Antique Arms & Militaria

A Simply Superb & Most Impressive Original French, Mid to Late 19th Century, Elite Cuirassiers, Heavy Cavalry Combat Sword

Typical Cuirassier double fullered 95 cm straight double fullered blade, arsenal engraved along the spine, Manf D'armes Du Chatl: Avril 1874 Cavalrie De Reserve Cuirassiers Mdl. 1854. Brass guard, somewhat of the Sabre de Cavalerie modele M1822 type, with replaced leather bound grip. Blade inspector stamped by Lt Col. Paul Charles Maldon & Francis Louis Sprenger

Much of the French heavy cavalry wore armoured cuirass and were armed with their straight swords, pistols and carbines. Though the armour could not protect against contemporary flintlock musket fire, it could deflect shots fired from long-range, stop ricochets and offer protection from all but very close range pistol fire. More importantly, in an age which saw cavalry used in large numbers, the breastplates (along with the helmets) provided excellent protection against the swords and lances of opposing cavalry and against infantry bayonets. It also had some psychological effect for the wearer (effectively making the cuirassier more willing to plunge into the thick of fighting) and the enemy (adding intimidation), while it also added weight to a charge, especially in cavalry versus cavalry actions.
Napoleonic French cuirasses were originally intended to be proof against three musket shots at close range; however, this was never achieved in practice. The regulations eventually recognised this, and cuirasses were subsequently only expected to be proof against one shot at long range. Dragoon regiments were not armoured.

The French cuirassiers numbered 11 regiments at the outbreak of war but had not seen active service since the Battle of Waterloo. A brigade comprising the 6th and 9th Regiments had served in the Crimean War but had not actually encountered the enemy. Accordingly, the prospect of action against the Prussian Army, in the Franco Prussian War which included 10 cuirassier regiments of its own, was seen as an opportunity for a strongly traditional branch of the French cavalry to prove its continuing relevance. In the event, in a series of massed charges against Prussian infantry and artillery at Froeschwiller and Rezonville, the French cuirassiers suffered very heavy losses for little return. To cover the French retreat General Michel's brigade of cavalry was ordered to charge. The order was somewhat vague, and in his position under cover near Eberbach, General Michel's had no knowledge of the actual situation. Thus it came about that, without reconnoitering or manoeuvering for position, the French cavalry rode straight at the first objective which offered itself, and struck the victorious Prussians as they were crossing the hills between the Albrechtsh userhof and Morsbronn. Hence the charge was costly and only partly successful. However, the Prussians were ridden down here and there, and their attention was sufficiently absorbed while the French infantry rallied for a fresh counterstroke. This was made about 13:20 h with the utmost gallantry. The Prussians were driven off the hillsides between the Albrechtsh userhof and Morsbronn which they had already won. But the counter-attack turned into disaster when 700 French cuirassiers were trapped inside Morsbronn and massacred within a few minutes by rapid close-range fire. The rest of the French cavalry eventually came under fire from the great artillery mass above Gunstett; von Bose having at length concentrated the main body of the XI corps in the meadows between the Niederwald and the Sauer, the French had to withdraw.

The story of the Cuirassiers at Reichshoffen displayes well the courage of the French cavalrymen. The French infantry withdrawal involved the retreat of the troops who had fought all day in defence of the Niederwald.
In desperation, MacMahon ordered General Michel's Cuirassier brigade (8th and 9th Cuirassiers) to attack the Prussians and buy his infantry the time they needed to fall back. Morsbronn and the flank of the Prussian XI Corps was to be the target of the charge.
Obediently Michel led his cuirassiers out of Eberbach where they had been held in reserve all morning. Sunlight glinted off polished cuirasses and helmets and harness jangled as the magnificent cavalry trotted off towards the south. As they emerged from the narrow Eberbach valley, Michel quickly lined up his squadrons and sounded the charge. Their swords drawn and horsetail crests streaming behind them, the cuirassiers thundered towards the Prussians. Suddenly the charging troopers were met not by a hail of bullets, but by hedged fields, fences, and trellised vineyards. The formation began to come apart. The various captains rallied their squadrons and continued the advance, but momentum had been lost. Now Prussian infantry opened on the French cavalry at point-blank range, and Krupps guns tore huge gaps in the charging ranks as horses and riders plunged and went down in writhing masses. A few squadrons actually reached Morsbronn where the Prussians blasted them from second story windows and trapped them in barricaded streets. Nine squadrons were shot to pieces.
No scabbard  read more

Code: 20222

An Incredibly Impressive, French IInd Empire, Napoleonic Sword Of the Elite Carabiniers-à-Cheval 1854. Serving Napoleon IIIrd in the Second Empire From The Crimean War and In The Franco Prussian War As Part of Napoleon's Imperial Guard

Carabiniers-à-Cheval were cavalry equipped with armour and firearms, and were also commonly called heavy cavalry, very similar to Curassier units. They were quite common from the 15th century, up until the late 19th century, and were heavily armoured, and had swords to match, their equipment mostly duplicating that of the Curassiers.
The most famous sword of the 1st Empire was the Heavy Cavalry Curassier Sword, used by Emperor Napoleon's elite Heavy Cavalry throughout the period following the French Revolution, until the destruction of the French at The Battle of Waterloo in 1815. The early models had a plain pommel mount and the three bar brass guard each ended in a "ball". After Emperor Napoleon's defeat at Waterloo in 1815, a new design was decided on known as the Model of 1822 which did away with the ball tipped cross guard bars and added a circular "crown" to the pommel.

This is a really interesting example of the sword for Carabinier units from the 2nd Empire under Napoleon III, who was eventually defeated by the Prussians in 1870/71. The Model 1854 is 45 inches in overall length, with a straight double-fullered blade, terminating in a point. The sword slightly lighter in construction than its predecessor, but retains the Model M-1822 "Crowned" pommel. The basket hilt has seen some mounted hand-to-hand combat impacts


The Model 1854 Sword for Cababiniers. It comes with all brass mounts, brass wired covered in leather grip and is complete with its original heavy steel scabbard. This sword was made at the time of the Crimean War, and was used in the Franco-Prussian War of 1870.

In very nice matured condition, ready to display.

The Carabiniers-à-Cheval (French for "Horse Carabiniers") were mounted troops in the service of France.

Their origins date back to the mid-16th century, when they were created as elite elements of the French light cavalry, armed with carbines but then gradually evolved towards semi-independent status during the 18th century. They only became independent units as late as 1788, when a two-regiment heavy cavalry corps was created. From the French Revolutionary Wars onwards, they were the senior heavy cavalry regiments in the French army, rose to prominence during the Napoleonic Wars.

2nd Empire Carabiniers:

Carabiniers were again raised in the form of two regiments by 1824, with their distinctive style of helmet being temporarily adopted by the cuirassiers also. The Carabiniers were present in Paris in June 1848 for the creation of the Republic when nine regiments were brought in to maintain peace, the first time in 200 years that carabiniers were again serving as military police. From 1852 the Carabiniers were a part of the Army of the Second French Empire. They saw service again in 1870 as a single regiment, but now as part of the Imperial Guard. Following the Franco-Prussian War the Carabiniers were amalgamated with the 11th Cuirassier regiment on 4 February 1871.

The 1-11e Régiment de Cuirassiers of the modern French Army can accordingly trace its origin, in part, to the 19th Century Carabiniers. By coincidence the present day regiment is stationed in Carpiagne within Provence, once the domain of their former commander.  read more

Code: 25910

A Superb Piece of Unique History. Admiral Lord Nelson's Hair Woven Into a Piece of Memorium Jewellery, A 'Momento Mori' Lyre Brooch of Extraordinary Quality. For Encouraging Those That Possess Them To Live More Fully In The Present.

Acquired from an Admiral Lord Nelson family of collectors, together with a small miniature portrait of the Admiral, the miniature of the full sized one painted by Lemuel Francis Abbott in 1797 for Lady Nelson.

Said to be, by the descendants of the Hamilton family from whence they came to us, made from a small lock of hair {given to them by Lady Hamilton, over 200 years ago, by Nelson's mistress}, that, some years after his tragic death, was intricately woven into a rigid weblike structure, and formed around very finely crafted gilt metal, into a mourning brooch of lyre form, to wear as a wedding gift, and it has been in the family ever since. The hair colour has subsequently darkened somewhat, from its original lighter colour, due to being lacquered to aid rigidity, handled and worn, possibly for decades. It originally had a small ivory slip engraved with its distinguished origin, and that it was given by Lady Hamilton to her relatives by marriage. Lady Hamilton, Nelson's infamous mistress, was married to Sir William Hamilton, who was the 4th son of Lord Archibald Hamilton, who was the 7th son of the 3rd Duke of Hamilton. We have been acquiring fascinating artefacts and antiquities from descendants of the 10th Duke of Hamilton these past 30 years or more.

That ivory slip was with it until just a very few years ago, when it was discarded by the dear ladies that last recently owned it, and from whence it came, to us. It was purposely removed due to HRH Prince William disapproving of ivory artefacts. This we consider a great shame, as it was very old, an antique of around 210 years vintage, and simply nothing was gained by its sad removal and loss.

Of course there is absolutely no possibility for us to definitively state it was indeed Nelson's hair, as a provable fact, as any DNA test would likely damage its integrity, but its most highly likely potential, due to its origin, is most intriguing. However, we have acquired pieces from the family for 30 years or so, and heve never had a single reason to doubt any provenence past on to us previously, so, in our opinion it is absolutely correct to have been made from Nelson's hair as a momento mori.

The miniature that came with it {and is not for sale} bears a hand written label glued at its back, still present, to note it was it's full sized original was in the National Portrait Gallery that {opened in 1856}. The original is by Lemuel Francis Abbott
an oil on canvas, was painted in 1797
This is one of the many portraits Abbott painted of Nelson and it is perhaps the most widely recognised of the whole Nelson iconography. It depicts him in rear-admiral's uniform wearing the Star and Ribbon of the Bath and the Naval Gold Medal, awarded for his victory at the Battle of St Vincent (1797). The original portrait was painted for Captain Locker of the Greenwich Hospital. This full sized version, commissioned for Lady Nelson, was also taken from life. Although Nelson only sat to him twice, Abbott subsequently copied the picture over forty times. The copies gradually declined in quality as the artist became mentally ill but this was no bar to their popularity. Many were purchased by Nelson's naval colleagues, his family and friends.
In July 1798, Nelson's wife wrote to him: 'My dearest Husband - I am now writing opposite to your portrait, the likeness is great. I am well-satisfied with Abbott… it is my companion, my sincere friend in your absence…

Nelson's pigtail (or queue), was cut off after his death at the Battle of Trafalgar 21 October 1805. It is sandy-coloured hair, bound with black ribbon, which is tied in a bow. Surgeon William Beatty records in his "Narrative of the Death of Lord Nelson" that Nelson asked that Lady Hamilton should have his hair. The pigtail was cut off after his death and Hardy delivered it to Emma Hamilton after the Victory's arrival in England. Small locks of hair were given to relations and close friends, and some pieces were mounted in special mourning rings and momento mori lockets. What remains of Nelson’s queue is now part of the National Maritime Museum Collection.

Memento mori is a Latin phrase that means "remember you must die". It refers to the concept of a memento mori object or artistic genre that reminds people of their mortality and the impermanence of life, encouraging them to live more fully in the present. Common symbols used to represent this concept include skulls, hourglasses, extinguished candles, and decaying flowers or fruit.

Classical Antiquity: The idea of remembering death's inevitability has roots in ancient Greek and Roman philosophy, with figures like Socrates discussing philosophy as a preparation for death.
Christianity and the Medieval Period: Memento mori became a significant concept in Christian art and funerary practices, serving as a reminder to prepare for the afterlife.
Artists use memento mori symbols to convey the theme of mortality and the transient nature of earthly pleasures. Some common symbols include:
Skulls and Skeletons: Direct representations of death.
Hourglasses and Clocks: Symbols of passing time.
Flowers and Fruit: Representing beauty and life that quickly decay and fade.
Candles: An extinguished or guttering candle signifies the fading of life.

The practice of memento mori is not just about confronting death but about appreciating life. The realization of one's mortality can inspire greater gratitude for the present moment and encourage a more focused, meaningful life. It helps people to prioritize what truly matters and not take loved ones or experiences for granted.  read more

Code: 25210

A Simply Stunning And Historical Persian Kulah Khud Helmet, Qajar Era, Surmounted with an Ancestor's War Trophy, A 12th Cent. Crusaders Arrow, To Represent the Traditional Kulah Khud Helmet Spike

A fabulously beautiful 18th to 19th century helmet, crowned at the peak with an surmounted battle souvenir of an original Crusader's arrow head from the victory of Saladin's army at the Battle Hattin in the 12th century.

The helmet of hemispherical form, the brim hammer welded to the bowl, fitted at its apex, with a moulded base, with the arrow head, and at the front a sliding nasal bar secured by a thumb-screw and with a plume-holder on each side, decorated throughout with a framework of gold cartouches filled with mounted warriors and calligraphy, the brim encircled by a calligraphic panel of text from the Koran, framed by gold lines, and lamellar mail neck defence of butted links, with a small resin repair. The apex of the helmet bears a 12th century Crusader's iron arrow head, said by legend to have come from the booty of the Battle of Hattin, Saladin's great victory against the Crusaders. The Battle of Hattin took place on 4 July 1187, between the Crusader states of the Levant and the forces of the Ayyubid sultan Salah ad-Din, known in the West as Saladin. It is also known as the Battle of the Horns of Hattin, from a nearby extinct volcano.

The Muslim armies under Saladin captured or killed the vast majority of the Crusader forces, removing their capability to wage war. As a direct result of the battle, Muslims once again became the eminent military power in the Holy Land, re-conquering Jerusalem and most of the other Crusader-held cities. These Christian defeats prompted the Third Crusade, which began two years after the Battle of Hattin. The Crusader army was composed of knights from the: Kingdom of Jerusalem
Knights Templar
Knights Hospitaller
Order of Saint Lazarus
Order of Mountjoy.

The fitting of ancient relics within the warriors armour, from the greatest battles of Saladin, is a profound statement of connection the the historic past, we have seen once before on another very fine kulah khud helmet that we had about 15 years ago. Antique Arabian jambiya of the highest quality often have ancient Europen coins inset within their hilts for a similar purpose. The field restored chainmail has been repaired aroundthe equivalent area of medium sized coin, this could likely be fairly easily tidied much better.  read more

Code: 21500

An Extraordinary Document, & Piece of Original & Highly Relevant History Today. A 'Particulars of Claim For Compensation' For The Freedom of 253 Slaves In Barbados For the President Of Barbados, John Rycroft Best & 556 Slaves Owned By John Higginson

An original stamped and dated claim form. For John Rycroft Best’s 253 slaves in St Andrew, plus,, the numerous claims of John Higginson of Barbados

John Rycroft Best was a 'plantocrat' and militia commander who played an important part in the suppression of the Barbados rebellion of 1816, though he was to withdraw from the Barbados Assembly committee which reported on the uprising.

John Rycroft Best
recorded in official record as
‘of Blackmans, in the Parish of St Joseph, Barbadoes sic, President of this Island.’

He played an important role in Barbados Council politics including, for example, rallying opposition to the impending threat of abolition. At a meeting of representatives of Barbados, Antigua, Demerara and Essequibo, Dominica, Grenada, Nevis, St Christopher, St Vincent, Tobago and the Virgin islands, chaired by Best, there were strong protests against the British Government’s treatment of the West Indies, the threat of abolition (unless there was adequate recompense) and praise for how the planters had improved the conditions of the slaves.

John Rycroft Best was last recorded as perishing aged around 73 in a fire and subsequent explosion aboard RMS Amazon. Quite a lot of detail is known of this event, and we detail it as follows;

RMS Amazon was a wooden three-masted barque, paddle steamer and Royal Mail Ship of the Royal Mail Steam Packet Company. She was one of a set of five sister ships built at the beginning of the 1850s for RMSP's routes between Southampton and the Caribbean.

On Friday, 2 January 1852, Amazon, commanded by Captain William Symons, loaded mail, embarked 50 passengers and late that day she sailed for the Caribbean. In the next 24 hours she twice hove to as her engine bearings overheated. She entered the Bay of Biscay and about 12:40 on Sunday, 4 January, smoke was sighted rising from a hatch ahead of her forward funnel. Captain Symons and his chief officer, Roberts, were quickly on deck and organised crewmen with buckets and a hose to fight the fire. Men started to move hay away from the fire, but after they had moved only two bales all the remainder caught alight.

The fire spread out of control. The starboard lifeboat rescued the five occupants of the dinghy and tried to approach the ship to rescue more people, but came in danger of being swamped and so abandoned the attempt. Amazon was still under way, rolling in the heavy sea while Symons and his crew still tried to keep her course steady.

By 04:00 the fire brought down the ship's foremast and mainmast. At 05:00 her magazine exploded and her mizzen mast was brought down. Her funnels glowed red-hot6 and about half an hour later she sank about 110 miles (180 km) west-south-west of the Isles of Scilly.

On the same documentation are the details of John Higginson of St Philip and his approved compensation claim of his numerous properties and slaves therein, also the details of his claims finalised by his executor for his son, a naval captain, as he died long before the compensation was actually paid.

Details of one claim in public record of John Higginson of St Philip; 288 slaves, compenstion paid £2,491 10s 2d to Robert Richard Deane as executor of John Higginson's Estate

Richard Deane appears as the attorney of William Barton, George Irlam and John Higginson in Essequebo in 1808.

Enslaved persons were registered in 1834 by Richard Deane, as the attorney to John Higginson.

Deane appears in the Slave Compensation records mainly as the executor of John Higginson, the last of the original partners in Barton, Irlam and Higginson, who died in 1834.

Public record shows amounts claimed were £2,491 10s 2d for his Sandy Lane slaves and £3,594 10s 9d for his Congo Road slaves

From public record; 'In 1833 ... Barton, Irlam & Higginson owned a number of Barbadian plantations with at least 1,232 slaves, making the firm one of the biggest slave owners on the island.' They were awarded the compensation for 12 claims in Barbados as executor of John Higginson (q.v.). Deane himself appears to have spent much of his life in Barbados and no trace of his death in Britain has yet been discovered.

Liverpool and Barbados merchant and slave-owner. The executor of John Higginson, Richard Deane (q.v.) was awarded the compensation under 12 awards in Barbados as executor.

Father of Jonathan Higginson (q.v.) and partner in Barton, Irlam and Higginson. Died 21/12/1834 at Liverpool. Buried St George Everton 26/12/1834 aged 58.

The will of John Higginson at present of St Michael Barbados made in 1833 was not proved until 14/12/1840 in London. Under the will he left an annuity of £600 p.a. to his wife Sarah Ann, to be reduced to £100 p.a. if she intermarried, together with his house on Everton Terrace. He instructed his trustees to provide £150 p.a. for the support of each of his children until 15, and then amounts at their discretion up to £250 p.a. for each child until 21, when each was to receive £5000. His son Jonathan inherited his estates at 'Over Peevor' in the County of Chester. He made his sons his co-residuary legatees, failing whom his sisters.

Interestingly John Higginson may well have been a descendant of a Reverend Higginson who was of Salem Mass. during the infamous Witch Trials, and his daughter was accused of witchcraft. The Reverend's son, Henry, later emigrated to Barbados. Henry Higginson became a merchant in Barbados and died of small pox in 1685.

Portrait of William Ansah Sessarakoo, circa 1749. In the 18th century, it was not uncommon for wealthy African leaders to send their sons, like William Ansah Sessarakoo, to Europe to be educated. In 1744, Sessarakoo boarded a ship to England when he was abruptly captured and sold into slavery when the ship stopped in Barbados. His father was able to secure his son’s freedom, and he continued his travel to England, where his portrait was taken.  read more

Code: 24393

An Early, Napoleonic Wars Era, 19th Century French Monarchy Period Silver and Gilt Cavalry Officer's Belt Buckle. Bourbon Restoration in France, King Louis XVIIIth 1814

This period of time is called the Bourbon Restoration and was marked by conflicts between reactionary Ultra-royalists, who wanted to restore the pre-1789 system of absolute monarchy, and liberals, who wanted to strengthen constitutional monarchy. Louis XVIII was the younger brother of Louis XVI, and reigned from 1814 to 1824. On becoming king, Louis issued a constitution known as the Charter which preserved many of the liberties won during the French Revolution and provided for a parliament composed of an elected Chamber of Deputies and a Chamber of Peers that was nominated by the king
The rooster played an important role as the revolutionary symbol, but it would become an official emblem under the July Monarchy and the Second Republic when it was seen on the pole of regiments’ flags. In 1830, the "Gallic Rooster" replaced the fleur-de-lis as the national emblem, and it was again discarded by Napoleon III.

Silver French crest centre, applied a gilt plate and belt loop, with very unusually its original leather uniform protecter intact.  read more

Code: 24758

A Superb, Really Rare, French, Napoleonic Short Sea Service Boarding Pistol. The Pistolet De Bord Maritime, Modele 1786, Manufacture Nationale De Tulle Circa 1792

Used in the French navy during the Battles of the Nile and Trafalgar. Very good, tight and crisp action. Likely a war trophy of Trafalgar. French sea service pistols are far more rare than their British equivalents, due to the fact there were fewer French ships, and that so many French ships-of-the-line being captured or sunk by the British Royal Navy, between the 1790's to 1805 Such as when the French Fleet was soundly thrashed in the Egypt campaign at the Nile in 1798, and a little later the French and Spanish fleet, in 1805, were once again soundly thrashed and captured by Admiral Nelson at Cape Trafalgar.

The Battle of the Nile, was a battle that was one of the greatest victories of the British admiral Horatio Nelson. It was fought on August 1, 1798, between the British and French fleets in Abū Qīr Bay, near Alexandria, Egypt.

The French Revolutionary general Napoleon Bonaparte in 1798 made planned for an invasion of Egypt in order to constrict Britain’s trade routes and threaten its possession of India. The British government heard that a large French naval expedition was to sail from a French Mediterranean port under the command of Napoleon Bonaparte

Determined to find the French fleet, he sailed to Egypt once more, and on August 1 1798 he sighted the main French fleet of 13 ships of the line and 4 frigates under Admiral François-Paul Brueys d’Aigailliers at anchor in Abū Qīr Bay.

Although there were but a few hours left until nightfall and Brueys’s ships were in a strong defensive position, being securely ranged in a sandy bay that was flanked on one side by a shore battery on Abū Qīr Island, Nelson gave orders to attack at once. Several of the British warships were able to maneuver around the head of the French line of battle and thus got inside and behind their position. Fierce fighting ensued, during which Nelson himself was wounded in the head. The climax came at about 10:00 PM, when Brueys’s 120-gun flagship, L’Orient, which was by far the largest ship in the bay, blew up with most of the ship’s company, including the admiral. The fighting continued for the rest of the night; just two of Brueys’s ships of the line and a pair of French frigates escaped destruction or capture by the British. The British suffered about 900 casualties, the French about 9,000.

The Battle of the Nile had several important effects. It isolated Napoleon’s army in Egypt, thus ensuring its ultimate disintegration. It ensured that in due time Malta would be retaken from the French, and it both heightened British prestige and secured British control of the Mediterranean.

The Battle of Trafalgar, (October 21, 1805), was a naval engagement of the Napoleonic Wars, which established British naval supremacy for more than 100 years; it was fought west of Cape Trafalgar, Spain, between Cádiz and the Strait of Gibraltar. A fleet of 33 ships (18 French and 15 Spanish) under Admiral Pierre de Villeneuve fought a British fleet of 27 ships under Admiral Horatio Nelson.

Nelson was outnumbered, with 27 British ships of the line to 33 allied ships including the largest warship in either fleet, the Spanish Santísima Trinidad. To address this imbalance, Nelson sailed his fleet directly at the allied battle line's flank, hoping to break the line into pieces. Villeneuve had worried that Nelson might attempt this tactic but, for various reasons, had made no plans for this eventuality. The plan worked almost perfectly; Nelson's columns split the Franco-Spanish fleet in three, isolating the rear half from Villeneuve's flag aboard Bucentaure. The allied vanguard sailed off while it attempted to turn around, giving the British temporary superiority over the remainder of their fleet. In the ensuing fierce battle 20 allied ships were lost, while the British lost none.

Nelson's own HMS Victory led the front column and was almost knocked out of action. Nelson was shot by a French musketeer during the battle, and died shortly before it ended. Villeneuve was captured along with his flagship Bucentaure. He attended Nelson's funeral while a captive on parole in Britain. The senior Spanish fleet officer, Admiral Federico Gravina, escaped with the remnant of the Franco-Spanish fleet (a third of the original number of ships); he died five months later of wounds sustained during the battle.

The victory confirmed the naval supremacy Britain had established during the course of the eighteenth century, and was achieved in part through Nelson's departure from prevailing naval tactical orthodoxy. The belt hook was removed in its working life. Belt hook screw mount still remains in place  read more

Code: 25204

A Fine & Rare Medieval Short Sword, 15th Century, Used in the Battle of Agincourt 1415 Period, The Weapon of A Man-At Arms, Or Foot Knight of The Anglo French Wars Era of King Henry Vth

What a fabulous original ‘statement piece’ for any collector of fine early arms. In the world of collecting there is so little remaining in the world from this highly significant era in European and British history. And to be able to own and display such an iconic original representation from this time is nothing short of a remarkable privilege.

A man-at-arms was a soldier of the High Medieval to Renaissance periods who was typically well-versed in the use of arms and served as a fully-armoured heavy cavalryman.A man-at-arms could be a knight, or other nobleman, a member of a knight's or nobleman's retinue, or a mercenary in a company serving under a captain. Such men could serve for pay or through a feudal obligation. The terms knight and man-at-arms are often used interchangeably, but while all knights equipped for war were men-at-arms, not all men-at-arms were knights

A fine example piece, from the ancient knightly age, from around 620 to 700 years ago. an ancient and original historical sword in usual russetted condition for edged weapons of this era, with some elements lacking, the grip would have been made of organic material (such as wood or horn) and such natural materials cannot survive so many centuries without constant care . Furthermore, almost every item made of iron from this period, even the rarest of swords and daggers in the Royal Collection, will likely be in this very same state of preservation, with overall traces of surface russetting.

This sword is probably of Italian origin, from the earliest renaissance period. Swords and daggers from Germany and Italy were often imported all around Europe and certainly into Britain for the use of warrior knights and men-at-arms..

A straight short sword, likely shortened from longer, with wide double-edged blade, shallow central groove, battle nicks to the sides, iron hilt with cross-guard in unusual Oakshott style 4 with a raised quillon, pommel in the Oakshott B1 type. After several decades of relative peace, the English had renewed their war effort in 1415 amid the failure of negotiations with the French. In the ensuing campaign, many soldiers perished due to disease and the English numbers dwindled, but as they tried to withdraw to English-held Calais they found their path blocked by a considerably larger French army. Despite the disadvantage, the following battle ended in an overwhelming tactical victory for the English.

King Henry V of England led his troops into battle and participated in hand-to-hand fighting. The French king of the time, Charles VI, did not command the French army himself, as he suffered from severe psychotic illnesses with moderate mental incapacitation. Instead, the French were commanded by Constable Charles d'Albret and various prominent French noblemen of the Armagnac party.

This battle is notable for the use of the English longbow in very large numbers, with the English and Welsh archers forming up to 80 percent of Henry's army. The decimation of the French cavalry at their hands is regarded as an indicator of the decline of cavalry and the beginning of the dominance of ranged weapons on the battlefield.

Agincourt is one of England's most celebrated victories. The battle is the centrepiece of the play Henry V by Shakespeare. Juliet Barker in her book Agincourt: The King, the Campaign, the Battle ( published in 2005) argues the English and Welsh were outnumbered "at least four to one and possibly as much as six to one". She suggests figures of about 6,000 for the English and 36,000 for the French, based on the Gesta Henrici's figures of 5,000 archers and 900 men-at-arms for the English, and Jean de Wavrin's statement "that the French were six times more numerous than the English". The 2009 Encyclopædia Britannica uses the figures of about 6,000 for the English and 20,000 to 30,000 for the French. Weight 552 grams, 53cm (21”). Fine condition.

See Oakeshott, R.E., The Archaeology of the weapons, London, 1960; Oakeshott, E., The sword in the Age of the Chivalry, Woodbridge, 1964 (1994).

The word daga in Italy and the Venetian Empire indicated a double edged and pointed short sword, used for both war and hunting, usually 40 to 60 cm long. This medieval short sword was often used during duels. Swords like this were able to penetrate thin parts of full plated armour owing to their sharp point.

Ewert Oakshott , Ronald Ewart Oakeshott (25 May 1916 – 30 September 2002) was a British illustrator, collector, and amateur historian who wrote prodigiously on medieval arms and armour. He was a Fellow of the Society of Antiquaries, a Founder Member of the Arms and Armour Society, and the Founder of the Oakeshott Institute. He created a classification system of the medieval sword, the Oakeshott typology, a systematic organization of medieval weaponry, a seminal work of world renown  read more

Code: 23523

Beautiful Antique Fijian 'Snake Club' Gata Waka, A Fijian Warrior's Battle Club With Skull Splitter End, Known as a Gunstock Club. One Of The Most Important Possessions Of Fiji Warrior To Demonstrate His Status Is To Slay An Enemy With The Gata Waka

18th to 19th century, an early19th century Fiji battle club. Excellent condition with fabulous natural patina. So called because of their resemblance to the butt of a gun, they are actually have no relation to rifles or muskets, and predate their appearance. It could be described as a dueling club as it could be used to parry, and then bring the bladed end down on its victim. Another trick the Fijians would use is to pin them down by the neck with the crook of the club and then snap. Probably nokonoko wood. These clubs are made from the buttress roots of an uprooted sapling that has been planted and deliberately and carefully trained to produce the desired shape. The heavy two handed war club in all its various forms is regarded as being the favourite arm of the Fijian warrior. To slay an enemy with a club brought the warrior more prestige than to kill with any other weapon. Sometimes in order to gain 'Koroi, killer status, a detained prisoner would be speared and then administered a killing blow by a warrior to the head with a club. The fact that the club shattered that part of the body held most sacred by Fijians; the head, accounted in some degree for the special psychological aura surrounding it and distinguishing it from every other weapon in the Fijian warrior's armoury.
A tally of kills made with a club was often kept by a means of nicks or notches on the head or handle, by boring small holes in the shaft. A 19th century Fijian Gata Waka snake club of dark brown patina, the heavy gunstock head the main section with raised medial ``skull splitter`` ridge, the tapering oval section haft with swelling butt. The role of the craftsman in Fijian culture was a much-valued skill and the woodcraftsmen in Fiji formed a distinct group in the community, with their own chiefs and specialists in making various items. Clubs were lovingly crafted and some clubs required years to make. Club carvers 'matai ni malumu' were highly skilled in selecting the correct type of wood for making the club and experienced enough to experiment with design as the variation in design and ornamentation on Fijian clubs attest to.
According to Rod Ewins, "This type of club is notable for the cheeks that were pounded with rocks while the tree was growing. The ridges running across the cheeks are typical." (Traditional Fijian Artefacts, Just Pacific, 2014, p. 89, fig. 6.34(i)) A small rounded ridge is located at the base of the spur at the head of the club. It is called the Tere Tere after the frill of an iguana. Small defensive wood cut in the haft midsection. This Gatawaka or gunstock club is around 37.5 inches long and an absolute beauty.  read more

Code: 20893

Superb & Incredibly Sought After, US Pre-Civil War Staghorn Antler Gripped Bowie Knife, London Made By Joseph Buck, Freeman of The City of London Circa 1830's. German Silver Crossguard & Hilt Panel. With Its Original German Silver Mounted Brown Scabbard

This is a simply superb pre-American Civil War period clipped back blade Bowie knife, complete in its original scabbard, maker marked by Joseph Buck of Tottenham Court Road, London. A very rare maker of Bowie knives, from around 1833 at Tottenham Court Rd London, until he moved his main addressed premises in 1836 to Newgate St., and again in 1856

Photos in the gallery of a Sun Fire Insurance Policy record register, from 5 November, 1834 (policy 1187028) revealed business owner “Joseph Buck of No. 245 Tottenham Court Road, Saw, Plane, File and Tool Maker.”
Further pictures in the gallery of a personal photo of Joseph Buck himself, who was awarded “The Freedom of the City of London", and a photo of his admission papers as a ‘freeman’ on 20 January, 1836. All of the above are copies for informative provenance only.

Traditional, and original, American pre Civil War period, London made, US import Bowie knife, with clip back blade, maker marked by its very rare Bowie maker, Buck of Tottenham Court Rd, {London}. All the best and most collectable antique Bowies used in the pre-Civil War, the war period, and the Wild West era, were actually British imports, mostly from Sheffield, but the rarest were made in London, as is this one.

The "first" Bowie knife was reportedly a simple hunting knife, designed by Rezin Bowie for his brother James Bowie {world famous hero of the Alamo seige in Texas} and forged by blacksmith Jesse Clifft from an old file around 1827 in Louisiana. While Rezin Bowie claimed the design and his granddaughter corroborated seeing Clifft make it, the exact appearance and maker are debated, with James Black also claiming to have made the first Bowie knife for Jim Bowie. The knife gained fame after James Bowie used his version in the 1827 Sandbar Fight, leading to widespread popularity and numerous variations, including this Bowie, made just a few years after their invention and use by Jim Bowie.

The blade is very good indeed, nicely edged and tipped, the nickel hilt mounts are in superb condition, as are the staghorn grip plates. The brown scabbard has its original nickel throat mount with frog stud, and overall in very nice order indeed

The old traditional early Bowie knife was both a hunting knife and a tool. With it, one could clear a path, hack a sapling, dig a hole, or butcher game. In the siege of Bexar in 1835, Texans used Bowie knives to dig through roofs and walls and engage in hand-to-hand combat with the Mexicans. The knife was not designed or balanced for throwing.

Southerners replaced their sword canes with Bowie knives, and sought expert cutlers, North and South, to craft fine blades. The cutlers usually were surgical and dental instrument makers in large cities. Most signed their works; Peter Rose and John D. Chevalier were prominent in New York, English & Huber and Clarenbach & Herder in Philadelphia, Reinhardt in Baltimore, Thomas Lamb in Washington, Dufilho in New Orleans, Alfred Hunter in Newark, Marks and Rees in Cincinnati, Daniel Searles in Baton Rouge, and Rees Fitzpatrick in Natchez. Henry Schively also made improved versions in various styles. English cutlers in Sheffield, who had dominated the American cutlery market since colonial times, took advantage of the fascination with the Bowie knife. They capitalized on vivid reports by English journalists of murder and mayhem in America, involving the defenders of such heinous crimes and assaults, using just such as this beautifully made knife.

A trickle of Sheffield Bowie knives in the early 1830s developed into a flood before the Civil War. Bowie knife collections indicate that only about one in ten was American made. English cutlers applied clever motifs and blade etchings that appealed to American tastes and patriotic spirit. Examples include such labels as "American Bowie Knife," "Texas Ranger Knife," "Arkansas Toothpick," "Patriot's Self Defender," "Death to Abolition," "Death to Traitors," "Americans Never Surrender," "Rio Grande Camp Knife," and "I'm A Real Ripper." Handle and guard mountings also carried symbols and slogans with American appeal. Cutlers attached handles of ivory, pearl, tortoise shell, black and gray buffalo horn, India stag horn, and fine woods. Handle pommels of nickel silver featured horse heads, shells, and geometric designs. Manufacturers generally signed their blades and added such distinctive trademarks as I*XL, B4ANY, and XCEED. At the outbreak of the Mexican War in 1846, the Bowie knife was a popular weapon in Texas. Texas Rangers under Jack (John Coffee) Hayes and Ben McCulloch carried Bowie knives and Colt Dragoon pistols into battle. Knife blades stamped and etched with Mexican War motifs appeared. Zachary Taylor, mounted on Old Whitey, was a favorite subject. Bust etchings included "Old Zach," "General Taylor Never Surrenders," "Palo Alto," and "Buena Vista." Pommels featured a Taylor bust with a patriotic slogan.

In the late 1830s an alarmed public in several Southern states demanded stringent laws to curtail the increasing "rule of the Bowie knife." In January 1838 the Tennessee legislature passed "An Act to Suppress the Sale and Use of Bowie Knives and Arkansas Toothpicks in this State." However, the sale of the knives continued to accelerate, due to it being the ideal defensive sidearm against nefarious attack, reaching a peak after the Civil War. During that war, crude blacksmith made Bowie knives were popular among Confederate soldiers. Some had large, wide blades, like those of artillery shorts words; most were unmarked. The Confederates considered the knife an essential accoutrements in the early months of the war, but as the conflict wore on the knife was replaced with the bayonet. The knives had hickory or hardwood handles and iron mounts, and were worn in heavy leather sheaths with throats and tips of tin, iron, or brass. Blades had scratch engravings and crude acid etchings, with such patriotic motifs as "Sunny South," "Confederate States Defender," or "Death to Yankees." A few Confederate Bowie knives were made by experienced cutlers and exhibited excellent workmanship. Union soldiers generally wore Sheffield or British made Bowie knives.

"In the history of American arms," wrote historian Harold L. Peterson (1958), "three weapons stand out above all the rest: the Kentucky rifle, the Colt's revolver, and the Bowie knife." Each became a part of the "Great American Legend."

Overall in scabbard approx. 13 inches long, Blade approx. 8 inches long.
The blade is 90% excellent bright, yet it does have some small salt-and-pepper pitting around the makers mark, possibly caused by a non-removed thumbprint, that has corroded, as they often do if not polished off, over a long period of time, and at the ricasso there a little pitting as well on both sides, just below the nickel crossguard. An area often missed when blades are cleaned before being re-offered into their scabbards.

It is a not often realised reaction of steel to the simplest of issues, fingerprints. Fingerprints contain highly corrosive acids that if left un-removed from raw polished steel will continue its highly invasive corroding effect, often for years, that results in localised pitting of this very nature. Probably the most famous Colt revolver in the collecting world is known as the ‘Thumb Print Colt Walker’. A revolver valued today in the millions of dollars, due to its simple, corroded thumbprint pitting, on the surface of its otherwise fine finish of the pistol. The Colt Walker Dragoon revolvers were made for a very small but significant large calibre dragoon pistol order by Capt Walker of the Texas Rangers in the 1850’s. Most were over loaded with powder {a significant design fault} that they exploded in service, so very few survive, and are thus highly prized. But one, has its incredibly distinctive ‘thumbprint corrosion’ damage, and is so iconic that it now is the pistol of legend within the collecting world.  read more

Code: 25905