Antique Arms & Militaria

A Superb Esoteric Collection of Vintage Witchcraft Pieces, Witchballs & African Kongo Nail-Fetish Figures, & A Voduo {Voodoo} Entangled Simian Carved Figure. Feared by Victorian Missionaries as Instruments of Sorcery by The Tribal Nganga.

This great piece, a so called ‘voodoo’ zoomorphic simian, is a witch doctors fetish that is tightly bound by rattan over strips of cloth.

This came from a wonderful collection acquired over many decades that arrived with us. Added to our site incrementally last year annd this, and many earlier added pieces were rapidly sold, including some intriguing original Kongo Voodou Nkisi oath figures, and a few, fabulous, antique, so called, Witch's 'crystal balls'. The scrying balls, are set in superb, original antique, ormulu gilt and bronze mounts, in the rococco, classical and French Empire style, all based upon a classical and mythical theme, Ancient Roman, Ancient Greek, or Ancient Druidian. All designed to mount their occult scrying balls, that were used by gazing into their centre, for the divination of the future, and the answering of questions. As well as the warding off of evil spirits and misfortune. Only the last one, the latest added antique, classical bronze, statuary mounted witch ball remains available.

Witch balls were found in England in the 1600 and 1700s originally to ward off evil spirits and spells. By the 1800s witch balls crossed the Atlantic to New England. They also spread to other parts of Europe, being found in Italy, France, and Constantinople. The witch ball originated among cultures where harmful magic and those who practiced it were feared. They are one of many folk practices involving objects for protecting the household. The word witch ball may be a corruption of watch ball because it was used to ward off, guard against, evil spirits. They may be hung in an eastern window, placed on top of a vase, or for the very wealthy set upon a decorative gold stand, either pedestal, or figural, or suspended by a cord (as from the mantelpiece or rafters). They may also be placed on sticks in windows or hung in rooms where inhabitants wanted to ward off evil.

Superstitious European sailors valued the talismanic powers of the witch balls in protecting their homes. Witch balls appeared in America in the 19th century and larger, more opaque variations are often found in gardens under the name gazing ball. This name derives from their being used for divination and scrying where a person gazes into them dreamily to try to see future events or to see the answers to questions. However, gazing balls contain no strands within their interior. The witch ball holds great superstition with regard to warding off evil spirits in our particular English counties of East Sussex and West Sussex. The tradition was also taken to overseas British colonies, such as the former British colonies of New England, and remains popular in coastal regions. Apparently, our Hawkins forebears ship’s that sailed across to the New World in the 1600’s, for both trade, emigres, and pilgrims, would carry at least one witch ball hung within a net on board. Our paternal grandmother hung one such in a net from her home’s east window all her life until her death in the 1980’s.

Also see our Völva’s Viking Draken head {item 24789} from an iron staff or wand. It was an important accessory used by the Völva when carrying out Seiđr, Viking magic. A Völva was a Viking Sorcerer or Sorceress of Seiđr. The iron staff or wand was an important accessory used by the Völva when carrying out Seiđr, Viking magic. The.magic staffs were around two to three foot long, forged of iron, often in the form of a distaff, with a knob pommel, that could take many forms, made of other metals, more usually brass or bronze, sometimes the knob might be inlaid with gems, and the staff was used by professional Viking sorcerers and sorceresses when performing Seiđr

The African Kongo Witch Doctor's power figures that stand prominent among all minkisi is called nkisi nkondi likely from the Bakongo people. This type of figure is commonly called a nail fetish and is one of the most recognisable and collectible figures in all of African art. These life-like figures are instantly identified by the many nails, pegs, blades, and shards that are hammered into them. Each individual insertion represents one of three things: an oath or agreement between two parties, a pledge to provide protection against enemies and witchcraft, or a vow of vengeance. 'Nkondi' literally means 'hunter;' and it is generally considered an aggressive entity.

The insertions are driven into the figure by the nganga and represent the mambu and the type or degree of severity of an issue can be suggested through the material itself. A peg may refer to a matter being ‘settled’ whereas a nail, or metal shard, deeply inserted, may represent a more serious offense such as murder. Prior to insertion, opposing parties or clients often lick the blades or nails, to seal the function or purpose of the nkisi through their saliva. If an oath is broken by one of the parties or evil befalls one of them, the nkisi nkondi will become activated to carry out its mission of destruction or divine protection

The imposing presence and implied power of nkisi nkondi is certainly enough to keep anyone committed to a promise or agreement. Like other minkisi, powerful medicine is usually stored inside the belly, which can then covered by a piece of glass or mirror. The reflective surface represents the world of the dead and the vision of the spirits. One is a traditional naked fetish witchcraft figure, standing upright, deeply carved staring eyes a the body studded overall with approx 200 similar 3 inch nails, on 2 flat feet on an integral carved pedestal, approx 22.25 " high. Another with hundreds of sharp shards of iron driven into the body, a traditional oath taking figure, with its right arm outstretched, upwards that may, some believe, have once held a spear. One more is this piece, of an entangled zoomorphic figure of a simian. Tightly bound and encased at the body in cloth with wood strapping.

After a tribal carver artist completed carving the artifact, the "nganga" transformed it into an object capable of healing illness, settling disputes, safeguarding the peace, and punishing wrongdoers. Each work of this kind or "nkisi" is associated with a spirit, that is subjected to a degree of human control.
Europeans may have encountered these objects during expeditions to the Congo as early as the 15th century. However, several of these fetish objects, as they were often termed, were confiscated by missionaries in the late 19th century and were destroyed as evidence of sorcery or heathenism. Nevertheless, several were collected as objects of fascination and even as an object of study of Kongo culture. Kongo traditions such as those of the nkisi nkondi have survived over the centuries and migrated to the Americas and the Caribbean via Afro-Atlantic religious practices such as vodun, Palo Monte, and macumba. In Hollywood these figures have morphed into objects of superstition such as New Orleans voodoo dolls covered with stick pins. Nonetheless, minkisi have left an indelible imprint as visually provocative figures of spiritual importance and protection.

Often such figures were placed outside, or within, the hut of a certain form of tribal elder, what we would refer to as, the tribal witch-doctor, called a Nganga as a symbol of his position within the local village, and his ability to cause magical curses and unpleasantness for villagers who had fallen out with others of the village or region, who then sought out the services of the so called 'witch-doctor' to resolve the problem, with, such as, a curse.

Vintage Hand Carved African Medicine Man Nkisi figures. Esoteric collector's pieces, connected to the so-called western term of Voodoo {vodou} magic, part of the pantheon of the occult, magic & witchcraft of Africa.

Among the various Kongo peoples, nkisi means a sacred medicine. This word has been extended to include objects containing that medicine as well. The carved wooden statues referred to in the 19th century as nail fetishes and more recently as power figures containing medicine that imbues them with divine power, are therefore nkisi as well. Due to the medicine they contain (which is administered by a witch doctor or nganga), they act as agents of divine power, granting requests. healing or attesting to agreements. Each decision or resolution is literally nailed down in the figure.

A certain class of nkisi, called nkondi, are able to enforce the solutions they provide actively and to seek vengeance against those who heed them not. These figures either menace the viewer with spears and fierce facial expressions, or strike intimidating, belligerent poses.

Nkisi nkondi specialize in different areas of life. The most important nkisi nkondi carries out mangaaka, or preeminent justice.

Surveillance or watchfulness assist the effective enforcement of the power figure’s decisions. This is registered in the size of the eyes or, in some cases, by multiple sets of eyes. The rope wrapped around some figures represents a snake, a watchful predator who lends its powers of observation to the figure. Double-headed figures have double the visual powers and can see into the city of the dead and the realm of the living at the same time.

Each power figure has a distinct personality, ranging from contemplative to angry to soulful to reserved to compassionate. The ability to suggest those qualities visually with such immediacy and precision is one of the most impressive aspect of the surviving figures.

Kongo religion Kikongo: Bukongo. Bakongo religion was translocated to the Americas along with its enslaved practitioners. Some surviving traditions include conjure, dreaming, possession by the dead to learn wisdom from the ancestors, traditional healing and working with minkisi. The spiritual traditions and religions that have preserved Kongo traditions include Hoodoo, Palo Monte, Lumbalú, Kumina, Haitian Vodou, Candomblé Bantu, Kongo traditions such as those of the nkisi nkondi have survived over the centuries and migrated to the Americas and the Caribbean via Afro-Atlantic religious practices such as vodun, Palo Monte, and macumba.

Similar examples in the Smithsonian and Metropolitan in the USA. One very similar nkisi, from the late 19th to mid 20th century has been a highlight of the Rockefeller collection since its acquisition in 1952.  read more

Code: 25492

Magnificent Original Viking Age Broadsword With 'Hemse, Gotland' Bronze Hilt Mounts & Beautiful 'Sun Wheel' Sólarhvél. Jelling Decor. 800-1000 Years Old. Pattern Welded Blade, With Bronze Jelling Decorated Scabbard Chape, Viking Helmet & Head Design

The Viking broadsword was very often the status weapon of high ranked Vikings, such as Jarls, or the most successful leaders in battle, the general weapon of the warrior would be the spear or axe

Viking society was structured around powerful, elite leaders known as jarls (or earls), who functioned as regional chieftains and warlords. While they did not have a strict, feudal "lord" system in the early Viking Age, these, wealthy, high-ranking individuals held significant power, often governing territories in a king's stead or acting as independent rulers.
Jarls (Earls): These were the highest in the social hierarchy, often wealthy landholders who did not perform hard labour and commanded loyal armies.
Rather than a central state, power was decentralized among numerous, smaller chieftains or magnates.
Kings: In the Viking Age, a "king" was often a leading, charismatic magnate ("first among equals") rather than a hereditary monarch with absolute power.
These leaders hosted, managed trade, led raids, and maintained local law.
Well-known leaders often described as kings or powerful jarls include Ragnar Lodbrok, Harald Fairhair (who united Norway), and Cnut the Great.

Due to the seven-lobed or faceted hilt pommel, crossguard and scabbard chape, being of bronze, they have been remarkably well preserved showing every part of their Viking symbolism, and repeated sun wheel sólarhvél design. The pattern welded steel blade, a Geibig Viking typography type 5, with a moderate profile taper and elongated point, is also very fine indeed, and in a great state of preservation for age. The crossguard is moveable. Sólarhvél { Viking for sun-wheel} has, over the centuries, evolved into one of its later names, Odin's Cross

There are two very similar, bronze, sun-wheel Jelling decorated Viking age sword hilts in the Gotland Museum in Sweden. See photo 4 for reference. The stunning jelling bronze scabbard chape, that clearly shows in its intricately pierced design, a Viking nasal bar helmet worn upon the Viking warrior’s head, with his bared teeth, goatee beard, and surrounded by Viking knotwork decoration, is now all that remains of its former leather scabbard that obviously rotted away over the past millennia.

The Viking sunwheel originates from ancient European, particularly Nordic, Bronze Age (c. 1800–500 BCE) petroglyphs and, pre-dating the Viking Age itself. These sun crosses, found in Scandinavia, symbolized the sun, the movement of the sun, and the cycle of seasons. It is not a solely Viking-specific symbol but a broader, ancient Indo-European symbol.
Prehistoric Roots: The sun cross, a circle with radial arms, appears in prehistoric rock carvings, such as those at Madsebakke, Denmark, and in Bohuslän, Sweden.
Symbolic Significance: It represented the sun and was used in, or as part of, prehistoric, sun-oriented rituals or as a general symbol of well-being.
Symbolism in Nordic Context: These motifs, including various forms of wheels, crosses, and swastikas, were associated with "sun worship" and the changing seasons.

Modern Appropriation: The term sonnenrad was later appropriated, notably for the "Black Sun" (a 12-spoke wheel) by the Nazis, but the ancient Viking form is fundamentally different in, and much older than, the Nazi-associated, 12-spoked, concentric, and often crooked "Black Sun" design. The closest design the Third Reich appropriated was the regular Viking sun wheel swastika used for decor of the Luftwaffe first pattern swords and dagger hilts

Viking swords with seven-lobed or seven-faceted pommels (often classified under Type T, L, or R in Petersen's typology) represent a distinct, highly ornate style prevalent in the 10th to 11th centuries, frequently found in Baltic and Scandinavian regions. These swords are characterized by a pommel composed of seven distinct lobes or sections

The Baltic Vikings (or Curonians) were a fierce tribe that lived on the shores of the Baltic Sea Known as the "Baltic Vikings," they were renowned for their maritime prowess, raiding, piracy and a warrior culture so formidable that they were often feared by all the other Scandinavian Vikings. .
From the 7th to the 13th centuries, the Baltic Vikings were active pirates and raiders.They frequently attacked the shores of Sweden and Denmark, sometimes in alliance with the Oeselians (Estonian Vikings).
Covering the entire region the warlike Norse Men or "Vikings" were infamous for their identical lifestyle of shipbuilding, seafaring, and plundering.

They were so disruptive as they fought others {outsiders} as much as each other, the Danes against Norwegian Vikings, Norwegian against Swedish Vikings, or Lapp Vikings, that some Norse prayers reportedly asked for protection from "fire, storms, and Baltic Vikings the Curonians" of the Baltic lands.

They grew wealthy from the Amber Road, trading "the gold of the north" as far as Egypt and Rome. They were also famous for their high-quality horses.
The Baltic Vikings were among Europe's last pagans, fiercely resisting Christianisation. Their culture included powerful oracles and soothsayers sought after by people from as far away as Greece.

The Vikings that used this fabulous sword were persistent raiders and pirates throughout their whole era, and despite not always prevailing in combat, were the most feared of all the Norsemen. In many respects they almost equalled the notorious Viking ‘Berserkers’, a Viking group of warrior’s named that was so feared through the Viking age history, it has travelled down to today, to represent those going ‘berserk’, effectively, meaning those that are demonstrating insanely violent and aggressive behaviour.


The Viking Age (about 800–1050 CE) was the period during the Middle Ages when Norsemen known as Vikings undertook large-scale raiding, colonising, conquest, and trading throughout Europe and reached North America. The Viking Age applies not only to their homeland of Scandinavia but also to any place significantly settled by Scandinavians during the period. Although few of the Scandinavians of the Viking Age were Vikings in the sense of being engaged in piracy, they are often referred to as Vikings as well as Norsemen
One of their recorded conflicts are mentioned among other participants of the Battle of Brávellir.

Grobin (Grobiņa) was the main centre of the Curonian Vikings during the Vendel Age. Chapter 46 of Egils Saga describes one Viking expedition by the Vikings Thorolf and Egill Skallagrímsson in Courland. Curonians established temporary settlements near Riga and in overseas regions including eastern Sweden and the islands of Gotland and Bornholm.

Rimbert in his Vita Ansgari described early conflicts between the Curonians and other vikings. In 854, Curonians rebelled and refused to pay tribute to Sweden. The rebellious Apuolė fortress was first attacked by the Danes, who were hoping to make the town pay tribute to Denmark. The locals were victorious and gained much war loot. After learning of Danish failure, King Olof of Sweden organized a large expedition into Curonian lands. Olof first attacked, captured, and burned Grobiņa before besieging Apuolė. According to Rimbert, 15,000 locals defended themselves for eight days but then agreed to surrender: the Curonians paid a silver ransom for each man in the fortress, pledged their loyalty to Sweden, and gave 30 hostages to guarantee future payments








For reference see photo 4 of the two Gotland guards (Hemse on the top left) and their Latvian analogy.
Source: SHM; Gotlands Museum; Tomsons 2012: Fig. 2.1.

Based on the reference to Tomsons 2012 (Fig. 2.1), the image illustrates a comparative study of Viking Age sword components found on the island of Gotland, specifically focusing on cross-guards or pommel parts that show stylistic similarities with finds.
Hemse (Top Left): Refers to a sword guard (likely a hilt component) found in Hemse parish, Gotland, often housed in the Gotland Museum or SHM (Swedish History Museum).

Geibig’s blade type analysis, sourced from Ian Peirce’s Swords of the Viking Age.

Picture 7 in the gallery is a page from the Stuttgart Psalter, circa 830 ad, that clearly shows the Viking age sword, and its distinctive lobed pommel, being wielded by a Viking lord, and another within the other noble's scabbard, who also wields a spear.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery

Original ancient iron swords, if they still have a crossguard, never have their original wooden grips, the wooden grip never survives the hundreds of years passing which means, the crossguard becomes mobile and no longer in a fixed position.  read more

Code: 26048

A Beautiful & Massive Ancient Bronze Age Long Sword Circa 1200 to 800 BC. As Used From Before and Including the Greco-Persian Wars, Such as the Battles of Marathon & Thermopylae. As Used in Hand To Hand Combat Between Xerxes' Immortals, and The Hoplites

Massive bronze age sword with Double Ear Pommel, 10th-9th Century BC. with partial green encrustations, with some parts of the blade end showing hand to hand combat denting. A sword that was possibly made in around 1200 bc, but expected at the time to have a functioning use of 500 to 600 years or even more. Swords were immensely expensive, and being of bronze easy to maintain and repair, but constant sharpening was also required as they couldn't hold an edge as the much later Iron age sword could.

A magnificent, enormous bronze sword of the “double ear” pommel style, made using the lost wax casting technique by highly trained urban artisans for an elite member of a nomadic horse-riding clan. The blade was cast first, and then the handle was cast onto it - scans of similar swords have revealed tangs inside the handles.

This well-balanced weapon has a slender, square hilt, with raised decorative elements on each of the four sides joining to a pommel that divides into two finely decorated semi-circular “ears” at right angles to the blade. A rectangular guard carefully designed with crescent-shaped horns extends down to firmly grip the upper end of the prominent midrib that tapers regularly with almost straight cutting edges to a point.

The “double ear” style of sword - with both bronze and iron blades - has been excavated from graves in southern Azerbaijan, the Talish and Dailaman regions of northwest Iran, and the urban sites of Geoy Tepe and Hasanlu, also in northwestern Iran. Another, with both bronze pommel and blade, was pulled from the Caspian Sea, where it may have been thrown as an offering. It seems that swords like this example were not just made to be used in battle, but instead to show status or as votive weapons.

There is a strong tradition in the ancient Near East of swords and other weapons being associated with the gods. For example, there is a rock carving dating to circa 1300 BC from this region that shows a scene of the gods of the Underworld, including one who is holding a sword similar to this one. Similarly, a golden bowl excavated at Hasanlu (northwestern Iran) shows three swords of similar form to this one that are associated with three deities from the Hittite pantheon. Whatever its original function, this would have been a spectacular weapon to behold, with a deep, shining surface when polished. Whoever commissioned this sword must have been an elite individual of high status, perhaps seeking to honour the gods by handling such a weapon.

The late bronze age early Luristan culture was renowned for their bronze workmanship and this cast bronze sword is an excellent illustration of their skill. Cast using the lost wax process, this sword is a rare example of the double ear pommel type found in the great museums of the world.

This well-balanced and mighty weapon, is around the same proportions of the much later Roman gladius. It features a slender square hilt that joins to a pommel that divides at right angles to the blade into two finely decorated semi-circular "ears". The pommel features with a semi-circular opening in the centre of each ear. A rectangular guard carefully designed that extends down to firmly grip the upper end of the double-edged blade.
The wide graduated blade that tapers regularly to a point and it has, low, twin central midribs that taper regularly with almost straight cutting edge to a point, making it most suitable for thrusting and cutting.
It is the austere perfection of line and proportion that makes this weapon so beautiful.

This type of pommel represents the north-western Persian version of weapons evolved from Elamite or Mesopotamian flange-hilted blades. They are found made throughout the northern regions of Persia in both bronze and iron, and sometimes with a combination of bronze hilt and iron blade. Items such as this were oft acquired in the 18th century by British noblemen touring Northern France and Italy on their Grand Tour. Originally placed on display in the family 'cabinet of curiosities', within his country house upon his return home. A popular pastime in the 18th and 19th century, comprised of English ladies and gentlemen travelling for many months, or even years, throughout classical Europe, and Middle East, acquiring antiquities and antiques for their private collections. This is a most handsome ancient bronze weapon from the era of the so called Trojan Wars. The ancient Greeks believed the Trojan War was a historical event that had taken place in the 13th or 12th century BC, and believed that Troy was located in modern day Turkey near the Dardanelles. In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen from her husband Menelaus, the king of Sparta. The war is among the most important events in Greek mythology and was narrated in many works of Greek literature, including Homer's Iliad and the Odyssey . "The Iliad" relates a part of the last year of the siege of Troy, while the Odyssey describes the journey home of Odysseus, one of the Achaean leaders. Other parts of the war were told in a cycle of epic poems, which has only survived in fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets such as Virgil and Ovid.

The war originated from a quarrel between the goddesses Athena, Hera, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helen's husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years due to Paris' insult. After the deaths of many heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris, the city fell to the ruse of the Trojan Horse. The Achaeans slaughtered the Trojans (except for some of the women and children whom they kept or sold as slaves) and desecrated the temples, thus earning the gods' wrath. Few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, one of the Trojans, who was said to have led the surviving Trojans to modern day Italy. Made in copper bronze in the Western Asiatic region. Western Asiatic bronzes refer to items dating from roughly 1200-800 BC that have been excavated since the late 1920's in the Harsin, Khorramabad and Alishtar valleys of the Zagros Mountains especially at the site of Tepe Sialk. Scholars believe they were created by either the Cimmerians or by such related Indo-European peoples as the early Medes and Persians. Weapons from this region were highly sought after by warriors of many cultures because of their quality, balance and durability.

The Battle of Thermopylae
The first decision, to hold the narrow Vale of Tempe between Macedonia and Thessaly, was abandoned when it was realised that the position could easily be turned. The Greeks then occupied the still narrower pass of Thermopylae with 6,000 or 7,000 hoplites and stationed 271 triremes at Artemisium in northern Euboea. The positions were linked by communication between the Spartan commanders, King Leonidas at Thermopylae and Eurybiades at Artemisium, who intended to halt and damage the Persian forces. Meanwhile, Xerxes was advancing slowly. He made no use of separate columns, and his fleet suffered heavy losses in a storm when it was convoying supply ships along the coast. It was already August when Xerxes began the operations, which extended over three days.

On the first day, Xerxes sent a detachment of 200 ships, unseen by the Greeks, to sail around Euboea and close the narrows of the Euripus Strait. He also attacked with his best infantry at Thermopylae, where the Greeks inflicted heavy casualties. During the afternoon the Greek fleet, having learned about the Persian detachment from a deserter, engaged the main Persian fleet with some success. The Greeks intended to sail south that night and destroy the detachment the next day, but a tremendous storm kept the Greeks at Artemisium and wrecked the 200 Persian ships off south Euboea. On the second day, news of the Persian disaster was brought up by a reinforcing squadron of 53 Athenian ships. Xerxes attacked again with no success at Thermopylae, and the Greeks sank some Cilician vessels off Artemisium.

A Greek traitor, Ephialtes, offered to guide the Persians along a mountain path and turn the position at Thermopylae. The Immortals, a cadre of elite Persian infantry, were entrusted to him. At dawn on the third day, they began to descend toward the plain behind the Greek position. Leonidas retained the troops of Sparta, Thespiae, and Thebes and sent the remainder south. He then advanced. He and his soldiers fought to the death, except the Thebans, who surrendered. Meanwhile, the Persian fleet attacked at noon. Both sides suffered heavy losses, and the Greeks realized that they could succeed only in narrower waters. That evening, when the fall of Thermopylae was known, the Greek fleet withdrew down the Euboic channel and took station in the narrow straits of Salamis.

For reference see: Moorey P.R.S. "Catalogue of Ancient Persian Bronzes in the Ashmolean Museum" (1971), pg. 80 fig 63, Mahboubian, H. "Art of Ancient Iran" pg 304 386(a) & (b) and pg 314-315 397a-I, Moorey PRS "Ancient Persian Bronzes in the Adam Collection" pg 58 28 and Muscarella "Bronze and Iron, Ancient Near Eastern Artifacts in the Metropolitan Museum of Art" pgs 282-285 385-390.

Around 26 inches long overall.  read more

Code: 24766

A Beautiful Matched Pair of An Ancient Bronze Sword and Dagger With Pierced Bird Cage Pommels. From The Era of the Ancient Greco-Persian Wars, Circa 5th Century B.C.

It is incredibly rare to find two weapons that may likely have been made by the same sword-maker up to 2500 years ago, likely for the same warrior, and them to still be together today. Almost certainly excavated, two hundred years ago or more during the era of the Grand Tour, possibly from the same warrior's tomb or burial or an ancient battle site or sunken bireme. A bireme is an ancient oared warship (galley) with two superimposed rows of oars on each side. Biremes were long vessels built for military purposes and could achieve relatively high speed. They were invented well before the 6th century BC and were used by the Phoenicians, Assyrians, and Greeks. The bireme was also recorded in ancient history on the 8th and early 7th-century BC Assyrian reliefs, where they were used to carry out an amphibious attack on the coast of Elam and the lagoons of the Persian Gulf during the reign of Sennacherib. Over the centuries in the Persian Gulf the Aegean Sea and the Northern Mediterranean, ancient artifacts, pottery and the like have been drawn up by numerous fishermen’s nets, such as, for example our Minoan spears recovered by 18th century Cretan fishermen from the sea bed. See the picture in the gallery of a 500bc Greek bireme.

A picture in the gallery from a mosaic tile floor excavation in Medeina of an ancient Roman Villa, showing a bird in a cage, the inspiration of the shape and form for the pommels on these swords, that were likely made up to 1000 years before the villa was built by the Romans in the 2nd century.

Double edged graduating blades with central midrib. Hollow grips, the dagger with open panels for side plate inserts, the short sword with cylindrical grip. The short sword has a pair of rounded quillon crossguard with widened flattened ends.

The style of warfare between the Greek city-states, which dates back until at least 650 BC (as dated by the 'Chigi vase'), was based around the hoplite phalanx supported by missile troops. The 'hoplites' were foot soldiers usually drawn from the members of the middle-classes (in Athens called the zeugites), who could afford the equipment necessary to fight in this manner. The heavy armour (the hoplon) usually included a breastplate or a linothorax, greaves, a helmet, and a large round, concave shield (the aspis) .Hoplites were armed with long spears (the dory), which were significantly longer than Persian spears, and a sword (the xiphos). The heavy armour and longer spears made them superior in hand-to-hand combat and gave them significant protection against ranged attacks. Lightly armed skirmishers, the psiloi also comprised a part of Greek armies growing in importance during the conflict; at the Battle of Plataea, for instance, they may have formed over half the Greek army. Use of cavalry in Greek armies is not reported in the battles of the Greco-Persian Wars.



The Battle of Marathon
The Persian fleet headed south down the coast of Attica, landing at the bay of Marathon, roughly 40 kilometres (25 mi) from Athens. Under the guidance of Miltiades, the general with the greatest experience of fighting the Persians, the Athenian army marched to block the two exits from the plain of Marathon. Stalemate ensued for five days, before the Persians decided to continue onward to Athens, and began to load their troops back onto the ships. After the Persians had loaded their cavalry (their strongest soldiers) on the ships, the 10,000 Athenian soldiers descended from the hills around the plain. The Greeks crushed the weaker Persian foot soldiers by routing the wings before turning towards the centre of the Persian line. The remnants of the Persian army fled to their ships and left the battle.89 Herodotus records that 6,400 Persian bodies were counted on the battlefield; the Athenians lost only 192 men.

As soon as the Persian survivors had put to sea, the Athenians marched as quickly as possible to Athens. They arrived in time to prevent Artaphernes from securing a landing in Athens. Seeing his opportunity lost, Artaphernes ended the year's campaign and returned to Asia.

The Battle of Marathon was a watershed in the Greco-Persian wars, showing the Greeks that the Persians could be beaten. It also highlighted the superiority of the more heavily armoured Greek hoplites, and showed their potential when used wisely  read more

Code: 24850

Superb Crimean War 1853 Issue British Cavalry Sabre, Exactly as Used by The Charge of the Light Brigade, and, The {Less Well Known, Yet Ironically More Successful} Charge of the Heavy Brigade. In Its Stunning Steel Scabbard, With White Buff Hide Knot

A stunning 1853 pattern sabre that superseded the earlier issue 1821 pattern. A beautiful three bar bright steel hilt, with regulation chequered leather grip, held with 5 rivets. A Regulation steel blade with ordnance stamps and ordnance contract maker stamp, Mole. In its regulation pattern, rolled sheet steel, mirror bright plated scabbard. Many Mole blades were used extensively by the British Army, including during the Crimean War (in the Charge of the Light Brigade) this sword has every indication to have been one of them, such as in the 13th Light dragoons

This original 1853 pattern trooper's sabre was the replacement of the previous 1821 pattern. This particular sabre was issued, just in time, to a few of the hussar and lancer regiments that departed for service in the Crimean War, but it took around another 10 years or so to be supplied to all the other cavalry regiments in the army, especially if they were in service at the time within the far flung reaches of the empire. We have also acquired, a similarly fabulous, 1821 issue example, from the same collection. However, all our other, fabulous condition British cavalry sabres, that we recently acquired from the Crimean War collection, have now been sold over the past few weeks.

Both cavalry charges against the Russian lines happened on the same day in the Crimean War, at Balaklava, on the 25th October 1854, and barely two hours apart. The first charge was at 9.30 am and was the 'Charge of the Heavy Brigade', and it was followed at 11.10 am by the famed 'Charge of the Light Brigade'. This sabre would very likely have been used in either charge as the 1853 pattern was designated for use by both light and heavy cavalry. It bears the same ordnance maker's mark, as an identical pattern issue sword, from the Charge of the Light Brigade, used by a trooper the 13th Light Dragoon's in the charge, that is now in the 13th-18th Royal Hussars and Light Dragoons Regimental Museum {see a photo of that sword in the gallery}.
Our sword also bears the line regt. issue ordnance inspectors marks.

Following the Battle of the Alma in September 1854, British, French and Ottoman forces had begun to besiege the Russian naval base of Sevastopol. The siege lines, running back to their base at Balaklava harbour, went through two valleys and a ridge, and were vulnerable.

Seeking to take advantage of this, the Russians planned to break the British lines and then capture the base.
'The Thin Red Line'
The Russian cavalry charged on Balaklava, but their route was blocked by the 93rd (Highland) Regiment of Foot. Traditionally, infantry facing a charge would form a square, four lines deep. But the Highlanders took an unconventional approach, making two lines instead.

In the face of the oncoming Russian horses, the Highlanders' commander, Major-General Sir Colin Campbell, told his troops: ‘There is no retreat from here, men. You must die where you stand.’ They fired two disciplined volleys at the advancing enemy, which turned the Russians back.

'Charge of the Heavy Brigade'
The Heavy Brigade, moving up to support the Highlanders, then intercepted the retreating Russian cavalry.

The 800 British horsemen were hugely outnumbered by the 3,000-strong Russian cavalry. But seeing their enemy halted and vulnerable to attack, they charged uphill all the same. Their advance was little faster than a trot and only lasted 10 minutes, but it sent the Russian horsemen into disorder.

'Charge of the Light Brigade'

‘Cavalry to advance rapidly to the front’
To prevent the Russians moving the guns they had captured earlier, Lord Raglan issued an order to the Light Brigade to go and retrieve them. He was still waiting on reinforcements from Sevastopol to arrive, so the light horsemen were the only troops available to him.

But the cavalry commanders, who lacked Raglan’s view of the battlefield, were uncertain as to which guns his order referred to. What’s more, all they could see was a Russian artillery battery at the end of a heavily defended valley.

In response to their orders, the Light Brigade began their charge, but at the wrong gun batteries. They galloped through Russian artillery fire from three sides and on into the ‘Valley of Death’ suffering heavy losses in the process.

Some of the horsemen succeeded in reaching the Russian guns at the end of the valley, and even drove the men operating them into retreat before charging the Russian cavalry beyond.
After intense fighting, the remnants of the Light Brigade were forced to retreat from the guns. They made their way back through the ‘Valley of Death’ before reaching safety. Fortunately, their return was ensured by the French cavalry, who cleared the Russians from the north side of the valley.

Although the reinforcements from Sevastopol had now deployed and were ready to begin an assault on the heights, no further action was taken.

The battle ended in strategic stalemate, with the Russians controlling the heights and the road, but Balaklava still in Allied hands. Unfortunately, Russian possession of the road made supplying the forces besieging Sevastopol during a terrible winter much harder.

The loss of the Light Brigade was one of Britain’s most spectacular military disasters. It is remembered because of Alfred Lord Tennyson’s popular poem ‘The Charge of the Light Brigade’, written a few weeks after the battle.

Years later, Tennyson also wrote ‘The Charge of the Heavy Brigade’ to raise money for Crimean veterans, many of whom were living in poverty. For similar reasons Rudyard Kipling wrote ‘The Last of the Light Brigade’ in 1890 to raise awareness of the hardships faced by veterans.

The blade is grey stained.

Over two decades ago we were delighted to buy Captain Nolan's undress sabretache that was used to carry the order in the Charge of the Light Brigade, and was recovered from beneath his, and his horses bodies after the battle. It spent most of its life after the charge in two museums, one at the rebuilt and re-sited Crystal Palace in London. We were privileged to buy direct it from the original family owners with the personal assistance of the late Gordon Gardner, Militaria Expert of Sotheby's from 1979.

"Robert Mole & Sons" was a prominent British sword manufacturer and contractor active during the 19th and early 20th centuries.
Established in Birmingham, England, in 1835 by a descendant of German craftsman Hermann Mohll (later Anglicized to Mole).
Government Contractor: The firm was a significant supplier to the British War Office, the Admiralty, and the Government of India, particularly from 1852 to 1919.
Produced swords, sword bayonets, lances, and matchets (machetes). They were known for high-quality production, often considered second only to Wilkinson Sword during the Victorian era.
Mole blades were used extensively by the British Army and Navy, including during the Crimean War (Charge of the Light Brigade), the Boer War, and World War I.
During the American Civil War (1861-1865), Robert Mole & Sons produced swords, including cavalry sabers and naval cutlasses, that were imported by the Confederacy.
Blades are typically marked "RobT Mole & Sons, Makers, Birmingham" or simply "Mole" on the spine or ricasso.
Records of their production were discovered in 1988, detailing contracts from 1852-1920. The company eventually became part of Wilkinson Sword.  read more

Code: 26098

A Singularly Beautiful Napoleonic Wars, Elite Cuirassier's 'Year 13' Imperial French Dated Sword, Of The War of The 100 Days, Culminating at the Battle Of Quatre Bras & The Battle of Waterloo, the Duke of Wellington's Decisive Victory Over Napoleon

Superb and beautiful hilt, with very fine original leather bound grip, and a very fine double fullered blade with stunning bright patina. Steel combat scabbard without denting.

We are very privileged to be the UK’s premier original military antiques gallery and website, and to be able to consistently, continually, and regularly, offer the finest original collectors items in our shop for over 100 years

French Napoleonic 'An 13', year 13 swords, were manufactured from 1805 and discontinued in late 1815, whereupon it was superceded in general by the later hilt style of the 1816 model, although some of the surviving models, such as this beauty, continued in service.
Renown throughout the world of historic sword collectors as probably the biggest and most impressive cavalry sword ever designed. This would have seen service in the Elite Cuirassiers of Napoleon's great heavy cavalry regiments.

Napoleon hoped to compel Tsar Alexander I of Russia to cease trading with British merchants through proxies in an effort to pressure the United Kingdom to sue for peace. The official political aim of the campaign was to liberate Poland from the threat of Russia. Napoleon named the campaign the Second Polish War to curry favour with the Poles and provide a political pretence for his actions. The Grande Armee was a very large force, numbering nearly half a million men from several different nations. Through a series of long marches Napoleon pushed the army rapidly through Western Russia in an attempt to bring the Russian army to battle, winning a number of minor engagements and a major battle at Smolensk in August. Napoleon hoped the battle would mean an end of the march into Russia, but the Russian army slipped away from the engagement and continued to retreat into Russia, while leaving Smolensk to burn. Plans Napoleon had made to quarter at Smolensk were abandoned, and he pressed his army on after the Russians. The battles continued, but once the winter set in Napoleon's army was facing insurmountable odds that left it effectively shattered beyond repair. Napoleon fled, it is said, dressed as a woman, and the army left to it's sad and miserable fate. Only around 27,000 were able to return after a mere six months of the Russian campaign. The campaign was a turning point in the Napoleonic Wars. The reputation of Napoleon was severely shaken, and French hegemony in Europe was dramatically weakened. The Grande Armee, made up of French and allied invasion forces, was reduced to a fraction of its initial strength. These events triggered a major shift in European politics. France's ally Prussia, soon followed by Austria, broke their alliance with France and switched camps. This triggered the War of the Sixth Coalition. The Cuirassiers Heavy Cavalry Regiments used the largest men in France, recruited to serve in the greatest and noblest cavalry France has ever had. They fought with distinction at their last great conflict at the Battle of Waterloo in 1815, and most of the Cuirassiers swords in England very likely came from that field of conflict, after the battle, as trophies of war. However, this sword was one of the few that were allowed to remain in the elite cuirassier corps after Waterloo, serving King Louis XVIIIth both before Napoleon's 100 days, and after his crushing defeat by Wellington at Waterloo. Inspected on the blade by Napoleonic inspectors, Lobstein and Bick, also back strap engraved Manufacture Rle January 1815. Made during the abdication period and used in the War of the 100 days. Less than a year following his abdication (April 6, 1814) and the Bourbon Restoration, Napoleon left his island exile in the Tyrrhenian Sea and landed at Cannes on March 1, leading 1,500 men, and marched at once upon Paris. Louis XVIII fled to Ghent on March 13, and Napoleon entered Paris one week later. To broaden his support, Napoleon made liberal changes to the Imperial Constitution, which led a number of former opponents, most notably Benjamin Constant, to rally to his cause. On March 25 Austria, Britain, Prussia, and Russia concluded an alliance against Napoleon and forced a series of military engagements leading up to the fatal Battle of Waterloo (June 18).

Every warrior that has ever entered service for his country sought trophies. The Mycenae from a fallen Trojan, the Roman from a fallen Gaul, the GI from a fallen Japanese, the tradition stretches back thousands of years, and will continue as long as man serves his country in battle. In the 1st century AD the Roman Poet Decimus Iunius Iuvenalis Juvenal
wrote; "Man thirsts more for glory than virtue. The armour of an enemy, his broken helmet, the flag ripped from a conquered trireme, are treasures valued beyond all human riches. It is to obtain these tokens of glory that Generals, be they Roman, Greek or barbarian, brave a thousand perils
and endure a thousand exertions". A truly magnificent Napoleonic sword in superb condition for it's age.
The largest sword of it's kind that was ever made or used by the world's greatest cavalry regiments. The cuirassiers were the greatest of all France's cavalry, allowing only the strongest men of over 6 feet in height into it's ranks. The French Cuirassiers were at their very peak in 1815, and never again regained the wonder and glory that they truly deserved at that time. To face a regiment of, say, 600 charging steeds bearing down upon you mounted with armoured giants, brandishing the mightiest of swords that could pierce the strongest breast armour, much have been, quite simply, terrifying. The brass basket guard on this sword is first class, the grip is totally original leather and a great colour
only shows expected combat wear, the blade is double fullered and absolutely as crisp as one could hope for. Made in the Napoleonic Wars period.
Used at Quatre-Bras and Waterloo. Apparently every remaining French elite cuirassier regiment fought at Waterloo for Napoleon, and there were no cuirassier reserve, and there were no cuirassier militia

The blade has wonderful steel bright colour, and the hilt has fabulous patina. Overall 45.5 inches long in its scabbard, the spear pointed blade is 37.7 inches long. Old original aged patina and regular usual surface blacking to the scabbard steel.  read more

Code: 25736

A Most Scarce Antique Ching Dynasty Chinese Shuāngjiàn (雙劍). A Twin-Sword Jian, Late 18th Early 19th century. Near Identical to Admiral Sir James Hanway Plumbridge's Sword in the National Maritime Museum Collection. His Sword Was a Single Blade Version

A 19th century Chinese double sword (Shuang Jian) with tortoise shell and brass mounts, engraved with shou characters and bats. A most rare sword arrangement where each sword has a rounded outer and a flat inner side hilt system, of two swords that fit back to back and parallel together, and are simultaneously worn in a single scabbard. The blades were designed to be used in pairs, one in each hand. During the Qing Dynasty, these were not just combat weapons but also popular symbols of high status. Many Jian were brought back to England by the earliest visitors to China, both before and after the Boxer rebellion.

A similar piece was exhibited in the British Museum, Chinese weapons and armour, 15th of December 1994 to the 15th of January 1995.

A Chinese jian double or twin sword, with two double edged blades retained in a single scabbard. Principle sword with a engraved brass mounts, the bats and longevity symbols on the brass mounts form the pun fúshòu (福壽), meaning a long and happy life, and a lined darkwood grip, the secondary sword has a plain hardwood grip with buffalo horn, and both are simultaneously retained in a superb single tortoishell covered scabbard, with two interior slots, one for each blade, with typical stylized brass mounts, typically decorated with a traditional, intricate, bat and seal design, fúshòu (福壽). The stylized longevity symbol called shòu (壽) surrounded by bats, fú (蝠)
Each sword has a double edged blade.

Overall with stunning original patination that has been now revealed.It has just returned from ten hours of museum grade hand conservation and polishing.Thanks to such extraordinarily successful efforts, that required no repairs at all due, to its condition, this would be a Chinese antique sword that would likely be impossible to improve upon.

Likely brought back to England as a souvenir of the Opium War period to the Boxer Rebellion. Truly original, antique, Chinese weapons are very scarce indeed, as historically, few swords were ever brought back from China. Porcelain and silk were far more popular and preferable souvenirs and exports for Europeans, and in China, in the mid 20th century, nearly all the surviving antique edged weapons were melted down and destroyed in the era of Mao, under Chairman Mao's Cultural Revolutionary instructions, in order to create new steel.

A fabulous example that has breathtaking natural age patina. Effectively, in wondrous condition for its age.

A near identical sword {but withy a single blade} was once belonging to Admiral Sir James Hanway. His family believed he wore it as a midshipman at the Battle of Trafalgar in 1805. It is on display in the National Maritime Museum, exhibit number; WPN1157. Described as follows
Chinese sword, which belonged to Admiral Sir James Hanway Plumbridge (1787-1863). The hilt of the sword consists of a gilt pommel and crosspiece with very short down-turned quillons, and a fluted brown grip. The hilt is ornamented with a design of bats, which are a symbol of good luck. The steel blade is straight and double-edged. The point of the blade has evidently been broken off; it is about an inch too short for the scabbard and is rather roughly ground. The wooden scabbard is covered with lacquered paper actually tortoishell, and has four gilt lockets and a chape, which is ornamented with a design of bats. The two middle lockets are fitted with loops. This sword was offered to the National Maritime Museum as the sword which was worn by Admiral Sir James Hanway Plumbridge when he was a Midshipman at Trafalgar. It is inconceivable that he wore a Chinese weapon at Trafalgar. He probably obtained the sword during one of his three commissions in the East Indies. Admiral Sir James Hanway Plumbridge (1787-1863) entered the Royal Navy on the 6th September 1799 and was a Midshipman in HMS 'Leda' in the expedition to Egypt in 1801. At Trafalgar he was acting 6th Lieutenant in HMS 'Defence', and on the 20th August 1806 he was confirmed in rank. See photo 10 in the gallery, it shows the admiral's identical Jian sword on display in the National Maritime Museum, the photo is sadly of poor quality

The two paintings in the gallery are original Chinese gouache of a seated Ching Emperor, and his sword bearer, holding the same type of Jian sword, but with a green tortoiseshell scabbard.

The antique Chinese jian is a straight, double-edged sword used in China for over 2,500 years, with the earliest examples dating to the 7th century BC. We actually have some original, ancient jian museum pieces, from this era, acquired by us from the world renown Dove Collection. See them offered for sale within our website.
It was a multi-purpose weapon, optimized for thrusting but also capable of cutting and slashing, and was a symbol of status. The design was effective and remained relatively consistent over long periods, with minor variations in length, weight, and balance.
The jian's most defining feature is its straight, double-edged blade. While it could be used for both cutting and thrusting, it was often considered more optimized for thrusting than the single-edged dao (sabre).
The jian was a symbol of power and status, wielded by the elite and sometimes carried as a symbol of authority.
Its use dates back to the Spring and Autumn period, with some of the earliest specimens being the Sword of Goujian.
Design variations: The length, balance, and weight of the jian varied significantly across different periods and purposes.
It is a crucial tool in traditional Chinese martial arts training.
Military use: It was a formidable weapon on the battlefield and, due to its length and reach, was sometimes used like a long spear to favour thrusting techniques.
The jian is a significant symbol in Chinese culture and history, frequently appearing in films, historical reenactments, and museum exhibits.
Antique jian are valuable as historical artifacts, collectibles, and striking decorative pieces.  read more

Code: 26100

An Important, Unique, & Significant, Historical Boer War Veteran's Souvenirs, the Siege of and Battle for Ladysmith Collection of A Combatant With Superb Personal Correspondence Provenance. Of Gunner Reginald Kisch, NNV One of the Besieged at Ladysmith.

Included in this fabulous collection is an HMS Powerful cap tally, with accompanying original letter, from one of the 'Powerfuls', the landing party from HMS Powerful, for the Battle for Ladysmith. A pair of uniform epaulette shoulder board’s from a combatant at the siege, The Border Mounted Rifles, pieces of shrapnel from a Long Tom the destruction of 'Puffing Billy' the British nickname of the Boers Long Tom big gun, plus numerous letters to Gunner Kisch' mother and sister, at the NNV Natal Naval Volunteers combatants home camp. Plus original newspaper cuttings of the war from the family.

The urgent transport of the cannon from HMS Powerful and HMS Terrible by the landing party, sent to the Siege of Ladysmith were the inspiration for the world renown Royal Naval Field Gun Competition at the Royal Tournament since 1907. see below

This collection would be a fabulous compliment to a medal group from the siege, such as from an HMS Powerful landing party combatant, or a NNV combatant, or a BMR combatant.

This is also the probably most historically interesting cap tally combat collection we have offered since our ‘Battle of River Plate’ German Battleship Graff Spee cap tally, taken from a killed German sailor, and personally given by Kapitan Langsdorff as a souvenir to a merchant ship captain who was a prisoner aboard his battleship. Now in a private museum collection in America.


Powerful's Naval Brigade Arrives in Ladysmith
The Powerful's Naval Brigade consisting of 283 officers and men, had arrived at the port of Durban on 29th October and travelled overnight by two trains to Ladysmith. The Brigade had with them two 4.7, four 12 pounders and four Maxim guns. The first detachment from the brigade arrived at 6am in Ladysmith in the middle of the Battle for Ladysmith. It had taken them just six days to adapt the 4.7" guns and then transport them by ship and rail to Ladysmith. Unfortunately, in the quest for speed, the Brigade did not bring sufficient ammunition. Percy Scott had asked for 5,000 rounds for the 4.7" guns but was given only 500 rounds - enough for 25 minutes of rapid firing. Departmental arguing saw to it that after Lambton had procured a further two 12 pounder guns, he was not to receive any further ammunition.

As soon as the Brigade arrived at Ladysmith Station it was under fire from the enemy. The 12 pounder guns were then transported using oxen and manpower to their positions and it was not long before they were finding their range and silencing the enemy's 'Long Tom' referred to as 'Puffing Billy' by the British. One enemy shell did dismount one of the 12 pounders and wounded three of the gun crew, the first casualties of the ship in South Africa.

It took several days for the 4.7" guns to be pulled to their positions on Junction Hill and Cove Redoubt from where they could fire on the Boers' long range guns (named Long Toms by the British). On the first day that the 4.7" guns were in action, 2 November, Lieutenant Egerton was killed by shells from Long Tom. His legs were hit by a shell bringing the response: "My cricketing days are over". His legs were amputated and by the afternoon he was cheerfully sitting up drinking champagne, but he died in the evening. On this day, the Naval Brigade's long guns were being fired on by at least five Boer guns and the town found itself finally cut off.

The Border Mounted rifles at the Siege;

the Volunteer Brigade under Colonel Royston, with Lieutenant Colonel H. T. Bru-de-Wold as Chief Staff Officer. The Naval volunteers were generally split up throughout the siege, part being on Caesar's Camp and part at Gordon Post. Between 1st November and the end of February the Natal Mounted Volunteers were frequently engaged. On 2nd November they were, with other troops, out reconnoitering; on the 3rd they were sent to cover the retirement of another force. On this occasion the Carbineers had Major Taunton and Sergeant Mapston killed, and the Border M.R. lost Captain Arnott and 11 men wounded. Section D of the defences of Ladysmith was placed under Colonel Royston. This included the thorn country north of Caesar's Camp and the Klip River Flats. Colonel Royston lost no time in building sangars and digging trenches, and soon had his section greatly strengthened. On 9th November the enemy attacked, firing 800 shells into the town; but their attack was driven off. On the 14th the Volunteers were out with Major-General Brocklehurst, and, along with the Imperial Light Horse, seized Star Hill; but it was not held permanently. When Sir Archibald Hunter made his deservedly famous sortie on 7th December to destroy the Boer guns on Gun Hill, his force consisted of 500 Natal Mounted Volunteers under Colonel Royston, 100 Imperial Light Horse (see that regiment), and a few Royal Engineers, artillerymen, and guides. The storming-parties were 100 Carbineers, Major Addison, and 100 ILH, Lieutenant Colonel Edwards. Two big guns were destroyed and one maxim brought back. Colonel Royston was among those specially mentioned in the body of the despatch. Sir George White had the ILH and Volunteers paraded on the following day, and, addressing them, said " that he did not wish to use inflated or exaggerated language, but the men of Sir Archibald Hunter's party were a credit, not only to the colony, but to the Empire. There was a lot of severe fighting to do, but it was a gratification to a General to have the help of such men."

The town and camps were during the siege constantly under shell-fire, and on 18th December one 6-inch shell bursting in the camp of the Carbineers killed 4 men, wounded 6 men, and destroyed 10 horses. The times were trying, but hard digging, sangar building, and brigade sports kept the men fairly fit. In the repulse of the great attack of 6th January 1900 the volunteers took a prominent part. The following is the report furnished by Colonel Royston to the Chief of the Staff : "I have to report that on Saturday, 6th inst., at about 4.15 am, I received information by telephone from headquarters that the enemy were making an attack on Wagon Hill. I at once despatched 80 men of the Natal MR, under Major Evans, to strengthen the outposts on the Flats, then held by 1 officer and 40 men Natal Police, attached to Volunteers, and 1 officer and 20 men Natal Carbineers. The Town Guard was also directed to stand fast at its post on the left bank of the Klip River. As it had been intimated that a battery of artillery would be placed at my disposal, I directed two squadrons Border MR, with one maxim, to accompany the guns. Major Abadie, at about 5.40 am, reported his guns in position near the point where the road to Caesar's Camp crosses the town rifle-range. On my arrival at the outpost line, at 5 am, the enemy were occupying the extreme south-eastern point of Caesar's Hill, well under cover amongst the rocks and bushes. About 50 men were visible from the Flats, but more appeared to be pushing on from the west in small parties. These men were being fired on from the thorn trees and from sangars below by my men as soon as they appeared in sight. A few minutes after my arrival the enemy advanced north along the top of the hill, firing at a party of 'Gordons' near a sangar about 500 yards to their front. I requested the officer commanding the battery to open fire, which he did with good effect, stopping the enemy's advance, and driving them into the rocks. As there appeared to be only a small party of the 'Gordons' opposed to the enemy at this spot, as far as I could see from below, I directed a squadron of Border MR, under Lieutenant Royston, to climb the hill and go to their assistance dismounted. This would be about 6 am. On my men joining the Gordons the party advanced towards the enemy in the rocks, but were at first driven back by their heavy fire, and the enemy again advanced. The battery again opened fire, and the 'Gordons' and the Border MR again advancing, drove the enemy over the point of the hill, and they never again mounted to the crest. At mid-day the enemy had retired about half way down the southern slope of the hill, but still kept up a heavy fire. Unfortunately, it was impossible to get at these with artillery fire from where the battery was limbered, owing to the danger of hitting our own people on the crest of the hill, and the officer commanding the battery did not consider it advisable, owing to the rough ground to cross, and to exposure to Bulwana, to advance any of his guns as far as our outpost line, from which point the enemy could be reached. Rifle-fire was kept up until the enemy finally got into the bed of the Fourie Spruit, where he could only be reached from the top of Caesar's Hill. A heavy fire was kept up until dark, when it gradually ceased, and the enemy appeared to be retiring up the Fourie Spruit. My casualties were 4 men killed and 2 officers and 10 men wounded. I wish to bring to notice the gallant manner in which the battery of artillery, under Major Abadie, stuck to its ground under the very heavy fire from the 6 inch gun and another long range gun on Umbulwana, and also the excellent practice made by the battery. I also consider that Lieutenant Royston, Border MR, did good service with his men. The behaviour of Captain Platt and Lieutenant Hornabrook, Vol. Med. Corps, in attending to the wounded throughout the day under heavy fire, deserves special mention; the last-named officer was wounded, besides having his clothes pierced by a bullet."

When Dundonald rode into Ladysmith on the evening of 28th February, he was accompanied by some Carbineers, Natal Mounted Rifles, Border Mounted Rifles, and Natal Police, the officers being Major D. M'Kenzie, Lieutenants Silburn, M'Kay Verney, Richards, Ashburnham, and Abraham. None of those present will ever forget this ride, probably the most memorable occasion in the lives of any of them.

The Royal Naval Field Gun Tournament;

The Interport Field Gun competition was established in 1907 and was a highlight of the Royal Tournament until the Last Run in 1999. After the demise of the Royal Tournament, the Brickwoods field gun competition was revived as a naval contest. known as the Most Dangerous Sport in the World, where losing a limb is a distinct possibility. two 18-strong teams of the Royal Navy's finest crashing around the main arena and performing a series of Formula One-style pit stops with a Victorian cannon.
Each set of kit weighs the same as a family car and each gun must be put together, taken apart and dragged up and down an 83-yard course, blasting off six shots in the process. It is all done in just over a minute. At this speed, the process can, literally, cost an arm and a leg. But there is no prize money. The teams competing for the pride of their respective bases - HM Naval Base, Portsmouth, and HMS Sultan in neighbouring Gosport. After four consecutive nights, the winning crew will receive a trophy from the Queen and, perhaps, a drink from their commanding officer.

The origins of the world famous field gun competition lie in the Second Boer War in South Africa. The legendary story tells of the siege of the British garrison in the township of Ladysmith in 1899. In support of the British Army, the Royal Navy landed guns from HMS Terrible and Powerful to help in the relief of the siege. The Naval Brigade transported guns over difficult terrain and brought them into action against the Boers.
The Royal Naval Field Gun Tournament;

The Royal Navy landed two 4.7 inch guns and four 12-pounder field guns. The guns were transported inland by rail and then drawn on makeshift carriages by oxen. For the final part of the journey, sailors from the Naval Brigade manhandled the guns over very difficult terrain. One story tells of sailors carrying one of the 12 pounder guns for 2 miles after one of the wheels collapsed.

The siege of Ladysmith lasted for 120 days until February 1900. On their return home, the sailors from the Naval Brigade paraded their guns through London and appeared at the Royal Naval and Military Tournament at the Agricultural Hall, Islington. Displays of Field Gun drill continued in subsequent years. A precursor to the competition lay in the presentation of Field Gun 'Evolutions' including one performed by Miss Weston’s Naval Boy’s Brigade from Portsmouth at the Royal Albert Hall on 21 October 1905 as part of the Centenary Commemoration of the Battle of Trafalgar.

This incredibly rare and historical collection could look incredible in a bespoke small pair, or even a set of glazed, mounted display frames. We have a company that could undertake this superbly. See photo 10 in the gallery of a perfect example of how such a display could be effected, of an original collection of combat souvenirs of an ‘Operation Market Garden’, Arnhem campaign, WW2 British ‘para’ war hero, that was completed previously for a friend and client.

If you wish to watch the Royal Naval Gun Race on youtube copy and paste link below.

https://www.youtube.com/watch?v=6lhx6Q3WuvU  read more

Code: 24243

A 19th Century Napoleonic Pattern, Spanish Dragoons, Heavy Cavalry of the Line Sword

In the Napoleonic wars the Spanish heavy line cavalry troopers were equipped with this pattern of sword, based on the French cuirassiers sword, having a hilt of the French heavy cavalry Cuirassiers, An XI pattern, in brass, with knuckle-bow, three curved quillons and pommel. Later this was regularised to create the model 1832 pattern. This sword's blade is maker marked, Toledo 1863. This sword has certainly seen service and evidence of combat use. This is a big, scarce Napoleonic pattern Cuirassier battle sword, and a most impressive and fascinating example, and the first of it's kind we have seen in nearly 10 years, These huge and impressive original 19th century Spanish heavy cavalry swords are very rarely seen to survive and this is a very impressive piece. The Cavalry Regiment El Rey (Spanish: Regimiento de Caballera El Rey is the oldest cavalry regiment in the Spanish Army, distinguishing itself on several occasions during the Peninsular War. They are known bestn for there charge at the Battle of Talavera where they dealt the decissive blow against General Jean Francois Leval's German Division. The Cavalry Regiment El Rey is Spain's oldest cavalry regiment, founded in 1538 under the reign of King Charles I of Spain, and as such bore the title The King's in the Spanish Army. During the Napoleonic era it was considered as one of the best Spanish regiments and it distinguished itself during the Spanish War of Independence, frequently being commented as performing very well in those years. In 1807 the regiment was assigned to Marques de la Romana's Division of the North. In 1808 it joined the fight against France after evacuating from Denmark.

Upon arrival in Cantabria the cavalrymen marched to Extremadura where they were to collect horses, thus avoiding the defeat that fell upon Romana's division at Espinosa de los Monteros. In 1809 the regiment would see much action while serving in Gregorio Garcia de la Cuesta y Fernandez de Celis' Army of Extremadura, as part of General Jose de Henestrosa's 1st Cavalry Division. It would fight at the Battle of Talavera, where they captured four French cannons and would be highly praised in Cuesta's report. During the Spanish War of Independence the unit wore a blue coat with scarlet cuffs, collar, lapels, turnbacks, gold piping and buff breeches. Like all regiments at the start of the Peninsular War they wore a red plume on their hat to show their loyalty to the Bourbon monarch, Ferdinand VII of Spain, instead of the "hated foreigner" Joseph Bonaparte. In 1870 the regiment wore a blue coatee with scarlet cuffs, collar and lapels, white turnbacks, and yellow piping and had brass buttons, they also wore blue breeches. The troopers wore a black bi-corn hat with gold lace and a red cockade with a gold cockade loop.

In 1898 the regiment had a uniform of a light blue dolman with black Austrian loops and white metal buttons; red collar and cuffs, and red trousers with a light blue stripe. They had also, after the Napoleonic Wars adopted the use of a cuirass and helmet, of steel with brass ornamentation. However, in the colonies of Cuba, Puerto Rico, Guam, the Las Carolinas Islands and the Philippines they wore the Rayadillo colonial uniform with red collar and cuffs and Leopoldina shakos with the Spanish red and yellow cockade 95 cm blade  read more

Code: 22097

A Wonderful, Napoleonic Wars Period Museum Piece, A Highest Ranking British Officer's Sword Bespoke Commisioned For The Highest Ranking Officers of Both The Navy or Army, A 1790's Admiral of the Fleet or Field Marshal's Sword In Fabulous Condition

A near identical sword was carried by Admiral of the Fleet Sir Peter Parker (1721 – 21 December 1811), and The Iron Duke, The Duke of Wellington.

Mercurial gilt fluted pattern hilt, with Adam urn pommel and solid silver triple wire binding, oval fluted hilt guard. Triple edged blade, with superb and elaborate engraving and traces of blue and gilt.

The sword used by the most senior of officers of the army and navy of Britain, field marshals and admirals of the fleet, and kings and princes of the royal family, since the 1780's until the 1820's.

Pictures in the gallery of Field Marshal the Duke of Wellington, Admiral of the Fleet Sir Peter Parker, and Field Marshal Prince Frederick, Duke of York and Albany.

This Anglo-Irish soldier, the Duke of Wellington, and statesman fought as Field Marshal of the British Army during the Napoleonic Wars. With the help from Prussian Marshal Gebhard Leberecht von Blücher, he defeated Napoleon at Waterloo on June 18, 1815 and became a hero in England.

The office of marshal was already well established in England by the 12th century, but the modern military title of field marshal was introduced into the British army in 1736 by King George II, who imported it from Germany. In Britain the rank came to be bestowed only upon a few senior army officers,

From the 1790's to the 1820's here are the Field Marshals of Britain

Henry Seymour Conway (1793)
HRH Prince William Henry, Duke of Gloucester and Edinburgh (1793)
Sir George Howard (1793)
HRH The Prince Frederick Augustus, 1st Duke of York and Albany (1795)
John Campbell, 5th Duke of Argyll (1796)
Jeffrey Amherst, 1st Baron Amherst of Montreal (1796)
John Griffin Griffin, 4th Baron Howard de Walden (1796)
Studholme Hodgson (1796)
George Townshend, 1st Marquess Townshend (1796)
Lord Frederick Cavendish (1796)
Charles Lennox, 3rd Duke of Richmond and Lennox (1796)
HRH The Prince Edward Augustus, 1st Duke of Kent and Strathearn (1805)
Arthur Wellesley, 1st Marquis of Wellington (1813)
HRH The Prince Ernest Augustus, 1st Duke of Cumberland and Teviotdale (1813)
HRH The Prince Adolphus Frederick, 1st Duke of Cambridge (1813)
HRH Prince William Frederick, Duke of Gloucester and Edinburgh (1816)
HRH Prince Leopold of Saxe-Coburg-Saalfeld (1816)
Charles Moore, 1st Marquess of Drogheda (1821)


The ranks of Admiral of the Fleet and Admiral of the Red were formally separated from 1805, with an announcement in the London Gazette that "His Majesty has been pleased to order the Rank of Admirals of the Red to be restored" in His Majesty's Navy..." as a separate role. The same Gazette promoted 22 men to that rank. From the nineteenth century onward there were also occasional variations to the previous requirement that only one Admiral of Fleet could serve at one time. In 1821 George IV appointed Sir John Jervis as a second admiral of the fleet, to balance the Duke of Wellington's promotion as a second Field Marshal in the British Army.

Admirals of the Fleet

12 March 1796 The Earl Howe
16 September 1799 Sir Peter Parker, Bt.
24 December 1811 King William IV at that time as The Duke of Clarence and St Andrews
19 July 1821 The Earl of St Vincent

Excellent condition overall , no scabbard.  read more

Code: 24953