A Super & Rare US Civil War Souvenir, An Original US Cavalry Gallagher Carbine Stock.

Ideal for the collector of rare Civil War arms that is not necessarily inclined to buy a full rifle for the several thousands of pounds it would cost, or, for an owner of a Gallagher that needs a replacement stock. If needed as such, it would normally be simply impossible to find an original example, in such wonderful condition, ever available on the collector market.

Fine walnut stock, with all steel furniture including the steel hinged patchbox, steel butt plate and side screw mounts. In superb condition and three figure serial number, 257 [repeated], stamped on the inner steel patch box lid. On the underside are several crudely carved notches, traditionally, are supposed to represent enemy soldiers that have been successfully 'introduced' to the horse soldier's shooting prowess.

The Gallager Carbine was conceived in 1860 by Mahlon J. Gallager. Receiving his patent on the 17th of July 1860, Gallager submitted his design to military trials. The design was approved and Federal forces issued a contract for Richardson and Overman of Philadelphia to produce the carbine. This contract resulted in 22,728 Gallagers to be produced before the end of the American Civil War, which was more than some other breechloading rifles (such as the Joslyn Rifle or Starr Carbine) but no where near as many as the Springfield Model 1861 rifled musket (whose production passed over 1,000,000 during the conflict).

The Gallager Carbine had a rather unusual breechloading design, using a modified version of the more typical lever-action mechanism to open the breech. As was the trend at the time, the lever effectively formed the trigger guard , and when pulled downwards slid the barrel forwards, before tiliting downwards. This then allowed the user to remove the spent cartridge (most commonly with a knife) and insert the new cartridge. The barrel was then pushed back into place, then locked when the lever was put into its upwards position, ready for firing.

Initially the Gallager was manufactured utilising a percussion lock mechanism, largely due to the fact that the quickest (and cheapest) cartridges to produce at the time were made of paper. This mechanism was not modified on later models, despite the use of metallic cartridges. Other features of the Gallager included iron fittings (ie the buttplate of the stock and patchbox) and a lack of a forestock.

The lack of a forestock is not that much of a suprise, however, as the shorter stock meant that the barrel could tilt once it had moved forwards (otherwise the barrel would have to have been allowed to move further to allow the user to load the new cartridge). Furthermore, because there was a lack of a forestock, the Gallager also lacked any form of barrel bands and also lacked the ability to have a bayonet mounted to it. The barrel itself had six grooves forming the rifling pattern and measured 22.25in (0.57m) in length.

Photo in the gallery of a US Civil War Horse Soldier with his carbine, sabre and revolver, also a photo of the complete Civil War Gallaghar Carbine in the Smithsonian  read more

Code: 24592

LA CAMPAGNE D'ITALIE DE 1859. CHRONIQUES DE LA GUERRE. Par le Baron de BAZANCOURT, appele par ordre de L'Empereur a la armee d'Italie. avec le plan du champ de bataille Magenta Vol 1

From the Library of the Royal Artillery Shoeburyness

French book with fine leather binding with gilt tooling. With page foxing throughout, and a fold out map of the battle [photo of map to be added].

The Battle of Magenta was fought on 4 June 1859 during the Second Italian War of Independence, resulting in a French-Sardinian victory under Napoleon III against the Austrians under Marshal Ferencz Gyulai.

It took place near the town of Magenta in the Kingdom of Lombardy–Venetia, a crown land of the Austrian Empire, on 4 June 1859. Napoleon III's army crossed the Ticino River and outflanked the Austrian right forcing the Austrian army under Gyulai to retreat. The confined nature of the country, a vast spread of orchards cut up by streams and irrigation canals, precluded elaborate manoeuvre. The Austrians turned every house into a miniature fortress. The brunt of the fighting was borne by 5,000 grenadiers of the French Imperial Guard, still mostly in their First Empire style of uniforms. The battle of Magenta was not a particularly large battle, but it was a decisive victory for the Franco-Sardinian alliance. Patrice de MacMahon was created Duc de Magenta for his role in this battle, and would later go on to serve as President of the French Third Republic.
LA CAMPAGNE D'ITALIE DE 1859. CHRONIQUES DE LA GUERRE. Par le Baron de BAZANCOURT, appele par ordre de L'Empereur a la armee d'Italie. avec le plan du champ de bataille Magenta

Review published by the New York times on April 17, 1860
This work has just been completed It is a complete, clear, and admirable history of the Italian campaign of last year, -- written with special regard to military accuracy, and yet with great spirit and literary ability. It is by far the best history of this remarkable chapter of current events which has yet been written. The author in his preface disavows all pretensions to write a history, -- and professes to give merely a report of events, leaving the estimate of their importance, and their bearings upon the fortunes of the several countries most directly interested, to be made by others. He aims solely to rehearse incidents, -- to "present those great military exploits still fresh and alive with the noble emotion of the engagement, -- to trace the living drama on the fields of battle, -- to accompany, day by day, hour by hour, step by step, those intrepid battalions thrown so suddenly upon the field of battle in the name of the holiest of causes." He has performed his task with fidelity and ability, and claims as its special merit that he has not made a single statement without having for it the most unquestionable authority. Indeed, he has introduced throughout citations from official documents, and has collected in the appendix all the dispatches relating to the war.
New York Times April 17, 1860
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The Battle; An overwhelming majority of the French-Piedmontese coalition soldiers were French (1,100 were Piedmontese and 58,000 were French).

The Battle of Magenta was fought on 4 June 1859 during the Second Italian War of Independence, resulting in a French-Sardinian victory under Napoleon III against the Austrians under Marshal Ferencz Gyulai.

It took place near the town of Magenta in the Kingdom of Lombardy–Venetia, a crown land of the Austrian Empire, on 4 June 1859. Napoleon III's army crossed the Ticino River and outflanked the Austrian right forcing the Austrian army under Gyulai to retreat. The confined nature of the country, a vast spread of orchards cut up by streams and irrigation canals, precluded elaborate manoeuvre. The Austrians turned every house into a miniature fortress. The brunt of the fighting was borne by 5,000 grenadiers of the French Imperial Guard, still mostly in their First Empire style of uniforms. The battle of Magenta was not a particularly large battle, but it was a decisive victory for the Franco-Sardinian alliance. Patrice de MacMahon was created Duc de Magenta for his role in this battle, and would later go on to serve as President of the French Third Republic.
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Code: 24591

English Seamen By Froude. English Seamen in the 16th Century, Lectures Delivered at Oxford Easter Terms 1893-4

A superb green leather bound volume, with Morocco leather title and gilt tooling to the spine and covers, bearing a large gilt tooled crest on the front cover. New impression with illustrations 1907. Longmans, Green, and Co., London

From Sir John Hawkins to Sir Francis Drake's defeat of the Armada. The great British maritime heroes of legend, principally during the reign of Good Queen Bess who was well famed for her fondness for English seamen.

James Anthony Froude FRSE, 23 April 1818 – 20 October 1894) was an English historian, novelist, biographer, and editor of Fraser's Magazine. From his upbringing amidst the Anglo-Catholic Oxford Movement, Froude intended to become a clergyman, but doubts about the doctrines of the Anglican church, published in his scandalous 1849 novel The Nemesis of Faith, drove him to abandon his religious career. Froude turned to writing history, becoming one of the best-known historians of his time for his History of England from the Fall of Wolsey to the Defeat of the Spanish Armada.

Inspired by Thomas Carlyle, Froude's historical writings were often fiercely polemical, earning him a number of outspoken opponents. Froude continued to be controversial up until his death for his Life of Carlyle, which he published along with personal writings of Thomas and Jane Welsh Carlyle. These publications illuminated Carlyle's often selfish personality, and led to persistent gossip and discussion of the couple's marital problems.

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Code: 24583

Original 1930’s Third Reich Portrait of Rudolf Jordan Gauleiter of Halle-Merseburg & Magdeburg-Anhalt and Former General of the SA, Gruppenfuhrer der SA

Most rare surviving example as almost all around 450 original, 1930’s German portraits of Hitler’s inner circle and high command are now in the U.S. Army Center of Military History in Washington.

Many of these portraits were either commissioned, or acquired by Hitler personally, and they are all part of the record of Hitler and his elite commanders rise to power, in order to satisfy his determination to conquer the world and subjugate and destroy all who resisted. The US high command in 1945/6 realised just how important it was to keep and save as many such portraits as possible, as a permanent record and reminder for the future, of the monumental fight and sacrifices in order to subdue the axis powers from their schemes of world domination, during the two most significant decades of the past 300 years..

This is original portrait, in oil on canvas, of Gauleiter Rudolf Jordan (21 June 1902 - 27 October 1988). He was a Nazi Gauleiter in Halle-Merseburg and Magdeburg-Anhalt during Hitler’s socialist Third Reich. One of the notorious and prominent high command of Hitler’s Third Reich. An original Nazi oil portrait from the 1930's. Most similar in the new Aryan style of the Nazi portrait painter Fritz Erler, and his painting of 'Minister and Gauleiter Adolf Wagner', 1936. It was exhibited in the GDK, the Great German Art Exhibition, in 1939, in room 23. It was bought there by Hitler for 12.000 RM. In fact he bought two paintings by Fritz Erler: Portrait des Staatsministers und Gauleiters Adolf Wagner and Portrait des Reichsministers Fricke. They are now in the possession of the US Army Military Center of History. Possibly this portrait was also in that exhibition with the two other Gauleiter Wagner and Frick. Erlers similar style portrait of Hitler, also painted in his SA uniform, in 1931, is currently valued for sale at 725,000 Euros. Around 450 portraits depicting Hitler and other Nazi-officials and symbols are currently stored in the U.S. Army Center of Military History in Washington

From 19 January 1931, Jordan was appointed Nazi Gauleiter of Halle-Merseburg, and then began rising within the Party ranks, acting as member of the Prussian Landtag between April 1932 and October 1933 and being appointed to the Prussian State Council and made an SA Gruppenfuhrer. In the same year began the publication of the Mitteldeutsche Tageszeitung newspaper, led by Jordan. In March 1933 came his appointment as Plenipotentiary for the Province of Saxony in the Reichsrat and in November 1933 his election as a member of the Reichstag. On 20 April 1937, Adolf Hitler personally appointed him Reichsstatthalter (Reich Governor) in Braunschweig and Anhalt and NSDAP Gauleiter of Magdeburg-Anhalt. Jordan was succeeded as Gauleiter of Halle-Merseburg by Joachim Albrecht Eggeling.

In the same year came Jordan's promotion to SA-Obergruppenfuhrer. In 1939, Jordan became Chief of the Anhalt Provincial Government and Reichsverteidigungskommissar (Reich Defence Commissar, or RVK) in Defence District XI. On 18 April 1944 came Jordan's last leap up the career ladder when he was appointed High President (Oberpresident) of the Province of MagdeburgIn the war's dying days, Jordan managed to go underground with his family under a false name. He was nonetheless arrested by the British on 30 May 1945, and in July of the next year, the Western Allies handed him over to the Soviets. Late in 1950 after four years in custody in the Soviet occupation zone Jordan was sentenced to 25 years in a labour camp in the Soviet Union. Only Federal Chancellor Konrad Adenauer's visit to Moscow managed to persuade the Soviets to reconsider Jordan's sentence, and then he was released on 13 October 1955. In the years to come, Jordan earned a living as a sales representative, and worked as an administrator for an aircraft manufacturing firm. He died in Munich. The Gardelegen massacre was the cold-blooded murder of inmates that had been evacuated from the Dora-Mittelbau concentration camp and some of its sub-camps on April 3rd, 4th and 5th. Around 4,000 prisoners had been bound for the Bergen-Belsen, Sachsenhausen or Neuengamme concentration camps, but when the railroad tracks were bombed by American planes, they had been re-routed to Gardelegen, which was the site of a Cavalry Training School and a Parachutist Training School. The trains were forced to stop before reaching the town of Gardelegen and some of the escaped prisoners had terrorized the nearby villages, raping, looting and killing civilians.

The man who is considered to be the main instigator of the Gardelegen massacre is 34-year-old Gerhard Thiele , who was the Nazi party district leader of Gardelegen. On April 6, 1945, Thiele called a meeting of his staff and other officials at which he issued an order, which had been given to him a few days before by Gauleiter Rudolf Jordan , that any prisoners who were caught looting or who tried to escape should be shot on the spot. In 1932, Nazi Gauleiter Rudolf Jordan claimed that SS Security Chief Reinhard Heydrich was not a pure "Aryan". Within the Nazi organisation such innuendo could be damning, even for the head of the Reich's counterintelligence service. Gregor Strasser passed the allegations on to Achim Gercke who investigated Heydrich's genealogy. Gercke reported that Heydrich was "... of German origin and free from any coloured and Jewish blood". He insisted that the rumours were baseless. Even with this report, Heydrich privately engaged SD member Ernst Hoffman to further investigate and deny the rumours. The last two pictures in the gallery of Jordan with Hitler and his Gaulieters at his 50th birthday examining his convertible Volkwagen Beetle, and the Erler painting of Gauleiter Wagner, bought by Hitler. 2 foot x 3 foot unframed. Water stain at the rear of the canvas. Surviving original portraits of Third Reich leaders are now very rare for at the end of the war thousands of paintings, portraits of Nazi-leaders, paintings containing a swastika or depicting military/war sceneries were destroyed. With knives, fires and hammers, they smashed countless sculptures and burned thousands of paintings. However around 8,722 artworks were shipped to military deposits in the U.S. From 1933 to 1949 Germany experienced two massive art purges. Both the National Socialist government and OMGUS (the U.S. Military Government in Germany) were highly concerned with controlling what people saw and how they saw it. The Nazis eliminated what they called Degenerate art, erasing the pictorial traces of turmoil and heterogeneity that they associated with modern art. The Western Allies in turn eradicated Nazi art. Whatever one considers about the actions of all of the entire third reich, art is art, and every piece is a representation of a portion of history, good or bad. One thing we learned very well from the tragic 1930s and 1940s is that classifying art as non-art and forbidding books or art for political reasons is a dead-end street. No matter how much one dislikes or despises the infamous despots and dictators of history, such as Hitler, Caligula, Pol Pot & Stalin, and no matter how much their depictions were used as propaganda, a painting or sculpture of them cannot be re-classified as 'non art'. This painting depicts a member of Hitler’s notorious inner circle, that for a brief period of world history very nearly placed the entire world in subjugation to the will of Germany and it’s ally Japan. It is the embodiment of why the preservation of such art can remind the thousands of its observers, for generations to come, that those people such as Rudolf Jordan, who were just ordinary looking nondescript individuals, that if left unchecked would have condemned the entire world to a nightmarish dystopia, of slavery, starvation and misery. And thanks to great leaders such as Winston Churchill, who had the talent and skill to embolden a solitary nation, racked by trepidation, facing the free world’s greatest foe alone, they were utterly routed and deposed by the near defeated and subdued great democracies. Part of the theory of Hannah Ahrend Johanna "Hannah" Arendt, 14 October 1906 - 4 December 1975 was a German-born Jewish American political theorist. Though often described as a philosopher, she rejected that label on the grounds that philosophy is concerned with "man in the singular" and instead described herself as a political theorist because her work centres on the fact that "men, not Man, live on the earth and inhabit the world." This portrait would nicely improve with some cosmetic restoration and cleaning.  read more

Code: 20504

A Fabulous Shinto Katana Circa 1620 With Fine Edo Koshirae

The gently undulating yet exceptionaly deep hamon is very fine quality and this is a most beautiful an impressive katana. A very fine Shinto blade set in very fine quality shakudo, Edo period mounts, of multi coloured patination and pour gold onlaid d?cor. The saya has it's original Edo red lacquer, and the sword is mounted with it's koto period o-sukashi iron tsuba carved with profiles of flying geese. The production of swords in Japan is divided into specific time periods: jokoto (Ancient swords, until around 900 A.D.), koto (old swords from around 900?1596), shinto (new swords 1596?1780), shinshinto (new new swords 1781?1876), traditional gendaito (modern swords 1876?1945).

The first use of "katana" as a word to describe a long sword that was different from a tachi is found in the 12th century. These references to "uchigatana" and "tsubagatana" seem to indicate a different style of sword, possibly a less costly sword for lower ranking warriors. The evolution of the tachi into the katana seems to have started during the early Muromachi period (1337 to 1573). Starting around the year 1400, long swords signed with the "katana" signature were made. This was in response to samurai wearing their tachi in what is now called "katana style" (cutting edge up). Japanese swords are traditionally worn with the signature facing away from the wearer. When a tachi was worn in the style of a katana, with the cutting edge up, the tachi's signature would be facing the wrong way. The fact that swordsmiths started signing swords with a katana signature shows that some samurai of that time period had started wearing their swords in a different manner. However, it is thought by many, that as many as 70% of katana made were never signed at all.

The rise in popularity of katana by samurai is believed to have been due to the changing nature of close-combat warfare. The quicker draw of the sword was well suited to combat where victory depended heavily on fast response times. The katana further facilitated this by being worn thrust through a belt-like sash (obi) with the sharpened edge facing up. Ideally, samurai could draw the sword and strike the enemy in a single motion. Previously, the curved tachi had been worn with the edge of the blade facing down and suspended from a belt

The length of the katana blade varied considerably during the course of its history. In the late 14th and early 15th centuries, katana blades tended to be between 68 to 73 cm (26 to 28 in) in length. During the early 16th century, the average length was closer to 60 cm (23.5 in). By the late 16th century, the average length returned to greater lengths. However, with every new owner [and early blades may have had 20 owners] the blade could be reduced if required to fit, and the shorter samurai would need shorter swords however long the considered norm may have been. Overall 40 inches long in saya  read more

Code: 22659

A Most Beautiful O-Tanto Signed Kanenori Circa 1530

With double hi [Bo-hi] on the omote and a single wide hi on the obverse side, and traces of a carved horimono of a Buddhist bonji, and an irregular gunome hamon. A simply beautiful and most rare form of original Edo period black lacquer saya, with twin side scooped panels decorated with crushed abilone shell. Pale green silk ito and jolly nice fittings including a very fine quality carved kashira decorated with engraved ponies. The tsuba ia square form with a very wide mimi [rim] in rope pattern. This is a delightful and large tanto of much beauty. Very nice kozuka decorated with gold, and featuring mount Fuji with fisherman on its coastline. 24.5 inches length overall, blade length 13.5 inches long tsuba to tip  read more

Code: 22490

A Very Interesting Antique Civil War Period Belgian 1850's Colt Navy Copy Patent Infringement Revolver

An Antique Engraved Period Belgian copy Civil War Colt, Model 1851 Navy Percussion Revolver circa, 1850's, SN#.3568 , 6 1/8", .35 cal. octagon steel barrel stamped with (2) inspection/proof marks, a small "CROWN" over "R" and a small on the right side of the barrel just in front of the barrel wedge, with barrel stamped 'Cap System by Americain' and twin cross keys on the top flat with light to moderate pitting
Frame marked; sic "PATEND SYSTEM" on the right side. 5-Shot round cylinder with approx. 20% of the scene remaining possibly of Native American teepees. Two piece grip scales, main steel components are serial numbered and match, the cylinder, trigger, and cylinder ratchet pawl are all numbered 26. The action needs mechanical attention in that the trigger, and cylinder ratchet pawl, are not fitted in place. Several screws [around 5] are missing in order to fully assemble it. A jolly decent example of one of the many gun-makers attempting to infringe on Samuel Colt's Navy revolver of 1851.
Just some rudimentary engineering skills required to fully re-assemble and make good.

SOME COLT HISTORY: Samuel Colt had a difficult time when he patented the PATTERSON revolver in the late 1830's and did not really achieve success until he received a purchase order of 1000 newly designed massive .44 caliber "Walker" revolvers to arm Texas Ranger Captain Samuel Hamilton Walker for the Mexican-American War (1846-1848). The "Walker" Colts were delivered in 1847 which Captain Walker carried a pair into battle and was killed in action by a sniper's bullet while leading a cavalry charge at the Battle of Huamantla on October 9th, 1847.

Samuel Colts business started to flourish attracting world recognition upon the creation of the .31 caliber model 1849 "Pocket" revolver but then skyrocketed when the .36 caliber model 1851 "Navy" revolver took the scene. Colt had the proper patents both domestic and foreign to protect his designs but that did not stop competitors from copying his patterns. Colt was able to establish several license agreement's which includes having a representative at the Belgium proof house to monitor and charge the competitors a fee to have their copies inspected and approved. If approved, the top of the barrel was stamped "COLT BREVETE" indicating that the copy was of good quality and could be sold. However, many foreign gun makers would avoid the proof house and inspection and made their own fake proof marks and Colt Brevete stamps.  read more

Code: 24590

Pair of Porcelain Cabinet Plates of Emperor Napoleon & Empress Josephine, Royal Copenhagen.

Finest porcelain dished plates bearing fine portraits of the emperor and empress of France, decorated with deluxe finest brushed pure gold borders. Makers mark to each dishMarie Josèphe Rose Tascher de La Pagerie was born in 1763 in Martinique to a wealthy white Creole family that owned a sugarcane plantation. In 1779, she married Alexandre de Beauharnais, with whom she had two children. The marriage was not a happy one, leading to a court-ordered separation. In 1794, during the Reign of Terror, Alexandre was executed but Josephine was freed thanks to the fall and execution of Robespierre.
Josephine met Napoleon, six years her junior, in 1795. Napoleon was enamored with Josephine, with whom he had a passionate affair. In January 1796, Bonaparte proposed to Josephine and they married in March. Until meeting Bonaparte, Josephine was known as Rose, but Bonaparte preferred to call her Josephine, the name she adopted from then on.
The marriage was not well received by Napoleon’s family, who were shocked that he had married an older widow with two children. Two days after the wedding, Bonaparte left to lead the French army in Italy. During their separation he sent her many love letters, but both spouses also had lovers. Despite his own affairs, their relationship was never the same after he learnt about hers.
The coronation ceremony, officiated by Pope Pius VII, took place at Notre Dame de Paris in December 1804. Following prearranged protocol, Napoleon first crowned himself, then put the crown on Josephine’s head, proclaiming her empress.
When after a few years it became clear Josephine could not have a child, Napoleon, though he still loved his wife, began to think seriously about the possibility of divorce and created lists of eligible princesses. In November 1809, he let Josephine know that in the interest of France he must find a wife who could produce an heir. Despite her anger, Josephine agreed to the divorce so the Emperor could remarry in the hope of having an heir.
Despite his divorce from Josephine, he showed his dedication to her for the rest of his life. When he heard the news of her death while on exile in Elba, he locked himself in his room and would not come out for two days. Her name would also be his final word on his deathbed in 1821.

Juliane Marie was known as a modern queen and a strong supporter of the country. It was the task of the reigning monarch to safeguard the country’s economic health with the development of domestic products and services. Her greatest legacy was founding the Royal Danish Porcelain Factor y in 1775.The production of porcelain was not entirely unknown to Juliane Marie. Her brother, Charles I of Brunswick-Wolfenbüttel had also founded a porcelain factory in Fürstenberg, Germany. In addition, their sister was married to Frederik II of Prussia, one of Europe’s absolute monarchs who in 1763 founded a porcelain factory in Berlin. Although the siblings corresponded, the secret for porcelain manufacturing was not shared between them and it was only in 1774 that porcelain was first produced in Copenhagen. Finally, Juliane Marie and the Danish royal family had their own valuable porcelain production, like other European monarchies.
THE ROYAL CROWN AND THE THREE WAVES

Juliane Marie was adamant from the start that each piece of Royal Copenhagen porcelain would be stamped with its unique factory mark: the three hand-painted waves that symbolise Denmark’s waterways, the ‘Oresund’ or Sound, the Great Belt and the Little Belt. The queen also introduced the royal crown stamp to highlight the factory’s royal association. The crown has changed over time and can be used to date each piece of Royal Copenhagen.

In the 1700's, it was good diplomatic practice amongst royalty and aristocracy to give fine porcelain as gifts. Following Danish defeat at the Battle of Copenhagen in 1801, Lord Nelson bought Royal Copenhagen porcelain for his beloved Lady Hamilton. The Danes lost the battle. But a love of Danish porcelain was victorious. Surface glaze fault at Josephine’s hair style.
273mm wide  read more

Code: 24588

A Fabulous Piece of British Armed Forces Helicopter Aeronautica. A Souvenir of the Falklands War, A Westland Wessex Helicopter Cyclic Control Grip With Wiring

We acquired this from a former SF Falklands War veteran, who brought it back from the South Atlantic. It came from a Westland Wessex helicopter that had, apparently, somewhat, come a cropper. Of course we have no idea which chopper this control grip came from, and it certainly couldn't likely have come from a maritime loss, but none the less it is a great original part of the Westland Wessex, in pretty good condition, considering its circumstances of acquisition. It bears a serial number and its wiring portion.

Around 55 Westland Wessex HU.5s participated in the Falklands War, fighting in the South Atlantic in 1982. On 21 May 1982, 845 Squadron's Wessex HU.5s supported British landings on East Falkland. The type was heavily used throughout the conflict for the transportation and insertion of British special forces, including members of the Special Air Service (SAS) and the Special Boat Service (SBS). A total of nine Wessex (eight HU.5s and one HAS.3) were lost during the Falklands campaign. Two HU.5s of 845 Squadron crashed on the Fortuna Glacier in South Georgia during an attempt to extract members of the SAS during a snow storm, six of 848 Squadron's Wessex HU.5s were lost when the container ship Atlantic Conveyor was sunk and the HAS.3 aboard HMS Glamorgan was destroyed when the ship was struck by an Exocet missile.

The Falklands War was a ten-week undeclared war between Argentina and the United Kingdom in 1982 over two British dependent territories in the South Atlantic: the Falkland Islands and its territorial dependency, South Georgia and the South Sandwich Islands.

The conflict began on 2 April, when Argentina invaded and occupied the Falkland Islands, followed by the invasion of South Georgia the next day. On 5 April, the British government dispatched a naval task force to engage the Argentine Navy and Air Force before making an amphibious assault on the islands. The conflict lasted 74 days and ended with an Argentine surrender on 14 June, returning the islands to British control. In total, 649 Argentine military personnel, 255 British military personnel, and three Falkland Islanders were killed during the hostilities.

The conflict was a major episode in the protracted dispute over the territories' sovereignty. Argentina asserted (and maintains) that the islands are Argentine territory, and the Argentine government thus characterised its military action as the reclamation of its own territory. The British government regarded the action as an invasion of a territory that had been a Crown colony since 1841. Falkland Islanders, who have inhabited the islands since the early 19th century, are predominantly descendants of British settlers, and strongly favour British sovereignty. Neither state officially declared war, although both governments declared the islands a war zone.

The conflict has had a strong effect in both countries and has been the subject of various books, articles, films, and songs. Patriotic sentiment ran high in Argentina, but the unfavourable outcome prompted large protests against the ruling military government, hastening its downfall and the democratisation of the country. In the United Kingdom, the Conservative government, bolstered by the successful outcome, was re-elected with an increased majority the following year. The cultural and political effect of the conflict has been less in the UK than in Argentina, where it has remained a common topic for discussion.

Diplomatic relations between the United Kingdom and Argentina were restored in 1989 following a meeting in Madrid, at which the two governments issued a joint statement. No change in either country's position regarding the sovereignty of the Falkland Islands was made explicit. In 1994, Argentina adopted a new constitution, which declared the Falkland Islands as part of one of its provinces by law. However, the islands continue to operate as a self-governing British Overseas Territory  read more

Code: 24587

A Superb 17th Century Kora of the Gurkhas of Nepal

The blade has an unusual shaped tip, inlaid with brass cross devices within fine engraved borders and bands, twin disc guards, iron grip, stupa-shaped pommel. The Kora is possibly the oldest form of sword of the Gurkhas and it may well be that their phenomenal military success was largely due to their possession of such a terribly effective weapon." 'Kora,' has an inner cutting edge, with which those who use it skilfully are enabled to cut a foe in two at a single blow." Its appearance reminds of the European Sabre but instead of curving upwards (back) it has a wide tip, a forward curved blade, single edged on its concave side, the latter two characteristic sit shares with the Kukri knife. When used correctly the forward curved blade concentrates the power/energy of the strike to the curved area thus allowing more force to be utilised at the point of contact in each blow. It is designed with its practical application in mind, to chop/slash and not for Classical fencing, yet its usually light enough if the need arises. Like Nepal, the Kora & Kukri are strongly associated with the Gurkhas and was firstly illustrated in Col. William Kirkpatrick's work "An Account of the kingdom of Nepal?" published in London, 1811 based on his travels in 1793 to Nepal. There both the Kukri and Kora is for the first time illustrated to the wider worlds public. The Kora was traditionally used warfare and personal protection, but also played and still plays a function in the religious sphere where it is used to behead sacrificial animals in one blow, otherwise believed to bring bad fortune and the sacrifice is considered useless. Thus both a skilled man and a formidable blade is needed, the Kora certainly passes the criteria!.

Photo 9 in the gallery of the Bagbhairab Temple, Kirtipur, Kathmandu, Nepal. they are Koras used from the battle of Kirtipur during the 1760`s.

Blade 55cms, overall 70.5cms. Jolly nice condition for age.  read more

Code: 21790