A Stunning True Art Sword. A Spectacular & Immensely. Beautiful Museum Grade Cloisonne Enamel Samurai's Suzaku Phoenix Tachi With A Signed Shinto Blade By Bizen Kuniyoshi. Bearing the Paulownia Mon of the Imperial Court

A true and iconic example of a stunning samurai art sword. A magnificent collision of beauty and utility. It does not fail to attract admiration and awe from all that see it, even those that have little or no interest at all in original fine antique weaponry, would agree that this is simply a remarkable example of the finest and intricate craftsmanship to be seen in the world. Enamel work comparable to such as a piece of sublime object d’art by the genius Romanov Family Imperial Court jeweller Carl Faberge himself. This is only the second such very rare cloissonne enamel 'Suzaku Phoenix' tachi we have seen and had the privilege to offer in around five years. Interestingly that one was used by a Daimyo of the court of the Shogun Tokugawa, and bore his aoi mon.

Such wondrous pieces, in near perfect condition, are incredibly rare, however, being one of the world's leading Japanese art sword dealers, we do manage to find such glorious swords on occasion. For us though, the exceptional is incredibly important, so we actively seek not the 'run of the mill', which certainly takes considerably more time and effort, but we firmly believe {and so do thousands of our regulars}, it to be well worth it.

Suzaku is one of the four, Japanese, 'Great Celestial Beasts'. Suzaku translates to "Vermillion Chinese Phoenix". Cloisonne enamel mounted ancient bladed swords were often fabulous cultural presentation pieces, offered to great samurai and nobles as a symbol of their status and importance within the Japanese samurai nobility class hierarchy. This sword bears the imperial court paulownia crest upon the tachi's saya hangers, that was granted to individuals and families by the imperial court as a mark of honour and distinction. It symbolizes high status, nobility, and honour. The fabulous Japanese cloisonne koshirae fittings and mounts may well have been designed by Namikawa Yasuyuki, who was 'Teishitsu Gigei’, an Imperial Craftsman to the court of the Emperor Meiji. He decorated his later pieces with areas of semi-transparent mirror black enamel ground, such as this fabulous piece displays, that became a hallmark of most of Yasuyuki’s finest later work. Overall decorated with the incredible and fantastically detailed, magnificent, mythological phoenix.

Although Chinese cloisonné enamels had long been highly valued it was not until the late sixteenth century that cloisonné enamels became more widely used in Japan.There had long been a demand among the samurai for fine decoration of sword fittings and cloisonné enamels were used on tsuba (sword guards). The finest of these were made by the Hirata School, founded by Hirata Dōnin (died 1646) which was active well into the nineteenth century. A former samurai and one of the greatest artisans of the art was the cloisonné artist Namikawa Yasuyuki. Yasuyuki began his career around 1868 and worked with the Kyoto Cloisonné Company from 1871 to 1874.

He established his own studio and exhibited his work at national and international expositions. The most significant result of the collaboration of Wagener and Yasuyuki was the creation of the semi-transparent mirror black enamel that became the hallmark of most of Yasuyuki’s subsequent work.

Yasuyuki’s cloisonné enamels are characterised by the skilful use of intricate wirework and superb attention to detail and the designs on his earlier pieces are relatively traditional, consisting mainly of stylised botanical and formal geometric motifs. Much of his later work tends to be more pictorial with scenes from nature and views of landmarks in and around Kyoto.

Yasuyuki continued to improve his technical and artistic skills and in 1896 he was appointed Teishitsu Gigei’ in (Imperial Craftsman) to the court of the Emperor Meiji.The four celestial beasts, Seiryu the dragon , Suzaku pheonix, Byakko white tiger, and Genbu tortoise were probably introduced to Japan from China sometime in the 7th century AD, for their images are found on the tomb walls at Takamatsuzuka in Nara, which was built sometime in the Asuka period (600 - 710 AD). They are also found on the base of the Yakushi Triad at Yakushi-ji Temple , also in Nara. In Japan, the term “Suzaku” is translated as “Red Bird” or “Vermillion Chinese Phoenix.” In both Japan and China, the symbolism of the red bird seems nearly identical to or merged with that of the mythological Phoenix. One must consider the Suzaku and the Phoenix to be the same magical creature, although one cannot be certain if this is entirely true. Scholar Derek Walters says the Phoenix was supplanted or replaced by the Red Bird, for the Red Bird more accurately reflected the astronomical iconography associated with the southern lunar mansions.

It corresponds to summer, red, fire, and knowledge; it makes small seeds grow into giant trees. Often paired with the dragon, for the two represent both conflict and wedded bliss; dragon (emperor) and phoenix (empress). Portrayed with radiant feathers, and an enchanting song; and it only appears in times of good fortune. Within the ancient Imperial Palace in Japan, there was a gate known as Suzakumon (Red Bird Gate) Pairs of vases from these Meiji period Japanese cloisonne enamel workshops can now command prices into six figures. All of the fittings are in superb condition, damage free, the blade is in beautiful polish for its age age.Overall 27.5 inches long, blade 18.75 inches long

It is important to bear in mind, that due to the revered status that Japanese swords achieve for most of their working lives in Japan, that the condition they survive in can be simply remarkable. The size of this tachi is around the size, overall, of a chisa katana, or o wakazashi.

A photo of the signature on the nakago will be added tomorrow.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 23683

Stunning,1600's 'Senshu Banzai' Antique Edo Samurai Katana With Signed Blade, Kashu ju Darani Tachibana Katsukuni Saku, Katsukuni of the Tachibana Clan, the Darani School of Smiths, Made This {Sword} in Kashu Province, Incredible Hamon of Sanbon-Sugi

Beautifully mounted in original Edo mounts of iron fuchi kashira of silver birds in reeds, a pair of takebori crab menuki, with a fine iron tsuba decorated with takebori prunus blossom in silver, upon their branches. Finest blue tsukaito binding, and a beautiful black lacquer saya carved buffalo horn kurigata and dark brown sageo.
Signed blade,
加州住陀羅尼橘勝國作
Kashu ju Darani tachibana Katsukuni saku.
The Darani school, was geographically located in the Kaga domain, and its aim was following the Mino forging style. The sword's smith, likely the third generation, of the 1600’s, was a member, and made for, the Tachibana clan of Kashu {Kaga} province.

Engraved upon the ura with mei Senshu Banzai, which means ‘celebrate long life’, it may be for the samurai for whom it was made, or possibly to whom it was presented. A most unusual engraved Mei blessing to see chisseled upon a blade nakago

The Tachibana clan
Home province Chikuzen
Parent house Ōtomo clan
Founder Tachibana Sadatoshi (Ōtomo Sadatoshi)
Founding year 14th century
The Tachibana clan (立花氏) was a Japanese clan of daimyō (feudal lords) during Japan's Sengoku and Edo periods. Originally based in Tachibana castle in Kyūshū, the family's holdings were moved to the Yanagawa Domain in the far north-east of Honshū in the Edo period.

Darani Katsukuni swords are rated on the Wazamono list in the Kokon Kajibiko (古今鍛冶備考) of 1830 and later additions, as
Yoki Wazamono (良業物), {Ryo Wazamono } "Very good." Swords that cut through the torso 5-7 out of 10 times.
Edo period 1597 to 1863
The head of Darani school - Katsukuni 勝国 followed Mino technique and made to emulate Sanbon-sugi hamon {three cedar pattern} of Kanemoto

Wazamono is a classification of Japanese swords and swordsmiths used in Japan to identify historic blades of exceptional quality. According to the first edition of Kaiho Kenjaku (懐宝剣尺) published in 1797, There are 163 Wazamono swords in total, grouped into four categories based on their quality. This rating is based on a book compiled by Yamada Asaemon V (山田浅右衛門吉睦), an official sword cutting ability examiner and executioner of the Tokugawa shogunate, and is an authoritative index of cutting ability of Japanese swords. The list of ratings concerning swordsmithing differs between Kaiho Kenjaku (懐宝剣尺) published in 1797 and the reprinted edition published in 1805, and the major revised edition of Kokon Kajibiko (古今鍛冶備考) published in 1830. Adding to the number of sword smiths in each edition: Saijo Ō Wazamono 15, Ō Wazamono 21, Yoki Wazamono 58, Wazamono 93, lower 3 grade mixed 65. In the original list of 1797 Twelve swords are classified as Saijō Ō Wazamono (Supreme Grade), twenty-one swords are classified as Ō Wazamono (Excellent), fifty swords are classified as Yoki (Ryō) Wazamono (Very Good), and eighty swords are classified as Wazamono (Good).

There was a most famous sword of the Tachibana it was named Raikiri: The Lightning Cutter, or Thunder Cutter.

Raikiri, also known as the Lightning Cutter, holds a place of honour within the annals of Japanese sword lore. Its story intertwines with the remarkable warrior Bekki Dōsetsu, the first head of the Tachibana family.
Originally, Raikiri began its existence as a long tachi sword named “Chidori.”
One fateful day, as Dōsetsu rested beneath a grand tree, a thunderbolt struck nearby. Swift as lightning, he drew his sword, Chidori, and slashed at the electrifying force.
The blade’s swift and decisive cut earned it a new name: Raikiri, signifying the lightning’s cleaving power.
Dōsetsu, father of the renowned Tachibana Ginchiyo, wielded Raikiri with unmatched skill. His valour and connection to the supernatural elevated the sword’s status.
Raikiri became a symbol of courage, a blade that could slice through not only flesh but also the very elements.

The katana was such a crucial part of a samurai's life that when a young warrior was on the verge of entering this world, the sword he would use as a protector was brought into the delivery room as if to greet the young one. And, when a weathered, old veteran warrior was on his deathbed, ready to cross over into the White Jade Pavilion of the afterlife, his katana was placed at his side, as if to protect him one last time. Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means “one who serves."

Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of bu to stop the spear exanding into bushido (the way of life of the warrior) and bun (the artistic, intellectual and spiritual side of the samurai). Originally conceived as away of dignifying raw military power, the two concepts were synthesized in feudal Japan and later became a key feature of Japanese culture and morality.The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday and was also a painting master. Members of a hierarchal class or caste, samurai were the sons of samurai and they were taught from an early age to unquestionably obey their mother, father and daimyo. When they grew older they were trained by Zen Buddhist masters in meditation and the Zen concepts of impermanence and harmony with nature. The were also taught about painting, calligraphy, nature poetry, mythological literature, flower arranging, and the tea ceremony.

As part of their military training, it was said, that samurai were taught to sleep with their right arm underneath them so if they were attacked in the middle of the night and their the left arm was cut off the could still fight with their right arm. Samurai that tossed and turned at night were cured of the habit by having two knives placed on either side of their pillow. It seems somewhat extreme, but not entirely impossible.

Samurai have been describes as "the most strictly trained human instruments of war to have existed." They were expected to be proficient in the martial arts of aikido and kendo as well as swordsmanship and archery---the traditional methods of samurai warfare---which were viewed not so much as skills but as art forms that flowed from natural forces that harmonized with nature.
An individual didn't become a full-fledged samurai until he wandered around the countryside as begging pilgrim for a couple of years to learn humility. When this was completed they achieved samurai status and receives a salary from his daimyo paid from taxes (usually rice) raised from the local populace. Swords in Japan have long been symbols of power and honour and seen as works of art. Often times swordsmiths were more famous than the people who used them.

Antique Japanese woodblock prints in the gallery {not included} of Tachibana clan armour and Tachibana Masashige  read more

Code: 25268

Private Purchase WW2, 1941, "Taylor's Eye Witness" Desert Rat Commando Knife 'Afrika Korps Campaign' Against Rommel At Tobruk. With North African Scabbard With WW2 Hand Made British Service Belt & Strap Loop

Around 25 years ago we bought another identical Taylors Eye Witness fighting knife from a Desert Rat No 8 {Guards} Commando veteran that also had the very same form of North African made scabbard with the same military service belt and strap loop. The blade still has its original cross-grain polish, and is near razor sharp. There are a few rust stains which we have left untouched. Overall it has remained unmolested since the war.

During World War II, the "Taylor's Eye Witness" Sheffield-made stiletto double edged bladed fighting knife, a private purchase item, gained popularity among British commandos and US troops stationed in Britain, particularly prior to D-Day.

The Twin Pimples was a feature in the Axis lines surrounding Tobruk. It was a defensive strong point consisting of two hills very close together that dominated the opposing Allied lines and at the time of the raid was held by units of the Italian Army. The 18th King Edward's Own Cavalry, normally part of the 3rd Indian Motor Brigade, held the line across from the Twin Pimples when it was decided to take out the Italian position. The No. 8 Commando was selected to carry out the operation and for some days prior they conducted patrols with the Indians to get to know the lay of the land.

The plan called for three officers and 40 men of No. 8 Commando and a small number of Australian Engineers (to deal with ammunition dumps and gun emplacements) to cross the Italian forward positions to the road that they used to bring up supplies and then follow the road to the rear of the Twin Pimples and engage the position from behind. The 18th Cavalry were to carry out a diversionary raid just before the commando assault to divert the defenders' attention. The man chosen to lead the raid was Captain M. Keely, the second in command was Captain Dunne and the third officer was Lieutenant Lewes On the night of the raid, 17/18 July, half the Commandos were armed with Thompson submachine guns and the other half with Lee–Enfield rifles with bayonets fixed. All carried hand grenades and every third man wore a groundsheet slung bandoleer fashion to use as a stretcher.
The Commandos left their own lines at 23:00 hours on 17 July and crossed the Italian forward positions and main lines undetected. Upon reaching the supply road they had to take cover and wait, as the attack was planned for 01:00 hours on 18 July. They moved closer to their objective just prior to the start of the diversionary attack by the 18th Cavalry. The diversion was a success, and Italian machine-gun fire and very lights were directed towards the Indian cavalrymen. The Commandos managed to get within 30 yards (27 m) on the Twin Pimples before being challenged. The challenge was answered by a frontal attack by the Commandos. So as not to confuse their own forces with the Italians in the darkness, the password Jock was used when a position had been taken. The fire fight lasted about four minutes and the Australian Engineers planted explosives on several mortars and an ammunition dump. The planners had estimated that the Commandos could spend no longer than 15 minutes on the Italian position before it was engaged by the Italian artillery. The raiders had only got about 100 yards (91 m) from the Twin Pimples when the Italian artillery started to come down onto their own position.
Aftermath
The cost of the raid to the Commandos was five wounded, one of whom later died of his wounds. The No. 8 Commando, together with the rest of Layforce, was disbanded soon after. The operational difficulties that had been exposed, combined with the inability of the high command to fully embrace the commando concept, had largely served to make them ineffective. Two members of No. 8 Commando, David Stirling and Jock Lewes, would form the Special Air Service by the end of July 1941. Tobruk would remain under siege until relieved by Operation Crusader in November 1941.

The only soldier to be killed on this raid was Corporal John “Jackie” Edward Trestrail Maynard of the Duke of Cornwall's light Infantry and No 8 (Guards) Commando

These knives were often purchased from private/commercial suppliers and were favoured by British and US troops.
The knives featured a double-edged blade, a grip made of pressed leather washers, and a brass pommel. The original leather scabbard was often missing its small retaining strap, so local made replacement were often made and used
More and more photographic evidence has emerged showing these knives being used by British/Commonwealth and US troops, making them more sought after.
Due to the increasing evidence and the rising value of Fairbairn-Sykes knives, this pattern of fighting knife has become difficult to source.

The story starts in 1820 when John Taylor founded a small pocketknife & edge tools workshop in the very heart of Sheffield, the ancestral home of cutlery in Great Britain. As was normal back then, makers would seek the use of a symbol by which their products would be recognised, even by those unable to read. In 1838 Taylor was granted the "Eye Witness" trademark for his goods, accompanied by an illustration of an all-seeing eye, hence the Eye Witness name.

The last photo in the gallery is of a US sergeant sharpening his eye witness fighting knife in his tent before his departure for D-Day, with another picture of an eye witness fighting knife, in its regular scabbard, that appears in Ron Flook's book {12.1}

See 'The Fairbairn Sykes Fighting Knife And Other Commando Knives' By Ron Flook , page 179 {12.1}  read more

Code: 25689

1907 King Edward VIIth Wilkinson Sword Enfield Bayonet For the Early SMLE Rifle in Original Scabbard & Canvas Frog. issued To The 2nd Bt. Lancashire Fusiliers

Just returned from 12 hours of hand polishing and conservation to reveal at last its completely original, near as new, condition, with original leather and steel mounted scabbard and its early canvas frog, with regimental stamps for the 2nd Bt, Lancashire Fusiliers. Numerous ordnance inspection stamps at the ricasso from 1909, 1910,1911,1913 & 1914 alongside the service pattern 1907 date Wilkinson maker stamp and ER Crown

2nd Battalion, Lancashire Fusiliers were in Dover with 12th Brigade, 4th Division when war was declared in August 1914. 4th Division was held back from the original British Expeditionary Force by a last minute decision to defend England against a possible German landing. The fate of the BEF in France and the lack of any move by the Enemy to cross the channel, reversed this decision and they proceeded to France landing at Boulogne on the 20th of August 1914, arriving in time to provide infantry reinforcements at the Battle of Le Cateau, the Divisional Artillery, Engineers, Field Ambulances and mounted troops being still en-route at this time. They were in action at the The Battle of the Marne, The Battle of the Aisne and at Messines in 1914. In 1915 they fought in The Second Battle of Ypres. On the 4th of November 1915 the 2nd Lancashires moved with 12th Brigade to 36th (Ulster) Division to provide training over the winter months and returned to 4th Division on the 3rd of February 1916.


In 1916 moved south and were in action during the Battles of the Somme. In 1917 they were at Arras, in action during the The First and Third Battles of the Scarpe, before heading north for the Third Battle of Ypres, where they fought in The Battle of Polygon Wood, The Battle of Broodseinde, The Battle of Poelcapelle and The First Battle of Passchendaele. In 1918 they were in action on The Somme, then returned to Flanders fighting in the Defence of Hinges Ridge during The Battle of Hazebrouck and in The Battle of Bethune, The Advance in Flanders The Second Battles of Arras, the Battles of the Hindenburg Line and the Final Advance in Picardy. The 4th Division was demobilised in Belgium in early 1919.

On Wednesday 4th July 2007 four soldiers from the First World War were laid to rest in Belgium. One was clearly identified as Private Richard Lancaster of the 2nd Battalion of the Lancashire Fusiliers who died on the 10th November 1914. He was found with two other bodies who may have been LFs but there was not enough evidence to prove it. The other body was that of a soldier, possibly and officer from the TA Fusilier Brigade in the 66th East Lancashire Division. He was killed on the 10th October 1917 during the battle for Passchendaele  read more

Code: 25692

A Stunning, Original, Ancient Roman-Egyptian Ist Cent BC Ancient Bronze 'Twin Headed' Cobra 'Ureas Ring' of the Sacred Serpent Goddess Wadjet, Late Egyptian Ptolomeic Period & the Roman Pharoahs Era. Worn In The Time of Anthony And Cleopatra

Circa 2020 to 2100 years old. From our amazing new collection of original, important, Imperial Roman, Egyptian, Viking, Medieval and Napoleonic War artefacts we just acquired

Romano-Egyptian coiled and engraved bronze twin serpent head ring, decorated and engraved heads and scales. An ureaus ring, from the time of Cleopatra, Julius Caeser and Mark Anthony.

The Uraeus is the name given to the symbol of a rearing cobra, used in ancient Egypt to denote royalty and divine authority. it has a special significance in Roman culture royalty and art, and especially with Cleopatra the last Egyptian Pharoah to wear the Nemes serpent crown, and who famously, allegedly comitted suicide utilizing the bite of the asp serpent.

The pharaohs, dynastic kings and queens of Egypt, wore the Uraeus symbol as a head ornament as part of their crown. As far back as the Old Kingdom (3rd millennium BCE) wearing the Uraeus serpent communicated the pharaoh's legitimacy in ruling the lands of Lower Egypt.

In hieroglyphics, the Uraeus was often used to refer to a priestess or a goddess such as Isis. One myth about the origin of the Uraeus symbol claims that Isis created the first Uraeus, forming it from dust and spit. Isis used the snake in order to win the throne of Egypt for Osiris, her husband.
Egyptian Snake Goddess
The Uraeus is the symbol of the Egyptian snake goddess Wadjet. One of the oldest deities in the Egyptian pantheon, Wadjet was worshiped as the patroness of the Nile Delta and the protector of Lower Egypt. The center of Wadjet's cult was Per-Wadjet. The snake symbol worn by the pharaohs was seen to symbolize Wadjet's protection of the pharaoh and her approval of his claim of sovereignty. Some goddesses were also depicted wearing the Uraeus upon their heads, suggesting that the Egyptians believed these goddesses embodied aspects of Wadjet or fell under her protection.

When the Upper and Lower Kingdoms of Egypt unified, an image of Nekhbet, the vulture goddess and patron of Upper Egypt joined the image of Wadjet as the Uraeus on the pharaoh's crown. The two goddesses were known as the Nebty, the two ladies, and were seen as joint protectors of the newly-unified kingdom. When the sun god Ra rose to prominence during the Middle Kingdom and the pharaohs began to be seen as manifestations of Ra, the Uraeus was believed to protect them by spitting fire from the sun onto their enemies.

The Roman pharaohs, rarely referred to as ancient Egypt's Thirty-fourth Dynasty, were the Roman emperors in their capacity as rulers of Egypt, especially in Egyptology. After Egypt was incorporated into the Roman Empire in 30 BC, the people and especially the priesthood of the country continued to recognise the Roman emperors as pharaohs, according them traditional pharaonic titularies and depicting them with traditional pharaonic garb, engaging in traditional pharaonic activities, in artwork and at temples throughout Egypt.
Cleopatra VII had affairs with Roman dictator Julius Caesar and Roman general Mark Antony, but it was not until after her 30 BC suicide (after Mark Antony's defeat against Octavian, who became Emperor Augustus) that Egypt became a province of the Roman Republic. Subsequent Roman emperors were accorded the title of pharaoh, although exclusively while in Egypt. As such, not all Roman emperors were recognized as pharaohs. Although Octavian made a point of not taking the Pharaonic crown when he conquered Egypt, which would have been difficult to justify to the wider empire considering the vast amount of propaganda which he had spread about the "exotic" behavior of Cleopatra and Antony, the native population of Egypt regarded him as the pharaoh succeeding Cleopatra and Caesarion. Depictions of Octavian, now called Augustus, in traditional pharaonic garbs (wearing different crowns and the traditional kilt) and sacrificing goods to various Egyptian gods were made as early as around 15 BC and they are present in the Temple of Dendur, built by Gaius Petronius, the Roman governor of Egypt. Even earlier than that, Augustus had been accorded royal titles in the Egyptian version of a 29 BC stele made by Cornelius Gallus, despite royal titles not being present in the Latin or Greek-language versions of the same text.

Approx I inch across

Last pictures in the gallery of Roman bust of a Roman emperor wearing the Egyptian Nemes serpent crown, and another Egyptian tomb figure wearing the Nemes crown in carved wood and gold.
As with all our items it comes complete with our certificate of authenticity  read more

Code: 25690

A Simply Exquisite Original Bronze Age Short Sword Used From The Trojan Wars To The Greco-Persian Wars Era. The Trojan War Was Waged Against the City of Troy by the Achaeans (Greeks) After Paris of Troy Took Helen From Her Husband Menelaus, King of Sparta

From the late 2nd millennium BC. to early 1st Millenium BC.
A bronze sword with tapering long central ribbed graduating tapering blade, with solid cast hilt 'bulls horn' and domed pommel A sword that could have been traded with the Archean Greeks, the Mycenean Greeks the Trojan peoples and The Hitites.

The trade of Bronze Age weaponry followed trade routes that started in the the Assyrian Empire, East of Babylon, right through to the Mediterranean region, and all of empires and kingdoms in between. Also, all manner of Bronze Age utilitarian wares, personal adornments, and tools came from this famed bronze smithing region and their trading merchants.

In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans (Greeks) after Paris of Troy took Helen from her husband Menelaus, king of Sparta. The war is one of the most important events in Greek mythology and has been narrated through many works of Greek literature, most notably Homer's Iliad. The core of the Iliad (Books II – XXIII) describes a period of four days and two nights in the tenth year of the decade-long siege of Troy; the Odyssey describes the journey home of Odysseus, one of the war's heroes. Other parts of the war are described in a cycle of epic poems, which have survived through fragments. Episodes from the war provided material for Greek tragedy and other works of Greek literature, and for Roman poets including Virgil and Ovid.

The ancient Greeks believed that Troy was located near the Dardanelles and that the Trojan War was a historical event of the 13th or 12th century BC, but by the mid-19th century AD, both the war and the city were widely seen as non-historical. In 1868, however, the German archaeologist Heinrich Schliemann met Frank Calvert, who convinced Schliemann that Troy was a real city at what is now Hisarlik in Turkey. On the basis of excavations conducted by Schliemann and others, this claim is now accepted by most scholars.

Whether there is any historical reality behind the Trojan War remains an open question. Many scholars believe that there is a historical core to the tale, though this may simply mean that the Homeric stories are a fusion of various tales of sieges and expeditions by Mycenaean Greeks during the Bronze Age. Those who believe that the stories of the Trojan War are derived from a specific historical conflict usually date it to the 12th or 11th century BC, often preferring the dates given by Eratosthenes, 1194–1184 BC, which roughly correspond to archaeological evidence of a catastrophic burning of Troy VII, and the Late Bronze Age collapse. Legend has it that the war originated from a quarrel between the goddesses Hera, Athena, and Aphrodite, after Eris, the goddess of strife and discord, gave them a golden apple, sometimes known as the Apple of Discord, marked "for the fairest". Zeus sent the goddesses to Paris of Troy, who judged that Aphrodite, as the "fairest", should receive the apple. In exchange, Aphrodite made Helen, the most beautiful of all women and wife of Menelaus of Sparta, fall in love with Paris, who quit Sparta with her and returned to Troy. Menelaus's brother Agamemnon, king of Mycenae, led an expedition of Achaean troops to Troy and besieged the city for ten years because of Paris' insult. After the deaths of many heroes, including the Achaeans Achilles and Ajax, and the Trojans Hector and Paris, the city fell to the ruse of the Trojan Horse. The Achaeans slaughtered the Trojans (except for some of the women and children whom they kept or sold as slaves) and desecrated the temples, thus earning the gods' wrath. Few of the Achaeans returned safely to their homes and many founded colonies in distant shores. The Romans later traced their origin to Aeneas, Aphrodite's son and one of the Trojans, who was said to have led the surviving Trojans to modern-day Italy.

57 cm long

A most similar example was in the Axel Guttman collection, a collection that was sold in 2002 by Christies

As with all our items it comes complete with our certificate of authenticity.  read more

Code: 25684

A Wonderful, Napoleonic Wars Period Museum Piece, A Highest Ranking British Officer's Sword Bespoke Commisioned For The Highest Ranking Officers of Both The Navy or Army, A 1790's Admiral of the Fleet or Field Marshal's Sword In Fabulous Condition

A near identical sword was carried by Admiral of the Fleet Sir Peter Parker (1721 – 21 December 1811), and The Iron Duke, The Duke of Wellington.

Mercurial gilt fluted pattern hilt, with Adam urn pommel and solid silver triple wire binding, oval fluted hilt guard. Triple edged blade, with superb and elaborate engraving and traces of blue and gilt.

The sword used by the most senior of officers of the army and navy of Britain, field marshals and admirals of the fleet, and kings and princes of the royal family, since the 1780's until the 1820's.

Pictures in the gallery of Field Marshal the Duke of Wellington, Admiral of the Fleet Sir Peter Parker, and Field Marshal Prince Frederick, Duke of York and Albany.

This Anglo-Irish soldier, the Duke of Wellington, and statesman fought as Field Marshal of the British Army during the Napoleonic Wars. With the help from Prussian Marshal Gebhard Leberecht von Blücher, he defeated Napoleon at Waterloo on June 18, 1815 and became a hero in England.

The office of marshal was already well established in England by the 12th century, but the modern military title of field marshal was introduced into the British army in 1736 by King George II, who imported it from Germany. In Britain the rank came to be bestowed only upon a few senior army officers,

From the 1790's to the 1820's here are the Field Marshals of Britain

Henry Seymour Conway (1793)
HRH Prince William Henry, Duke of Gloucester and Edinburgh (1793)
Sir George Howard (1793)
HRH The Prince Frederick Augustus, 1st Duke of York and Albany (1795)
John Campbell, 5th Duke of Argyll (1796)
Jeffrey Amherst, 1st Baron Amherst of Montreal (1796)
John Griffin Griffin, 4th Baron Howard de Walden (1796)
Studholme Hodgson (1796)
George Townshend, 1st Marquess Townshend (1796)
Lord Frederick Cavendish (1796)
Charles Lennox, 3rd Duke of Richmond and Lennox (1796)
HRH The Prince Edward Augustus, 1st Duke of Kent and Strathearn (1805)
Arthur Wellesley, 1st Marquis of Wellington (1813)
HRH The Prince Ernest Augustus, 1st Duke of Cumberland and Teviotdale (1813)
HRH The Prince Adolphus Frederick, 1st Duke of Cambridge (1813)
HRH Prince William Frederick, Duke of Gloucester and Edinburgh (1816)
HRH Prince Leopold of Saxe-Coburg-Saalfeld (1816)
Charles Moore, 1st Marquess of Drogheda (1821)


The ranks of Admiral of the Fleet and Admiral of the Red were formally separated from 1805, with an announcement in the London Gazette that "His Majesty has been pleased to order the Rank of Admirals of the Red to be restored" in His Majesty's Navy..." as a separate role. The same Gazette promoted 22 men to that rank. From the nineteenth century onward there were also occasional variations to the previous requirement that only one Admiral of Fleet could serve at one time. In 1821 George IV appointed Sir John Jervis as a second admiral of the fleet, to balance the Duke of Wellington's promotion as a second Field Marshal in the British Army.

Admirals of the Fleet

12 March 1796 The Earl Howe
16 September 1799 Sir Peter Parker, Bt.
24 December 1811 King William IV at that time as The Duke of Clarence and St Andrews
19 July 1821 The Earl of St Vincent

Excellent condition overall , no scabbard.  read more

Code: 24953

A Superb, Original, 1796 Heavy Cavalry Officer's Sword, Napoleonic Wars and Waterloo Period, with a Broadsword Blade, Steel Combat Scabbard with Close Combat Blade Impact

1796 regulation dress pattern copper gilt hilt, with boatshell guard, D-shaped knuckle bow, urn-shaped pommel, wire bound grip, double edged broadsword blade contained in its all steel combat scabbard, which bears a single blade cut from another sword see photo 10. Upper suspension ring mount lacking. A very good example of these most desirable and beautiful of Napoleonic wars era swords used by an officer in the British heavy cavalry.

It has the traditional 1796 'boat shaped hilt' in copper gilt, in very good order bearing much of its original mercurial gilding, it has its original wire bound grip, a good broadsword double edged blade, and all steel combat grade scabbard.

Used by a Napoleonic wars period officer of the British heavy cavalry, serving in either the Union Brigade, or the 1st Household Brigade.

The Heavy Cavalry regiments were separated into two brigades at Waterloo. The 1st Brigade, known as the Household Brigade, commanded by Major-General Edward Somerset (Lord Somerset), consisted of guards regiments: the 1st and 2nd Life Guards, the Royal Horse Guards (the Blues), and the 1st 'King's' Dragoon Guards The 2nd Brigade, also known as the Union Brigade, commanded by Major-General Sir William Ponsonby, was so called as it consisted of an English (1st, 'The Royals'), a Scottish (2nd, 'Scots Greys'), and an Irish (6th, 'Inniskilling') regiment of heavy dragoons. More than 20 years of warfare had eroded the numbers of suitable cavalry mounts available on the European continent; this resulted in the British heavy cavalry entering the 1815 campaign with the finest horses of any contemporary cavalry arm. They also received excellent mounted swordsmanship training. The two brigades had a combined field strength of about 2,000 (2,651 official strength), and they charged with the 47-year-old Uxbridge leading them and little reserve Scots Greys Regt. The Scots Greys, as part of the Union Brigade so called as it was made up of a regiment of Heavy Cavalry from each part of Britain were some of the finest heavy Cavalry in Europe and certainly one of the most feared. A quote of Napoleon of the charge at the Battle of Waterloo goes;
"Ces terribles chevaux gris! Comme il travaillent!" (Those terrible grey horses, how they strive!) At approximately 1:30 pm, the second phase of the Battle of Waterloo opened. Napoleon launched D'Erlon's corps against the allied centre left. After being stopped by Picton's Peninsular War veterans, D'Erlon's troops came under attack from the side by the heavy cavalry commanded by Earl of Uxbridge including Major General Sir William Ponsonby's Scots Greys. The shocked ranks of the French columns surrendered in their thousands. During the charge Sergeant Ewart, of the Greys, captured the eagle of the French 45th Ligne. The Greys charged too far and, having spiked some of the French cannon, came under counter-attack from enemy cavalry. Ponsonby, who had chosen to ride one of his less expensive mounts, was ridden down and killed by enemy lancers. The Scots Greys' casualties included: 102 killed; 97 wounded; and the loss of 228 of the 416 horses that started the charge. This engagement also gave the Scots Greys their cap badge, the eagle itself. The eagle is displayed in the Royal Scots Dragoon Guards museum in Edinburgh Castle. The British Heavy Cavalry, during the Peninsular War and at Waterloo it fought with incredible distinction and exemplary bravery, and saw some of the most incredible and courageous combat. Fighting the elite French Curassiers and Carabiniers of Napoleons Imperial Guard was no mean feat, for at the time the French Cavalry was some of the most formidable in the world, and at their very peak. Never again was the French Cavalry to be as respected and feared as it was during the great Napoleonic era. Some of the battles this may also have been used at were; during 1808-14 The Peninsular Campaign, including, Salamanca , Toulouse, Albuera Talavera, Pyrenees then from 1814: La Rothiere, Rosnay, Champaubert, Vauchamps, Athies, La Fere-Champenoise and Paris
1815: and Quatre-Bras. The last photo in the gallery is of Lady Butler's painting, the Charge of the Scots Greys at Waterloo. One of the heavy cavalry regiments whose officers would have used in his service this very form of sword.

The swords used by the Union Brigade and Ist household brigade at Waterloo, have examples of their swords in the Royal Collection, The Tower of London Collection, the British Army Museum, and most of the finest British sword collections in the world.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo .
blade length 32 inches  read more

Code: 24189

A Most Rarely Seen Napoleonic Wars Heavy Cavalry Sword. A Fabulous 1808 Napoleonic Wars, Spanish Peninsular Campaign Cavalry Sword

From the invasion of Spain by Napoleon's forces, in 1808. The Peninsular War involved over 127 battles and engagements against Napoleon and the armies under his command, and this sword may well have been used in dozens of these ferocious conflicts

A fabulous, original, example of these very scarce Napoleonic, Spanish heavy cavalry rapiers. A rapier based Spanish late 18th century broadsword.
The hilt is in superb order, with excellent wire bound grip and large shaped bowl, as is the very long broadsword blade.
In 1796 (although there is a controversy around the precise date) a new model sword for Spanish cavalry troopers was adopted. This beautiful example, showing very classic lines and a very similar construction to the previous pattern, presents an almost full cup-hilt in a rapier style, curved quillons and knuckle-bow. The blade was very similar to that of 1728 pattern, having these dimensions: length 940 mm, width 35, thickness 6 mm. Alongside the later 1803 pattern change, these swords were predominantly used by cavalry at the Battle of Bailen {and subsequent battles}. It was the crushing defeat of Napoleon's Grande Armee in the Spanish invasion.
The Battle of Bailen
Fought July 19, 1808, between 15,000 Spaniards under Castaflos, and 20,000 French under Dupont. The French were totally defeated with a loss of over 2,000 men, and Dupont surrendered with his whole army. The Battle of Bailen was contested in 1808 between the Spanish Army of Andalusia, led by Generals Francisco Castanos and Theodor von Reding, and the Imperial French Army's II corps d'observation de la Gironde under General Pierre Dupont de l'Etang. The heaviest fighting took place near Bailen (sometimes anglicised Baylen), a village by the Guadalquivir river in the Jaen province of southern Spain.

In June 1808, following the widespread uprisings against the French occupation of Spain, Napoleon organised French units into flying columns to pacify Spain's major centres of resistance. One of these, under General Dupont, was dispatched across the Sierra Morena and south through Andalusia to the port of Cadiz where an French naval squadron lay at the mercy of the Spanish. The Emperor was confident that with 20,000 men, Dupont would crush any opposition encountered on the way. Events proved otherwise, and after storming and plundering Cordoba in July, Dupont retraced his steps to the north of the province to await reinforcements. Meanwhile, General Castanos, commanding the Spanish field army at San Roque, and General von Reding, Governor of Malaga, travelled to Seville to negotiate with the Seville Junta a patriotic assembly committed to resisting the French incursions?and to turn the province's combined forces against the French.

Dupont's failure to leave Andalusia proved disastrous. Between 16 and 19 July, Spanish forces converged on the French positions stretched out along villages on the Guadalquivir and attacked at several points, forcing the confused French defenders to shift their divisions this way and that. With Castanos pinning Dupont downstream at Andujar, Reding successfully forced the river at Mengibar and seized Bailen, interposing himself between the two wings of the French army. Caught between Castanos and Reding, Dupont attempted vainly to break through the Spanish line at Bailen in three bloody and desperate charges, losing more than 2,500 men.

His counterattacks defeated, Dupont called for an armistice and was compelled to sign the Convention of Andujar which stipulated the surrender of almost 18,000 men, making Bailen the worst disaster and capitulation of the Peninsular War, and the first major defeat of Napoleon's Grande Armee. When news of the catastrophe reached the French high command in Madrid, the result was a general retreat to the Ebro, abandoning much of Spain to the insurgents. France's enemies in Spain and throughout Europe cheered at this first check to the hitherto unbeatable Imperial armies tales of Spanish heroism inspired Austria and showed the force of nation-wide resistance to Napoleon, setting in motion the rise of the Fifth Coalition against France.

The Portuguese and Spanish played an important part in the war. Retrained and reorganised by Marshal William Beresford, Portugal’s soldiers fought bravely alongside those of Britain. The stubborn Spanish defence of cities and towns tied down thousands of French troops. Spanish armies, though frequently defeated, kept reappearing, forcing France to send more armies against them.

French troops were also required to garrison hostile territory and wage a bitter war against Spanish and Portuguese insurgents, the ‘guerrillas’. French communications and supply lines were harassed by their raids and ambushes. By 1812, the French had over 350,000 soldiers in Iberia, but 200,000 were protecting lines of supply rather than serving as front-line troops.

All of these factors meant that although on paper the French heavily outnumbered the British armies in Iberia, they were never able to concentrate enough of their troops to win a decisive victory. The continual drain on French resources led Napoleon to call the conflict the ‘Spanish Ulcer’.


Painting in the gallery by Theodore Gericault. Of a wounded cuirassier, said to be a French cuirassier at the Battle of Bailen. We also show a print of the Spanish Heavy Cavalry of the Line Trooper, 1804, holding his identical sword  read more

Code: 22330

A Stunning, Historical, Napoleonic War’s Period, 1796 Pattern Officer's Combat Sword of William A. Cuninghame, of the 95th

It’s rarity value is due to both it’s known specific history to a Napoleonic Wars family member and it’s condition.
With superb provenance, that is very rare to survive. He was the father of Capt William Cuninghame Cuninghame, hero of the 79th Foot in the Crimean War, and brother of Capt. Thomas Cuninghame of the 45th Foot. One of all three original family swords, owned and used in combat by William Cunningham senior, all with their own built in provenance, from the world renown British Army, serving in the 95th, 45th and the 79th Regiments. All three were acquired, then expertly conserved by us.
They were obtained by us from a direct line family descendant, still possessor of the same family name, and they are all all offered for sale by us separately, but the light infantry sabre of the 45th regiment is now sold. A super, antique and historical, officers combat sword of his ancestor, who fought with distinction in the Napoleonic Wars era. Each sword is engraved with the family name, crest, and motto. This sword, belonged to William Alexander, Cuninghame, who joined his regiment as a junior officer in April 1813, and served as an officer in the 95th regt., Another sword belonged, and was used, by Thomas Cuninghame, William Alexander's elder brother, who served in the 45th regt., both used by them in the Napoleonic Wars, and a basket hilted broadsword which we have also fully conserved, that was used by William Alexander Cuninghame's son, Capt. William Cuninghame Cuninghame, in the Crimean War. According to family record, W.A.Cuninghame while serving with his regiment was wounded in Guadaloupe in 1814, but this may well have been early 1815, during the British invasion to retake the island in Napoleon's Hundred Days period. The Hundred Days war was so called after Napoleon returned from exile in Elba, reformed his army, declared war on the allies, and that culminated in the Battle of Waterloo in Belgium, Wellington's great victory and Napoleon's final defeat. The 1796 Pattern British Infantry Officers Sword was carried by officers of the line infantry in the British Army between 1796 and the time of its official replacement with the gothic hilted sword in 1822. This period encompassed the whole of the Napoleonic Wars.

The Napoleonic Wars, was a series of wars between Napoleonic France and shifting alliances of other European powers that produced a brief French hegemony over most of Europe. Along with the French Revolutionary wars, the Napoleonic Wars constitute a 23-year period of recurrent conflict that concluded only with the Battle of Waterloo and Napoleon’s defeat by Wellington, and thus his subsequent second abdication on June 22, 1815. It is interesting that statistically Napoleon had fought and won more battles than the worlds next three great military commanders combined, however, despite his obvious genius he never actually won a war, and Wellington had never lost one.

France had a population of 27,350,000 in 1801 as opposed to Great Britain’s 10,942,146, outnumbering Britain almost three to one, and France had gained much territory warfare since 1792. However, a significant advance in economic strength was to enable Great Britain to wage war against this formidable adversary and to achieve the “miracles of credit” whereby foreign military assistance could be subsidized. The French, whose manufactures progressed less dramatically than the British and whose seaborne trade had been strangled by the superior nature of Britain’s navy, found it impossible to raise funds commensurate with their aggressive policy in Europe, so that Napoleon had to rely on the spoils of conquest and looting to supplement the deficiencies of French finance. As a matter of course, Wellington had forbade his armies to engage in looting of any kind, upon penalty of severe flogging or worse.

The Napoleonic Wars

The Napoleonic Wars were massive in their geographic scope, ranging, as far as Britain was concerned, over all of the five continents. They were massive, too, in terms of expense. From 1793 to the Battle of Waterloo in June 1815 the wars cost Britain more than £1,650,000,000. Only 25 percent of this sum was raised by government loans, the rest coming largely from taxation, not least from the income tax that was introduced in 1798. But the wars were massive most of all in terms of manpower. Between 1789 and 1815 the British army had to expand more than sixfold, to about a quarter of a million men. The Royal Navy, bedrock of British defence of its trade, and empire, grew further and faster still. Before the wars it had employed 16,000 men; by the end of them, it employed more than 140,000. Because there was an acute danger between 1797 and 1805 that France would invade Britain, the civil defense force also had to be expanded. The militia was increased, and by 1803 more than 380,000 men were acting as volunteers in home-based cavalry and infantry regiments. In all, one in four adult males in Britain may have been in uniform by the early 19th century.

This sword’s design was introduced by General Order in 1796, replacing the previous 1786 Pattern. It was similar to its prececesor in having a spadroon blade, i.e. one straight, flat backed and single edged with a single fuller on each side. The hilt gilt brass with a knucklebow, vestigial quillon and a twin-shell guard somewhat similar in appearance to that of the smallswords which had been common civilian wear until shortly before this period. The pommel was urn shaped and, in many later examples, the inner guard was hinged to allow the sword to sit against the body more comfortably and reduce wear to the officer's uniform.  read more

Code: 21865