Antique Arms & Militaria

A Most Fine, Antique, Original Regimental Embroidery Of the Royal Artillery, P Battery, 63rd Royal Field Artillery, With Crimean War, Canada and Boer War Battle Honours. One Of The Best Examples We Have Seen in 50 Years

Stunningly handsome embroidered regimental wreathed crest, with the field cannon and motto ‘Ubique’ of legendary ‘P’ Battery, and also bearing their later title the 63rd RFA. Royal Field Artillery

Likely stiched by an officer's lady from the regiment. A traditional pastime of the wives of the serving or past serving men from British Regiments in the army, or, by sailors themselves in the Royal Navy was the making of highly intricate embroidery of their regimental colours.

From the doomed attempt to seize the Russian guns by the Light Brigade at Balaclava, to the Siege of Sebastopol itself, artillery played a major part in the Crimean War. The official history of the Royal Artillery Regiment in the conflict is therefore indispensible to a full picture of the war. Original embroidery , made in the Victorian to WW1 period, nicely framed. With Crimean War, Canada and Boer War Battle Honours. The story of the 63rd RFA from 1899; The 63rd lost their guns on the Ismore. They were refitted and joined Buller in Natal in time to take part in the operations about Spion Kop and Vaal Krantz and in the final relief actions. One officer was mentioned in General Buller's despatch of 30th March 1900. The battery accompanied that general in his northward movement to the south of the Transvaal, and a section went with General Clery to Heidelberg. In General Buller's final despatch 2 officers were mentioned. Towards the close of 1900 and in 1901 the battery was employed about the Standerton line, and four guns accompanied the column of Colonel Colville which operated on that line and in the north-east of the Orange River Colony. Referring to an action near Vlakfontein, Lord Kitchener in his telegram of 22nd December 1900 said, "Colonel Colville attributes the small loss to the excellent shooting of the 63rd Battery and the skilful leading of Lieutenant Jarvis, 13th Hussars, and Captain Talbot and Lieutenant White of the Rifle Brigade". 34.5 inches x 29 inches in the frame.  read more

Code: 22530

An Original Ancient Medieval 13th Century, Knight's, Iron Battle Mace & Scorpion Flail MaceHead

A pineapple shaped iron head, with large centre mounting hole, for a leaded chain or a haft. The wooden haft as usual has rotted away, but could be replaced one day for display purposes. This is the type of War Mace that were also used as a Flail Mace, with the centre mount being filled with lead and a foot to a foot and a half long chain mounted within in, and then it was attached to a wooden haft, so it could be flailed around the head. Flattened pyramidical protuberances, most possibly English. Made for a mounted Knight to use as an Armour and Helmet Crusher in mortal combat. It would have been continually used up to the 15th to even 16th century. On a Flail it had the name of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'. King John The Ist of Bohemia used exactly such a weapon at the Battle of Crecy, for as he was blind, and the act of 'Flailing the Mace' meant that his lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights both friends and companions to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed. It was his personal banner of the triple feathers that was adopted following this battle by the Prince of Wales as his standard, and still used by Prince William the current Prince of Wales today.

During the Middle Ages metal armour such as mail protected against the blows of edged weapons. Solid metal maces and war hammers proved able to inflict damage on well armoured knights, as the force of a blow from a mace is great enough to cause damage without penetrating the armour. Though iron became increasingly common, copper and bronze were also used, especially in iron-deficient areas.
It is popularly believed that maces were employed by the clergy in warfare to avoid shedding blood (sine effusione sanguinis). The evidence for this is sparse and appears to derive almost entirely from the depiction of Bishop Odo of Bayeux wielding a club-like mace at the Battle of Hastings in the Bayeux Tapestry, the idea being that he did so to avoid either shedding blood or bearing the arms of war. One of the Crusades this type of mace may have been used was the Crusade of 1239, which was in territorial terms the most successful crusade since the First. Called by Pope Gregory IX, the Barons' Crusade broadly spanned from 1234-1241 and embodied the highest point of papal endeavour "to make crusading a universal Christian undertaking." Gregory called for a crusade in France, England, and Hungary with different degrees of success. Although the crusaders did not achieve any glorious military victories, they used diplomacy to successfully play the two warring factions of the Muslim Ayyubid dynasty (As-Salih Ismail in Damascus and As-Salih Ayyub in Egypt) against one another for even more concessions than Frederick II gained during the more well-known Sixth Crusade. For a few years, the Barons' Crusade returned the Kingdom of Jerusalem to its largest size since 1187.
This crusade to the Holy Land is sometimes discussed as two separate crusades: that of King Theobald I of Navarre, which began in 1239; and, the separate host of crusaders under the leadership of Richard of Cornwall, which arrived after Theobald departed in 1240. Additionally, the Barons' Crusade is often described in tandem with Baldwin of Courtenay's concurrent trip to Constantinople and capture of Tzurulum with a separate, smaller force of crusaders. This is because Gregory IX briefly attempted to redirect the target his new crusade from liberating the Holy Land from Muslims to protecting the Latin Empire of Constantinople from heretical Christians.  read more

Code: 22991

A Fabulous & Massive Antique Moro Keris Kalis, A Phillipines Pre Colonial Style Warrior's Sword

A kalis ( in Jawi script: كاليس ) is a type of Philippine sword. The kalis has a double-edged blade, which is commonly straight from the tip but can be wavy near the handle. Kalis exists in several variants, either with a fully straight or fully wavy blade. It is similar to the Javanese keris, but differs in that the kalis is a sword, not a dagger. It is much larger than the keris and has a straight or slightly curved hilt, making it a primarily heavy slashing weapon (in contrast to the stabbing pistol grip of the keris).

Blade length (incl. gangya): 58.5 cm (23 in.)
Width of blade (mid-point): 4 cm
Hilt length: 10.2 cm
OAL: 71 cm (27 7/8 in.)
Width of gangya {guard} tip to tip: 13.2 cm

This blade is of laminated construction. The ricikin shows a secah kasang (elephant trunk), gandhik, praen (tusk), and lambe gajah (elephant lips). The orientation of these features is similar to the much later forms of Indonesian Keris, although the lambe gajah straddle the line of separation between the gandhik and the gangya, instead of appearing low on the gandhik. There is no sogokan or blumbanggan. Greneng and jenggot are present, and both show wear. There is a single, one-piece, asang asang. The hilt is a single piece of carved banati wood, topped with cushion shaped pommel. The grip is bound with criss-crossing rattan, which also secures the extension of the asang asang. The scabbard is made of local wood and bound with plaited rattan strips. Its durability and sharpness can be comparable to the Japanese katana.

A collection of Moro keris types are archived in the United States National Museum.

Even before the arrival of Spain, the knowledge of metallurgy in the pre-colonial Philippines was neither tribal nor primitive. In fact, it was already sophisticated. Because if it was not, Panday Pira would not have come to be. The blades of these swords are a testament to the expertise of these early Filipinos.

The history of the Philippines from 1565 to 1898 is known as the Spanish colonial period, during which the Philippine Islands were ruled as the Captaincy General of the Philippines within the Spanish East Indies, initially under the Viceroyalty of New Spain, based in Mexico City, until the independence of the Mexican Empire from Spain in 1821. This resulted in direct Spanish control during a period of governmental instability there.

The first documented European contact with the Philippines was made in 1521 by Ferdinand Magellan in his circumnavigation expedition,1 during which he was killed in the Battle of Mactan. Forty-four years later, a Spanish expedition led by Miguel López de Legazpi left modern Mexico and began the Spanish conquest of the Philippines in the late 16th century. Legazpi's expedition arrived in the Philippines in 1565, a year after an earnest intent to colonize the country, which was during the reign of Philip II of Spain, whose name has remained attached to the country.

The Spanish colonial period ended with the defeat of Spain by the United States in the Spanish–American War and the Treaty of Paris on December 10, 1898, which marked the beginning of the American colonial era of Philippine history.

The scabbard throat have small side elements lacking  read more

Code: 25638

A Rare, Archaic Chinese Warrior's Bronze & Tinned Jian Sword, Around 2,300 to 2,800 Years Old, From the Zhou Dynasty to the Qin Dynasty, Including the Period of the Great Military Doctrine 'The Art of War' by General Sun-Tzu

Chinese Bronze 'Two Ring' wide bladed double edged Jian sword, of tin rich over bronze alloy construction used in the era of the Seven Kingdoms period, likely in the Kingdom of Wu, up to the latter part of the Eastern Zhou dynasty (475 – 221 BC). The surface amazingly still retains a lot of the fine tinned surface. Tinning was used in China from the Eastern Zhou period (770–221 BC), and various methods were employed. A special technique was amalgam tinning, documented since the seventh century BC .

This is one of a stunning collection of original archaic bronze age weaponry we have acquired and we have been cataloguing. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China. Many pieces we acquired were sold for the part benefit of the Westminster Abbey fund, and the Metropolitan Museum fund. From the Tony Dove F.S.A. Collection, formed circa 1970's, one of England’s most revered and respected collectors, especially early silver, & he was a past honorary President of London’s Silver Spoon Society, and learned joint contributor to many scientific appraisals on ancient Chinese swords

Sword total length 20 1/4 inches long, 4 inch hilt

Swords of this type are called “two-ring” swords because of the prominent rings located on the hilt. this is the very type of sword used by the warriors serving under the world renowned General Sun Tzu, in the Kingdom of Wu, who is thought by many to be the finest general, philosopher and military tactician who ever lived. His 2500 year old book on the methods of warfare, tactics and psychology are still taught and highly revered in practically every officer training college throughout the world.
We show a painting in the gallery of a chariot charge by a Zhou dynasty warrior armed with this very form of sword. We also show a photograph of warriors the world renown Chinese Tomb Army, discovered and excavated over the past recent decades. The figures apparently show the real image of the faces of each individual warrior of the first emperor of China, Qin Shi Huang, that each statue represents. Each one is adorned the typical combat armour that would have been worn by the past user of this sword, and used a same time as the Tomb Warriors were being created and buried for the tomb of Emperor Qin. China was the name created for the entire country, after their first emperor, although spelt Qin in the English form it is pronounced Chin, hence, China. The Qin emperors last resting place, the tomb and his buried imperial warrior army, covers a breathtaking 56.25 square kilometres, and may take the best part of another 100 years to excavate. By this measure one can see with respect and awe the size and power of ancient China, and this tomb region was created over 2300 years ago. Compare this to the only remaining example of the past recorded, and so called, Seven Wonders of the World, the great pyramid of Giza, it covers just one quarter of a square kilometre, yet it is still considered one of the largest single buildings ever created by man.

The Chinese term for this form of weapon is “Jian” which refers to a double-edged sword. This style of Jian is generally attributed to either the Wu or the Yue state. The sword has straight graduated edges reducing to a pointed tip, which may indicate an earlier period Jian.

The blade is heavy with a midrib and tapered edges from the hilt.
A very impressive original ancient Chinese sword with a long, straight blade with a raised, linear ridge down its centre. It has a shallow, short guard. The thin handle would have had leather or some other organic material such as leather or hemp cord, wrapped around it to form a grip. At the top is a broad, round pommel.

Although the manufacturing techniques used may have varied from region to region, it is generally believed that such tin-rich decoration was achieved by a deliberate tinning process,including cold-tinning hot-tinning (dipping or wiping) the use of a mercury-tin amalgam ,or the application of a tin-rich paste.

In 1965 a similar form sword from the same era was found in an ancient tomb in Hubei, it was also engraved with seal script, but of a different form. The Sword of Goujian (越王勾践剑) is a tin bronze sword, renowned for its unusual sharpness, intricate design and resistance to tarnish rarely seen in artifacts of similar age. The sword is generally attributed to Goujian, one of the last kings of Yue during the Spring and Autumn period.
On one side of the Hubei sword’s blade, two columns of text are visible. Eight characters are written in an ancient script, now known as Bird-worm seal script (literally "birds and worms characters", owing to the intricate decorations of the defining strokes), a variant of seal script. Initial analysis of the text deciphered six of the characters, "King of Yue" (越王) and "made this sword for his personal use" (自作用劍). The remaining two characters were assumed to be the name of the particular King of Yue.

The Seven Kingdom or Warring States period in Chinese history was one of instability and conflict between many smaller Kingdom-states. The period officially ended when China was unified under the first Emperor of China, Qin pronounced Chin Shi Huang Di in 221 BC. It is from him that China gained its name.

The Zhou Dynasty (1046-256 BCE) was among the most culturally significant of the early Chinese dynasties and the longest lasting of any in China's history, divided into two periods: Western Zhou (1046-771 BCE) and Eastern Zhou (771-256 BCE). It followed the Shang Dynasty (c. 1600-1046 BCE), and preceded the Qin Dynasty (221-206 BCE, pronounced “chin”) which gave China its name.

In the early years of the Spring and Autumn Period, (770-476 BC) chivalry in battle was still observed and all seven states used the same tactics resulting in a series of stalemates since, whenever one engaged with another in battle, neither could gain an advantage. In time, this repetition of seemingly endless, and completely futile, warfare became simply the way of life for the people of China during the era now referred to as the Warring States Period. The famous work The Art of War by Sun-Tzu (l. c. 500 BCE) was written during this time, recording precepts and tactics one could use to gain advantage over an opponent, win the war, and establish peace.

Sun Tzu was a Chinese general, military strategist, writer, and philosopher who lived in the Eastern Zhou period of ancient China. Sun Tzu is traditionally credited as the author of The Art of War, an influential work of military strategy that has affected both Western and East Asian philosophy and military thinking. His works focus much more on alternatives to battle, such as stratagem, delay, the use of spies and alternatives to war itself, the making and keeping of alliances, the uses of deceit, and a willingness to submit, at least temporarily, to more powerful foes. Sun Tzu is revered in Chinese and East Asian culture as a legendary historical and military figure. His birth name was Sun Wu and he was known outside of his family by his courtesy name Changqing The name Sun Tzu by which he is more popularly known is an honorific which means "Master Sun".

Sun Tzu's historicity is uncertain. The Han dynasty historian Sima Qian and other traditional Chinese historians placed him as a minister to King Helü of Wu and dated his lifetime to 544–496 BC. Modern scholars accepting his historicity place the extant text of The Art of War in the later Warring States period based on its style of composition and its descriptions of warfare. Traditional accounts state that the general's descendant Sun Bin wrote a treatise on military tactics, also titled The Art of War. Since Sun Wu and Sun Bin were referred to as Sun Tzu in classical Chinese texts, some historians believed them identical, prior to the rediscovery of Sun Bin's treatise in 1972.

Sun Tzu's work has been praised and employed in East Asian warfare since its composition. During the twentieth century, The Art of War grew in popularity and saw practical use in Western society as well. It continues to influence many competitive endeavours in the world, including culture, politics, business and sports.

The ancient Chinese people worshipped the bronze and iron swords, where they reached a point of magic and myth, regarding the swords as “ancient holy items”. Because they were easy to carry, elegant to wear and quick to use, bronze swords were considered a status symbol and an honour for kings, emperors, scholars, chivalrous experts, merchants, as well as common people during ancient dynasties. For example, Confucius claimed himself to be a knight, not a scholar, and carried a sword when he went out. The most famous ancient bronze sword is called the “Sword of Gou Jian”.

The Warring States period saw a transition in military styles, from bronze weaponry and chariot-based fighting to iron and cavalry. However, the old period was still revered. Despite the cost of manufacturing bronze swords like this on a mass scale, this particular style of duan jian – a double-edged straight sword – was used in China for approximately 2,500 years. Finely made bronze weapons such as this one were signs of prestige, wealth, and fighting prowess used in both ceremonial and funerary contexts. For example, swords were worn by the Emperor and his officials in ceremonial or official dress, attached to the belt with jade ornaments.

This is one of a stunning collection of original archaic bronze age Zhou dynasty weaponry we have just acquired. Many are near identical to other similar examples held in the Metropolitan in New York, the British royal collection, and such as the Hunan Provincial Museum, Hunan, China. As with all our items, every piece is accompanied by a certificate of authenticity. 22 inches long overall.

Ref; SOME OBSERVATIONS ON EARLY CHINESE BRONZE SWORDS
By
Anthony Dove and Alan Williams {The Wallace Collection} 65 publications  read more

Code: 24906

Royal Artillery, Victorian Officer's 'Busby' Helmet Plume Holder Circa 1859-78.

A simply stunning example in superb condition. A very fine gilt example. Flaming grenade (straight flames), the ball mounted with Royal Arms with 'Ubique' scroll below; beneath the scroll, a gun with mounted wheel and scroll 'Quo Fas et Gloria Ducunt'.

Reverse retains plume holder and slider fitting. Very good condition.  read more

Code: 20591

A Most Delightful, Original, Antique Carved Buffalo Horn Hilted Ottoman Empire Khanjar Dagger

this is a typical Ottoman Empire khanjar or jambiya of the 19th century, with traditional carved buffalo horn hilt.

Where they were adopted they had slight differences to the blade, hilt and scabbard. A significant part of a jambiya or khanjar is its hilt (handle). The saifani hilt is made of exotic horn, It is used on the daggers of wealthier men. Different versions of saifani hilts can be distinguished by their colour. Other jambiya hilts are made of different types of horn, wood, metal and ivory. Apart from the material used for the hilt, the design and detail is a measure of its value and the status of its owner. there are 53 different types of Jambiya in the Metropolitan museum Collection, some bear a similarity to this example, many with near identical blades.

The blade and carved hilt are in superb condition, the wooden scabbard is good and sound, but the embossed leather covering is thin and therefore now somewhat fragile with natural age losses.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us
Overall 11 inches long in scabbard.  read more

Code: 24521

Very Rare Company Of Watermen, River Thames, Tudor' Barge Fork Circa 1530 Ideal For A Tudor House or Museum Type Display. From The Era of Thomas Cromwell A Frequent User Of Thames Barges

Large 'Y' shaped head and old oak haft. It bears two large letters stamped in the iron ' T & M'. These are likely for a Barge Company of Waterman mark. We had another about 10 years ago bearing the same company mark and these historical artifacts are now really rare. Recovered from the Thames near London Bridge. In the 16th Century the Company of Watermen were the equivalent to today’s cabbies. Created by an Act of Parliament in 1556 and their trade was carefully licensed. They would ply for hire from designated locations along the Thames, with the cry of ‘Oars! Oars!’

When the watermen were not transporting people they would turn their hand to salvage and found a brisk trade in finding bodies, either suicides or those who?d accidentally drowned or been murdered. By a curious quirk of history, the origins of which are now lost, bodies were almost always landed on the south side of the river because the authorities would pay a shilling for a body landed in Southwark but only sixpence for one landed on the north bank. Clearly waterborne cabbies were not averse to ‘going south of the river’ in those days.

One on the best trips for the Watermen was from the City to as far up river as Hampton Court.The trade was not without its dangers; if you wanted to travel downstream below London Bridge you risked life and limb. A major feature of London Bridge was the effect it had on the Thames. The location of the bridge?s 19 timber pier supports (called starlings) was determined by riverbed conditions and this meant that they were varied in spacing across the river. Consequently, the arch spans varied in size too and boats navigating the arches encountered different currents and river conditions at each one. Some were more dangerous than others. Over the years, boatmen christened the arches with various names, such as Gut, Lock and Long Entry. Navigating through these arches in a boat could be very dangerous because the closeness and number of starlings backed up the river water, creating rapids. In some places the drop in water height from one side of the bridge to the other was more than the height of a man. Many people lost their lives ‘shooting’ the bridge and ‘Drowned at the bridge’ became a common entry in the registers at nearby graveyards, but most Londoners took Cardinal Wolsey's example. On his frequent visits to Greenwich to see Henry VIII, he would have his barge stopped above the bridge and get out and travel to Billingsgate by mule, where he would rejoin his barge, providing it had successfully negotiated the rapids. The barge fork was used to push a barge away from an obstruction, or for pushing off from the river bank or jetty. The last picture is of a statue of the Martyr John Roche a Thames Waterman, Martyred at Tyburn in 1588, who is mounted St Etheldreda’s Church in Ely Place, London, along the North and South walls, alongside his fellow 7 Martyrs. Fork head 13.1 inches long by 6.25 inches across. Total length around 5+ foot.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 21232

THE LANES ARMOURY NEW YEAR GIFT VOUCHER CAN BE A GREAT IDEA, AND ARE PROVING VERY POPULAR INDEED, AND HAVE DONE SINCE THE 1980'S. THEY ARE BESPOKE FOR ANY AMOUNT {AND WITHOUT EXPIRY DATE}

A Gift Voucher is often the ideal solution to leave the decision of the item to choose to the person you wish to gift. They can select any form of item whatsoever, such as samurai arms and armour, militaryantiques and militaria or books. They are available from us for all values, from only £15 upwards, and as required, and are entirely bespoke to the recipient. All are unique and customised for each and every occasion. We have priced this example in the gallery at £50, and the image shows our £200.00 voucher, but you can specify any alternative amount at all in the 'comment' section in the Webstore Order page, or call us direct.  read more

Code: 19501

Original Viking 9th Century Battle Axe Head, Worn & Used by Vikings from the Viking Lands of Grand Prince Oleg and Vladimir the Great Period,

From a fabulous small collection of original, Viking, 9th century early Christian artefacts. Only two items, including this one remains for sale, the other sold within 10 minutes of upload to the site.

A Viking realm founded by the Viking, Oleg, ruler of Novgorod Kievanrus from c. 879, who seized Smolensk and Kiev 882, which became his capital. Viking Prince Oleg can be seen depicted, and as a central character, in the well regarded and incredibly popular worldwide drama series ‘Viking’, in series 6 shown by the History channel.
Extending his rule, Oleg united local Slavic and Finnish tribes, defeated the Khazars, and, in 911, arranged trade agreements with Constantinople. His empire peaked in the 10th and 11th centuries under Vladimir I and Yaroslav, becoming eastern Europe’s chief political and cultural centre. At Yaroslav’s death in 1054, his sons divided the empire into warring factions. The 13th-century Mongol conquest decisively ended its power. Although Oleg was pagan it was the time that Christianity took hold in Viking realms. In the Viking Age most of Europe had converted to Christianity, but the Vikings were very satisfied with their own gods and held on to them. ... By the end of the Viking period, around 1050, most Vikings were Christians. They were baptised, went to church and were buried in a Christian manner. he Viking Age was a period of considerable religious change in Scandinavia. Part of the popular image of the Vikings is that they were all pagans, with a hatred of the Christian Church, but this view is very misleading. It is true that almost the entire population of Scandinavia was pagan at the beginning of the Viking Age, but the Vikings had many gods, and it was no problem for them to accept the Christian god alongside their own. Most scholars today believe that Viking attacks on Christian churches had nothing to do with religion, but more to do with the fact that monasteries were typically both wealthy and poorly defended, making them an easy target for plunder.

...monasteries were typically both wealthy and poorly defended, making them an easy target for plunder.

The Vikings came into contact with Christianity through their raids, and when they settled in lands with a Christian population, they adopted Christianity quite quickly. This was true in Normandy, Ireland, and throughout the British Isles. Although contemporary accounts say little about this, we can see it in the archaeological evidence. Pagans buried their dead with grave goods, but Christians normally didn't, and this makes it relatively easy to spot the change in religion.

As well as conversion abroad, the Viking Age also saw a gradual conversion in Scandinavia itself, as Anglo-Saxon and German missionaries arrived to convert the pagans. By the mid-11th century, Christianity was well established in Denmark and most of Norway. Although there was a temporary conversion in Sweden in the early 11th century, it wasn't until the mid-12th century that Christianity became established there. As part of the process of conversion the Christians took over traditional pagan sites. A good example of this can be seen at Gamle Uppsala in Sweden, where the remains of an early church stand alongside a series of huge pagan burial mounds. for those that follow the superb History Channel's series, Vikings, he is the main protagonist of series 6. Kievan Rus was largely pagan until the late 10th century, when Vladimir the Great took power and introduced Christianity. The conversion actually resulted from a deal between Vladimir and the Byzantine Emperor. Vladimir agreed to convert to Christianity and send the emperor 6,000 soldiers to defend his throne; in exchange, Vladimir would marry the emperor’s sister.The transition to Christianity in Denmark took place gradually and without major conflict. The Vikings regarded the new belief as supplementing the Nordic gods – it was not simply a choice between the old and the new religion. The Vikings’ belief in many gods meant that it was possible for the new Christian god, White Christ, to be worshipped alongside gods like Thor and Odin.

In this way both religious beliefs could exist alongside each other. One religion did not exclude the other. This is shown by the find of a mould, which the smith could use to make both Thor’s hammers and Christian crosses. It was a time of great change and perhaps the Vikings sought security in both religious creeds – just to be on the safe side.a smith’s mould from Trend in Jutland, which has spaces for two crosses and one hammer. The smith could use it to produce exactly which amulets his customers wanted. In addition, a medieval font from Gettrup, in Jutland, displays both crosses and Thor’s hammers. Several Thor’s hammers, which feature cross ornamentation, have also been found. The Viking belief in the Norse gods was thus reinterpreted and drawn into Christianity.The Jelling Stone displays what is probably the earliest image of Christ from Scandinavia. But there are also clear pre-Christian elements on the stone. Tendrils or interlacing branches, surround Christ, just as Odin could also be depicted surrounded by tendrils or branches.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 24578

A Long Bronze Age Tanged Spear From the Pre-History Era Of Achilles and Hector & The Legendary Tojan War

Another stunning spear from our ancient weapon collection acquired. Circa 1400 B.C. around 3,500 years old, with a fabulous natural aged patination and in a very sound and excellent condition for age indeed. This is a most handsome and beautiful ancient bronze tanged spear, Blade is double edged, with a flat central rib, and long tang. From one of the most fascinating eras in ancient world pre-history, the era of the so called Trojan Wars.
The ancient Greeks believed the Trojan War was a historical event that had taken place in the 13th or 12th century BC, and it is reasonably believed today that Troy was located in modern day Turkey near the Dardanelles, and the Granicus river where Alexander engaged in his first battle against the Persians around 1000 years later in 334bc.

In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen from her husband Menelaus, the king of Sparta. The war is among the most important events in Greek mythology and was narrated in many works of Greek literature, including Homer's Iliad and the Odyssey . "The Iliad" relates a part of the last year of the siege of Troy, while the Odyssey describes the journey home of Odysseus, one of the Achaean leaders. Other parts of the war were told in a cycle of epic poems, which has only survived in fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets such as Virgil and Ovid.

The war originated from a quarrel between the goddesses Athena, Hera, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus, fall in love with Paris, who took her to Troy. Agamemnon, king of Mycenae and the brother of Helen's husband Menelaus, led an expedition of Achaean troops to Troy and besieged the city for ten years due to Paris' insult. After the deaths of many heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris, the city fell to the ruse of the Trojan Horse. The Achaeans slaughtered the Trojans (except for some of the women and children whom they kept or sold as slaves) and desecrated the temples, thus earning the gods' wrath. Few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, one of the Trojans, who was said to have led the surviving Trojans to modern day Italy.

This spear comes from that that great historical period, from the time of the birth of known recorded history, and the formation of great empires, the cradle of civilization, known as The Mycenaean Age, of 1600 BC to 1100 BC. Known as the Bronze Age, it started even centuries before the time of Herodotus, who was known throught the world as the father of history. Mycenae is an archaeological site in Greece from which the name Mycenaean Age is derived. The Mycenae site is located in the Peloponnese of Southern Greece. The remains of a Mycenaean palace were found at this site, accounting for its importance. Other notable sites during the Mycenaean Age include Athens, Thebes, Pylos and Tiryns.
According to Homer, the Mycenaean civilization is dedicated to King Agamemnon who led the Greeks in the Trojan War. The palace found at Mycenae matches Homer's description of Agamemnon's residence. The amount and quality of possessions found at the graves at the site provide an insight to the affluence and prosperity of the Mycenaean civilization. Prior to the Mycenaean's ascendancy in Greece, the Minoan culture was dominant. However, the Mycenaeans defeated the Minoans, acquiring the city of Troy in the process. In the greatest collections of the bronze age there are swords exactly. In the Metropolitan Museum of Art is the bronze sword of King Adad-nirari I, a unique example from the palace of one of the early kings of the period (14th-13th century BC) during which Assyria first began to play a prominent part in Mesopotamian history. Swords daggers and weapons from this era were made within the Persian bronze industry, which was also influenced by Mesopotamia. Luristan, near the western border of Persia, was the source of many bronzes, such as this piece, that have been dated from around 1500 BC and later, and include chariot or harness fittings, rein rings, elaborate horse bits, and various decorative rings, as well as regular weapons, personal ornaments, different types of cult objects, and a number of household vessels. It was a great trading centre for bronze age weaponry, and all manner of bronze trade goods, that were shipped and sold due to their popularity throughout the entire region from Persia to the Mediterranean and possibly beyond.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading 13.75 inches long. As with all our items it comes complete with our certificate of authenticity.  read more

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