A Shinto Aikuchi Tanto, Unokubi-Zukuri With Hi Blade & Stunning Bi-Colour Shakudo Fittings Katakiri-bori Carving, on Migaki-ji of Insects, a Cricket a Hornet and a Praying Mantis

Circa 1700. A very attractive Samurai tanto that has lain untouched for likely 140 odd years or more. All matching and most attractive Edo period bi-colour hand carved shakudo fittings katakiri-bori carving, on migaki-ji including a kozuka, engraved with a preying mantis, a wasp on the kashira and a grasshopper on the sayajiri. The menuki are of fine gold overlay of dragon, and the tsuka has imperial off-white silk binding. The blade is in a unokubi-zukuri form similar to naga nata in stunning polish. The original Edo lacquer saya is uniformly ribbed along it's length with age cracking below the kozuka pocket, and small bruises at the base. Very fine hammered silver foil covered habaki.

The tanto is commonly referred to as a knife or dagger. The blade can be single or double edged with a length between 15 and 30 cm (6-12 inches, in Japanese 1 shaku).

The tanto was designed primarily as a stabbing weapon, but the edge can be used for slashing as well. Tanto are generally forged in hira-zukuri style (without ridgeline), meaning that their sides have no ridge line and are nearly flat, unlike the shinogi-zukuri structure of a katana.

Some tanto have particularly thick cross-sections for armour-piercing duty, and are called yoroi toshi.  read more

Code: 25141

A Stunning, Fearsome Yet Beautiful, Edo Period Shirohige Ressei-Menpo "Mask With Fierce Expression" Samurai Face Armour,, Probably Myochin School, 18th century

Men-yoroi (面鎧), also called menpō (面頬) or mengu (面具), are various types of facial armour that were worn by the samurai class and their retainers in feudal Japan. These include the sōmen, menpō, hanbō or hanpō, and happuri.

A resseimon cheek is a form of cheek below the eyes, and is a mask with a very fierce, angry, and threatening expression. He is characterized by wrinkles on his nose and cheeks, wide open mouth, moustache and gold teeth. This work is a typical ressei mask made of iron and covered with black lacquer over the entire surface, and is attached with a collar called a kuruwa, which was commonly used in the Edo period.

This is a wonderful piece of Japanese Samurai 'art' made for warfare, which features a kuchi hige (mustache), shiwa (facial wrinkles). Extremely collectable art that is most desirable in its own right, often stunningly used for interior decoration as an individual work of samurai art in its own right. A very good urushi lacqured embossed iron mask of 'Me no Shita Men' (half face) type. Mid Edo period 18th century. Typical Myochin school craftmanship with very sharp embossing. A multi coloured silk bound yodarekake, neck defence with hooked standing cord pegs for attaching with cords to the samurai. A doeskin top to the neck defences decorated in a black inked pattern of Shishi lion dogs on a leaf pattern background. The inner face is decorated with vermillion lacquer, and the neck lames are covered in black urushi lacquer under the cords. Face armour, menpo, is samurai armour, and this is called 'with a fierce expression' masks They were worn with the Samurai's armours to serve as a protection for the head and the face from sword cuts. Even if the mask in unsigned, the type, and its the features suggest this fabulous face armour menpo was made by a smith from the Myochin school.

There are 4 types of mask designs that came into general use in Japan: happuri (which covers the forehead and cheeks), hanbō (covers the lower face, from below the nose all the way to the chin), sōmen (covers the entire face) and the me-no-shita-men (covers the face from nose to chin). We can also classify those mask depending on their facial expressions, most of which derive from the theatre masks. It has an asenagashino ana a hole under the chin to drain off perspiration and orikugi two projecting studs above the chin to provide a secure fastening to the wearer. In the 16th century Japan began trading with Europe during what would become known as the Nanban trade. Samurai acquired European armour including the cuirass and comb morion which they modified and combined with domestic armour as it provided better protection from the newly introduced matchlock muskets known as Tanegashima. The introduction of the tanegashima by the Portuguese in 1543 changed the nature of warfare in Japan causing the Japanese armour makers to change the design of their armours from the centuries old lamellar armours to plate armour constructed from iron and steel plates which was called tosei gusoku (new armours). Bullet resistant armours were developed called tameshi gusoku or (bullet tested) allowing samurai to continue wearing their armour despite the use of firearms.
The era of warfare called the Sengoku period ended around 1600, Japan was united and entered a relatively peaceful Edo period. However, the Shoguns of the Tokugawa period were most adept at encouraging clan rivalries and conflicts and battles were engaged throughout the empire. This of course suited the Shogun very well, while all his subordinate daimyo fought each other they were unlikely to conspire against him. Samurai use continued to use both plate and lamellar armour as a symbol of their status but traditional armours were no longer necessary for war, but still for battle. The most important branch of the Myochin school is probably that of the Ki region. Founded by Kunimichi, it became popular between 17th and 18th century for the works of Munesuke, who had the technical ability and the artistic capacity to create samurai armour of great beauty, In fact, this is the period when Japanese armor makers became aware that they were living in a peaceful time and their works begun looking back at the mediaval samurai armour as an inspiration: kabuto started again to be of circular shape and decorations became again large and rich, as in the old o-yoroi armor.

The best ability of Munesuke was the hammering technique (uchidashi): his menpo look almost exagerated in their shapes, with a very long chin, sharp and deep wrinkles on the cheeks and theatrical mouth. Moustaches are often inlaid in silver or gold, instead of being in fur as on Nara style menpo.

But the armor maker who really brough the uchidashi technique to the highest level is Muneakira, pupil and adopted son of Munesuke, which we can consider the best maker for samurai armour of modern times: his hammeried works are extraordinary, with precise and sharp lines of a quality that nobody else achieved.

The men-yoroi, which covered all or part of the face, provided a way to secure the top-heavy kabuto (helmet). The Shinobi-no-o (chin cord) of the kabuto would be tied under the chin. Small hooks called ori-kugi or posts called odome located on various places would help secure the chin cord. The men-yoroi was constructed from iron, leather, or a combination of both. It had a lacquered or rusted type of finish and included a variety of facial details, such as a moustache, fierce teeth and a detachable nose. With the exception of the happuri, a men-yoroi had a small hole underneath the chin for sweat drainage.

Face armour in Japan begins with the happuri, which is depicted in Heian- and Kamakura-era yamato-e paintings and is thought to have appeared during the 10th or 11th centuries. It is depicted as being worn with or without a helmet by both mounted warriors and foot retainers. By the 14th century, the hōate appears, and according to Tom Conlan, this development is behind decreased facial wound statistics. However, others, such as Yamagishi Sumio, believe that the hōate was not widespread at that time, as it—and the later menpō—restricted the vision of the wearer. Hōate are also portrayed in art and literature of the period, most notably the Aki no yo no Nagamonogatari scroll and Taiheiki. The menpō (half-mask with detachable nosepiece) and the sōmen (full face mask) are believed to have been introduced around the mid to late 15th century, and the hanbō (chin guard) in the second half of the 16th century
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Code: 25241

A Superb Late 19th To WW2 British Tropical Helmet, Wolseley Pattern Used From The Boer War to WW1 and WW2 By Tress and Co. With Interior Makers Stamp. With War Dept. Stamped Storage and Transit Cover

The Wolseley pattern helmet is a distinctive British design developed and popularised in the late 19th and early 20th century. It was the official designation for the universal sun helmet worn by the British Army from 1899 to 1948 and described in the 1900 Dress Regulations as "the Wolseley pattern cork helmet". It is named after Field Marshal The 1st Viscount Wolseley. With its swept-back brim, it provided greater protection from the sun than the old Colonial pattern helmet. Its use was soon widespread among British personnel serving overseas and some Canadian units.
The British Empire won the Second Boer War, which took place from 1899 to 1902. The war was fought against the two Boer republics, the South African Republic (Transvaal) and the Orange Free State. Despite initial setbacks and a prolonged guerrilla phase, the British ultimately prevailed and annexed both republics. The war concluded with the Treaty of Vereeniging, which formally integrated the Boer republics into the British Empire

The desert campaigns in World War I primarily involved fighting in the Sinai and Palestine, as well as the Western Desert of Egypt, between the British Empire and the Ottoman Empire. These campaigns were characterized by harsh desert conditions, with troops facing extreme heat, water shortages, and challenging terrain. The campaigns included actions like the Suez offensive, the Senussi revolt, and operations in Sinai and Palestine.

The North African campaign of World War II took place in North Africa from 10 June 1940 to 13 May 1943, fought between the Allies and the Axis Powers. It included campaigns in the Libyan and Egyptian deserts (Western Desert campaign, Desert War), in Morocco and Algeria (Operation Torch), and in Tunisia (Tunisia campaign). The Allied war effort was dominated by the British Commonwealth and exiles from German-occupied Europe. The United States entered the war in December 1941 and began direct military assistance in North Africa on 11 May 1942.

Fighting in North Africa started with the Italian declaration of war on 10 June 1940. On 14 June, the British 11th Hussars and part of the 1st Royal Tank Regiment, (1st RTR) crossed the border from Egypt into Libya and captured Fort Capuzzo. This was followed by an Italian counter-offensive into Egypt and the capture of Sidi Barrani in September. The British recaptured Sidi Barrani in December during Operation Compass. The Italian 10th Army was destroyed and the German Afrika Korps was dispatched to North Africa in February 1941 in Operation Sonnenblume to reinforce the Italians and prevent an Axis defeat.

Battles for control of Libya and Egypt followed, with advances and retreats until the Second Battle of El Alamein in October 1942 when the Eighth Army (Lieutenant-General Bernard Montgomery) defeated the German–Italian Panzerarmee Afrika and forced its remnants into Tunisia. After Operation Torch, the Anglo-American landings in North-West Africa in November 1942 and fighting against Vichy France forces (which then changed sides), the Allies trapped about 250,000 German and Italian personnel in northern Tunisia, forcing their surrender in May 1943.

Information gleaned via British Ultra code-breaking was important in the Allied victory in North Africa. The Italian campaign followed, culminating in the downfall of the Fascist government in Italy and the elimination of Germany's main European ally. German and Italian forces committed atrocities against prisoners of war and Maghrebi Jews, Berbers and Arabs.  read more

Code: 25847

A Beautiful Edo Period Original Samurai Armour, Gosuko Likely 17th Century and Used Into The 18th Century With 12 Plate Goshozan Suji Bachi Kabuto Helmet And A Super Ressai Fierce Full Face Armour Menpo And Clan Mon Tassets of The Honda Tadakatsu Clan

A superb early to mid Edo samurai yoroi, with the symbol in gold of deer antlers emblazoned on both haidate thigh protectors tassets, which would indicate a samurai of the clan of the great Honda Tadakatsu, a 17th century general and later daimyo serving under Tokugawa Iayesu, whose symbol was his famous deer antlers worn upon his kabuto helmet.
Deer antlers were seen as symbols of the messengers of the gods.

Honda Tadakatsu (本多 忠勝, March 17, 1548 – December 3, 1610), also called Honda Heihachirō (本多 平八郎) was a Japanese samurai, general, and daimyo of the late Sengoku through early Edo periods, who served Tokugawa Ieyasu. Honda Tadakatsu was one of the Tokugawa Four Heavenly Kings (Shitennō) along with Ii Naomasa, Sakakibara Yasumasa, and Sakai Tadatsugu.

It has a fine helmet kabuto of 12 plates, a 12 plate goshozan suji bachi kabuto. A helmet which is a multiple-plate type of Japanese helmet bowl with raised ridges or ribs showing where the 12 tate hagi-no-ita ( helmet plates) come together at the five-stage tehen kanamono finial, with the fukurin metal edges on each of the standing plates. The mabisashi peak lacquered and it has a four-tier lacquered iron hineno-jikoro neck-guard laced with dark blue. The interior shows four very ancient helmet plates rivetted together to form the interior support basis of the 12 plate skull. Unlined. With full face ressai menpo {the grimacing expression face armour} sets it off superbly with a most intimidating presence. When this was worn by its fierce-some armoured samurai, he must have looked spectacularly impressive. Dou or do, a chest armour made up of iron plates of various sizes and shapes with pendents
kusazuri made from iron or leather plates hanging from the front and back of the dou to protect the lower body and upper leg.
Sode, large modern rectangular shoulder protection made from iron and or leather plates.
Kote, armoured glove like sleeves which extended to the shoulder or han kote (kote gauntlets) which covered the forearms. Kote made from cloth covered with iron plates of various size and shape, connected by chain armor (kusari). Haidate, thigh guards which tied around the waist and covered the thighs. These were made from cloth with small iron and or leather plates of various size and shape, connected to each other by chain armour (kusari) and sewn to the cloth.
Suneate, shin guards made from iron splints connected together by chain armour (kusari) and sewn to cloth and tied around the calf.

The “deer-horn helmet” and deer horns, came henceforth, to be known as his symbol.

Tadakatsu’s helmet “Kazuno Wakidate Kabuto,” or Japanese armour (yoroi/kabuto), was a simple black helmet. His helmet is famous for its deer horn flanks. There are various theories as to why deer horns were used as the side of the helmet. When Yoshimoto Imagawa was shot in the Battle of Okehazama and Ieyasu’s army had to immediately return to Okazaki Castle, Tadakatsu found that the river was swollen, and he could not cross. At that moment, a deer appeared, and when he was watching the deer also trying to cross to the opposite bank, he found shallow water at a certain point and crossed the river. Thanks to this, the deer was able to return safely to Mikawa. Since then, Tadakatsu made up his mind to “protect Ieyasu-dono for the rest of his life like the deer did that one time,” and made a helmet out of the deer’s horns. Deers have also been cherished as messengers of the gods since ancient times. There are various theories as to why deers were regarded as messengers of the gods, but in mountainous Japan, the deer’s ability to run through steep mountains may have portrayed them as animals with mystical powers. In addition to his military prowess, Honda Tadakatsu was also attractive because of his large figure as a man, which is probably the reason why he is still popular today as a military commander who attracts many people

In the 16th century Japan began trading with Europe during what would become known as the Nanban trade. Samurai acquired European armour including the cuirass and comb morion which they modified and combined with domestic armour as it provided better protection from the newly introduced matchlock muskets known as Tanegashima. The introduction of the tanegashima by the Portuguese in 1543 changed the nature of warfare in Japan causing the Japanese armour makers to change the design of their armours from the centuries-old lamellar armours to plate armour constructed from iron and steel plates which was called tosei gusoku.

Bullet resistant armours were developed called tameshi gusoku or (bullet tested) allowing samurai to continue wearing their armour despite the use of firearms. This armour has areas of worn and naturally aged lacquer and areas of cloth/material that are perished due to it's great age and just as would be expected.
Complete with storage box unlidded  read more

Code: 20251

A Very Good Shinto Period, Circa Later 1600's, Samurai Spear, A Ryo-Shinogi Yari Pole Arm. Signed Hisatoshi, & Magari-Yari Saya

The magari-yari saya would indicate it would be used on a triple bladed magari-yari pole arm.

An Edo Period Samurai Horseman Ryo-Shinogi Yari Polearm on original haft, circa 1670. For use on or off horseback.
Beautiful bright polish with suguha straight hamon to both edges.

With original pole and iron foot mount ishizuki. Four sided double edged head. The mochi-yari, or "held spear", is a rather generic term for the shorter Japanese spear. It was especially useful to mounted Samurai. In mounted use, the spear was generally held with the right hand and the spear was pointed across the saddle to the soldiers left front corner.
The warrior's saddle was often specially designed with a hinged spear rest (yari-hasami) to help steady and control the spear's motion.

The mochi-yari could also easily be used on foot and is known to have been used in castle defense. The martial art of wielding the yari is called sojutsu. A yari on it's pole can range in length from one metre to upwards of six metres (3.3 to 20 feet). The longer hafted versions were called omi no yari while shorter ones were known as mochi yari or tae yari. The longest hafted versions were carried by foot troops (ashigaru), while samurai usually carried a shorter hafted yari.

Ryō-shinogi yari, a blade with a diamond shaped cross section

Honda Tadakatsu was famous as a master of one of The Three Great Spears of Japan, the Tonbokiri (蜻蛉切). One of The Three Great Spears of Japan, the Nihongō (ja:日本号) was treasured as a gift, and its ownership changed to Emperor Ogimachi, Shogun Ashikaga Yoshiaki, Oda Nobunaga, Toyotomi Hideyoshi, Fukushima Masanori, and so on, and has been handed down to the present day.

Yari are believed to have been derived from Chinese spears, and while they were present in early Japan's history they did not become popular until the thirteenth century.The original warfare of the bushi was not a thing for "commoners"; it was a ritualized combat usually between two warriors who may challenge each other via horseback archery and sword duels. However, the attempted Mongol invasions of Japan in 1274 and 1281 changed Japanese weaponry and warfare. The Mongol-employed Chinese and Korean footmen wielded long pikes, fought in tight formation, and moved in large units to stave off cavalry. Polearms (including naginata and yari) were of much greater military use than swords, due to their much greater range, their lesser weight per unit length (though overall a polearm would be fairly hefty), and their great piercing ability. Swords in a full battle situation were therefore relegated to emergency sidearm status from the Heian through the Muromachi periods.

The shaft (nagaye or ebu) came in many different lengths, widths, and shapes; made of hardwood and covered in lacquered bamboo strips, these came in oval, round, or polygonal cross section. These in turn were often wrapped in metal rings or wire (dogane), and affixed with a metal pommel (ishizuki; 石突) on the butt end. Yari shafts were often decorated with inlays of metal or semiprecious materials such as brass pins, lacquer, or flakes of pearl. A sheath (saya; 鞘) was also part of a complete yari.

The Three Great Spears of Japan are three individual spears (yari) that were made and crafted by the greatest historical blacksmiths of Japan:1

Tonbokiri (蜻蛉切): This spear once wielded by Honda Tadakatsu, one of the great generals of Tokugawa Ieyasu. It was forged by Masazane, a disciple of Muramasa. It is now owned by a private individual and lent to the Sano Art Museum for its collection. The type of blade shape is sasaho yari.2
Nihongo, or Nippongo (日本号): A famous spear that was once used in the Imperial Palace. Nihongo later found its way into the possession of Fukushima Masanori, and then Tahei Mori. It is now at Fukuoka City Museum. The type of blade shape is omi yari.2
Otegine (御手杵): It was a spear that Yuki Harutomo, a daimyo, ordered Shimada Gisuke, a swordsmith, to make. It was lost in the Bombing of Tokyo in 1945. The type of blade shape was omi yari.

this yari's blade is 17.5 inches including tang, blade 5 inches long, overall in pole 78 inches {not including saya}  read more

Code: 24041

Ashigaru Samurai Foot Soldier's Conical Jingasa Helmet Edo Period With the Ando Clan’s, Agari-Fuji Mon Motif of Wisteria

Toppai jingasa with agari-fuji mon. The clan claims descent from Abe Hirafu and Abe Nakamaro. The clan served the Tokugawa clan during Edo Period. Their first recorded family head, Andō Naotsugu was eldest son of Andō Haruyoshi and grandson of Ando Ieshige, retainer of Matsudaira Hirotada (father of Tokugawa Ieyasu). Ashigaru were foot-soldiers employed by the samurai class of feudal Japan. The first known reference to ashigaru was in the 14th century, but it was during the Ashikaga shogunate, Muromachi period, that the use of ashigaru became prevalent by various warring factions. shigaru were commonly armed with naginata, yari, yumi and swords. Ashigaru armour varied depending on the period, from no armour to heavily armored and could consist of conical hats called jingasa made of lacquered hardened leather or iron, cuirasses (do), helmets (kabuto), armoured hoods (tatami zukin), armored sleeves (kote), greaves (suneate), and cuisses (haidate).

The warfare of the Sengoku period (15th and 16th centuries) required large quantities of armour to be produced for the ever-growing armies of ashigaru. Simple munition quality cuirasses and helmets were produced including tatami armour which could be folded or were collapsible. Tatami armour was made from small rectangular or hexagonal iron plates that were usually connected to each other by chainmail and sewn to a cloth backing. In the 16th century the ashigaru were also armed with matchlocks of the type known as tanegashima. Small banners called sashimono could be worn on their backs during battle for identification. In the Sengoku period the aspect of the battle changed from single combat to massed formations. Therefore, ashigaru became the backbone of many feudal armies and some of them rose to greater prominence.

Those who were given control of ashigaru were called ashigarugashira. The most famous of them was Toyotomi Hideyoshi, who also raised many of his warrior followers to samurai status. Yamauchi Kazutoyo was one of such samurai and later daimyo who rose from ashigaru. Ashigaru were considered to be of the samurai class in some han (domains), but not in others  read more

Code: 21731

A Rare, Original, Ancient Viking Iron Battle Hammer-Axe. Around 1100 to 1200 Years Old. Almost Every Viking Warrior Used the Axe or Spear As Their Primary Combat Weapon. Swords Were the Prerogative of Kings or Earls {Jarls} A South West England Find

An original English Viking site find in the 1870's, but not recorded as to where in the South West of England {likely Somerset} it was actually recovered.

In 836 King Egbert of led an army to Carhampton in West Somerset against a Viking army from 35 landed long-ships, in the ensuing battle the King Egbert’s army was defeated and withdrew, leaving the Vikings to raid and plunder all the surrounding countryside. The suffering of the Anglo Saxon peasantry was terrible and lasted for many decades. It wasn't until 878 that an army under King Alfred fought and defeated Viking King Guthrum's army at Edlington in Wiltshire and they fled. It wasn't until 914 that the vikings returned once more to Somerest but they were once again defeated.

Renown scholar Alcuin of York was back at Charlemagne's court by at least mid-792, writing a series of letters, regarding the brutal Viking raid at Lindisfarne, to Æthelred, to Hygbald, Bishop of Lindisfarne, and to Æthelhard, Archbishop of Canterbury in the succeeding months, dealing with the Viking attack on Lindisfarne in July 793. These letters and Alcuin's poem on the subject, "De clade Lindisfarnensis monasterii", provide the only significant contemporary account of these events. In his description of the Viking attack, he wrote: "Never before has such terror appeared in Britain. Behold the church of St Cuthbert, splattered with the blood of God's priests, robbed of its ornaments.

The Vikings began arriving en masse with armies intent on conquest. These armies were led by Ivar the Boneless, Halfdan, and Ubba, three of the sons of Ragnar Lodbrok, who had been killed by the Northumbrian King Ælla. The first English city to fall to the invaders was York, conquered in 866. The Northumbrians tried in vain to retake the city, and King Ælla was killed in the process. One-by-one, other Saxon realms capitulated until virtually all of north and eastern England was under the direct control of the Danes.

At this point, the strongest Anglo-Saxon kingdom was Wessex, and upon the death of its king Æthelred, Alfred succeeded the throne and took the fight to the Vikings in England, who had begun annexing huge chunks of Mercia, an ally of Wessex. Alfred’s initial campaign against the Vikings was, however, a complete failure. Anglo-Saxon military tactics and defenses were incapable of dealing with Viking raids, and Alfred was eventually forced into hiding in the Somerset Marshes. The Vikings in England had succeeded in opening up the whole of Anglo-Saxon England to their mercy.
In 878, King Alfred came out of hiding and met with the lords still loyal to his cause. During his time in the Somerset Marshes, he had carefully planned a major counter-offensive against the Danish Viking army under Guthrum. Alfred’s campaign was successful, and Guthrum’s army was beaten, first in the field at Edington and then starved into submission at Chippenham. Several years later, a boundary was established, dividing England in two, with one half under Anglo-Saxon control and the other half, known as the Danelaw, under the control of the Vikings.

King Alfred organized better defenses, as well as a powerful free-standing army better equipped to deal with Viking tactics. As a result, subsequent raids and a major invasion attempt were thwarted. The Vikings who were part of this invasion attempt either ended up settling in Danelaw or sailing to Normandy and settling there.
Beyer, Greg. "The Vikings in England (Or were they Danes?)" TheCollector.com, March 11, 2023, https://www.thecollector.com/danes-or-vikings-in-england/

Title page of a late manuscript of the Prose Edda written by Snorri Sturluson (13th century), showing the Ancient Norse Gods Odin, Heimdallr, Sleipnir, and other figures from Norse mythology, plus the legendary axe hammer.

The Tjängvide image stone with illustrations from Norse mythology
By Berig - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=3682858
Showing axe hammers in combat and a Viking longship read more

5 3/4 inches x 2.1/4 inches x 2 inches at the socket width.  read more

Code: 25845

Probably The Rarest Polish Hero's Medal Group in The World. French Foreign Legion Group & Badge of the Bayonian Battalion,+ Dog Tag Bracelet. One of the Only 200 Polish Volunteers To Serve In The French Foreign Legion In WW1. Tragically 150 Were KIA 1915

Possibly one of of only a maximum of fifty groups of medals ever awarded to the surviving Heroic Polish volunteers, from this Polish Volunteer Legion, that survived up to the end of 1915, during WW1, and probably the only group still surviving today.
Between 1915, up to November 1918, how many of those 50 survivors, that transferred to the regular Polish Army, may well have also tragically perished in combat in those two years.

So just how few such groups survive till today is anyone's guess, but there only being a maximum of fifty surviving members of the volunteers by the end of 1915, less all the later casualties, it is possible this set is a unique survivor from the history of the National Hero's of the Polish French Foreign Legion Volunteers of WW1.
A plaque dedicated to these most heroic of men is upon the “Tomb of the Unknown Soldier” in Poland

A group of four World War One French Foreign Legion Polish volunteer’s military service medals, the Croix De Guerre and star, Croix du Combattant de 1914-1918, The 1914–1918 Commemorative war medal with foreign volunteer bar, French WWI Victory Medal, with a set of framed matching miniatures, plus the silver and enamel badge of the Polish Foreign Legion volunteers 'Bajończyk Battalion'.
Made of silver and enamel, it is in the form of a breast badge with a screw threaded mount made by the contract maker, B. Szulecki of Warsaw. With its original maker marked, domed, screw threaded mount.
The group, miniatures and badge is complete with the Polish French Foreign Legion Volunteer’s 'named' dog tag bracelet, made and issued in Paris in 1914, and mounted on a wrist bracelet. In October 1915 a Polish Periodical Newspaper Publication in Paris {Polonia : Revue Hebdomadaire Polonaise. A. 2, October 1915, issue no 40} mentions this Polish volunteer’s soldiers name, as he was a Polish Legion Volunteer, and made a listed donation of 5 Francs, on the fifth list of donations received by the administration of the Polonia magazine, for Polish Victims of War.

This group was colloquially called the Bayonian Legion. They formed the 2nd company of the 1st regiment of the Foreign Legion, which received its own banner with the image of an eagle. Command positions were filled by French officers, and some lower functions were in the hands of Poles from the Foreign Legion
Instead of the planned legion ( Legion Bayonne ), two units were formed from Polish volunteers recruited in Paris in August 1914: approximately 200 soldiers were sent to Bayonne for training , hence they were called Bayonians, and approximately 250 soldiers were sent to Rueil, hence their name - Rueilians . While the Bajonians remained a compact unit consisting of one company , the Rueilians were dispersed in various units of the 3rd Marching Regiment of the Foreign Legion. Further recruitment was suspended after a protest from the Russian embassy, ​​which feared that the legion would fight for Poland's independence.

Ultimately, the Bajonians were incorporated into the 2nd March Regiment (commander: Colonel Louis Pein) as part of the 1st Foreign Regiment - as the 2nd company of Battalion C (battalion commander - Major Gustave Alfred Noiré ). Among the volunteers was the son of the famous historian Józef Szujski - Władysław . Initially, Xawery Dunikowski was also a Bajończyk, who, together with Jan Żyznowski , designed the company's banner, presented to the Poles on September 21, 1914 by the mayor of the city, Joseph Garat. The remaining companies of this battalion were composed of Czechs (1), Belgians (3) and Italians (4). Initially, the Bajonians' company was commanded by Reserv. Julien Maxime Stephen "Max" Doumic (who died on November 11, 1914 near Sillery in the Marne department ), and after him by Capt. Juvénal Osmont d'Amilly (died on May 9, 1915 near Neuville-Saint-Vaast in the Pas-de-Calais department ).

The uniform of the Bajonians consisted of red trousers and a red hat, a navy blue sweatshirt and a blue coat . The unit's banner depicted a white eagle without a crown on a red background . Władysław Szujski served as the Bajoni's standard-bearer .

The company was sent to the front on October 22, 1914. Bajoons fought against the Germans on the Western Front in Champagne in 1914–1915. They served near Sillery from November 1914 to April 1915. Then they were sent to the town of Arras , where on May 9 they participated in the attack on the Vimy hills near Neuville-Saint-Vaast. They captured the German positions, at the cost of their success with heavy losses amounting to ¾ of the company's strength.

“The surviving soldiers of the division
were almost completely lost”. “The
commitment and sacrifice of this first rate unit was demonstrated in particular on 9 May 1915, when, placed at the head of the column attacking the “Ouvrages Blancs”, it distinguished itself brilliantly in
capturing enemy positions hitherto defended stubbornly, not stopping until it had fulfilled
its objectives, despite very heavy losses”, the
citation states in the military order of the day.

After this period, only about 50 Bajonians remained alive, and after resting on June 16, they were sent to German positions at the cemetery in Souchez, where other soldiers died, and therefore the unit was disbanded in the summer of 1915. a. On
16 June 1915, the “Bayonnais survivors”
attacked with bayonets to take the cemetery at Souchez.


Their heroism is still documented by the company banner with traces of 34 bullet holes, which is kept in the Polish Army Museum in Warsaw . Some former Bajon soldiers enlisted in French units or went to Russia to fight in Polish troops . The vast majority joined the Polish Army in France, organised since 1917 .

On June 10, 1922, the Minister of Military Affairs awarded the Cross of Valor for the first time "for the bravery and courage shown in the fights against the enemy of the Homeland" to the late. major of the French army Noiret (Noiré), late the captain of the French army, Ossman (Osmont d'Amilly) and three officers, ten non-commissioned officers and thirteen privates - soldiers of the former 1st Polish Division of the "Bajones" .

On September 27, 1922, the Commander-in-Chief and Chief of State Józef Piłsudski awarded the Silver Cross of the Order of Virtuti Militari No. 6155 to the banner of the "former 1st Polish Division in France (Bajones)" and awarded the order of the same class to 18 former soldiers of the Legion, including 6 officers and 12 privates


Bayonne Company

In 1914, Poland had been divided between Russia, Germany and Austria-Hungary for more than a century. At the outbreak of the war, Polish subjects largely expressed loyalty towards their relevant sovereigns. On 31 July 1914 – shortly before the outbreak of the war between Germany and France – Polish emigrants in Paris formed the “Committee of Polish Volunteers for a Service in the French Army”. Since the French authorities considered the Polish issue an internal Russian problem, they permitted the creation of Polish units exclusively within the Foreign Legion.

Although there were sufficient volunteers for two companies, only one – the Bayonneans – went to the front as a complete unit. The French decided to split the second company and allocated its soldiers to other formations. The Bayonneans suffered heavy losses, and in spring 1915 they were ordered to withdrew from the immediate front line.

Thanks to the efforts of the Polish community in France, a monument to the Bajone people was unveiled on the site of the Battle of Arras in La Targette on May 21, 1933. In Bayonne , on July 15, 1934, the "Aux Volontaires Polonaises" plaque was unveiled, and at the Notre-Dame de Lorette necropolis, a similar plaque "In Honor of Polish Volunteers" was unveiled, funded by the French Polish Congress in 1978. A number of names of Bayonians were engraved on the "L'Anneau de la Mémoire" monument. ” unveiled on November 11, 2014 next to the above-mentioned cemetery . In Poland, the Bajonians were commemorated with the inscription "Arras 9 May 1915" on the plaque of the Tomb of the Unknown Soldier in Warsaw . On April 5, 1929, the Minister of Military Affairs gave the 43rd Infantry Regiment the name "43rd Infantry Regiment of the Bajonan Legion" , and on July 25, 1939, changed it to "43rd Rifle Regiment of the Bajonan Legion". Apart from the tombstones and names of the few Bajo people commemorated in cemeteries in France and Poland, the only monument outside the cemetery to a Bajoan, 2nd Lieutenant . Lucjan Malcza is located in his birthplace in the village of Olszowa .

Pictures in the gallery of the Polish Volunteers Bajonian French Foreign Legion
Dream of Polish volunteers in French army 1914

Wladyslaw Szujski death 1914  read more

Code: 25169

A Superb, Heavy Grade, Original Viking 'Bearded' Battle Axe, Around 1000 Years Old. Almost Every Viking Warrior Used the Axe or Spear As Their Main & Primary Combat Weapon. Swords Were the Prerogative of Kings and Earls {Jarls}

Viking battle axehead 9th-12th century AD.

An iron axehead with triangular socket, narrow blade with curved edge with beard section.

One of the most famous Viking axes is Hel (named after the Norse death goddess), which belonged to King Magnus of Norway and Denmark. He is said to have inherited the weapon from his father, Olav Haraldsson of Norway, whose ax features prominently in Norway’s national coat of arms. Some Viking axes if they were wielded by a particularly strong and a skilled warrior could even cut through chainmail and helmets.

When King Magnus’s poet credited the king with being able to split heads like firewood, he wasn’t necessarily being hyperbolic. Writing about the pre-Viking Franks and their use of throwing axes, the Francisca, Procopius makes it clear that the Franks threw their axes immediately before hand to hand combat with the purpose of breaking shields and disrupting the enemy line while possibly wounding or killing an enemy warrior. The weight of the head and length of the haft would allow the axe to be thrown with considerable momentum to an effective range of about 12 m (40 ft). Even if the edge of the blade were not to strike the target, the weight of the iron head could cause injury. The francisca also had a psychological effect, in that, on the throwing of the francisca, the enemy might turn and run in the fear that another volley was coming. It is most logical that the Vikings may well have adopted this system of axe throwing combat from the earlier Franks, as it seemed most effective in numerous combat arenas.

Almost every iron weapon, sword, axe, spear, or helmet, that has survived till today, from this ancient era is now in a fully russetted surface condition, as is this one, because only the very few swords of ancient kings, that have been preserved in national or Royal collections, are today still in a fair state of preservation and with smooth surface condition.

For a near identical example one was recovered in a Hillfort about 500 miles South East of Stockholm, now in a Museum in Latvia . See photo 10 in the gallery.

7 1/4 inches x 3 1/2 inches x 1 1/2 at socket  read more

Code: 25838

An Exceptional 1700 to 1600 Year Old Spartha Sword of A Warrior of the Roman Empire's Invasions by the Huns and Visigoths. A Hun or Visigoth Horseman's Sword Spartha With Its Orinally Mounted ‘Lifstein’, the Magical Life-Stone, and Original Crossguard

A rarest of the very rare, a fabulous museum quality example of an original spartha sword, used by both the Visigoth and Hun pagan horsemen, modelled on the Germanic Roman spartha during the battles in the invasions of the Roman Empire's territory by the Visigoths and Atilla the Hun, leading to the Sack of Rome and beyond, in fact, eventually to the fall of Rome, and the Western Roman Empire itself.

A long double edged horseman’s sword with lentoid section blade with its rhomboid crossguard still present, it is overall russetted as is always the case with swords of such great age, yet it is in superb condition for a sword of this period, and it was recovered originally, and most remarkably, with its magical, pagan ‘life stone’ intact. The large bead, Lifstein or life-stone, is likely polished white chalcedony, and these legendary large beads are called life-stones, since they were believed to have magical properties for the swordsman, and thus be able to heal wounds and keep a wounded warrior alive. They were attached to the scabbards on this Migration Period example, although some were possibly attached to the hilt.

To find one of these incredibly historical swords with its original, excavated Life-Stone {aka Lifstein} present and together still is simply amazing. The grip and pommel that were once part of this sword would have been the usual organic material, such as ivory, bone, horn or wood, and thus they always naturally rot and crumble into dust, in likely just a few hundred years or so, after it was concealed or buried. Only precious gold, silver, or metal sword mounts could survive the millennia, but the spartha would never usually have metal grips or pommels. Only the most wealthy and superior warriors could possibly afford or even bother to adorn their sword hilts with gold and the like, such as Hunnish clan chiefs or kings. Such as has the same form of sword in Alamannenmuseum Ellwangen, in Germany. { See the gallery photo}

This sword itself was likely worn by the horseman using the belt suspension method, with its ‘Life stone’ mounted tied, with a stout cord of some kind, attached to its scabbard, although the sagas don't really specifically say, although one example is in Kormak's Saga 9th C. where it's stated

"Bersi had a sharp sword called Hviting, with a Lifstein (life stone) attached to it, which he carried in many dangers."

It doesn't specifically say if it was attached to his hilt or scabbard.
Hrolf Kraki's sword Skofnung is also said to possess a life-stone, but it is supposedly set into the hilt. Perhaps like the garnet inlaid hilts of the recovered swords of the Migration Period

This hint at a likely Hunnish origin for this actual type of horsemen's sword is supported by an early literary source, that specifically points out that the Huns wore two matching swords, a long double-edged sword, just as this example, carried at the left side of the warrior, and a single-edged short sword at the right.
This literary source is the oldest preserved epic of the Nibelungen cycle, Waltharius, also known as the Waltharilied, or the Lay of Walther and Hildegund, composed in Latin after lost German prototypes by a monk of St. Gall, Switzerland, during the tenth century.
In this heroic epic is the history of Walther of Aquitaine, a Visigothic prince, and Hildegund, a Burgundian princess.

“Though hostages, Walther and Hildegund were entrusted to the army, and in command was a general, and for a time even, commander-in-chief of the Hunnish forces.”
This is another gem of trustworthy historical information, since this putting of a hostage into a responsible position was exactly according to Hunnish custom. It continues;
“With them was Hagen, a noble youth of the royal house of the Rhenish Franks, they are hostages at the court of King Etzel of the Huns, the Attila of history. Hagen manages to flee, and Walther and Hildegund, his betrothed from childhood, escape soon afterward. In preparing for the flight Walther arms himself in Hunnish fashion-
"pro ritu Panoniarum"-with a double-edged long sword, spatha, belted to his left hip-"et laevum femur ancipiti praecinxerat ense"
-and a single-edged half-sword, semispatha, at his right-
"atque alio dextrum, pro ritu Panoniarum; Is tamen ex una dat vulnera parte."

The Sack of Rome on 24 August 410 AD was undertaken by the Visigoths led by their king, Alaric. At that time, Rome was no longer the capital of the Western Roman Empire, having been replaced in that position first by Mediolanum (now Milan) in 286 and then by Ravenna in 402. Nevertheless, the city of Rome retained a paramount position as "the eternal city" and a spiritual center of the Empire. This was the first time in almost 800 years that Rome had fallen to a foreign enemy, and the sack was a major shock to contemporaries, friends and foes of the Empire alike.

The sacking of 410 is seen as a major landmark in the fall of the Western Roman Empire. St. Jerome, living in Bethlehem, wrote: "the city which had taken the whole world was itself taken"

Photo in the gallery of a very similar Alamannic gold grip spatha, 5th century, with Life-bead attached to its museum created representational wooden scabbard portion. Without doubt in our opinion this was originally the former Hunnish or Visigoth sword of a highest ranked general, clan chief, king, or the equivalent status of leader.
Photo of that sword was taken at the Alamannenmuseum Ellwangen, Germany.

See;
Io. Grimm and Schmeller, LateinischeGedichtedes io. und ir. Jahrhundert(sGottingen, 1838). Alwin Schulz (San-Marte), trans., Walthervon Aquitanien(Magdeburg, I853). The most popular
translations are Victor von Scheffel's appendix to his Ekkehard (1855), the first romantic historical novel in German, and Karl Simrock's Das KleineHeldenbuch(Stuttgart and Berlin, I874).

About the Sword of the Huns and the
"Urepos"of the Steppes
HELMUT NICKEL
Curator of Arms and Armour, The Metropolitan Museum of Art

As with all our items it comes complete with our certificate of authenticity  read more

Code: 24623