Antique Arms & Militaria
Victorian, Princess Victoria's 89th Regiment of Foot Highlander Officer’s Scottish Basket Hilted Regimental Combat Broadsword. Of The Crimean War, & The Indian Mutiny Later to Become The Princess Victoria's Royal Irish Fusiliers Serving In The Boer War
This superb Scottish highlander officer's sword has spent 30 hours being hand polished in our workshop, in order to return it to just as it looked, when first used in service in 1853, made by Hawkes & Co.of London.
The 89th (Princess Victoria's) Regiment of Foot was a Highlanders regiment of the British Army, raised on 3 December 1793.
It sailed for Gibraltar in 1854 and then saw action at the Siege of Sevastopol in winter 1854 during the Crimean War. It transferred to the Cape Colony in 1855 to protect British interests there before embarking for India in 1857 to help suppress the Indian Rebellion. It returned home in August 1865 and became the 89th (The Princess Victoria's) Regiment of Foot in May 1866. It returned to India in 1870 and was deployed to Rangoon in Burma in 1876 before going back to India in 1880.
Under the Childers Reforms the regiment amalgamated with the 87th (Royal Irish Fusiliers) Regiment of Foot to form the Princess Victoria's (Royal Irish Fusiliers) in 1881. The regiment was formed in 1881 as part of the Childers Reforms by the amalgamation of the 87th (Prince of Wales's Irish) Regiment of Foot and the 89th (The Princess Victoria's) Regiment of Foot. The regiment got its nickname, the Faughs, from its Irish war cry "Faugh A Ballagh" (Fág a' Bealach, meaning Clear the Way) from the Napoleonic Wars.
The 1st Battalion saw action in the Anglo-Egyptian War in 1882.
Both battalions served in South Africa during the Second Boer War (1899–1902). The 1st battalion was present at the Battle of Talana Hill in October 1899 and the various engagements leading to the Relief of Ladysmith. Meanwhile, the 2nd Battalion saw action at the Battle of the Tugela Heights
Painting Oil on canvas, by Louis William Desanges, 1860 (c). of Surgeon Home V.C. with his Scottish basket hilted broadsword, defending a wounded corporal, at the Seige of Lucknow in the Indian Mutiny
The desperate action at the British Residency at Lucknow saw some of the bloodiest fighting of the Indian Mutiny (1857-1859). Under siege from July 1857, a relief force fought its way into the city in September 1857 but the siege could not be lifted until November.
Surgeon Home (1826-1914) and Assistant-Surgeon Bradshaw (1830-1861) were part of the relief force. For their bravery and good conduct they were both awarded the Victoria Cross. According to 'The London Gazette' of 18 June 1858:
'The dooly bearers had left the doolies (covered stretchers), but by great exertions, and notwithstanding the close proximity of the sepoys, Surgeon Home and Assistant-Surgeon Bradshaw, got some of the bearers together, and Assistant-Surgeon Bradshaw with about twenty doolies becoming separated from the rest of the party, succeeded in reaching the Residency in safety by the river bank.' read more
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Fit For A King. Late 16th Century Style Holbein Swiss Dagger, a Fabulous Masterpiece, With a Superbly Pierced Scabbard Depicting a Scene of Landsnicht Knights. Designed By Hans Holbein For King Henry VIIIth. Only The Second We Have Seen in 20 Years
Wonderful 16th century pattern dagger, designed by Hans Holbein one of the greatest Old Master artists in the reign of King Henry VIII, with brass fully three dimensionally piecerd scabbard displaying scenes of Landsnecht knights mounted on horseback. This is not only a wondrous and extravagant dagger, it is a fine example object d'art. The dagger that gained its name from its design, and patterns of dagger, by Hans Holbein, one of the worlds greatest portrait artists of the 16th century, whose most famous owner of a Holbein pattern dagger was King Henry VIIIth, as can be seen in his portrait see the gallery. Holbein travelled to England in 1526 in search of work, with a recommendation from the renown Erasmus. He was welcomed into the humanist circle of Thomas More, where he quickly built a high reputation. He returned to Basel for four years, then resumed his career in England in 1532 under the patronage of Anne Boleyn and Thomas Cromwell. By 1535, he was King's Painter to Henry VIII of England. In this role, he produced portraits and festive decorations, as well as designs for jewellery, plate, and other precious objects, including daggers. His portraits of the royal family and nobles are a record of the court in the years when Henry was asserting his supremacy over the Church of England.
Holbein's art was highly prized from early on in his career. French poet and reformer Nicholas Bourbon (the elder) dubbed him "the Apelles of our time," a typical highest accolade at the time. Holbein has also been described as a great "one-off" of art history, since he founded no school. Some of his work was lost after his death, but much was collected, and he was recognised among the great portrait masters by the 19th century. Recent exhibitions have also highlighted his versatility. He created designs ranging from intricate jewellery to monumental frescoes.
Holbein's art has sometimes been called realist, since he drew and painted with a rare precision. His portraits were renowned in their time for their likeness, and it is through his eyes that many famous figures of his day are pictured today, such as Erasmus and More. He was never content with outward appearance, however; he embedded layers of symbolism, allusion, and paradox in his art, to the lasting fascination of scholars. In the view of art historian Ellis Waterhouse, his portraiture "remains unsurpassed for sureness and economy of statement, penetration into character, and a combined richness and purity of style"
Double edged blade. This is a fabulous 19th-century representation of Holbein’s 16th century dagger, One of Holbien’s versions had a most similar pierced and chiselled decorative scabbard displaying scenes from the dance of death. In July 2000 Christie’s Auctioneers sold another 19th century representation of this Holbein dagger, it sold for £3,760, 25 years ago. The most famous example of a Holbein pattern dagger is depicted being worn by King Henry VIIIth in his portrait by Hans Holbein, we show this portrait in a gallery with Henry and his version of his personal most similar and beautiful Holbein Dagger. This Renaissance style dagger is based on original drawings from the work-books of Holbein the Younger, from whence the dagger gets its name. This is an accurate design that a nobleman of very high status could have chosen in around 1536, out of Holbein's work-books, and to have a personal dagger commissioned by a dagger maker.
See a plain wooden hilted version of Holbein’s original dagger in photo 8 in the gallery in the Wallace Collection in London.
This is a formidable dagger of impressive proportions and most substantial weight.
. read more
2950.00 GBP
A Near Mint And Truly Magnificent, Early Victorian, 1847 Albert Pattern, British North Somerset Regimental Officer's Cavalry Helmet. Possibly The Best Original Example Outside Of The Royal Collection. Original, Crimean War Period
High polished nickle silver skull, stunningly and ornately decorated with applied mercurial gilt floral trim around the full body, visor, and down the rear of the helmet, and especially around the front badge. The badge is a diamond brilliant cut steel eight-pointed silver star on the front which was almost wholly covered by an oval device in gilt, in the centre of which is the Royal Cypher (VR) on a frosted gilt ground with the oval garter surround bearing the regimental title 'North Somerset'. Large rosettes affix the red morocco leather-backed gilt chin scales. Its mercurial flaming torch plume holder, with white horse hair plume, topped by a frosted gilt rose mount, completes the helmet magnificently. The liner is full, and intact.
Formerly from the late collection of one of England's most esteemed military antique collectors and Antiques Roadshow travelling consultant expert for around 30 years, Roy Butler
When in combat or on 'the charge' the plume could be removed. See pictures {painting and original photos} in the gallery of the helmet worn in the Crimea with and without plume.
After Britain was drawn into the French Revolutionary Wars, the government of Prime Minister William Pitt the Younger proposed on 14 March 1794 that the counties should form Corps of Yeomanry Cavalry that could be called on by the King to defend the country against invasion or by the Lord Lieutenant to subdue any civil disorder within the county. A meeting of householders at Frome in Somerset on 2 May 1798 resolved to form a military association to defend the town and country. Its services were accepted on 2 June, and the Frome Troop of Cavalry was formed. Other troops were formed at about the same time at Road, Wolverton, Mells, Beckington and Bath.
These independent troops all served until the Treaty of Amiens in 1802 when they were disbanded. The peace was short-lived and Britain declared war on France again in May 1803, beginning the Napoleonic Wars. The Frome Volunteers offered their services again in July and were accepted on 17 August as the Frome Selwood Troop of Volunteer Cavalry. The volunteers formed two troops, becoming a squadron in June 1804 when they united with the East Mendip Cavalry to become the Frome and East Mendip Regiment of Volunteer Cavalry. The regiment became the North Somerset Yeomanry in 1814 with six troops.
From 1820 to 1840 the regimental headquarters was at Mells Park, home of Thomas Strangways Horner, commanding officer (CO) from 1804 to 1839, when he was succeeded by his son. Another long-serving CO was Richard Boyle, 9th Earl of Cork and Orrery, Lt-Col Commandant
For some years the Keynsham Troop was without any officers, and although its members were keen and turned out promptly when required, their appearance and discipline had deteriorated to the point where they were known locally as 'The Cossacks'. It was disbanded in May 1842, but many of its members transferred to other troops of the regiment or joined the Gloucestershire Yeomanry Cavalry. In 1854 on the outbreak of the Crimean War, 342 out of 398 officers and men in the North Somerset regiment volunteered to serve their country.
The North Somerset Yeomanry raised the 48th (North Somerset) Company for the IY, which arrived in South Africa on 23 March 1900 and served in 7th Battalion, IY.The company served until 1901, earning the regiment its first Battle honour: South Africa 1900–01 The regiment's CO, Viscount Dungarvan was already serving in South Africa in February 1900 and was seconded to the IY as second-in-command of the 22nd Battalion in 1901–02
1/1st North Somerset Yeomanry
The 1st Line regiment mobilised at Bath in August 1914 as part of the 1st South Western Mounted Brigade. In October 1914 it moved to Sussex with the brigade, but left it shortly afterwards. It landed in France on 3 November and joined the 6th Cavalry Brigade, 3rd Cavalry Division, on 13 November, replacing the 10th Hussars who moved to the newly formed 8th Cavalry Brigade As such, it was one of only six yeomanry regiments to be posted to a regular cavalry division in the war
The regiments Battle Honours were
South Africa 1900–01
First World War
Ypres 1914 '15, Frezenberg, Loos, Arras 1917, Scarpe 1917, Amiens, Hindenburg Line, Beaurevoir, Cambrai 1918, Pursuit to Mons, France and Flanders 1914–18
Overall in simply superb condition, the original horsehair plume has very good long hair {with commensurate wear for age}. It has a storage mounting screw thread bolt for the helmets display, but its too long for wearing in mounted service with the plume affixed.
THE LANES ARMOURY, THE PREMIER HOME OF ORIGINAL AND AFFORDABLE ANCIENT ANTIQUITIES, MILITARY ARMOURY ANTIQUES & COLLECTABLES IN BRITAIN read more
2995.00 GBP
A Remarkably Beautiful & Elegant Proto Celtic Bronze Age Bracelet Circa 2600 Years Old. That Continued Use Into Era Of The Great Iceni Celtic Queen Boudica. And, The Bracelet That Inspired Gustav Klimt One Of The Greatest Art Nouveau Artists In The World
This is an original Celtic 2600 year old bronze serpentine ringed cuff bracelet, 'object vertu' that was directly copied by one of the greatest Art Nouveau artists in the world, Austrian, Gustav Klimt leader of his Art Nouveau Jugendstil Vienna Secession Movement. Gustav Klimt's painting "Dame Mit Fächer" (Lady with a Fan) sold at Sotheby's in London, in 2023 for $108.4 million. See photo in the gallery of the {circa 1895} Jugendstil Vienna Secession bracelet, an obvious direct copy.
This is one of two fabulous examples we acquired from the same former collection. Very similar designs but obviously recovered from areas of differing geological conditions that it was conserved within, for the past 2400 years, that it was buried. One has a course encrusted patination, this one has a more naturally polished aged surface.
From the 8th to 6th centuries BC, developing out of the Urnfield culture of the 12th century BC (Late Bronze Age) and followed in much of its area by the La Tène culture. It is commonly associated with Proto-Celtic speaking populations.
By the 6th century BC, it had expanded to include wide territories, falling into two zones, east and west, between them covering much of western and central Europe down to the Alps, and extending into northern Italy. Parts of Britain and Iberia are included in the ultimate expansion of the Celtic culture. Where the snake serpentine designs of jewellery and adornments continued into Ancient Britannia, and the realm in Norfolk of the greatest and most famous Iceni Queen, Boudica, scourge and destroyer of the 70,000 to 80,000 Britannia based 9th Legion of Rome and their pro Roman supporters, in 61 A.D. In the Roman towns of Camulodunum, Verulamium, and Londinium.
This bracelet was the direct inspiration, but actually it is clearly an identical copy, for Gustav Klimt's
Art Nouveau Jugendstil Vienna Secession, brass cuff bracelet
See the gallery the stunning Gustav Klimt Jugendstil Vienna Secession brass cuff bracelet, circa 1895, currently offered by exclusive jewellery and object vertu dealers DFS in New York
Sale price $5,500.00.
The history of the evolution of the Celts from their Austrian origins
In German historiography, these seats of power are called fürstensitz. These were large, fortified hill forts situated on easily defendable locations. There were at least 16 such seats of power, while there were probably more just waiting to be discovered. The most important ones were at Hochdorf, Wurzburg, Heuneburg, Hohenasberg, Breisach, Mont Lassois, Vix, and Camp de Chassey, amongst others. These fortified settlements were protected by a complex system of ditches and earthen ramparts.
Most modern scholars and historians associate the culture with the Celts. It is commonly understood that this intriguing culture was the foundation from which emerged the wondrous Celtic world that we all know so well. In many aspects, this was is clearly the earliest, Proto-Celtic stage in Bronze and Iron age Europe.
2,25 inches across, 1 inch high.
Photo 10 in the gallery is a same period Celtic Diadem in the Metropolitan Museum in the USA. One can clearly see the distinct design in this piece reflected in the bracelet. Possibly both forms of these adornments were worn together and simultaneously by the Celtic hi-born {tribal leaders, princes princesses and the like} A diadem is a type of crown, specifically an ornamental headband, often jeweled, worn by monarchs and others to signify royalty or high status. It can also refer to a jeweled ornament in the shape of a half crown worn by women. In a broader sense, "diadem" can be used to describe any emblem of regal power or dignity.
For reference see; Stead, I. M. (1997). Celtic Art. Harvard University Press
https://www.metmuseum.org/
2 inches x 1 inch high.
Originally, 2600 years ago, it could be expanded by hand wider for wear
Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading read more
1095.00 GBP
A Wonderful, Victorian Surgeon’s Royal Army Medical Corps {RAMC} Officer's Sword In Pristine, Museum Grade, & Near Mint Condition. An Example So Fine It that Would Likely Be Literally Impossible to Improve Upon
Used by some of the bravest and selfless men ever to see service in the British Armed Forces. The Royal Army Medical Corps (RAMC) has been awarded a total of 29 Victoria Crosses {VC} the most highly regarded medal awarded for valour in the world. Only 1358 have been awarded since its inception in 1856, out of the tens of millions of men that have served the Empire and Commonwealth during that time.
The same pattern of sword used by British Infantry officers since 1822. This is the first pattern of sword for officers of the RAMC, with the pierced guard hilt bearing the Royal Cypher of Queen Victoria, used by its earliest serving officers. The second pattern has the similar pierced hilt but the Royal Cypher of King Edward VIIth. This sword was used in medical service with the RAMC in the Boer War, such as at Harts Hill, Colenso, and Tugela Heights, and later in WW1 on the Western Front trench warfare, such as at The Somme,Ypres and Passchendaele.
From the very earliest founding of the Royal Army Medical Corps in the Victorian era, with VR Crown pierced hilt with almost all it original gilt present. With deluxe grade near mint silvered scabbard & a near mint condition, fully etched, bright and frosted fully decorated regimental blade, with the RAMC devices of the Rod of Asclepius and the Latin motto "In Arduis Fidelis" ("Faithful in Adversity"), and with a Crown VR symbol on the opposite side.
As a most interesting point of history of the surgeons and doctors of the RAMC in the Boer War. They were supported by the Natal Volunteer Ambulance Corps. AKA 'The Body-Snatchers'. A most interesting corps that served alongside Indian volunteer bearers under the command of no less an historical figure than Mahatma Gandhi {Monhandas Karamchand Gandhi}, who was normally a barrister in South Africa at the time. And during that time the Natal Volunteer Ambulance Corps recruited from two specific and yet most contrasting groups of SA citizens, lawyers, and vagrants. Gandhi, when asked about his support of Britain in the war, was quoted as saying "I felt that, if I demanded rights as a British citizen, it was also my duty, as such, to participate in the defence of the British Empire,"
The Victoria Cross was awarded to Captain Edgar Thomas Inkson for a humane and devoted act at Hart's Hill, Colenso, February 24, 1900. Lieutenant J. G. Devenish (1st Royal Inniskilling Fusiliers), having been severely wounded and unable to move, was lying exposed to a very heavy fire. Lieutenant Inkson, seeing his danger, carried him for 400 yards through the hail of lead poured upon them, and, in spite of the absence of cover for the entire distance, succeeded in conveying him to a place of safety.
Captain Edgar Thomas Inkson, son of Surgeon-Major-General Inkson, R.A., was born at Nyne Tal, India, on April 5, 1872. After passing through University College Hospital, London, was gazetted Surgeon, July 28, 1899, just ten weeks before the war, and was almost at once sent out to South Africa. He took part in every action for the relief of Ladysmith—from Colenso to the finish, at the end of February, with Fitzroy Hart's, or the Irish Brigade, being twice named in despatches. For his services he has been awarded—in addition to the Victoria Cross—both medals and many clasps. Although daily under fire for weeks together was never once wounded, even though in medical charge with the batteries at Colenso. On return from active service, eighteen months after being gazetted, was presented with the Victoria Cross, at St. James' Palace, by H.M. The King, May 13, 1902.
He later achieved the rank of colonel after serving in the First World War.
His Victoria Cross is displayed at the Army Medical Services Museum, Mytchett, England.
The Royal Army Medical Corps (RAMC) played a vital role in caring for British soldiers during World War I. The corps expanded dramatically during the war, providing medical services in all theatres of conflict. RAMC personnel, including doctors, nurses, stretcher bearers, and ambulance drivers, were responsible for treating the sick and wounded.
The RAMC was responsible for the army's medical units and provided medical support to all other military units.
It expanded from 9,000 officers and men at the start of the war to 13,000 officers and 154,000 other ranks by the end of the war.
The corps served in various locations, including France, Belgium, Macedonia, Italy, Palestine, South Russia, and Mesopotamia.
The RAMC worked alongside voluntary organizations like the British Red Cross and St. John's Ambulance.
RAMC personnel provided a range of medical services, from basic first aid to more advanced treatments in hospitals.
They were involved in the development of new medical techniques, including the use of barges for evacuating the seriously wounded.
Preventive medicine was also a priority, with the introduction of anti-typhoid inoculation, which significantly reduced casualties from typhoid fever.
The RAMC also played a role in developing gas protection, such as gas helmets and respirators, after the introduction of chemical warfare.
The large number of casualties from modern weaponry and the global nature of the conflict presented significant challenges to the RAMC.
The RAMC faced difficulties in providing timely and effective care to all the wounded, especially those in forward areas.
Despite the challenges, the RAMC made significant contributions to the war effort, and their work is considered crucial to the well-being of the British Army.
.
Captain Noel Chavasse V.C. & Bar RAMC is one of only three people to be awarded the Victoria Cross twice – and the only VC and Bar of the First World War.
After joining the Royal Army Medical Corps in 1913 he went to France with 1/10th Battalion King’s Regiment, the Liverpool Scottish. Noel was not afraid to criticise his superiors – and got into trouble for complaining about the organisation of field ambulances, the rampant spread of venereal disease and the treatment of shell shock victims, who he believed should be helped, not shot for cowardice.
In June 1915 he won a Military Cross after 12 hours rescuing casualties at Ypres. In August 1916 he was awarded his first Victoria Cross for saving around 20 men while wounded at Guillemont on the Somme.
After two years in France with the Royal Army Medical Corps, his usually optimistic letters home had become more stark and reflective. In July 1917, he wrote to his parents about his wedding, his prospects and his VC:
“I shall get married about Christmas. Gladys wants it very badly. I shall feel rather a fool after the war, a married man without a job. Still, it’s a bit pathetic to have to leave a bronze cross to a cousin twice removed. I don't think I earned it as many men have had to do. I prize it more than I can say.”
He told how he had turned down the safety of a surgeon’s job to remain in the front line:
“I have written to the base hospital and said that though I valued the offer very much, I thought I had better stay with the lads. I felt rather depressed about it for a quarter of an hour. Always your loving Noel.”
Duty called and called me to obey.
First World War soldier Arthur Roberts
The story of Arthur Roberts
“I saw sights that I never saw before or wish to see again.”
Less than a month later, Noel was composing another letter, this time to his beloved Gladys. Mortally wounded at Casualty Clearing Station No 32 near Ypres, he dictated to a nurse: “Duty called and called me to obey.”
In the first attack of Passchendaele on 31 July 1917, Noel was hit in the head but refused to leave despite a fractured skull, venturing into no man’s land time and again to treat the wounded.
Early on 2 August, Noel’s first-aid post was hit by a shell. With his face unrecognisable and a serious stomach wound, he crawled half a mile for help. He died on 4 August aged 32.
Noel’s grave at Brandhoek New Military Cemetery is unique – the only headstone to have two Victoria Crosses on it. In 2009 his medals were bought by Lord Ashcroft for £1.5 million, the highest price paid for VCs. They are on display at the Imperial War Museum, London.
The Rod of Asclepius is a serpent-entwined staff that is the correct symbol of medicine and healing, associated with the Greek god Asclepius. It is often confused with the Caduceus, which features two snakes and wings and is associated with the god Hermes, the messenger god, and commerce. The Rod of Asclepius, with its single snake, is the more widely recognized and accepted symbol of medicine.
In Greek mythology, Asclepius was the god of healing and medicine. The Rod of Asclepius, a staff with a single snake wrapped around it, is his attribute.
The Rod of Asclepius has been a symbol of medicine and healing for centuries, representing the connection between healing and the natural world, as symbolized by the snake.
The Rod of Asclepius is the symbol used by many healthcare organizations
Captain Edgar Thomas Inkson, V.C. DSO, RAMC BOER WAR
Credit: Material re Captain Edgar Thomas Inkson, V.C., RAMC. Source: Wellcome Collection. read more
995.00 GBP
A Remarkably Beautiful & Elegant Proto Celtic Bronze Age Bracelet Circa 2600 Years Old. That Continued Use Into Era Of The Great Iceni Celtic Queen Boudica. And, The Bracelet That Inspired Gustav Klimt One Of The Greatest Art Nouveau Artists In The World
This is an original Celtic 2600 year old bronze serpentine ringed cuff bracelet, 'object vertu' that was directly copied by one of the greatest Art Nouveau artists in the world, Austrian, Gustav Klimt leader of his Art Nouveau Jugendstil Vienna Secession Movement. Gustav Klimt's painting "Dame Mit Fächer" (Lady with a Fan) sold at Sotheby's in London, in 2023 for $108.4 million. See photo in the gallery of the {circa 1895} Jugendstil Vienna Secession bracelet, an obvious direct copy.
From the 8th to 6th centuries BC, developing out of the Urnfield culture of the 12th century BC (Late Bronze Age) and followed in much of its area by the La Tène culture. It is commonly associated with Proto-Celtic speaking populations.
By the 6th century BC, it had expanded to include wide territories, falling into two zones, east and west, between them covering much of western and central Europe down to the Alps, and extending into northern Italy. Parts of Britain and Iberia are included in the ultimate expansion of the Celtic culture. Where the snake serpentine designs of jewellery and adornments continued into Ancient Britannia, and the realm in Norfolk of the greatest and most famous Iceni Queen, Boudica, scourge and destroyer of the 70,000 to 80,000 Britannia based 9th Legion of Rome and their pro Roman supporters, in 61 A.D. In the Roman towns of Camulodunum, Verulamium, and Londinium.
This bracelet was the direct inspiration, but actually it is clearly an identical copy, for Gustav Klimt's
Art Nouveau Jugendstil Vienna Secession, brass cuff bracelet
See the gallery the stunning Gustav Klimt Jugendstil Vienna Secession brass cuff bracelet, circa 1895, currently offered by exclusive jewellery and object vertu dealers DFS in New York
Sale price $5,500.00.
The history of the evolution of the Celts from their Austrian origins
In German historiography, these seats of power are called fürstensitz. These were large, fortified hill forts situated on easily defendable locations. There were at least 16 such seats of power, while there were probably more just waiting to be discovered. The most important ones were at Hochdorf, Wurzburg, Heuneburg, Hohenasberg, Breisach, Mont Lassois, Vix, and Camp de Chassey, amongst others. These fortified settlements were protected by a complex system of ditches and earthen ramparts.
Most modern scholars and historians associate the culture with the Celts. It is commonly understood that this intriguing culture was the foundation from which emerged the wondrous Celtic world that we all know so well. In many aspects, this was is clearly the earliest, Proto-Celtic stage in Bronze and Iron age Europe.
2,25 inches across, 1 inch high.
Photo 10 in the gallery is a same period Celtic Diadem in the Metropolitan Museum in the USA. One can clearly see the distinct design in this piece reflected in the bracelet. Possibly both forms of these adornments were worn together and simultaneously by the Celtic hi-born {tribal leaders, princes princesses and the like} A diadem is a type of crown, specifically an ornamental headband, often jeweled, worn by monarchs and others to signify royalty or high status. It can also refer to a jeweled ornament in the shape of a half crown worn by women. In a broader sense, "diadem" can be used to describe any emblem of regal power or dignity.
For reference see; Stead, I. M. (1997). Celtic Art. Harvard University Press
https://www.metmuseum.org/
Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading read more
995.00 GBP
Our Ring Return's To Rome!!! A Beautiful, Original, Roman Empire Bronze Seal Ring With The Engraved Fulminata of Julius Caeser's XIIth Legion & Ancient Greek Script. Around 2000 Years Old
We have just received some fabulous photographs, very kindly sent to us today, from our client who purchased this ring, especially, to wear on his trip to Italy this month, and specifically in the Coliseum, and around other parts of Ancient Rome. Photo 10 in the gallery is Mr B.C. wearing this XIIth Legion centurion's ring this week!
Circa 1st Century. A good still wearable large size, in bronze copper ally, engraved with a traditional seal in Greco-Roman, and the symbol of the 12th legion 'Fulminata' The Lighting Twelfth. It was another Roman legion established by Julius Caesar. Named after the unit’s symbol, the thunderbolt, the Twelfth could trace its origins to 58 BCE. The legion served in some of Caesar’s most famous battles in Gaul, including the Siege of Alesia. It also saw a fair share of fighting in the civil war against Pompey, participating in the decisive showdown at Pharsalus. Following victory in the war, Caesar changed the legion’s name to Victrix (“winner”). Another cognomen was later added by Mark Antony—Antiqua—meaning the “old one” (as in “reliable one”).
During Caesar's war against his fellow-triumvir and rival Pompey the Great, which broke out in January 49, the Twelfth participated in the invasion of Italy, and a year later, it was with Caesar during the battle of Pharsalus (9 August 48). After Caesar's victory, the men were pensioned off and received land in the neighborhood of Parma .
We know that it was called Victrix ("winner") after the civil war, which is a bit confusing because later, there was another legion called XII Victrix.
Mark Antony brought the Lighting Twelfth to the East to join his war against Parthia. While the campaign ended in defeat, the legion remained in the East during the imperial period, continuing the fight against the Parthian and the Sassanid Empires. The unit still guarded the Euphrates crossing next to its base—Melitene—at the beginning of the fifth century. This longevity makes Legio XII Fulminata another one of the longest-standing Roman legions on record.
Likely the ring of a serving centurion of the 12th, with a traditional motto somewhat similar to 'good soul'. It bears KAAH {in reverse, as it was the centurion's seal} which, depending on context can be mean to represent good, faithful or beautiful. read more
A Beautiful Quality & Original, Viking Warrior's Bronze Torc Arm Ring Circa 800's in Viking Twisted Wirework Design.
A fabulous Viking twisted wire bronze alloy arm ring bracelet. A most attractive and impressive, original, Viking warrior's adornment, around 1200 years old, with very fine original age patination.
Knowledge about the arms and armour and body adornments such as bracelets, torcs, rings and pendants, of the Viking age is based on archaeological finds, pictorial representation, and to some extent on the accounts in the Norse sagas and Norse laws recorded in the 13th century. According to custom, all free Norse men were required to own weapons and were permitted to carry them all the time, and body adornments were a way to set one apart, the more successful in combat a warrior was was the greater his share of the looted booty, and this success could only be best shown by him in his body adornment, such as rings, torcs, wrist and arm bracelets, or pendants, and finally topped off with a wolf fur cloak. The arms he bore and his jewellery were indicative of a Viking's social status: a wealthy Viking had a complete ensemble of a helmet, shield, mail shirt, sword if his status was the highest otherwise spear or axe, and his body adornments. However, swords were rarely used in battle in the same quantity as axes, as few Vikings were of the status to own or carry a sword, A typical bondi (freeman) was more likely to fight with a spear and shield, and axe, and most also carried a seax as a utility knife and side-arm. Bows were used in the opening stages of land battles and at sea, but they tended to be considered less "honourable" than a melee weapon.
The warfare and violence of the Vikings were often motivated and fuelled by their beliefs in Norse religion, focusing on Thor and Odin, the gods of war and death. In combat, it is believed that the Vikings sometimes engaged in a disordered style of frenetic, furious fighting known as berserkergang, leading them to be termed berserkers. Such tactics may have been deployed intentionally by shock troops, and the berserk-state may have been induced through ingestion of materials with psychoactive properties, such as the hallucinogenic mushrooms, Amanita muscaria, or large amounts of alcohol. Perhaps the most common hand weapon among Vikings was the axe, swords were far more expensive to make, and only wealthy warriors could possibly afford them.
Vikings and Norse people wore arm rings (also known as Torcs) as a sign of their wealth and status, and as a sign of loyalty. An arm ring is a type of heavy jewellry that is worn around the upper or lower arm. Arm rings might made of precious metals such as gold or silver, but for combat bronze was more sustainable
Norse arm rings were usually given as gifts to mark special occasions such as births, weddings, or military victories. They were also sometimes used as currency. In some cases, arm rings were passed down from generation to generation as family heirlooms. Viking arm rings have been found at many old Viking locations.
The meaning of a Viking arm ring could vary depending on its owner. For some people, it may have been a symbol of their power and wealth. For others, it may have represented their family history or heritage.
Whatever the meaning of a Viking arm ring may have been, it is clear that these pieces of jewellery were important to the Norse people. Arm rings were more than just fashion accessories; they held significant value both socially and economically.
In its wearing life arm rings wether for wrist or upper arm could be expanded easily by hand in order to increase its size to fit the wrist or arm of the wearer at the time, but not today of course.
As with all our items it comes complete with our certificate of authenticity
for reference see; Shetelig, H. (ed), Viking
Antiquities in Great Britain & Ireland, Part VI, Oslo, 1954, figs.84-85 (hoards from Croydon and Cuerdale). read more
795.00 GBP
An Original, Rare Incredible & Historical Piece. Silver Imperial Roman Centurion or Tribune's Military Ring of Victory, 2nd Century AD Engraved with the Intaglio of Winged Victory, wearing her helmet and holding the laurel wreath of Victory
The rings surface shows combat service wear, yet has survived remarkably well considering it is near 2000 years old.
The laurel wreath was worn symbolically by the Imperial Roman Emperors. Military Roman bronze rings were allowed to be worn by the Legionary or Centurion, but silver grade was only for the ranks of such as the Centurion, Tribune or Legate.
Victoria, in Roman religion, personification of victory, the equivalent of the Greek goddess Nike. She was often associated with Jupiter, Mars, and other deities and was especially worshipped by the army. In later times she had three or four sanctuaries at Rome, including a temple on the Palatine Hill and an altar in the Senate House.
After the Marian reforms of 107 BC (subsequently further formalised by the emperor Claudius) created a professionalised military system, legions were commanded by a legionary legate (legatus). Six tribunes were still posted to a legion, but their duties and responsibilities had changed, becoming more a political position than a military rank. The second-in-command to the legate was the tribunus laticlavius or 'broad-stripe' tribune (named after the width of the stripe used to demarcate him on his tunic and toga),6 usually a young man of senatorial rank. He was given this position to learn and watch the actions of the legate. They often found themselves leading their unit in the absence of a legate, and some legions were permanently commanded by a broad-stripe tribune, such as those stationed in Egypt, as an Augustan law required that no member of the Senatorial Order ever enter Egypt.
A Centurion was a position in the Roman army during classical antiquity, nominally the commander of a century, a military unit originally consisting of 100 legionaries. The size of the century changed over time, and from the first century BC through most of the imperial era was reduced to 80 men.
In a Roman legion, centuries were grouped into cohorts and commanded by their senior-most centurion. The prestigious first cohort was led by the primus pilus, the most senior centurion in the legion and its fourth-in-command who was next in line for promotion to Praefectus Castrorum, and the primi ordines who were the centurions of the first cohort.
This fine ring was worn by higher ranked military officer's from the era of Emperor Marcus Aurelius, 161 to 180 ad, the last part of his reign was dramatically represented in the blockbuster film 'Gladiator', starring Richard Harris as the Emperor. He acceded to the throne of Emperor alongside his adoptive brother, who reigned under the name Lucius Verus. Under his rule the Roman Empire witnessed heavy military conflict. In the East, the Romans fought successfully with a revitalised Parthian Empire and the rebel Kingdom of Armenia. Marcus defeated the Marcomanni, Quadi, and Sarmatian Iazyges in the Marcomannic Wars; however, these and other Germanic peoples began to represent a troubling reality for the Empire.
Commodus. the successor and son of Marcus Aurelias, was the Roman emperor who ruled from 177 to 192. He served jointly with his father Marcus Aurelius from 177 until the latter's death in 180, and thereafter he reigned alone until his assassination. His reign is commonly thought of as marking the end of a golden period of peace in the history of the Roman Empire, known as the Pax Romana.
Commodus became the youngest emperor and consul up to that point, at the age of 16. Throughout his reign, Commodus entrusted the management of affairs to his palace chamberlain and praetorian prefects, named Saoterus, Perennis and Cleander.
Commodus's assassination in 192, by a wrestler in the bath, marked the end of the Nerva–Antonine dynasty. He was succeeded by Pertinax, the first emperor in the tumultuous Year of the Five Emperors.
Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading read more
945.00 GBP
SOLD; Originally Worn By A Legendary, Notorious & Terrifying 'Elite' Viking Mercenary Warrior, A Spectacular, Original & Ancient Viking 'Berserker's' Status Neck Torc in Bronze. Even the Fierce-Some Viking's Were in Fear Of Them. 1200 Years old
This fabulous piece is now sold and awaiting delivery to its new, very fortunate owner. If any former collector of original Viking warfare bronze adornments has similar pieces they may wish to sell, please consider contacting us, we are always incredibly keen to acquire additional rare Viking antiquities for our gallery’s collection. As the largest specialist dealers in Europe in military antiques and antiquities we are always keen to be contacted by current or former collectors.
A very large bronze Torc in traditional Viking twisted wirework, heavy grade copper bronze. Berserkers were among the most feared of the Norse Viking bare-skinned warriors of their age, ingesting hallucinogens to induce a trance-like fury that carried them through battle.
It is believed they fought hand to hand, naked, and bearing nothing but their weapons, a shield and wearing only their status neck torc
It’s around an amazing 24 cm across, weighing 460 grams
The Lewis Chessmen, discovered in Scotland but believed to be Norwegian, date to the 12th century and include a number of pieces showing wild-eyed berserkers biting their shields.
In the fierce warrior culture of the Vikings, there was one type of elite, almost possessed, norse warrior that stood out for their battle fury and violence: the Viking Berserker.
They were careless in their fury, leading many historians to think that they used mind-altering substances to hype themselves up for battle. Berserkers may have felt as though nothing could hurt them. And the English phrase “berserk,” usually describing a frenzied state of anger, comes from these Norse warriors.
Viking berserkers existed as mercenaries for hundreds of years during the Scandinavian Middle Ages, traveling in bands to fight wherever they could get paid. But they also worshiped Odin and were associated with mythological shapeshifters.
And eventually, Norse berserkers became so fearsome that they were entirely outlawed by the 11th century
The Torslunda Plates, which were discovered in Sweden and date to the 6th century, likely depict how berserkers would have dressed in battle.
Most of what comprised the life of a Viking berserker is a mystery because their practices weren’t recorded in detail until the using mind-altered states in battle had been outlawed by the Christian church.
At this time, Christian writers on a mission to condemn any sort of pagan traditions often gave biased, altered accounts.
We do know that berserkers were inhabitants of Scandinavia. It’s written that they guarded Norway’s king Harald I Fairhair as he reigned from 872 to 930 A.D.
They also fought for other kings and royal causes. Archaeological findings from the time when a Viking berserker would have reigned supreme show that they were among elite warriors who were wild and reckless when fighting battles.
A detail of one of the 6th-century Torslunda Plates found in Sweden. It is believed to depict Odin wearing a horned helmet and a berserker wearing the mask of either a wolf or bear.
According to Anatoly Liberman in Berserks in History and Legend, the berserkers roared and otherwise made a lot of noise when in battle. One artistic depiction of the berserkers found in Tissø, West Zealand, showed them wearing a horned helmet.
The word “berserker” itself is derived from the Old Norse serkr, meaning “shirt,” and ber, the word for “bear,” suggesting that a Viking berserker would have worn the hide of a bear, or possibly wolves and wild boars, to battle.
But, rather than wearing the skins animals, the stories told of the Norse warriors who would be so enraged for war that they would literally become wolves and bears to win the battles before them.
In the National Museum of Denmark is the Golden Horn
Imagery of berserkers often depicted them semi-nude, like on this 5th-century golden horn discovered in Møgeltønder, Denmark with naked berserkers wearing neck torcs
Berserkers were originally thought to be named after a hero in Norse mythology who fought without any protective gear or “bare skinned.”
“The nakedness of the berserkers was in itself a good psychological weapon, because such men were naturally feared, when they showed such disregard for their own personal safety,” according to the National Museum of Denmark.
“The naked body may have symbolized invulnerability and was perhaps displayed to honour a war god. The berserkers were thus dedicating their lives and bodies to the battle.”
Although this imagery is fascinating, experts now think that the term comes from wearing bear skins instead of “bare skin”. So, it’s likely that they got their name from wearing animal skin in battle.
Artistic depictions of a Viking berserker showed Norse warriors wearing the skins of animals in battle. They may have felt like wearing the skins of perceived wild animals like wolves and bears helped increase their strength.
They might have also thought that it helped them channel the aggression and brutality that hunting animals have when going after their prey.
In 872 AD, Thórbiörn Hornklofi described how Norse warriors that were bear-like and wolf-like fought for King Harald Fairhair of Norway. Nearly a thousand years later, in 1870, four cast-bronze dies depicting Berserkers were discovered by Anders Petter Nilsson and Erik Gustaf Pettersson in Öland, Sweden.
Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of trading read more