An Absolutely Stunning & Beautiful Carved Sea Ivory Royal Hilted Keris From Palembang, Sumatra 18th Century, Meteorite Blade. A Near Pair To An Example In The Royal Collection Presented To King George IVth in 1817, When He Was The Prince Regent

Masterpiece 18th-19th c. Palembang, Sumatra, Indonesia.
A Kris (keris) dagger with a hilt in very finely carved sea ivory. This is a wonderful example of a type embraced throughout Indonesia and Malaysia known for its distinct shape that blends sharp edges, planes sometimes covered with magnificent floral motifs and scrollwork as we see in this example and at the same time dramatic curves. This example also boasts some shiny sections that are characteristic of the type in Palembang, once the capital of the Srivijaya Empire, a Hindu-Buddhist kingdom that flourished from the 7th to the 12th century and stretched from Sumatra to the Kra Isthmus in southern Thailand.

Ivory handle depicts a stylised, squatting human figure known as Cipaduik with one arm folded across the chest, diamond-shaped eyes and a jutting nose that dominates the mouthless face. Cipaduik features in many Minangkabau stories as a man who likes to play tricks on people.

See in the gallery a near pair to ours in the British Royal Collection, presented in 1817 to the Prince Regent.
A traditional dagger (kris) and sheath; of the highest royal rank, the straight two-edged blade of watered steel with a gold ('Mendok') attaching it to the sea ivory hilt heavily carved in as a humanoid 'Jawa demam' figure; the gold 'ganja' at blade shoulder; with a gilt wood scabbard with a wooden upper end.
Provenance
Presented to George IV when Prince Regent by Stamford Raffles, 10 May 1817. Recorded in the North Corridor Inventory of Windsor Castle with the note 'A Malayan kris - the manufacture of Sumatra'. Raffles served as Lieutenant-Governor of Java from 1811-1816 and presented the Prince Regent with several kris on his return to England.  read more

Code: 24725

A 1st Edition, Ist Impression Charles Dickens Bleak House Printed 1853 Leather Bound in Light Brown Calf and Black Title With Gilding & Marbled End Boards

Bradbury & Evans, first edition, with Ist impression imperfections and plates as called for ( pages with expected age foxing/staining), leather bound with marbled end boards.

A chance to own a rare first edition, and Ist Impression, of one of the great classics of English literature. Printed and first read before the Crimean War in Russia, and before the 'Charge of the Light Brigade' became infamous in British military history.
Original printing imperfections and flaws are detailed in Walter E. Smith and his wonderful work 'Charles Dickens in the Original Cloth'. Smith's comprehensive bibliography of each of Dickens's works enabled all to describe the flaws in the first impression.
The first edition of Bleak House is highly desirable. We have encountered a fair number of examples over the past 50 to around 100 years, in both the original cloth and bound in various bindings. Most of these bindings date from near the time of publication and most are before around 1880.

The edition points required for the first impression of the first edition are fairly definitive. The edition points are as follows to qualify as the 1st impression:

1) "elgble" misspelling for "eligible" on pp.19 line 6

2) "chair" misspelling for "hair" on pp.209 line 23

3) "counsinship" misspelling for "cousinship" on pp.275 line 22

There are also another issue present, in only a few of the first impression copies, namely pp.230 with the "2" in the page number complete. This copy has that scarce point

Basic premise: Jarndyce vs Jarndyce is a suit which has being going through the Court of Chancery for decades and decades and decades. Chancery is this old court to do with contested wills which has long since been reformed because it was impossibly incompetent and once you were in Chancery there was no getting out of Chancery and all costs are taken from the estates being contested, meaning that the Court benefited from drawing out proceedings. The young wards of Jarndyce are Richard Carstone and Ada Clare, young cousins. They are sent to live with their cousin Mr John Jarndyce and with them goes the orphan Esther Summerson, an orphan with a mysterious past. Mr Jarndyce advises them all to forget the suit, particularly as Richard and Ada fall in love, yet Richard struggles to settle to any profession with the suit still undecided. Simultaneous to this, the sinster lawyer Mr Tulkinghorn serves Sir Leicester Dedlock, Baronet and his wife Lady Dedlock, a woman desperately bored with her life. She also has a claim in the Jarndyce suit and faints dead away when Mr Tulkinghorn shows her a piece of legal writing written in a strangely familiar hand … cue much to-ing and fro-ing and the occasional untimely death. Nobody does tragic death scenes quite like Dickens, you end up really feeling the tragedy. Subtle he is not. Bleak House shows us a world where kindness is hard to find. Mr John Jarndyce tries to protect those he loves, but even he cannot prevent them being drawn in to the fogs of London. As usual, Dickens preaches against the workhouses and the ineffectiveness of charity, Mr Jarndyce is the sole positive charitable figure in the novel, his is a doctrine of love. It is the day to day cruelties that people inflict on each other that grind people down. The unrelenting legal profession, the way in which young men can be educated about poetry but not in how to work, that children can run wild on the streets and never really know that they are loved, this is a world where a man who has lost everything can die and barely be missed. Esther makes it clear that she feels herself to have been saved by the love of those around her – but Ada’s love could not save Richard, nor could Sir Leicester’s love save his Lady. All they can do is keep loving them still, no matter what the world may say. The bleakness of the title goes much deeper than the name of the house. 8.75 inches x 6 inches x 2 inches.  read more

Code: 25198

A Stunningly Bound Complete 25 Volume Set Of Sir Walter Scott’s Waverley Novels. Published in Edinburgh in 1871

These bound volumes would elegantly grace any bookcase, library or study. They are a truly truly beautiful collection.

Scott, Sir Walter - Waverley Novels; the Centenary
Edition, 25 vols. pictorial engraved titles, num. plates and some other illus.; contemp fine calf leather and marbled boards, gilt decorated panelled spines with green leather and tan leather Published in Edinburgh, 1871

The Waverley Novels are a long series of novels by Sir Walter Scott (1771–1832). For nearly a century, they were among the most popular and widely read novels in Europe.
Because Scott did not publicly acknowledge authorship until 1827, the series takes its name from Waverley, the first novel of the series, released in 1814. The later books bore the words "by the author of Waverley" on their title pages.
The Tales of my Landlord sub-series was not advertised as "by the author of Waverley" and thus is not always included as part of the Waverley Novels series.

Scott’s early Waverley books deal with several different phases of Scottish history and were noted for their characterizations of ordinary people and their use of regional Scottish dialect. These novels often concern the clash between heroic traditions of the past and practical visions of the future. Waverley, for example, treats the tensions between the Jacobites and the Hanoverians in the mid-18th century, while The Heart of Midlothian addresses the social conflict following the Porteous Riots of 1736 over the execution of a smuggler. Scott set his other novels in historical periods dating to the Middle Ages in locales such as England, France, Palestine, and the Orkney Islands.


Chronological order, by settingedit
1097: Count Robert of Paris
1187–94: The Betrothed, The Talisman, Ivanhoe (3)
1307: Castle Dangerous
1396: The Fair Maid of Perth
1468–77: Quentin Durward, Anne of Geierstein (2)
1547–75: The Monastery, The Siege of Malta, The Abbot, Kenilworth (4)
1616–18: The Fortunes of Nigel
1644–89: A Legend of Montrose, Woodstock, Peveril of the Peak, The Tale of Old Mortality, The Pirate (5)
1700–99: The Black Dwarf, The Bride of Lammermoor, Rob Roy, Heart of Midlothian, Waverley, Guy Mannering, Redgauntlet, The Antiquary (8)
19th century: St. Ronan's Well

They are beautiful bindings in super condition. We have only ever seen the Zaehnsdorf bindings as equal to or possibly better than these.  read more

Code: 25199

19th Century, Circa 1880, Victorian Period Classical Figures of Renaissance Knights or the Founders of the Landsknechte Knight Mercenaries

A most attractive pair of original antique bronzed classical military figurines of historical armoured nobles. Possibly a rendition of Kaiser Maximilian I. und Georg von Frundsberg,

See photo in the gallery of Kaiser Maximilian I. und Georg von Frundsberg, depicting Maximilian I and Georg von Frundsberg, founders of the Landsknechte, by Karl von Blaas

A pair that would enhance any suitable interior decor, especially a gentleman’s study or library. In the past we have seen such figures suitably converted into pairs of lamps with finely formed lampshades, and that can be incredibly effective, especially for interior decorators.

Over the past decades we have sold many such similar pairs of classical bronzed figures to such as, Robert Kime, the so called king of English decorators, the appointed interior decorator to the late Queen Mother, and King Charles. Plus to the great David Hicks, another from the pantheon of the greatest world decorators, who like Robert adored the eclectic mixing of decorative, especially classical, antiques with modern textiles and furnishings.

The Landsknechte were Germanic mercenaries used in pike and shot formations during the early modern period. Consisting predominantly of pikemen and supporting foot soldiers, their front line was formed by Doppelsöldner ("double-pay men") renowned for their use of Zweihänder and arquebus. They formed the bulk of the Holy Roman Empire's Imperial Army from the late 1400s to the early 1600s, fighting in the Habsburg-Valois wars, the Habsburg-Ottoman wars, and the European wars of religion.

Although prone to mutiny if unpaid and divided within their ranks between Catholics and Lutherans, the Landsknechte were well-armed and experienced warriors, recruitable in large numbers throughout Germany and Austria by the Holy Roman Emperor; therefore, they guaranteed both quantity and quality to the Imperial military for a century and a half. At their peak during the reign of Charles V of Habsburg, and under the leadership of notable captains such as Georg von Frundsberg and Nicholas of Salm, the Imperial Landsknechts obtained important successes such as the capture of the French King Francis I at the Battle of Pavia in 1525 and the resistance against the Ottoman Turks led by Suleiman the Magnificent at the Siege of Vienna in 1529, while also being responsible for the infamous Sack of Rome in 1527

Bronze and light gilt finished spelter, figurines.
This alloy was first introduced by Sheffield manufacturers in the second half of the 18th century and is a product of the industrial revolution.
It was also known in its early days as white metal. it was hugely popular for sculptures of figures for decorative display, usually of historical figures.

Condition for age very good, One figure lacks a thumb.

13 inches high
Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25010

An Exceptional and Scarce Antique Maasai Warriors War Club, A Rungu,19th Century, Made Of Incredibly Dense Hardwood

An absolute beauty, and stunning quality craftsmanship. Rarely seen example of an original antique close combat weapon of the renown, most fearless Maasai ‘Lion Hunter’ warriors, of Kenya.
This is not a commonly found modern tourist piece, but a rare, original, antique warrior’s rungu, of stunning beauty and quality.

In Maasai culture, the rungu is a highly important emblem of warrior status for young males. A special one is held by the designated speaker at important tribal gatherings. It is especially associated with Maasai morans (male warriors) who have traditionally used it in warfare and for hunting, it was used by the warrior for close combat or as a lethal and highly effective throwing club.  read more

Code: 20989

James Bond Ist Edition "You Only Live Twice" Ist Issue, Fleming, Ian Published by Jonathan Cape, London, 1964. Basis for the James Bond movie with Sean Connery & Karin Dor As Bond-Girl Helga Brandt.

Jonathan Cape, London, 1964. the 2nd Bond book. Black Cloth with Japanese kanji . Condition: Fine. Dust Jacket Condition:Good. First Edition. A first edition/first Impression. Throughout a jolly nice copy. "When Ernst Stavro Blofeld blasted into eternity the girl whom James Bond had married only hours before, the heart, the zest for life, went out of Bond" (from the dust-jacket). Basis for the James Bond movie with Sean Connery and Karin Dor as Bond-Girl Helga Brandt. This film is the first Bond movie to deviate from the source material. Other than the Japanese setting, and several characters, the two stories are very different. A first edition/first Impression (stating "first Published 1964" versus the second state "March 1964")
You Only Live Twice
Cinema poster showing Sean Connery as James Bond fly his monocoptor over the villains lair.
British cinema poster for You Only Live Twice.

The movie was Directed by Lewis Gilbert
Produced by Albert R. Broccoli
Harry Saltzman

Distributed by United Artists
Release date
12 June 1967 (London, premiere)
You Only Live Twice is a 1967 British spy film and the fifth in the James Bond series produced by Eon Productions, starring Sean Connery as the fictional MI6 agent James Bond. The film's screenplay was written by Roald Dahl, and loosely based on Ian Fleming's 1964 novel of the same name. It is the first James Bond film to discard most of Fleming's plot, using only a few characters and locations from the book as the background for an entirely new story.

In the film, Bond is dispatched to Japan after American and Soviet manned spacecraft disappear mysteriously in orbit. With each nation blaming the other amidst the Cold War, Bond travels secretly to a remote Japanese island to find the perpetrators and comes face to face with Ernst Stavro Blofeld, the head of SPECTRE. The film reveals the appearance of Blofeld, who was previously a partially unseen character. SPECTRE is working for the government of an unnamed Asian power, implied to be the People's Republic of China, to provoke war between the superpowers.

During the filming in Japan, it was announced that Sean Connery would retire from the role of Bond, but after a hiatus, he returned in 1971's Diamonds Are Forever and later 1983's non-Eon Bond film Never Say Never Again. You Only Live Twice is the first Bond film to be directed by Lewis Gilbert, who later directed the 1977 film The Spy Who Loved Me and the 1979 film Moonraker, both starring Roger Moore.

You Only Live Twice was a great success, receiving positive reviews and grossing over $111 million in worldwide box office.  read more

Code: 25091

1st Edition James Bond, Man with the Golden Gun, by Ian Fleming. Bond Sent to the Caribbean To Find & Kill Francisco Scaramanga, The Titular "Man With the Golden Gun".

London: Jonathan Cape 1965. 1st Edition 1st Issue. Flemings 12th outing for Commander Bond. With original dust jacket priced at 18 shillings. Cover artist Richard Chopping (Jonathan Cape ed.). The Man with the Golden Gun is the twelfth novel (and thirteenth book) of Ian Fleming's James Bond series. It was first published by Jonathan Cape in the UK on 1 April 1965, eight months after the author's death. The novel was not as detailed or polished as the others in the series, leading to poor but polite reviews. Despite that, the book was a best-seller.

The story centres on the fictional British Secret Service operative James Bond, who had been posted missing, presumed dead, after his last mission in Japan. Bond returns to England via the Soviet Union, where he had been brainwashed to attempt to assassinate his superior, M. After being "cured" by the MI6 doctors, Bond is sent to the Caribbean to find and kill Francisco Scaramanga, the titular "Man with the Golden Gun".

The first draft and part of the editing process was completed before Fleming's death and the manuscript had passed through the hands of his copy editor, William Plomer, but it was not as polished as other Bond stories. Much of the detail contained in the previous novels was missing, as this was often added by Fleming in the second draft. Publishers Jonathan Cape passed the manuscript to Kingsley Amis for his thoughts and advice on the story, although his suggestions were not subsequently used.

The novel was serialised in 1965, firstly in the Daily Express and then in Playboy; in 1966 a daily comic strip adaptation was also published in the Daily Express. In 1974 the book was loosely adapted as the ninth film in the Eon Productions James Bond series, with Roger Moore playing Bond and Fleming's cousin, Christopher Lee, as Scaramanga.
The Man with the Golden Gun film was filmed in 1974 the ninth film entry in the James Bond series and the second to star Roger Moore as the fictional MI6 agent James Bond. A loose adaptation of Ian Fleming's novel of the same name, the film has Bond sent after the Solex Agitator, a device that can harness the power of the sun, while facing the assassin Francisco Scaramanga, the "Man with the Golden Gun". The action culminates in a duel between them that settles the fate of the Solex.

The Man with the Golden Gun was the fourth and final film in the series directed by Guy Hamilton. The script was written by Richard Maibaum and Tom Mankiewicz. The film was set in the face of the 1973 energy crisis, a dominant theme in the script. Britain had still not yet fully overcome the crisis when the film was released in December 1974. The film also reflects the then popular martial arts film craze, with several kung fu scenes and a predominantly Asian location, being set and shot in Thailand, Hong Kong, and Macau. Part of the film is also set in Beirut, Lebanon, but it was not shot there. Ian Fleming wrote The Man with the Golden Gun at his Goldeneye estate in Jamaica in January and February 1964, completing it by the beginning of March. His health affected him badly during the writing process and he dropped from his usual rate of two thousand words a morning to a little over an hour's worth of work a day.

As with his previous novels, Fleming used events from his past as elements in his novel. Whilst at Kitzbühel in the 1930s, Fleming's car, a Standard Tourer, had been struck by a train at a level crossing and he had been dragged fifty yards down the track. From that time on he had associated trains with death, which led to their use as a plot device not just in The Man with the Golden Gun, but also in Diamonds Are Forever and From Russia, with Love. To show just how much all things original Bond are appreciated in the world of collectors the Walther pistol used by Connery in the poster of From Russia With Love, in 1963, and also drawn in the man With The Golden Gun poster as shown here an air pistol, .177 (4.5mm) Walther 'LP MOD.53' Air Pistol, Serial No. 054159, was sold by Christies in 2010 with an estimate of £15,000 to £20,000 for an incredible £277,000. We dropped out of the bidding at £22,000 Incredible in that it was never used in any film, was an air pistol not a real automatic, and only used in promotional posters. It was 'said' to have been used by accident in fact as they couldn't find a correct Walther PPK on the day of the photoshoot.  read more

Code: 25092

The Spy Who Loved Me by Ian Fleming First Edition Jonathan Cape 1962. The Vivienne Michel Novel { Fleming's Invented Co-Author Novelist}. This is the Only Bond Book To Be Written In The First Person.

Double-page illustration at pp. 6-7. First edition, first impression. This is the only Bond book to be written in the first person, presented as the testimony of a 23-year-old Canadian woman with whom Bond has an ill-fated affair. To further this pretense, Vivienne Michel gets a spurious credit on the title page as co-author. A Central character and narrator is "Vivienne Michel, " a young Canadian woman who ends up running a cheap motel in the Adirondack Mountains to pay for a trip through America. When issued, it was banned in some countries as the most sexually explicit of Fleming's novels. Basis for the movie with Roger Moore in his third James Bond role, Barbara Bach as Major Anya Amasova (Agent Triple X) and Curd Jürgens as Karl Stromberg; film adaptation was produced in 1977 .

About; The Spy Who Loved Me

‘He was about six feet tall, slim and fit. The eyes in the lean, slightly tanned face were a very clear grey-blue and as they observed the men they were cold and watchful. His good looks had a dangerous, almost cruel quality that had frightened me. But now I knew he could smile, I thought his face exciting, in a way no face had ever excited me before …’ Vivienne Michel is in trouble. Trying to escape her tangled past, she has run away to the American backwoods, winding up at the Dreamy Pines Motor Court. A far cry from the privileged world she was born to, the motel is also the destination of two hardened killers—the perverse Sol Horror and the deadly Sluggsy Morant. When a coolly charismatic Englishman turns up, Viv, in terrible danger, is not just hopeful, but fascinated. Because he is James Bond, 007; the man she hopes will save her, the spy she hopes will love her

Octavo. Original dark grey boards, spine lettered in silver, dagger design stamped on front cover in silver and blind, red endpapers. With dust jacket, small tears on the jacket with light staining.  read more

Code: 25093

An Absolutely Perfect Discerning Collectors Piece, by Charles Dickens. A Fabulous 3 Volume Charles Dickens Ist Edition, The Old Curiosity Shop & Barnaby Rudge, In, Master Humphrey's Clock. London: Chapman and Hall, 1840-41,

Alongside A Christmas Carol, the Old Curiosity Shop ranks as a true iconic tale of Victorian England, and ideal for the Christmas season.

Could one imagine anything better than settling down to read, or better still, to be read to, over a few cosy candle lit nights, a succession of Dicken’s short stories. These are the very first, original volumes, that were read at the very same time, in the very same same way, but some two centuries ago in Victorian England, and likely, dozens of times subsequently since by their various, most fortunate owners.

First edition of this collection of short stories. Large octavo, 3 volumes bound in red half morocco over marbled boards with gilt tooling to the spine in five compartments within raised gilt bands, morocco spine labels lettered in gilt, top edge gilt, marbled endpapers, engraved frontispiece to each volume, illustrated by George Cattermole and Hablot Browne. In very good condition.

Master Humphrey's Clock was a weekly serial that contained both short stories and two novels (The Old Curiosity Shop and Barnaby Rudge). Some of the short stories act as frame stories to the novels so the ordering of publication is important. Although Dickens' original artistic intent was to keep the short stories and the novels together, he himself cancelled Master Humphrey's Clock before 1848, and described in a preface to The Old Curiosity Shop that he wished the story to not be tied down to the miscellany it began within. Most later anthologies published the short stories and the novels separately. However, the short stories and the novels were published in 1840 in three bound volumes under the title Master Humphrey's Clock, which retains the full and correct ordering of texts as they originally appeared.

First edition in book form of what Gordon Ray describes as "the pinnacle of Dickensian Gothic". He goes on to note that Phiz (H. K. Browne) "is in excellent form" and that George Cattermole's "wonderful clutter of antiquarian or architectural detail is well suited to Dickens's chosen subjects".

Master Humphrey was a publishing experiment on Dickens's part, unique in his canon, of issuing two novels together: The Old Curiosity Shop and Barnaby Rudge.

3 volumes, large octavo (256 x 173 mm). Contemporary red half morocco, marbled sides ruled in gilt, spines lettered, ruled, and tooled in gilt, marbled endpapers, top edges gilt, green silk bookmarkers.

Printed frontispieces and 194 woodcut illustrations, of which 154 are by Browne, 19 by Cattermole, and 1 by Daniel Maclise.

Covers rubbed, slight rubbing and wear to extremities, vol. I front joint split at foot but remains firm, light foxing to margins, small marks to a few pages, generally bright. A superb set.

BIBLIOGRAPHY
Eckel, p. 67 ff; Ray, The Illustrator and the Book in England from 1790 to 1914, 60; Smith I, 6.  read more

Code: 24092

A Most Scarce, Original, US Civil War Period Remington Beals' Patent Model 1858 Navy Percussion Six-Shot Revolver, .36 Calibre In Nice Condition, Civil War Issue 1861-63, With Tooled Leather Quick Draw Holster

Manufactured between 1861 and 1863, approximately 14,500 Remington-Beals Navy revolvers were produced. About 500 martially-marked examples of this model were purchased by the U.S. Army, and an additional 1,000 were bought by the Navy. In 1875, the Navy returned about 1,000 various model Remington .36 calibre revolvers, including the Beals Navy, for factory conversion to accept the .38 calibre centre fire metallic cased cartridge. Sn 10402. Sold with an old but later tooled leather holster, that is complimentary, and free.

The business expanded through the 1850s, and handgun production began in 1857 with the introduction of the Remington-Beals pocket revolver.

The coming of the Civil War naturally brought about a dramatic increase in the demand for firearms, and Remington's production also increased to keep pace. During this period, the company manufactured both .36 and .44 calibre revolvers, as well as Model 1863 Percussion Contract Rifle, popularly known as the "Zouave" rifle.

Beals’ 1858 patent (21,478) was granted on September 14th of that year and covered the winged cylinder arbor pin that secured the cylinder to the frame, which was retained by the loading lever located under the barrel and could be withdrawn from the frame only when the lever was lowered. Thus, began the evolution of the second most used US marital revolver of the American Civil War. The first guns were produced in .36 caliber and production started to roll off the assembly line during late 1860 or early 1861. The .36 calibre “Navy” revolver was followed by a .44 calibre “Army” variant soon thereafter. By the time Beals pattern revolver production ended in 1862, some 15,000 of the “Navy” sized handguns had been produced, while only about 2,000 of the larger “Army” revolvers were manufactured. The subsequent model was the William Elliott “improved” Model 1861 pattern Remington revolvers, also known to collectors as the “Old Model” Remingtons, started to replace the Beals models by the middle of 1862.



The Beals Navy Revolver was Remington’s first large frame, martial handgun to make it into production, with the Beals Army following fairly quickly on its heels. While an experimental Beals “Army” had been produced earlier, which was really just a scaled-up version of the Beals pocket model, it was only produced as a prototype and it is believed that less than ten were manufactured.

The US government had been relatively pleased with the original Beals Navy design and had obtained some 11,249 of the 15,000 Beals Navy revolvers produced. The purchases had been a combination of direct contract with Remington combined with open market purchases of some 7,250 revolvers that would not pass through a government inspection process. The initial success of the 1,600 Beals Navy revolvers contracted for in 1861 lead to an Ordnance Department contract on June 13 of 1862 for 5,000 additional “Navy” caliber revolvers to Remington.

Good tight spring and action, nice natural aged patina overall blue to hammer, the cylinder rotation a little hesitant due age.  read more

Code: 25254