and when it may have been used in it's specific or generic history. Where else in Britain could you walk out of the store with an original souvenir from Alexander the Greats battle with the Persians in 334 B.C, for only £65, to a fabulous unique handmade gold, diamond and ruby timepiece once owned by movie legend, Elizabeth Taylor, or, the 2500 year old ancient sword that may likely have once been the sword of a king!

We are very proud to offer a superb selection of ancient antiquities, swords, daggers and spears from all the major past empires and civilisations of the world from over the past 3,500 years. In fact many recognise our unique and original selection is likely the best and most comprehensive to be seen, and offered for sale, anywhere in Europe, and possibly even the world over.

A fabulous set of Strand Magazine hardbacks, containing the earliest versions of Sherlock Holmes. First editions in bound book form

"Outside of a dog, man's best friend is a book. Inside of a dog, it's too dark to read."
— GROUCHO MARX

And please be further assured, all gift purchases may be changed after Christmas for any form of suitable alternatives.

"Doesn't someone you know deserve something unique from The Lanes Armoury"

The Lanes Armoury described by the 'New York Times' as one of the very best stores and destinations to visit when in Europe.
A living, breathing gallery that is a huge walk around ‘Cabinet of Curiosities’, containing thousands of original historical and magical pieces from the ancient long past, to the near recent. In fact, from 300,000 years of human history, and 100 million years of world history.

We are certainly not the biggest premier store in Europe recommended by the New York Times, in fact we are probably the smallest, but what we lack in size, apparently, we more than make up for in amazement, and wonder, and, the family have been trading in Brighton for over 104 years

For example, we added recently items that range from a Samurai Ancestral Sword Around 600 years old {or more}, a WW2 Japanese Officer's Sword With An Ancestral Blade 450 Years Old, an original late Koto to shinto samurai’s daisho, a stunning ‘Agincourt’, hand-and-a-half knights sword, a Seige of Troy era Bronze Age sword, incredibly rare original Viking warriors sword around 1000 years old, a beautiful samurai’s disguised fan dagger, plus, Ancient Roman Gladiator's rings for both for a Gladiator and Gladiatrix, around 1700 years old.

Google just let us know our updated Google entry just past the amazing 1,000,000 { one million } searches in order to find out our location in order to visit us here in Brighton, England.

Twenty Three Years Ago, After 80 Years Trading in Brighton, We Were Honoured by Being Nominated & Awarded by BACA, In The Best Antique & Collectables Shop In Britain Awards 2001
Presented by MILLER'S Antiques Guide, THE BBC, HOMES & ANTIQUES MAGAZINE, for the British Antique & Collectables Awards. The version of the antique dealers ‘Oscars’ of Britain.


In the gallery, the first photo, is a wonderful daybreak photo, taken the at the farm last Christmas season, at 7.55 am, Thursday the 14th December 2023. Showing what some are calling the South of England's 'Sky-on-Fire' Daybreak. You can see in the far distance in his retirement paddock the late Judy Hawkins's beloved former UK 'Supreme Champion' Scottish Highland grey pony, that was a frequent competitor against the late queen's Highlands at Windsor Castle. In his prime, he had his own worldwide fan club, and competition followers. Photo 7 in the gallery is old “Governor’ and his little chum “Roger” waiting for their morning apples. Photo 8 is a typical example of everyday new arrivals in the gallery. Photo 9 is Judy and Holly, ten years apart, first watching "Governor" in competition, then Holly alone, following on in her late devoted grandmother's passion, and, the family tradition. Our family have been entranced by our love of animals since modern memory, but principally dogs and horses, for over 200 years. Of course, in regards to horses, the first 130 years was by necessity, as then you couldn’t get anything done, in both the domestic or business world, at all, without them, but the past 70 years has been for love, pleasure and joy alone.  read more

Code: 25540

Late 18th Century 1792, Heavy Quality & Powerful Naval Officer's or Marines Officer's Fighting Dirk, With Its Owner's Royal Monogram of a Crowned M R. From The Battle of the Glorious First of June, Battles of the Nile, Camperdown, & Trafalgar Period

A simply stunning, unique, and incredibly powerful double fullered bladed combat dirk of great heft. Maker engraved by Thomas Gill, bearing a royal crowned monogram MR {on both sides}, and the blade makers guarantee of quality and dated on its spine,"Never To Fail" 1792. Original George IIIrd hardened leather scabbard with superb colour and original aged patination.
The lack of any uniform regulations during this period allowed officers the freedom to buy and carry weapons of their choice, leading to great variety in weaponry. Dirks were a form of dagger or long knife typically carried in addition to an officer’s full-size hanger or smallsword, used either as a backup weapon or held in the off-hand in the manner of a parrying dagger. This example is of incredible quality, combined with a pleasing appearance, considerably more than many fighting dirks from this era. Without specific ornamentation or markings one cannot tell if it was carried by an Army or a Navy officer, but the blade speaks volumes as to the status of its high ranking original officer owner.

The heft and size of this finest dirk is very reminiscent of the width and blade form of Scottish highlanders dirks of the time, and that might explain the ancestry of its owner. The crown is the type of highest royal rank, possibly the son of a king or prince of royal descent.

The Battle of the Glorious First of June in 1794 was the first naval conflict between the British and the French during the French Revolutionary Wars.  read more

Code: 25559

Choose The Ideal Christmas Gift From Great Britain's Favourite Armoury Antiques & Collector's Shop. A Battle of Agincourt Tanged 'Flesh Cutter" Arrowhead, 1415, Battlefield Recovered In the 1820's as A 'Grand Tour Souvenir'

Yet another small part of our wondrous, new, historical, and original Ancient Roman, Ancient Greek, Viking, Crusaders, and Medeavil battlefield antiquities and artefacts, another collection that has just arrived with us. Act fast though, the collection was small and selling fast!!

Much of it acquired by a family in the 1820's while on a Grand Tour of Anglo French battle sites within Northern & Western France from Azincourt, in the Pas-de-Calais, to Poitiers in Aquitaine.

Most English war arrows for Longbows could vary, and some archers would have some type known as a "Flesh Cutter" since their job was Broadheads were for targeting un-armoured men and knight's horses.

After several decades of relative peace, the English had renewed their war effort in 1415 amid the failure of negotiations with the French. In the ensuing campaign, many soldiers perished due to disease and the English numbers dwindled, but as they tried to withdraw to English-held Calais they found their path blocked by a considerably larger French army. Despite the disadvantage, the following battle ended in an overwhelming tactical victory for the English.

King Henry V of England led his troops into battle and participated in hand-to-hand fighting. The French king of the time, Charles VI, did not command the French army himself, as he suffered from severe psychotic illnesses with moderate mental incapacitation. Instead, the French were commanded by Constable Charles d'Albret and various prominent French noblemen of the Armagnac party.

This battle is notable for the use of the English longbow in very large numbers, with the English and Welsh archers forming up to 80 percent of Henry's army. The decimation of the French cavalry at their hands is regarded as an indicator of the decline of cavalry and the beginning of the dominance of ranged weapons on the battlefield.

Agincourt is one of England's most celebrated victories. The battle is the centrepiece of the play Henry V by Shakespeare. Juliet Barker in her book Agincourt: The King, the Campaign, the Battle ( published in 2005) argues the English and Welsh were outnumbered "at least four to one and possibly as much as six to one". She suggests figures of about 6,000 for the English and 36,000 for the French, based on the Gesta Henrici's figures of 5,000 archers and 900 men-at-arms for the English, and Jean de Wavrin's statement "that the French were six times more numerous than the English". The 2009 Encyclopædia Britannica uses the figures of about 6,000 for the English and 20,000 to 30,000 for the French. Part of an original medieval collection we have just acquired, of Viking and early British relics of warfare from ancient battle sites recovered up to 220 years ago.

It has been suggested that the bodkin came into its own as a means of penetrating armour, but research by the Royal Armouries has found no hardened bodkin points, though only two bodkin points were actually tested, not a statistically relevant number. Bodkins did, however, have greater ability to pierce mail armour than broadheads, and historical accounts do speak of bodkin arrows shot from close range piercing plate armour. Broadheads were made from steel, sometimes with hardened edges, but were more often used against lightly armoured men or horses than against an armoured adversary.

In a modern test, a direct hit from a steel bodkin point penetrated mail armour, although at point blank range. However, the test was conducted without a padded jack or gambeson, which was layered cloth armour worn under heavier armour for protection against projectiles, as it was known to stop even heavy arrows.

Armour of the medieval era was not completely proof against arrows until the specialised armour of the Italian city-state mercenary companies. Archery was thought not to be effective against plate armour in the Battle of Neville's Cross (1346), the Battle of Bergerac (1345), and the Battle of Poitiers (1356); such armour became available to European knights and men at arms of fairly modest means by the late 14th century, though never to all soldiers in any army.

Some recent tests have demonstrated that needle bodkins could penetrate all but heavy steel plate armour; one test used padded "jack" armour, coat of plates, iron and steel mail and steel plate. A needle bodkin penetrated every type, but may not have been able to inflict a lethal injury behind plate. As with all other tests, accuracy of these tests is called into question as the arrowheads were all high carbon steel and hardened, and the historical accuracy of the armour tested is unknown.The name comes from the Old English word bodkin or bodekin, a type of sharp, pointed dagger. Arrows of the long bodkin type were used by the Vikings and continued to be used throughout the Middle Ages. The bodkin point eventually fell out of use during the 16th and 17th centuries, as armour largely ceased to be worn and firearms took over from archery. 105mm long overall including socket

As with all our items it comes complete with our certificate of authenticity.

Most of our antiquities and artefacts are from 200 year past souvenir accumulations from British ‘Grand Tours’. Beautiful Items and antiquities were oft acquired in the 18th and early 19th century by British noblemen and women touring battle sites in Northern France and Italy, in fact most of Europe and the Middle East, on their so-called ‘Grand Tour’. They were often placed on display upon their return home, within the family’s 'cabinet of curiosities', within their country house. Some significant British stately homes had entire galleries displaying the treasures and artefacts gathered and purchased on such tours, and some tours lasted many years, and the accumulated souvenirs numbered in their hundreds or even thousands. A popular pastime in the 18th and 19th century, comprised of English ladies and gentlemen traveling for many months, or even years, throughout classical Europe, and the Middle East, acquiring knowledge and education on the arts, and thus returning with antiquities and antiques as souvenirs for their private collections, and these travels have been thus called ‘Grand Tours’.
long overall including tang

As with all our items it comes complete with our certificate of authenticity  read more

Code: 25563

A Good Victorian Bamboo Hidden, Secret, Dagger-Cane. An Original Antique Collector's item

This is a cane that originally was likely intended for close quarter action. The sword stick or cane was in its day ideal for defensive action, but the dagger-cane was usually intended for both offensive or defensive, ideal for use in a crowd or a hand to hand conflict in most confined quarters of any bustling city. As an antique collectable it is simply awesome. A startling and most collectable conversation piece, worthy of the legendary Sherlock Holmes himself, in fact, more likely a tool of the diabolical genius, and arch nemeses of Holmes, Professor Moriarty . One can only imagine what perils and heinous adversities that it's original owner, who had this awesome cane commissioned, must have feared, dreaded or even instigated. The name Bartitsu might well have been completely forgotten if not for a chance mention by Sir Arthur Conan Doyle in one of his Sherlock Holmes mystery stories. In the Adventure of the Empty House (1903), Holmes explained that he had escaped the clutches of his enemy Professor Moriarty through his knowledge of bartitsu, or Japanese wrestling. Using a walking cane with or without hidden blade.

The swordstick was a popular fashion accessory for the wealthy during the 18th and 19th centuries. While the weapon's origins are unknown, it is apparent that the cane-sword's popularity peaked when decorative swords were steadily being replaced by canes as a result of the rising popularity of firearms, and the lessening influence of swords and other small arms.


The first sword canes were made for nobility by leading sword cutlers. Sixteenth century sword canes were often bequeathed in wills. Sword canes became more popular as the streets became less safe. Society dictated it mandatory that gentlemen of the 18th and especially 19th centuries would wear a cane when out and about, and it was common for the well-dressed gentleman to own and sport canes in a variety of styles, including a good and sound sword cane. Although Byron was proficient in the use of pistols, his lameness and his need to defend himself in some potentially dangerous situations made a swordstick doubly useful to him. He received lessons in London from the fencing master Henry Angelo and owned a number of swordsticks, some of which were supplied by his boxing instructor Gentleman John Jackson.

Sword sticks came in all qualities, and for numerous purposes, from the simplest bamboo sword cane personal defender to stout customs officer’s ‘prod’, to offensive close quarter stiletto dagger canes and even to the other side of the world in the form of Japanese samurai’s shikome-sue, hidden swords.

We show two famous sword sticks in the gallery, one that belonged to Lord Byron, and another in a Presidential Centre Library collection, a historic sword stick is part of the Rutherford B. Hayes Presidential Centre Library collection in Fremont, Ohio from the Waggoner family, the sword-cane was said to have been presented to Mr Waggoner by General George Washington in honour of Waggoner's service in Washington's Life Guard during the American Revolutionary War

36 inches long overall 9.5 inches long blade. An original antique collectable for display purposes only.  read more

Code: 25564

A Very Fine & Rare Original Napoleonic Wars ANXI Light Cavalry Trooper's Sabre. Used by Napoleon's Most Famed Lancers, Hussars, Chasseurs. The Sabre Troupe de Cavalerie Légère Modèle AN XI

Very rare combat sabre for the troop, perfectly homogeneous and authentic to discover in superb state of conservation considering all the battles it experienced during the Napoleonic wars it deserves to find a fine place in a thematic collection.

During a parade the sight of the hussars would the women’s hearts made wildly pounding. In combat they rode yelling most unearthly, cursing and brandishing their weapons. They had their own code - that of reckless courage that bordered on a death wish. The hussars were the eyes, ears and … egos of the army.
With their look suitably piratical their hair plaited and queued they were one heck of mean buggers. Some regiments were composed of fellows who had a natural longing for a fight (or trouble !) The mutually supporting camaraderie of the hussars was important factor of their esprit de corps. Tactically they were used as scouts and screen for other troops and due to their combativeness were also used in pitched battles. It was not a rare sight to see a hussar in a forefront of a hack-and-slash melee, gripping his reins with his teeth, a pistol in one hand and saber in the other.

Three bar guard the pommel back strap piece has a slight tilt forward complete the hilt's elegant form. One unique elements of this sabre is the leather bound, ribbed grip with its brass olive shaped stud. The arsenal markings are on the back of the slightly fulled 34 3/4 inch blade.

Hilt stamped stamped by Joseph Innocent Krantz, Chef de Batt'on, the Napoleonic Imperial period sword inspector from 1812, and Jean George Bick's mark of 1812 a controller 1st class. Blade marked, Klingenthal Man Imperial Janvier 1813 {only Janvier 1813 is still easily visible} Joseph Innocent Krantz, Chef de Batt'on, stamp is also on the blade face

Referenced in the works of Michel Pétard "Des sabres et des épées - Troupes à cheval de l'Empire à nos jours - Tome Second", pages 137 and 138; long-tailed cap; calf-covered wooden handle with brass olive mount.
One of the rare sabres specifically made to re-arm the French cavalry after the catastrophic losses in 1812 in Russia.

The disaster of 1812 in Russia
It is estimated that 175.000 excellent horses of cavalry and artillery were lost in 1812 in Russia ! The remnants were mounted on Russian and Lithuanian peasant ponies. The rebuilding of the cavalry in 1813 was more difficult than infantry and artillery. Shortages of trained cavalrymen, officers, NCOs and war horses were critical. Promotions were rapidly handed out and temporary squadrons were formed.
In the beginning of April 1813 general Bourcier gathered 10.000 battle-hardened veterans from 60 regiments spread across the countryside. The cavalry centres were in the cities of Magdeburg and Metz. Horses were coming from northern Germany. During Armistice was more time to train the young troops and many regiments showed improvements in their maneuvers. But they never reached the level of pre-1812.

French Cavalry Under Napoleon.
"When I speak of excellent French cavalry,
I refer to its impetous bravery,
and not to its perfection"
- General Jomini

Napoleon's Cavalry and Its Leaders "Cavalry is useful before, during and after the battle," wrote Napoleon, and he stressed the need for audacity in its employment and careful training to achieve true discipline. He was also insistent that careful categorization according to role was of great importance... It was some time before the French cavalry reached its full potential, as it had suffered the loss of many officers during the Revolutionary period, but by 1807 it was reaching its prime. The great charges led by Murat at Eylau and Grouchy at Friedland played vital parts in the outcome of these battles." (Chandler - "Dictionary of the Napoleonic Wars" pp 85-86)
"Under Napoleon, the French cavalry were, in contrast to the infantry, far more renowned for their action in masses than for their duty as light troops. They were deemed irresistible, and even Napier admits their superiority over the English cavalry of that day. Wellington, to a certain degree, did the same. And strange to say, this irresistible cavalry consisted of such inferior horsemen ... no soldiers are so careless of their horses as the French." ("The Armies of Europe" in Putnam's Monthly, No. XXXII, published in 1855).

Used in such battles as;

In the Battle of Lützen (German: Schlacht von Großgörschen, 2 May 1813), Napoleon I of France defeated an allied army of the Sixth Coalition.

The Russian commander, Prince Peter Wittgenstein, attempting to forestall Napoleon's capture of Leipzig, attacked the French right wing near Lützen, Saxony-Anhalt, Germany, surprising Napoleon. Recovering quickly, Napoleon ordered a double envelopment of the allies. After a day of heavy fighting, the imminent encirclement of his army prompted Wittgenstein to retreat. Due to a shortage of cavalry, the French did not pursue.

The two armies would clash again in the Battle of Bautzen three weeks later.

The Battle of Vitoria in North-Eastern Spain, to the South of Bilbao and near the French border.

Wellington’s army comprised 52,000 British and 28,000 Portuguese troops. An army of 25,000 Spanish troops co-operated in the campaign. Wellington’s army had 90 guns.

The French army, drawn from the Army of the South, the Army of the Centre and the Army of Portugal, comprised 50,000 troops (including 7,000 cavalry), with 150 guns. It was Wellington’s decisive defeat of Joseph Bonaparte’s French army on 21st June 1813 in North-Eastern Spain in the Peninsular War

The Battle of Leipzig, also known as the Battle of the Nations, was fought from 16 to 19 October 1813 at Leipzig, Saxony. The Coalition armies of Austria, Prussia, Sweden, and Russia, led by Tsar Alexander I and Karl von Schwarzenberg, decisively defeated the Grande Armée of French Emperor Napoleon Bonaparte. Napoleon's army also contained Polish and Italian troops, as well as Germans from the Confederation of the Rhine (mainly Saxony and Württemberg). The battle was the culmination of the German Campaign of 1813 and involved 560,000 soldiers, 2,200 artillery pieces, the expenditure of 400,000 rounds of artillery ammunition, and 133,000 casualties, making it the largest battle of the Napoleonic Wars, and the largest battle in Europe prior to World War I.

The War of One Hundred Days, culminating in Quatre Bras and Waterloo. This fabulous sabre was almost certainly a trophy of war from Waterloo, and any or all of the the previously listed battles it would likely have seen service within.

After the fighting at Quatre Bras (16 June 1815) the two opposing commanders Marshal Ney and the Duke of Wellington initially held their ground while they obtained information about what had happened at the larger Battle of Ligny. They received intelligence that the Prussian army under the command of Prince Blücher had been defeated by the French Army of the North under the command of Napoleon Bonaparte.

Upon receiving this news Wellington organised the retreat of the Anglo-allied army to a place he had identified a year before as the best place in Belgium for him to be able to employ his reverse slope tactics when fighting a major battle: the escarpment close to the village of Waterloo.

On the 17th, aided by thunderstorms and torrential rain and before the arrival of Napoleon, Wellington's army successfully extricated itself from Quatre Bras and passed through the defile of Genappe. The infantry marched ahead and were screened by a large cavalry rearguard. The French harried Wellington's army, but were unable to inflict any substantial casualties before night fell and Wellington's men were ensconced in bivouacs on the plain of Mont-Saint-Jean.
Without scabbard  read more

Code: 25565

Choose The Ideal Christmas Gift From Great Britain's Favourite Armoury Antiques & Collector's Shop . A Most Scarce Original Late 14th Century Bodkin Arrow Head. From the Reign of King Henry Vth and the Battle of Agincourt in 1415

Yet another small part of our wondrous, new, historical, and original Ancient Roman, Ancient Greek, Viking, Crusaders, and Medeavil battlefield antiquities and artefacts, another collection that has just arrived with us .

Much of it acquired by a family in the 1820's while on a Grand Tour of Anglo French battle sites within Northern & Western France from Azincourt, in the Pas-de-Calais, to Poitiers in Aquitaine.

Most English war arrows for Longbows could vary, and some archers would have some type of armour piercing bodkin or “plate cutter” since their job was to penetrate armour (gambesons, hauberks, and plate). They had long and short bodkin, plate cutter, leaf, trefoil, crescent, and swallowtail broadheads. Broadheads were for targeting un-armoured men and knight's horses

Like the earlier engagement at Crécy, the power of the English army lay in the longbow, a tall, thick self-bow made of yew. Longbows had demonstrated their effectiveness against massed infantry and cavalry in several battles, such as Falkirk in 1298, Halidon Hill in 1333, and Crécy in 1346. Poitiers was the second of three major English victories of the Hundred Years' War attributed to the longbow, though its effectiveness against armoured French knights and men-at-arms has been disputed Geoffrey the Baker wrote that the English archers under the Earl of Salisbury "made their arrows prevail over the French knights' armour",but the bowmen on the other flank, under Warwick, were initially ineffective against the mounted French men-at-arms who enjoyed the double protection of steel plate armour and large leather shields. Once Warwick's archers redeployed to a position where they could hit the unarmoured sides and backs of the horses, however, they quickly routed the cavalry force opposing them. The archers were also unquestionably effective against common infantry, who could not afford plate armour.

After several decades of relative peace, the English had renewed their war effort in 1415 amid the failure of negotiations with the French. In the ensuing campaign, many soldiers perished due to disease and the English numbers dwindled, but as they tried to withdraw to English-held Calais they found their path blocked by a considerably larger French army. Despite the disadvantage, the following battle ended in an overwhelming tactical victory for the English.

King Henry V of England led his troops into battle and participated in hand-to-hand fighting. The French king of the time, Charles VI, did not command the French army himself, as he suffered from severe psychotic illnesses with moderate mental incapacitation. Instead, the French were commanded by Constable Charles d'Albret and various prominent French noblemen of the Armagnac party.

This battle is notable for the use of the English longbow in very large numbers, with the English and Welsh archers forming up to 80 percent of Henry's army. The decimation of the French cavalry at their hands is regarded as an indicator of the decline of cavalry and the beginning of the dominance of ranged weapons on the battlefield.

Agincourt is one of England's most celebrated victories. The battle is the centrepiece of the play Henry V by Shakespeare. Juliet Barker in her book Agincourt: The King, the Campaign, the Battle ( published in 2005) argues the English and Welsh were outnumbered "at least four to one and possibly as much as six to one". She suggests figures of about 6,000 for the English and 36,000 for the French, based on the Gesta Henrici's figures of 5,000 archers and 900 men-at-arms for the English, and Jean de Wavrin's statement "that the French were six times more numerous than the English". The 2009 Encyclopædia Britannica uses the figures of about 6,000 for the English and 20,000 to 30,000 for the French. Part of an original medieval collection we have just acquired, of Viking and early British relics of warfare from ancient battle sites recovered up to 220 years ago.

It has been suggested that the bodkin came into its own as a means of penetrating armour, but research by the Royal Armouries has found no hardened bodkin points, though only two bodkin points were actually tested, not a statistically relevant number. Bodkins did, however, have greater ability to pierce mail armour than broadheads, and historical accounts do speak of bodkin arrows shot from close range piercing plate armour. Broadheads were made from steel, sometimes with hardened edges, but were more often used against lightly armoured men or horses than against an armoured adversary.

In a modern test, a direct hit from a steel bodkin point penetrated mail armour, although at point blank range. However, the test was conducted without a padded jack or gambeson, which was layered cloth armour worn under heavier armour for protection against projectiles, as it was known to stop even heavy arrows.

Armour of the medieval era was not completely proof against arrows until the specialised armour of the Italian city-state mercenary companies. Archery was thought not to be effective against plate armour in the Battle of Neville's Cross (1346), the Battle of Bergerac (1345), and the Battle of Poitiers (1356); such armour became available to European knights and men at arms of fairly modest means by the late 14th century, though never to all soldiers in any army.

Some recent tests have demonstrated that needle bodkins could penetrate all but heavy steel plate armour; one test used padded "jack" armour, coat of plates, iron and steel mail and steel plate. A needle bodkin penetrated every type, but may not have been able to inflict a lethal injury behind plate. As with all other tests, accuracy of these tests is called into question as the arrowheads were all high carbon steel and hardened, and the historical accuracy of the armour tested is unknown.The name comes from the Old English word bodkin or bodekin, a type of sharp, pointed dagger. Arrows of the long bodkin type were used by the Vikings and continued to be used throughout the Middle Ages. The bodkin point eventually fell out of use during the 16th and 17th centuries, as armour largely ceased to be worn and firearms took over from archery. 105mm long overall including socket

As with all our items it comes complete with our certificate of authenticity.

Most of our antiquities and artefacts are from 200 year past souvenir accumulations from British ‘Grand Tours’. Beautiful Items and antiquities were oft acquired in the 18th and early 19th century by British noblemen and women touring battle sites in Northern France and Italy, in fact most of Europe and the Middle East, on their so-called ‘Grand Tour’. They were often placed on display upon their return home, within the family’s 'cabinet of curiosities', within their country house. Some significant British stately homes had entire galleries displaying the treasures and artefacts gathered and purchased on such tours, and some tours lasted many years, and the accumulated souvenirs numbered in their hundreds or even thousands. A popular pastime in the 18th and 19th century, comprised of English ladies and gentlemen traveling for many months, or even years, throughout classical Europe, and the Middle East, acquiring knowledge and education on the arts, and thus returning with antiquities and antiques as souvenirs for their private collections, and these travels have been thus called ‘Grand Tours’.

76mm long overall including tang

As with all our items it comes complete with our certificate of authenticity  read more

Code: 25562

A Most Rare Early, 14th Century, circa 1340, Medievil Iron Hand Cannon or 'Handgonne' Made in the Period, & Used From the Battle of Crecy and Poitier Era.

An absolutely beauty and an incredibly significant historical piece, effectively the handgonne, was the very first iron hand held powder and ball piece, that began the evolution into the pistol, almost 700 years ago, and around 500 years before Mr Colt developed his first revolver in the 1840's.

From a collection of original rare antiquities collection we acquired, and this is the third extraordinarily rare original handgonne from that collection. We normally find only one or two every ten years or so, or even longer, but to buy all three from the collection was amazing.

The earliest design of conical form. Small enough and light enough to be manoeuvred by hand and thus then loosely fixed, or semi-permanently fixed, in either an L shaped wooden block and used like a mortar, or, onto a length of sturdy wooden haft, from three feet to five foot long to be used almost musket like and bound with wrought iron bands see illustration in the photo gallery of these medievil variations of mounting. The precursor to the modern day pistol and musket from which this form of ancient so called handgonne developed into over the centuries. It is thought that gunpowder was invented in China and found its way to Europe in the 13th Century. In the mid to late 13th Century gunpowder began to be used in cannons and handguns, and by the mid 14th Century they were in relatively frequent use for castle sieges. By the end of the 14th Century both gunpowder, guns and cannon had greatly evolved and were an essential part of fortifications which were being modified to change arrow slits for gun loops. Hand cannon' date of origin ranges around 1350. Hand cannon were inexpensive to manufacture, but not accurate to fire. Nevertheless, they were employed for their shock value. In 1492 Columbus carried one on his discovery exploration to the Americas. Conquistadors Hernando Cortez and Francisco Pizzaro also used them, in 1519 and 1533, during their respective conquests and colonization of Mexico and Peru. Not primary arms of war, hand cannon were adequate tools of protection for fighting men.. Approx, 4 inches long 1 1/2 inch bore, and weighs around 5.1 lbs

See Funcken, L. & Funcken F., Le costume, l'armure et les armes au temps de la chevalerie, de huitieme au quinzieme siecle, Tournai,1977, pp.66-69, for reconstruction of how such hand cannons were used.
At the beginning of the 14th century, among the infantry troops of the Western Middle Ages, developed the use of manual cannons (such as the Italian schioppetti, spingarde, and the German Fusstbusse).  read more

Code: 24816

A Superb Finest Quality Large Royal Naval Sea Service Brass Cannon Barelled Flintlock Blunderbuss. Made by I Gore of The Minories, London. With Ordnance Crown Stamp. Land Pattern Brass Furniture. Circa 1760

This is a very powerful example of its rare kind, with great heft and substance. Almost the power of a royal naval swivel cannon. Excellent flintlock action. 1740 CP & V proofs to the barrel, finest quality walnut rail stock, all brass furniture in the ordnance Land Pattern form. original ram rod with load extraction steel worm end.

Brass blunderbusses were "naval enforcers" in war and peace. this beauty was used from the American Revolutionary War, through the Anglo French Wars, the Napoleonic Wars, such as the Battle of The Nile, the Battle of Camperdown, the Battle of Cape St. Vincent and the Battle of Cape Trafalgar. The War of 1812 against the American Navy, and up to around the early 1840's. Their huge, smooth-bore barrels are very destructive at close range. They are easy to load and fairly easy to repair.

This amazing example was used by the Royal Navy during the Revolutionary war up to and past the close of the Napoleonic wars.

With these guns such as this at its command, it is little wonder that Britain ruled the waves for many generations. The "Sea Service," as the British Navy was called, continued to be the world's most powerful maritime force for two centuries.

The blunderbuss, which takes its name from the German term Donderbuschse (thunder gun) is a short-barreled firearm with a flared muzzle that made its appearance in the late 16th century. Often associated with the Pilgrims, the blunderbuss was still relatively unknown in the early 17th century.
Originally intended for military purposes, these arms can be traced to 1598, when Germany's Henrich Thielman applied for a patent for a shoulder arm designed for shipboard use to repel enemy boarders. The blunderbuss quickly became popular with the Dutch and English navies. England's growing maritime power seems to have fueled production of these short bell-barrel arms, which were useful during close-in engagements between warships by enabling marines clinging to ship's rigging to use them against the gun crews of opposing vessels. The barrels and furniture of the blunderbuss were typically made from brass, and stocks were most commonly made from walnut. Other, less robust woods were sometimes used, but their tendency to shatter ensured that walnut would remain in widespread use as a stocking material.
The blunderbuss played a role during the English Civil War of 1642-48, and these arms were widely used as a personal defense arm in England during the Commonwealth Period. The lack of an organized system of law enforcement at that time, coupled with the growing threat posed by highwaymen, placed the burden of protecting life and property in the hands of honest citizens.

Although some blunderbusses bore the royal cipher of the Sovereign, they typically did not feature the Broad Arrow identifying government ownership or the markings of the Board of Ordnance, however this example bears the ordnance crown of King George IIIrd. Several brass- and iron-barreled blunderbusses were captured from the forces of Lord Cornwallis upon the latter's surrender to the Continental Army at Yorktown, Virginia in the final land campaign of the American Revolution

As with all our antique guns no license is required as they are all unrestricted antique collectables, and it will be accompanied by a Certificate of Authenticity.

Overall it is in superb condition with a exemplary original aged patination. the for end on one side has a small combat field service repaired fore stock crack in the wood.  read more

Code: 25557

From Limoges, a Champleve Enamel Gilt & Bronze Sword Belt Plate of a Knight of King Henry II & Queen Eleanor of Aquitaine. Decorated With A Knight Combating A Beast with Spear and Shield . 1100's 'Opus Lemovicense' Crafted in Limoges, Aquitaine

12th century A.D.. Rectangular plaque with two attachment holes and flange one edge, with traces of a red and blue enamel design of a knight in combat with a beast, armed with a shield and spear, of 'opus lemovicense' { known as the “Work of Limoges"}. This belt plate was created by the same workshop and possibly the very same craftsmen that created on of the finest surviving medieval works of art, the Becket Casket, that now resides in the Victoria and Albert Museum. The belt plate contains the very same blue enamel as the Becket Casket.

A beautiful yet relatively very inexpensive example of 900 year old medieval enamel work from Limoges, in Aquitaine. Crafted from a highly technical workshop under the patronage of King Henry IInd and Queen Eleanor of Aquitaine

Limoges enamels, the richest surviving corpus of medieval metalwork, were renowned throughout Europe in the Middle Ages. Yet today they are little known outside academic circles. The present volume, L'Œuvre de Limoges, published in conjunction with the exhibition Enamels of Limoges, 1100–1350, brings to deserved public attention nearly two hundred of the most important and representative examples from the collections of The Metropolitan Museum of Art, the Musée du Louvre, the great church treasuries of France, and other sources. Early in the twelfth century, goldsmiths at the Benedictine Abbey of Conques in the hills of the ancient province of Rouergue began to create enamels whose jewel-like colors and rich, golden surfaces belied their fabrication from base copper. Within a generation, this technique was established in the area of the Limousin itself. By the 1160s the enamels created at Limoges, known as opus lemovicense, were a hallmark of the region. They were to be found not only in the Limousin and the neighboring region of the Auvergne but also in Paris, in monasteries along the pilgrims' road to Santiago de Compostela, at the Vatican, and in the cathedrals of Scandinavia.

The works of Limoges were created for important ecclesiastical and royal patrons. The wealth of enameling preserved from the Treasury of the abbey of Grandmont, just outside Limoges, is due chiefly to the Plantagenet patronage of Henry II and his queen, Eleanor of Aquitaine. Enamels created during their reign resonate with the elegant style of the court, and the dramatic history of Henry's monarchy is evoked by such works as the reliquary of Saint Thomas Becket. Ecclesiastical patrons such as Archbishop Absalon of Lund, Cardinal Guala Bicchieri, and, above all, Pope Innocent III were key to the dissemination of Limoges work throughout the churches of Europe.

While few of the artists who created the enamels that have come down to us are known by name, the works of several—Master Alpais, Garnerius, and Aymeric Chretien—are here juxtaposed with related pieces, some of them demonstrably from the same atelier. Clearly, the ability of the goldsmiths of Limoges to adapt their work to meet the demands of a varied clientele was an essential element in their success. Victorines and Franciscans joined Benedictines among the patrons of Limoges. Before the middle of the thirteenth century, the goldsmiths of Limoges began to create tomb sculptures of gilt copper with enameled surrounds, the most famous being the paired images of John and Blanche of France, children of Saint Louis. Objects decorated with enameled coats of arms came into prominence at about the same time.

Eleanor of Aquitaine (1137-1152) was one of the most powerful and influential figures of the Middle Ages and Queen of both France and England. Her legendary Courts of Love were said to have established and preserved many of the rituals of courtly love and chivalry- and had a far-reaching influence on literature, poetry, music and folklore.

The Becket Casket is a reliquary made in about 1180–90 in Limoges, France, and depicts one of the most infamous events in English history, the murder of Archbishop Thomas Becket. Following the assassination, relics of St Thomas were placed in similar reliquaries and dispersed across the world. This 'chasse' shaped reliquary is made of gilt-copper round a wooden core, intricately decorated with champlevé enamel to tell the story of Thomas Becket through literal and symbolic imagery. An exemplary showcasing of the Limoges enamel technique, this reliquary is now located in the Victoria and Albert Museum in London, England.

The Becket Casket is ornately decorated with champlevé enamel surrounding its wooden core and gilded copper interior. The decorative technique of champlevé enamel is a method in which high heat is utilized to fuse a powdered glass material into a recessed area of a metal surface.

The basic process of enameling involves fusing powdered material, such as glass, to the outer surface of a metallic or similar object through the use of high temperature. It is an ancient artistic process, used throughout history and crossing borders to create beautifully decorated pieces of all kinds. The process of champlevé enameling holds almost all of the basic steps as that of regular enameling. However in this technique, recesses of all shapes and sizes are carefully carved into the metallic body of the object and further filled with the powdered glass or frit, allowing for a different finish. The recessing in the body of the object can also be cast or etched, and the following steps remain the same.

The Becket Casket is shown in photo 8 in the gallery

See Taburet-Delahaye, E. & Boehm, B.D., L'Œuvre de Limoges, Paris, 1995,Enamels of Limoges, 1100–1350
Gauthier, Marie-Madeleine, Bernadette Barriere, Dom Jean Becquet, Elisabeth Taburet-Delahaye, Barbara Drake Boehm, Michel Pastoureau, Beatrice de Chancel-Bardelot, Isabelle Biron, Pete Dandridge and Mark T. Wypyski
1996

34mm x 34mm  read more

Code: 25555