A Most Fine and Beautiful 18th Century French Flintlock Circa 1740. A Superb Flintlock Much Favoured By Pirate, Privateer, Buccaneer & Corsair Captain's, From The Mid 18th Century to The Napoleonic Wars Era. Finest 'Tiger Stripe' Maple Stock

With a very fine and stunning looking tiger stripe maple wooden stock, bearing a simply superb natural age patina. Signed lock and all steel mounts. In jolly nice condition.

Long eared buttcap typical of the 1740's period flintlocks that saw service by pirate and corsair captain's fleets, from the the Anglo French Seven Years War in Europe and America where they raided ships of both sides the French and British supply galleons. And a finest pistol that would see continual use right through the Napoleonic Wars.

The French and Indian War (1754-63) comprised the North American theater of the worldwide Seven Years' War of 1756-63. It pitted the colonies of British America against those of New France.

Both sides were supported by military units from their parent countries, as well as by American Indian allies. At the start of the war, the French North American colonies had a population of roughly 60,000 settlers, compared with 2 million in the British North American colonies. The outnumbered French particularly depended on the Indians. The European nations declared war on one another in 1756 following months of localized conflict, escalating the war from a regional affair into an intercontinental conflict.

In the 1760s, corsairs were primarily privateers operating under a letter of marque, authorized by a state to attack enemy shipping. While often romanticized, they were essentially state-sanctioned pirates, with the potential for both profit and a degree of legitimacy. The most prominent corsairs in the 1760s were likely the Barbary corsairs, who operated out of North Africa, and French corsairs, who were active in the Mediterranean and Atlantic.

Corsairs, unlike pirates, were granted legal authority by a state, typically through a "letter of marque". This document authorized them to attack ships of enemy nations and seize their cargo, with the understanding that the spoils would be divided between the corsair and the state.

The Barbary corsairs, based in North Africa (Barbary Coast), were a significant force in the 1760s. They operated under the loose authority of the Ottoman Empire and preyed on shipping in the Mediterranean, often demanding tribute for safe passage.
French corsairs were also active in the 1760s, particularly during periods of conflict with other European powers. They aimed to disrupt enemy trade and supplement French naval power through privateering.

Corsairing was a risky but potentially lucrative business. While they could amass wealth through captured prizes, they also faced the dangers of capture by enemy navies and the possibility of being treated as pirates (if their letters of marque were not in order or if they engaged in activities beyond their authorization
Corsairs had a significant impact on maritime trade and naval warfare in the 1760s. They disrupted shipping lanes, contributed to naval conflicts, and played a role in the economic and political landscape of the time.

More than 20,000 captives were said to be imprisoned in Algiers alone. The rich were often able to secure release through ransom,

The name French and Indian War is used mainly in the United States. It refers to the two enemies of the British colonists, the royal French forces and their various American Indian allies. The British colonists were supported at various times by the Iroquois, Catawba, and Cherokee, and the French colonists were supported by Wabanaki Confederacy members Abenaki and Mi'kmaq, and Algonquin, Lenape, Ojibwa, Ottawa, Shawnee, and Wyandot.

British and other European historians use the term the Seven Years' War, as do English-speaking Canadians.

No consensus exists as to when the French Revolutionary Wars ended and the Napoleonic Wars began. Possible dates include 9 November 1799, when Bonaparte seized power on 18 Brumaire, the date according to the Republican Calendar then in use;41 18 May 1803, when Britain and France ended the one short period of peace between 1792 and 1814; or 2 December 1804, when Bonaparte crowned himself Emperor.42

British historians occasionally refer to the nearly continuous period of warfare from 1792 to 1815 as the Great French War, or as the final phase of the Anglo-French Second Hundred Years' War, spanning the period 1689 to 1815.43 Historian Mike Rapport (2013) suggested using the term "French Wars" to unambiguously describe the entire period from 1792 to 1815.44

In France, the Napoleonic Wars are generally integrated with the French Revolutionary Wars: Les guerres de la Révolution et de l'Empire.

It is often the case, as is here, that some descended nobility of France often fought on the side of the revolutionaries and then under Napoleon, and used their predecessors weapons, as little changed in the efficiency of pistols from the 1740’s to the 1790’s or even the 1810’s, so older style pistols had a remarkably useful life for up to 80 years or even more, especially for senior officers serving under Bonaparte.

As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 21456

An Extraordinarily Rare Piece of Earliest Aeronautica, Airship Zeppelin 'Sample Card' For Picture Frame Mounts Circa 1915. Sold to the Family's of Airship Crew in WW1

Pressed gilt and silvered metal airship models that were sold to affix to picture frames of the photos of loved ones that served in the Zeppelins in WW1.  read more

Code: 16776

Gold Metal Watch Fob, With a Zeppelin Model Top Mount Representing The Hindenburg Zeppelin, Gifted by Kapitan Max Pruss, Kapitan of the Ill Fated Zeppelin Airship LZ.129 Hindenburg. & the Hindenburg Kapitan's Saucer

Apparently given by Kapitan Max Pruss, the last Kapitan of the Hindenburg, accompanied with his boxed, original, WW2 Luftwaffe pilot's Leitz goggles, and his personal, named ‘Hindenburg’ porcelain saucer, not to be confused with the LZ standard livery porcelain, to a visiting British RAF officer in the 1950's, while he was attempting to resurrect with the post-war German government, his new Zeppelin project, with his former Hindenburg Chief Engineer, Rudolf Sauter. The fob is very heavy quality, and weighs as it should if it was solid gold, however, it bears no gold hallmark, so we cannot sell it as solid gold, and we cannot thus assume it is solid gold, therefore we offer it as ‘gold coloured metal’. The fitted Zeppelin miniature model top mount is certainly gold plate as the plate is fractionally worn in places. He Sauter worked with Captain Max Pruss, the Hindenburg's former commander, during the post-war years to try and revive the Zeppelin airships. In the early 1950s, in fact, Sauter and Pruss drew up plans for a new Zeppelin and made the case to the West German government and the press that (in Sauter's words,) "The use of Zeppelins in air traffic is absolutely economical. The West German government is planning to spend 150 million marks on a new airline flown by airplanes. We would need only 50 million marks to build new Zeppelins." Sauter showed the new Zeppelin plans to Dr. Hugo Eckener, by then in his late 80s and retired. As Eckener later told a news reporter, "I told him that he had my blessing, but that I do not want to have anything to do with it. Today, a Zeppelin would not have a chance against an airplane.". More photos of the fob and saucer to follow tomorrow. One photo in the gallery Is of Kapitan Pruss, with a fellow Kapitan Von Schiller colleague making a time check while aboard the Hindenburg.

Kapitan Pruss commanded the Zeppelin airship, Hindenburg, during its tragic explosion and destruction in Lakehurst, America. Amazingly he survived but with severe burns.

The Hindenburg disaster was an airship accident that occurred on May 6, 1937, in Manchester Township, New Jersey, United States. The German passenger airship LZ 129 Hindenburg caught fire and was destroyed during its attempt to dock with its mooring mast at Naval Air Station Lakehurst. The accident caused 35 fatalities (13 passengers and 22 crewmen) from the 97 people on board (36 passengers and 61 crewmen), and an additional fatality on the ground.

The disaster was the subject of newsreel coverage, photographs and Herbert Morrison's recorded radio eyewitness reports from the landing field, which were broadcast the next day.A variety of hypotheses have been put forward for both the cause of ignition and the initial fuel for the ensuing fire. The publicity shattered public confidence in the giant, passenger-carrying rigid airship and marked the abrupt end of the airship era.

We also have a souvenir German porcelain Hindenburg saucer from the captain’s personal porcelain set, said by Pruss to have been given to him by Hitler’s deputy, Herman Goring, however, if so, this must have been before the dramatic argument and falling out between Goring and Pruss at Frankfurt Airport in 1940.

Pruss was the commander of the airship during the Hindenburg disaster of 6 May 1937. This was his first time commanding a trip to Lakehurst. Pruss and several crew members rode the Hindenburg down to the ground as it burned, then ordered everybody out. He carried radio operator Willy Speck out of the wreckage, then looked for survivors until rescuers were forced to restrain him. Pruss, however, suffered extensive burns and had to be taken out by ambulance to Paul Kimball Hospital in Lakewood. The burns were so extensive that he was given last rites, but although his face was disfigured for the rest of his life, his condition improved over the next few months. Pruss was unable to testify at investigative committees, but officially he was not held responsible.

Pruss, along with other airship crewmen, maintained that the disaster was caused by sabotage, and dismissed the possibility that it was sparked by lightning or static electricity. Although Hugo Eckener did not rule out other causes, he criticized Pruss' decision to carry out the landing in poor weather conditions, expressing his belief that sharp turns ordered by Pruss during the landing approach may have caused gas to leak, which could have been ignited by static electricity. Pruss insisted that such turns were normal procedure, and that the stern heaviness experienced during the approach was normal due to rainwater being displaced at the tail.

Apparently Kapt. Pruss was exceptionally polite, and the exchange of gifts was most warmly given and received.  read more

Code: 24145

A Beautiful And Rare American Revolutionary War Period Large Boxlock Action Double Cannon Barrelled Flintlock Volley Gun Pistol, Silver Scroll Inlaid Butt

A renown ‘Queen Anne’ style volley gun. A fascinating and most rare breech loading piece, with twin over and under turn-off cannon barrels, that is able to fire as a volley gun, with both barrels simultaneously, or, one after the other, using a unique sliding trigger guard that opens or covers one of the ignition pans as is required. 50 bore, double barrelled large over and under flintlock boxlock pistol, c1770,” the muzzles starred for a barrel key, with two separate pans beneath a single frizzen, the sliding cover of one pan operated by the sliding trigger guard, the frame retaining traces of etching, the rounded flat sided walnut butt inlaid with silver scrolls and wavy lines. World famous English gunsmith from London Durs Egg was renown for making incredibly similar rare twin cannon barrelled pistols, also with unusual covered pan actions. No proofs. Discussing with Howard Blackmore of the Tower Armouries some decades ago, the non-proved 18th century guns were often for the American export market where proofing was not required. Queen Anne pistols are characterized by the fact that the breech and the trigger plate are forged in one piece with the lock plate, foreshadowing by over 100 years the so-called "action" of a modern weapon. With the typical 'Queen Anne' pistol the barrel unscrews with a barrel key or wrench just ahead of the chamber where the powder and ball are placed when the pistol is loaded. The chamber is long and narrow with a cup at the top shaped to fit the bullet (a round lead ball). The user can quickly fill the chamber with black powder and put a bullet on top; the barrel is then replaced, sealing the bullet between its cup and the breech end of the barrel.

The bullet is larger than the barrel, so the breech is tapered to compress the ball as it moves forward at the moment of firing to tightly fit the bore. High gas pressure is developed behind the bullet before it is forced into the barrel, thus achieving considerably higher muzzle velocity and power than with a muzzle loader. The barrel was often rifled, which improves accuracy. The system also avoids the need for wadding or a ramrod during loading. It was not hugely successful as a military weapon at the time because in the heat of battle the separate barrel could be dropped during loading. The greatest popularity of the Queen Anne was as an effective self-defense weapon. They could be highly decorated with silver to suit the tastes of the very wealthy. But in the case of a double barrel they were especially popular, but most expensive, in fact considerably more than a pair of single barrelled versions.
The firing action functions on a single cock, wear overall to stock and steel as usual due to age. Pistol 10.5" long overall,  read more

Code: 23317

An Incredibly Rare Crimean War Romanov Senior Officer's Sword Knot, Such As Worn By A Romanov Grand Duke of Russia, Or General. The Bullion Gold And Crimson Silk Knot Bears The Romanov Crest on One Side and a Cyrillic Royal Monogram on The Other

A Crimean War of the 1850’s, Romanov crested General’s gold and silk bullion sword knot, bearing a superb Romanov crest of the crowned double headed eagle, which is masterfully created within the weave of the gold bullion. See photo. Gules, a double-headed eagle displayed, twice imperially crowned, grasping in the dexter claw an imperial sceptre, and in the sinister claw an imperial orb.

From the time of Czar Alexander Ist to Czar Nicolas Ist. The form of very high ranking officer such as a Romanov General or Admiral in the Crimean War, which may explain how came to Britain, possibly as a war souvenir by a British officer serving in the Crimea

We show a portrait of Grand Duke Alexei Alexandrovich Romanov of Russia, from the late 19th century, with his sword that bears the same form of knot.

In 1855 Prince Mikhail Dmitrievich Gorchakov was appointed commander-in-chief of the Russian forces in the Crimea in place of the disgraced Prince Menshikov. Gorchakov's defence of Sevastopol, and final retreat to the northern part of the town, which he continued to defend till peace was signed in Paris, were conducted with skill and energy. The Battle of the Great Redan against British forces was a notable local victory. In 1856 he was appointed namestnik of Kingdom of Poland in succession to Prince Paskevich. He died at Warsaw on May 30, 1861, and was buried, in accordance with his own wish, at Sevastopol.
It would have likely been one of his or his predecessors generals that would have used this knot. Of by whom it is likely impossible to know.
Photo 7 in the gallery is a portrait of Prince Mikhail Dmitrievich Gorchakov, and photo 8 is a close-up of his same sword knot though not well defined in the portrait. Picture 9 in the gallery is the closest original Romanov era example we can find, fitted to its sword. However, it is a much later version of knot, from the 1900’s, and for a regular ranked Officer’s sword of St George, that sold {the sword and its later knot} for £18,750 four years ago.

The knot bottom twisted gold wire loops are a little tangled in part, but overall it is in super condition for such a very rare piece of original, mid 19th century, highest quality, high ranking Romanov officer’s uniform dress ware.  read more

Code: 25335

A Fine Kugyō Daisho, Koto to Early Shinto Era, Of A Daito & Shoto. Daito Signed Bishu ju Munemitsu. Shoto Signed Fujiwara Rai Kinmichi Yamashiro. This Daisho Is One Of The Most Beautiful Pairs Of Original Edo Period Fitted Samurai Swords We Have Seen

A fabulous daisho likely of the highest ranks of the samurai nobility of ancient and feudal times, they held the highest status of samurai in Japan and the rank of Kugyō. The samurai lords and controllers the Shogun’s court of the bakufu, only ranking below the shogun himself

The blades and saya have now returned from no expense spared *museum grade conservation, so we show them now after it has been completed. The perfectly colour matching brown and gold silk sageo tied around the daito saya, that we have been saving for just such a deserving sword as this, after we acquired it from Victor Harris decades ago, looks absolutely incredible.

The Daito {long sword} bears the signature: Bishu ju Munemitsu, Bizen Province, Late Mihara school, circa 1575, Gunome hamon Masame hada

The Shoto {short sword} is signed: Fujiwara Rai Kinmichi, Yamashiro School, {circa 1624}, Sudareba hamon, Masame hada. A beautiful suite of daisho fuchgashira of takebori insects and catydids in gold and shakudo, and a pair of fabulous iron plate maru-gata tettsu tsuba inlaid with takebori flower heads in soft metals. The most fine kozuka, is in gold and shakudo takebori, decorated with shishi {lion dogs}, over a nanako ground, is signed, and its steel blade, kozukatana is also signed

The daisho have finest original Edo saya, of urushi lacquer decorated with kamon of multiple clans, this suggests affiliations and allegiance to those clans, and they are multiples of mon applied, on a ground of gold-nashiji, of gold-ikakeji. This form of highest superior work was restricted, in feudal times, to san mi 三位, samurai owners, of the third court-rank, or possibly even higher, such as 一位, Ichii, First rank, or, 二位, Nii, second rank. These samurai nobles of the third to higher ranks were called kugyō when these two swords was made and carried in the early Edo period of the Tokugawa shogunate.

First Rank (一位, Ichii): The highest court rank, reserved for individuals of exceptional merit and influence.
Second Rank (二位, Nii): A higher rank, often associated with those in positions of authority.
Third Rank (三位, Sanmi) and Fourth Rank (四位, Shii): These ranks denoted important positions in the court system

In feudal Japan, court ranks, known as mibun, were a hierarchical system defining the status and duties of individuals, particularly within the samurai class. These ranks influenced everything from a samurai's attire and position to their ability to request audiences with the Shogun. The system was a complex tapestry of colors, symbols, and titles, signifying one's place in the social order.

In the Tokugawa shogunate each of the First to Third Ranks is divided into Senior (正, shō) and Junior (従, ju). The Senior First Rank (正一位, shō ichi-i) is the highest in the rank system. It is conferred mainly on a very limited number of persons recognized by the Imperial Court as most loyal to the nation during that era.

The Junior First Rank (従一位, ju ichi-i) is the second highest rank, conferred in many cases on the highest ministers, premier feudal lords, and their wives.

Nobles with the Third Rank or upper were called kugyō.

Successive Tokugawa shoguns held the highest or near-highest court ranks, higher than most court nobles. They were made Shō ni-i (正二位, Senior Second Rank) of court rank upon assuming office, then Ju ichi-i (従一位, Junior First Rank), and the highest rank of Shō ichi-i (正一位, Senior First Rank) was conferred upon them upon their death. The Tokugawa shogunate established that the court ranks granted to daimyo by the imperial court were based on the recommendation of the Tokugawa shogunate, and the court ranks were used to control the daimyo.

Oda Nobunaga and Toyotomi Hideyoshi were Shō ni-i (正二位, Senior Second Rank) and Ju ichi-i (従一位, Junior First Rank) respectively, but both were elevated to Shō ichi-i (正一位, Senior First Rank) in the Taisho era, about 300 years after their deaths.

The no expense spared museum grade conservation including blade polish conservation and cleaning, has yielded fabulous results. We undertook it for two specific reasons, firstly, it deserves to be returned to as close to its original condition as possible, yet, still showing it age, and, externally regarding the tsuka-ito and urushi lacquer, showing all its natural wear, and secondly, to honour its previous owner, who, for several decades, was a seasoned practitioner of the Japanese martial art forms {not using these swords of course}, and he was a friend of many in the Japanese nihonto world, such as Victor Harris, former Curator of Japanese swords at the British Museum. It has thus been undertaken with immense care. For example all the original urushi nashiji lacquer is being left, just, ‘as is’ after it has been hand cleaned and conserved, in order to show all its natural beauty, quality yet natural aging, with its colour somewhat darkening from the past few hundred years.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery.

THE LANES ARMOURY, THE PREMIER HOME OF ORIGINAL AND AFFORDABLE ANCIENT ANTIQUITIES & MILITARY ANTIQUE COLLECTABLES IN BRITAIN.

The Lanes Armoury, is world renown as Britain's favourite specialist collectors shop, and also a font of historical and educational information that is detailed with every single item. We detail each piece alongside its historical context, either generic or specific, for those that may wish to read, learn, or be informed, as opposed to simply acquire collectable items. We are probably one of the oldest companies of our kind in the whole of Europe and we have been established through generations, as specialists in armoury, military antiques, militaria collectables, and specialist books, since the early 1900’s, and thus we have continued to be one of the largest in the world today. The current partners were set on this path by their great grandfather

We are also very pleased to know we are also studied and read by academics and students from hundreds of universities around the world, by those that are interested in not only British but worldwide history. Of course we are not perfect and errors can and will be made, but thanks to our viewers and visitors, errors can be corrected, and learnt from.
Our sacred principle is that every single country's history ought to be studied, learnt, and passed down to future generations, however good, or even bad, some of it may be. All history is knowledge, be it good, bad, or indifferent.

Everyday we are contacted by historians that wish to make contributions to our detailed information for our pieces, and to thus add to our constant dedication to impart historical knowledge, that may be unknown to many of our millions of viewers.

As once told to us by an esteemed regular visitor to us here in our gallery, in order to view and study our Japanese edged weapons and armour gallery, and the same words that are repeated in his book;

“In these textures lies an extraordinary and unique feature of the sword - the steel itself possesses an intrinsic beauty. The Japanese sword has been appreciated as an art object since its perfection some time during the tenth century AD. Fine swords have been more highly prized than lands or riches, those of superior quality being handed down from generation to generation. In fact, many well-documented swords, whose blades are signed by their makers, survive from nearly a thousand years ago. Recognizable features of the blades of hundreds of schools of sword-making have been punctiliously recorded, and the study of the sword is a guide to the flow of Japanese history.”
Victor Harris
Curator, Assistant Keeper and then Keeper (1998-2003) of the Department of Japanese Antiquities at the British Museum. He studied from 1968-71 under Sato Kenzan, Tokyo National Museum and Society for the Preservation of Japanese Swords.

* Museum grade conservation is encouraged for fine and rare artefacts in order to conserve and create pieces as much as is possible without creating an ‘as new’ appearance. It is extremely important to retain as must original patina as possible, and natural aging, so as to beautifully improve their current condition as much as possible, without removing historical context. Such as the great priceless treasures, the Roman Portland vase, and the Anglo Saxon Sutton Hoo helmet, associated with King Rædwald of East Anglia, now both exhibited in the British Museum

The original lacquer saya on the shoto has small areas of line opening near the throat due to its past hundreds of years old wear, yet it is still in a fine condition otherwise. Its hand carved and polished black buffalo horn fittings and kurikata are are now hand repolished and superb throughout the daito saya. This overall museum grade conservation project we have undertaken, involving hundreds of hours of expert attention and skill, we would like to think, is just the kind of result that our friend, Victor Harris, formerly of of the British Museum, would have been proud.  read more

Code: 25805

British Early Victorian Jacob Pattern Pierced Scroll Hilted Cavalry Sword, With Quill Back Blade. Also Known As The Rare Scinde Horse Pattern. A Most Beautiful and Exceptionally Elegant British Cavalry Sabre From the Earliest Raj Period of India

Complete with its original red cloth lined original buff hide hilt liner.
Just returned from our conservation workshop, to clean, conserve and hand polish the sword throughout, that enquired over 40 hours specialist attention

An absolute beauty of a most rare British officers cavalry sabre of the 1850’s. A rare pre-Indian Mutiny ‘Jacob pattern’ Scind horse officers sword, it is a type of British cavalry officer's sword design that originated with John Jacob of the Scinde Irregular Horse. Bespoke commissioned from James Fisher of 37 Duke St, St James', London, in its earliest form with the quill pattern mounted combat blade.

John Jacob’s Scind Horse was a regiment of the highest honour and legend during the British Raj. The other ranks volunteers list was so long few of the eager volunteers manage to join the regiment. Despite having the criteria that every native volunteer accepted must provide his own steed and kit at their own expense. The men were the most skilled, loyal and devoted to be found anywhere in India, and their service included some of the most dangerous combat circumstances known to history.

Later on the pattern inspired the 1857 Royal Engineers Officer's sword, but by then to be mounted with the later, regular, Wilkinson sword pattern blade.

The Pierced Scroll {acanthus} Hilted Cavalry Sword with a Quill Back Blade is a unique and historically significant sword design, prized for its distinctive hilt and blade construction, optimized for mounted combat. The design is attributed to John Jacob, who raised the Scinde Irregular Horse.
The Scinde Horse, originally known as the 14th Horse, was an irregular cavalry regiment in British India. John Jacob, a prominent figure in the regiment, was instrumental in developing the sword pattern. The sword was popular during a period when swords were still in active use by cavalry, even as firearms were becoming more prevalent.

The Scinde Horse Pattern officer’s sword is distinct from other British cavalry swords, such as the Pattern 1821 Officers Undress Sword and the much later Pattern 1908 cavalry sword. The Pattern 1821 had a pipe-backed, double-edged blade, while the Pattern 1908 was the last service sword issued to the British cavalry and is considered by some to be the most effective.

The Scinde Horse Pattern sword is specifically recognized for its distinctive hilt and its association with the Scinde Horse regiment and John Jacob

The Quill Back Blade: First designed and used during the late Napoleonic wars
The blade's spine is hollowed out, creating a lighter blade with a distinctive profile. This design allows for a good balance between cutting and thrusting.

The Scinde Horse was raised to protect the British Caravans traversing the Spice Route - from the Bolan Pass in Afghanistan, to the Indus at Sukkur and then via Fort Abbas to Bikaner, Hissar and Delhi. The route through the Thar Desert via Jaisalmer was too difficult and dangerous. Since this involved corridor protection along the route, laying in ambush and also accompanying the caravans, they travelled mostly in civilian dress with weapons hidden to look inconspicuous. As a result, they were popularly called "The Scinde Irregular Horse". The term Irregulars is carried with pride amongst Scinde horsemen to this day as they have consistently surprised the adversary both in times of war and in competitions during peace to gain an upper hand. The Irregulars have always thought "out of the box" and accomplished the seemingly impossible.

The Regimental War Cry: The Scinde Horse Spirit is epitomised in its unique War Cry which spurs the Scinde Horse soldiers to decimate the enemy – Jai Mata Ki! Jai Chhatrapati Ki! Har Har Mahadev! Bole So Nihal – Sat Sri Akal! Hat Ja ___ Here I Come!!!

Battle of Meeanee

The Battle of Meeanee in The Illustrated History of the British Empire, as part of Sir Charles Napier's advance guard of his expeditionary force to conquer the province of Scinde, the Scinde Horse came across the forward elements of the combined forces of the Waziri tribals of Sind, led by Mir Nuseer Khan, entrenched in the Fulaillee Nala, near Meeanee, 23 miles ahead of Hyderabad, the capital town of Sind. Along with the Scinde Horse, there were amongst others, 5 Raj Rif (Napiers Rifles), the Cheshire Regiment and the Poona Horse, bringing up the rear, with the Madras Engineers providing engineering support. Not to be deterred, the regiment reconnoitred the area and made an outflanking move through dense forest and broken country, most unsuitable for horses. In an unparalleled outflanking manoeuvre in which over 70 horses died of fatigue, the Scinde Horse surprised the enemy by appearing at their rear and routed them in a cavalry charge, capturing the principal standard of Mir Nuseer Khan in the process. Seeing their Standard captured, the enemy capitulated and Sind was conquered. Sir Charles Napier cryptically signalled back "Pecavi" (I have Sinned (Sind)).

As a reward for this cavalry charge, unsurpassed in the annals of warfare, the regiment was presented eight cavalry standards (one per troop) and also allowed to retain Mir Nuseer Khan's principal standard, with the ‘Hand of Allah’ atop it, as its main Standard. This hand of Allah has played a major role in looking after the Regiment in times of need, ever since. The Scinde Horse has had the unique privilege of carrying Nine Standards on parade.

The Scinde Horse was tasked as the rear guard for the forces returning from the First Afghan Campaign. On 26 Feb 1878, it was at Khushk-e-Nakhud near the Afghan border that the regiment had taken an administrative halt and was carrying out saddlery inspection, that the early warning elements reported a large body of Afghan tribesmen approaching the camp. The men hastily gathered their weapons and mounted their horses, without saddles to engage the approaching enemy. The regiment, led by Maj Reynolds, charged the enemy before it could form up near the camp and routed them, killing many times their own numbers. Unfortunately, Maj Reynolds was martyred in this charge. Maj Douglas Giles, who was there, reduced an eyewitness account in a famous painting, 10' x 6', completing it in 1883. This painting was popularly displayed in the Louvre in Paris, from 1913 to 1921, till it found its final place in the Officers' Mess. It is unique in that it has every eye-catching detail. The colours used are from natural pigments and regain their brightness when exposed to the sun. In the Officers' Mess Ante Room, this painting is faced by a lone Horseman's Silver Trophy, representing Maj Reynolds. Ever after this Battle, The Scinde horseman never removes his sword from his person. "Taiyar-bar-Taiyar" they call it. That is why, in the Officer's Mess, now-a-days, where normally, the Belt is removed on entry, symbolising removal of the Sword, Scinde horsemen continue to wear their belt at all times

The antique militaria objects of British Raj Period are extremely scarce, and highly collectable throughout the entire world of militaria collectors, especially swords and headdress.

The sword is bright steel with highly attractive finish snd and a near mint VR cypher etched panelled blade with maker mark. The hilt is the pierced scroll ancanthus leaf pattern ceasing with its original wire bound sharkskin grip. It also has its very very rare, original red cloth lined original buff hide inner liner . The external steel does have traces of old surface age pitting.  read more

Code: 25818

A Shinto Samurai Naganata Naoshi Wakizashi With Shakudo Edo Fittings & Full Edo Traditional Polish

Just returned from a year of expert artisan conservation polish of the original Edo polish blade and cleaning. Now looking superb, the unokubi zukuri bo-hi blade with a vivid toran great wave hamon, is mounted with all original Edo shakudo koshirae of fuchigashira, decorated with takebori drinking gourd and woodsman’s axe, flower basket menuki and kozuka, which is decorated shakudo with gold birds in flight over the sea. With an iron and copper and gold onlay mokko form tsuba decorated with a seated figure in a gold patterned robe, alongside the river below Mount Fuji.
Beautiful urushi spiral lacquer pattern saya, The original Edo period urushi lacquer on the saya is in simply excellent condition and shows most elegant simplicity, it reveals within that simplicity the finest craftsmanship and beauty worthy of a master of the art of urushi decor. Japanese lacquer, or urushi, is a transformative and highly prized material that has been refined for over 7000 years.

Cherished for its infinite versatility, urushi is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords

Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

Tōran-ba is a hamon which looks like as if surging waves are rolling back and forth. It was created by a swordsmith in Settsu (Osaka prefecture), Sukehiro, in the early Edo period. It is the very first pictorial hamon which showed “a hamon as an expression”. It had a great influence on many swordsmiths over time. It is an innovative hamon which is copied on some swords made from the Bakumatsu.
A very few minuscule blade age marks..  read more

Code: 24707

A Fine & Most Beautiful Japanese Katana, Signed Mitsuhiro Saku Late Koto to Shinto Period

A very attractive samurai katana, around 400 to 450 years old in a superb colour livery of blue-green tsuka-ito and a two colour saya of brown ishime {stone finish} and bright black urushi ribbed lacquer to the top quarter section, bound with white sageo, and a polished carved buffalo horn kurigata and sayajiri. The blade is signed, Mitsuhiro and shows a beautiful gunome hamon. The pair of menuki are a pair of caught Warasubo spine toothed fish, one with a mouse foraging on the top of its body. The mud flats of Japan’s Ariake Sea are home to a creature that is reportedly as delicious as it is disgusting-looking. Introducing the “Warasubo”, an eel-like xenomorph goby fish that for obvious reasons is known as the “Alien of Ariake Sea”, found in a large bay in Kyushu,

The fuchi kashira tsuka fittings are a pair of Edo period iron Higo school inset with silver droplets either representing a heavenly constellation, or snowflakes falling at night.

Made and used in the time of the greatest battle in samurai history. The Battle of Sekigahara Sekigahara no Tatakai) was a decisive battle on October 21, 1600 that preceded the establishment of the Tokugawa shogunate. Initially, Tokugawa's eastern army had 75,000 men, while Ishida's western army numbered 120,000. Tokugawa had also sneaked in a supply of arquebuses. Knowing that Tokugawa was heading towards Osaka, Ishida decided to abandon his positions and marched to Sekigahara. Even though the Western forces had tremendous tactical advantages, Tokugawa had already been in contact with many daimyo in the Western Army for months, promising them land and leniency after the battle should they switch sides.

Tokugawa's forces started the battle when Fukushima Masanori, the leader of the advance guard, charged north from Tokugawa's left flank along the Fuji River against the Western Army's right centre. The ground was still muddy from the previous day's rain, so the conflict there devolved into something more primal. Tokugawa then ordered attacks from his right and his centre against the Western Army's left in order to support Fukushima's attack.

This left the Western Army's centre unscathed, so Ishida ordered this unit under the command of Shimazu Yoshihiro to reinforce his right flank. Shimazu refused as daimyos of the day only listened to respected commanders, which Ishida was not.

Recent scholarship by Professor Yoshiji Yamasaki of Toho University has indicated that the Mori faction had reached a secret agreement with the Tokugawa two weeks earlier, pledging neutrality at the decisive battle in exchange for a guarantee of territorial preservation, and was a strategic decision on Mori Terumoto's part that later backfired.

Fukushima's attack was slowly gaining ground, but this came at the cost of exposing their flank to attack from across the Fuji River by Otani Yoshitsugu, who took advantage of this opportunity. Just past Otani's forces were those of Kobayakawa Hideaki on Mount Matsuo.

Kobayakawa was one of the daimyos that had been courted by Tokugawa. Even though he had agreed to defect to Tokugawa's side, in the actual battle he was hesitant and remained neutral. As the battle grew more intense, Tokugawa finally ordered arquebuses to fire at Kobayakawa's position on Mount Matsuo to force Kobayakawa to make his choice. At that point Kobayakawa joined the battle as a member of the Eastern Army. His forces charged ?tani's position, which did not end well for Kobayakawa. Otani's forces had dry gunpowder, so they opened fire on the turncoats, making the charge of 16,000 men mostly ineffective. However, he was already engaging forces under the command of Todo Takatora, Kyogoku Takatsugu, and Oda Yuraku when Kobayakawa charged. At this point, the buffer Otani established was outnumbered. Seeing this, Western Army generals Wakisaka Yasuharu, Ogawa Suketada, Akaza Naoyasu, and Kutsuki Mototsuna switched sides, turning the tide of battle

The top section of the blade, near the kissaki has two very small areas of natural age pitting  read more

Code: 25237

The Lanes Armoury, Described To Us Every Day, By Hundreds of Our Daily Visitors, Including, By President Ronald Reagan Over 40 Years Ago, As, Probably, The Most Amazing & Very Best Shop In Britain & Especially Featured in The New York Times

Thousands of worldwide visitors to the UK come to visit us here, every day {except Sunday} of every week, and the most consistent, much appreciated and most kind comment includes they believe we are the most amazing, incredible and interesting shop in Britain, just like a museum, but, everything is for sale! If we were a UK National museum, we would likely be the very smallest, but, we contain thousands upon thousands of original collectables and books, ancient, antique and vintage from a 20 million year old megaladon shark's tooth, to a samurai sword made almost 800 years ago {we have at any one time, up to 350 original samurai antique swords in stock to view, apparently the largest original selection to be seen for sale in any shop in the world }. From an Ancient Greek 'Wreath, or Crown Of Victory' in solid hammered gold, made around 2300 years ago from the time of Alexander the Great, to many cased duelling pistols, and numerous cased Georgian and Victorian sporting guns, all with their original tools, made for a prince, or a fantastic selection of original French sabres used by Napoleon’s generals and commanders of his Imperial Garde, to a 1st Edition 'Great Gatsby', and several various James Bond or Charles Dickens Ist Editions.

We always try to have an intriguing selection of Ist Editions, for example this month you can view and buy, rare James Bond 1st Edition books, Edgar Rice Burroughs Tarzan Ist editions, alongside Bull-Dog Drummonds, and, up to 2,000 other history based books in stock, all vintage and hardback. We also stock antique magical and witchcraft pieces, wondrous artefacts, many arcane or esoteric, such as a collection of amazing African Congo ‘fetish’ and so-called voodoo statues, many near identical to those in the `Rockefeller Collection in the Met in New York, or, an incredibly rare ancient Hun or Visigoths Life-stone mounted sword, around 1,600 years old, reputedly imbued with magic powers to enable its warrior owner to be protected or healed from fatal wounds inflicted by their ancient Roman combat adversaries, also, a stunning early 19th century Witch Ball, mounted upon an Ancient Greek bronze ‘after the antique’ statue of Atlas, and each piece can be with a history that could likely be beyond compare.

Twenty four years ago, after 80 years of their family’s trading in Brighton, the Lanes Armoury was honoured by being Nominated & Awarded by BACA, In The Best Antique & Collectables Shop In Britain Awards 2001
Presented by MILLER'S Antiques Guide, THE BBC, HOMES & ANTIQUES MAGAZINE, for the British Antique & Collectables Awards. The version of the antique dealers ‘Oscars’ of Britain.

It was a great honour for Mark and David, especially considering at the beginning of the new millennium, in the year 2000, there was over 7,000 established antique and collectors shops in the UK, according to the official Guide to the Antique Shops of Britain, 1999-2000, that we were nominated, and voted into in the top four, out of 7,000 other antique shops, within the whole of Great Britain.

We were also very kindly described and listed as one of the most highly recommended visitors attractions in the whole of Europe {and thus the UK} by nothing less than the 'New York Times ' within their travel guide "New York Times, 36 Hours, 125 Weekends in Europe. However, this is not the sort of intimidating gallery that you may find in the most exclusive parts of London or Paris, where each room may only have a few, well lit, exclusive pieces with six and seven figure price tags. We are more like a Dickensian, ancient spell-book and magic shop, within our ancient narrow Brighton Lanes, just like Diagon Alley, as one may find within the pages of Harry Potter {by the genius author J.K Rowling} with glass cases overflowing with thousands of flintlocks, artefacts and antiquities, and thousands upon thousands of antique swords, rifles and muskets, mounted upon numerous heaving racks affixed upon the guards red painted walls, rising up from floor to ceiling. Glorious antique helmets by the dozen, piled high upon cabinets, and thousands of books stacked up on the floor and in cabinets and upon desks. Plus of course we have the ubiquitous original old ghost books, volumes on spells, sorcery and magic, and original, ancient pagan, mystical charms.

In the previous 104 years, our family’s past and present clients have included some highly fascinating people from all fields of interest, such as, Hollywood & British legends, of film and theatre, royalty, aristocracy, and academics in all fields, including curators of museums such as the British museum and likely the most famous and very first museum in the world, The Tower of London, and politicians of all types, and from all manner of countries around the world. For example, in the 1970’s {before Mark’s experience serving President Reagan} he was introduced to late great Garfield {Garry} Weston, Canadian billionaire, one of the world’s most famous philanthropists and owner of Fortnum and Mason in Piccadilly London, whereupon Mark supplied Garry with finest antique Meissen porcelains thereafter for his antique department in Fortnums. He also had the incredible good fortune to meet the genius writer, artiste, actor and raconteur. Barry Humphries {aka Dame Edna Everidge}. After a glorious afternoon of entertainment, wit and wisdom imparted by Barry, Mark sold to him a fabulous rare piece of Art Nouveau for his collection. And on one extraordinary visit to our shop, in October 1970, when Mark was present {but still, at the time, studying at Brighton College } David snr and Camilla {Mark and David jnr’s mother} were visited by Elizabeth Taylor and Richard Burton. With their intention to buy a mansion house from David and Camilla {for Elizabeth’s ex-husband Michael Wilding} but, remarkably, resulted in Elizabeth selling to Camilla her own Rolex watch, just in order to annoy and anger Richard {as intensely as possible, and needless to say, it was remarkably successful}

Our oldest regular collector is now over 103 years old, and our most regular customer has been coming to us for over 78 years! Every month over 60,000 of our regular followers around the world request our weekly stock updates by our updates email. and it is so easy to join in with them, just go to our home page, enter your regular email address in the box, and click go!. you will then get an update email every weekend, {if you don't, just check your spam or junk box.}

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 plus years or more of our family’s trading.

The autographed photographs in the gallery, one from President Reagan, that was taken in the Oval Office in The White House and was very kindly given to Mark during his visit in the 1980’s. and the two certificates from The BACA Awards, and The New York Times.

Plus, in the gallery, a photo of Elizabeth Taylor & Richard Burton arriving at Brighton Railway Station in October 1970, prior to their visit to our shop to see Mark and David’s parents.  read more

Code: 22898