Japanese

A Most Fine and Impressive Samurai Horseman's Handachi Katana. Shinto Period From the 1600's Around 400 Years Old. Semi Tachi Mounted. Dressed in a Full Suite Of Matching Original Edo Koshirae. Designed To Be Worn & Used In Combat Upon Horseback

Fully leather bound tsuka-ito with iron fuchi and kabuto-gane with gilt edges, soft metal menuki in the form of a Daikyū and Ya, {war bow on one side and arrows on the other}, mokko-shaped signed iron tsuba, and the sword is set in its beautiful, original, Edo period, urushi black lacquer swirling effect, saya with traditional handachi mounts fully en-suite and matching with the tsuka. The blade has a stunning and complex gunome hamon, which in English terms, looks much akin to the surface of waves in choppy seas

Han-dachi originally appeared during the Muromachi period when there was a transition taking place from Tachi to katana. The sword was being worn more and more edge up when on foot, but edge down on horseback as it had always been. The handachi is a response to the need to be worn in either style. The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.

Overall in super condition, the saya urushi lacquer is very good to excellent with natural age marks and wear, the blade is similarly excellent for age with natural age wear and small surface pinprick areas. The tsuka-ito is also very good indeed with just one very small area of surface wear near the daikyu bow menuki.

Overall 41 inches long in saya, tsuka 10 1/2 inches long, blade 29 1/2 inches long, tsuba to tip  read more

Code: 26067

A Very Powerful & Beautiful Shinto Wakazashi, Signed Ujitsugu,With a Rare Chokuto Period Ancient Blade Style, Katakiriha-zukuri (片切刃造り), of 1300 Years Ago in the Nara Era {710 to 794 ad} . Made Circa 1670

Signed Ujitsugu, fine suguha hamon, bound tsuka with plain iron fuchi-kashira, floral menuki, iron sukashi tsuba, in its warm brown urushi lacquer lacquered saya circa 1670

Ujitsugu (康継): This is a renowned name, especially linked to the Echizen Yasutsugu school, a major sword-making family supported by the Tokugawa shogunate.

Katakiriha-zukuri (片切刃造り) refers to a style of Japanese sword construction where one side of the blade is flat (Hira), and the other side is a cutting edge (Kiriha) somewhat with a profile of a chisel edge. This style is characteristic of ""Chokuto"" (直刀), which are straight swords from the Nara period {710 to 794 ad} and earlier.

Although ""Katakiriha-zukuri"" is an old form of construction, it was revived in the early Edo period. During this time, short swords and "Wakizashi" (side word swords) were made in this style, using the early works as inspiration, as an homage to ancient samurai swords and warfare of 1300 years or more ago.

This style of construction is not only unique in its appearance but also in its functionality. The combination of a flat side and a cutting edge enhances the sword's cutting ability, making it a highly effective weapon. The revival of this style in the Edo period is a testament to the enduring value and appeal of traditional sword-making techniques."  read more

Code: 26068

An Ancient Nambokochu Han Dachi Mounted Nambokochu Period Samurai Koto Era Katana up to 600 Years Old

The sword in many ways looks just as it looked many centuries ago, and it has been lovingly cared for since it came from Japan to England 150 years ago, in the reign of the Meiji emperor .

The blade looks stunning with a typical ancient Koto, very narrow, suguha hamon of great simplicity and elegance.
All original Edo period han dachi mounts and the menuki, under the blue silk ito, are dragon with gold eyes over traditional samegawa.

Made during the late Nambokochu 1333 to 1391 period, to the early Muramachi period, that dates from 1392 to 1573. Han dachi mounted, with a very nice, original Edo period, matching suite of full mounts with gold and silver tendrils inlaid over iron. Round iron tsuba with inlays. Original ishime stone finish lacquer saya.

Han-dachi originally appeared during the Muromachi period when there was a transition taking place from Tachi to katana. The sword was being worn more and more edge up when on foot, but edge down on horseback as it had always been. The handachi is a response to the need to be worn in either style. The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.

Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means one who serves."

Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of bu to stop the spear expanding into bushido (the way of life of the warrior) and bun (the artistic, intellectual and spiritual side of the samurai). Originally conceived as away of dignifying raw military power, the two concepts were synthesised in feudal Japan and later became a key feature of Japanese culture and morality. The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday.

In Japan the term samurai evolved over several centuries

In Japanese, they are usually referred to as bushi (武士,) or buke (武家). According to translator William Scott Wilson: "In Chinese, the character 侍 was originally a verb meaning 'to wait upon', 'accompany persons' in the upper ranks of society, and this is also true of the original term in Japanese, saburau. In both countries the terms were nominalized to mean 'those who serve in close attendance to the nobility', the Japanese term saburai being the nominal form of the verb." According to Wilson, an early reference to the word samurai appears in the Kokin Wakashū (905–914), the first imperial anthology of poems, completed in the first part of the 10th century.

Originally, the word samurai referred to anyone who served the emperor, the imperial family, or the imperial court nobility, even in a non-military capacity.It was not until the 17th century that the term gradually became a title for military servants of warrior families, so that, according to Michael Wert, "a warrior of elite stature in pre-seventeenth-century Japan would have been insulted to be called a 'samurai'".

In modern usage, bushi is often used as a synonym for samurai

40 inches in saya blade 28 inches

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 24817

A Most Fine & Attractive Antique Pre Edo Period Koto Han Dachi Mounted {Semi Tachi Style} Samurai Katana With A Superb Blade in Near Pristine Condition

With two part hidden secret compartment fuchi, for concealing small intelligence notes.
Circa 550 years old, and a delight to observe the wonderful elegant curvature to the blade. It has all original Edo period mounts fittings and saya, with original saya intricately patterned pine needle urushi lacquer. Typical original Edo period handachi mounts of matching, kashira, sayajiri, kurigata in a crashing wave takebori design of gilded brass, and a brass fuchi that is disguised to conceal it seperates into two parts to reveal a very narrow section to conceal small script notes. With a beautiful Edo mokko form iron tsuba with gold onlay of immortals one holding a staff, another reading a scroll held by a third figure, beneath a prunus tree . All untouched for over 150 years since it arrived in England in the 1870's. It has a very active undulating notare hamon, and fine grain within the hada, on the stunning blade, and it’s all original Edo period tsukaito binding to the hilt, in black silk, wrapped over a pair of gilt dragon menuki, and overall it has usual light signs of wear and use upon the saya, with age appropriate wear as to be expected.

Han-dachi originally appeared during the Muromachi period when there was a transition taking place from Tachi to katana. The sword was being worn more and more edge up when on foot, but edge down on horseback as it had always been. The handachi is a response to the need to be worn in either style. The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behavior on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.

The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.
Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means one who serves."

Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of bu to stop the spear expanding into bushido (the way of life of the warrior) and bun (the artistic, intellectual and spiritual side of the samurai). Originally conceived as away of dignifying raw military power, the two concepts were synthesised in feudal Japan and later became a key feature of Japanese culture and morality.The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday and was also a painting master. Members of a hierarchal class or caste, samurai were the sons of samurai and they were taught from an early age to unquestionably obey their mother, father and daimyo. When they grew older they may be trained by Zen Buddhist masters in meditation and the Zen concepts of impermanence and harmony with nature. The were also taught about painting, calligraphy, nature poetry, mythological literature, flower arranging, and the tea ceremony.

it has been said that part of their military training, samurai were taught to sleep with their right arm underneath them so if they were attacked in the middle of the night and their the left arm was cut off the could still fight with their right arm. Samurai that tossed and turned at night were cured of the habit by having two knives placed on either side of their pillow.

Samurai have been describes as "the most strictly trained human instruments of war to have existed." They were expected to be proficient in the martial arts of aikido and kendo as well as swordsmanship and archery---the traditional methods of samurai warfare---which were viewed not so much as skills but as art forms that flowed from natural forces that harmonized with nature.
Some samurai, it has been claimed, didn't become a full-fledged samurai until he wandered around the countryside as begging pilgrim for a couple of years to learn humility. When this was completed they achieved samurai status and receives a salary from his daimyo paid from taxes (usually rice) raised from the local populace.

Japanese lacquer, or urushi, is a transformative and highly prized material that has been refined for over 7000 years.

Cherished for its infinite versatility, urushi is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords

Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

Some provinces of Japan were famous for their contribution to this art: the province of Edo (later Tokyo), for example, produced the most beautiful lacquered pieces from the 17th to the 18th centuries. Lords and shoguns privately employed lacquerers to produce decorated samurai sword saya and also ceremonial and decorative objects for their homes and palaces.  read more

Code: 25549

A Beautiful Unokubi Zukuri Blade Samurai Armour Piercing Tanto. Ise-ebi or Kamakuraebi Sayajiri 鞘尻, & Matching Matsushiro Sinano School Kozuka and Kogai. 16th To 17th Century Blade, Original Edo Koshirae, Of Nagano Province

A wonderful earliest Shinto bladed armour piercing tanto, with its unique original Edo period “Matsushiro” koshirae made in Matsuro-han in Shinano (Nagano) province, with a Matsuhiro kamakuraebi lobster tail mount on the end of the deep red urushi lacquer saya, that is overdecorated with black speckling and dragonflies.

Sometimes called "the old man of the sea" because of its bent back, the Japanese lobster (ise-ebi or kamakuraebi) is a symbol of longevity. Here it appears on the saya as a sayajiri but it can also appear in many ways, such as the back of a vest worn for theatrical performances. Kyōgen is a comic form of Japanese theatre performed together with the more serious Noh. Boldly patterned overvests (kataginu) were worn for important kyōgen roles, such as Tarōkaja, the comical servant.

Unokubi (鵜首): Is an uncommon tantō blade style akin to the kanmuri-otoshi, with a back that grows abruptly thinner around the middle of the blade; however, the unokubi zukuri regains its thickness just before the point. There is normally a short, wide groove {hi} extending to the midway point on the blade, this is a most unusual form of unokubi zukuri blade tanto with a short wide hi. It has a copper, habaki, with original Edo period lacquered saya large with lobster form Sayajiri 鞘尻 & a fully matching suite of sinchu and contrasting silver line mounts to the kozuka and kogai of the fine Matsushiro Sinano school, including the tsuba and fuchi kashira. Carved buffalo horn fittings and kurikata. the original Edo urushi lacquer is over decorated with speckles and black dragonflies in flight. The tsuka is also bound in rare, original Edo period micro thin tsuka-ito. Over a fine pair of shakudo menuki of butterflies and a bird combined.

Japan was once known as the “Land of the Dragonfly”, as the Emperor Jimmu is said to have once climbed a mountain in Nara, and looking out over the land, claimed that his country was shaped like two Akitsu, the ancient name for the winged insects, mating.

Dragonflies appeared in great numbers in 1274 and again in 1281, when Kublai Khan sent his Mongol forces to conquer Japan. Both times the samurai repelled the attackers, with the aid of huge typhoons, later titled Kamikaze (the Divine Winds), that welled up, destroying the Mongol ships, saving Japan from invasion. For that reason, dragonflies were seen as bringers of divine victory.

Dragonflies never retreat, they will stop, but will always advance, which was seen as an ideal of the samurai. Further, although the modern Japanese word for dragonfly is Tombo, the old (Pre Meiji era) word for dragonfly was Katchimushi. “Katchi” means “To win”, hence dragonflies were seen as auspicious by the samurai.


Japanese lacquer, or urushi, is a transformative and highly prized material that has been refined for well over 7000 years. The use of natural lacquer, known as urushi, has a 9,000-year history in Japan. Lacquered artifacts dating back to the prehistoric Jomon period (10,000–300 BCE) have been found at various archeological sites throughout Japan.
Cherished for its infinite versatility, urushi is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords
Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.
The blade has an amazingly vibrant and active hamon.

It has spent two full weeks in our workshop being conserved and cleaned by hand by our artisans for around 65 hours, returning it to near exactly how it looked 150 years ago. Of course there are slight signs of natural wear and aging on the exterior etc., but it was important to leave this as intact as possible to complete a museum grade conservation.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 25483

A Most Fine & Beautiful Koto Period Katana Signed Sukesada of Bizen Dated 1560. With Original & Exceptionally Rare Original Dutch Black-ship 1540’s Imported Leather Bound Tsuka. With Original Japanese Insect Pattern Embossing

Signed Bizen kuni ju Osafune Sukesada. One of the Sukesada, Bizen smiths. A very nice Koto blade, that has seen battle, with fine mounts and, most unusually, a very interestingly, embossed Dutch leather, called goudleer, bound tsuka, with cloisonne enamel menuki. Embossed Dutch leather goudleer was imported to Japan by the Dutch and Portuguese in the 16th century and was highly prized as screens and other decorative works of art. We have also seen, although most rarely, other items decorated with this distinctive Dutch leatherwork such as samurai purses and saya coverings. The embossing on the leather are various insects, highly popular in samurai fittings decor. The fushi tsuka mount is very fine, signed by the maker, and decorated with flowers and gold buds.

Insects in general have been celebrated in Japanese culture for centuries. The Lady Who Loved Insects is a classic story of a caterpillar-collecting lady of the 12th century court; the Tamamushi, or Jewel Beetle Shrine, is a seventh century miniature temple, once shingled with 9,000 iridescent beetle forewings. In old Japanese literature, poems upon insects are to be found by thousands, Daisaburo Okumoto is director of the Fabre Insect Museum. An avid insect collector and a scholar of French literature, he has translated many of Fabre's works. He ascribes the popularity of insects in Japan to national character. It seems like Japanese eyes are like macro lenses and Western eyes are wide-angle, he says. A garden in Versailles, it's very wide and symmetrical. But Japanese gardens are continuous from the room and also very small. We feel calm when we look at small things. The medieval Japanese monk Yoshida Kenko put it this way: “If man were never to fade away like the dews of Adashino, never to vanish like the smoke over Toribeyama, how things would lose their power to move us”

Harima, Mimasaka and Bizen provinces were prospering under the protection of the Akamatsu family. Above all, Bizen province turned out a great many talented swordsmiths. A large number of swords were made there in the late Muromachi period not only supplying the demand of the Age of Provincial Wars in Japan but also as an important exporting item to the Ming dynasty in China. At the onset of the decline of the Ashikaga shogunate in 1565 ad., and Yoshiteru's assassination the shogunate of Yoshiteru was filled by his two-year old son, Yoshiaki. Yoshiteru's brother was the abbot of a Buddhist monastery. He resigned this position and attempted to assume the shogunate. These efforts ultimately failed. The demand for swords began an accent to unimaginable levels. The national unrest and violent civil war did not cease until the successful takeover of the shogunate by Tokugawa Iyeyasu. The "Osafune - Kozori" group was the major supplier of blades for these events. 29 inch blade Tsuba to tip. On just one side of the blade there are combat stress hagire marks near the top section. This blade has certainly seen combat, and is simply ideal for the historical collector of beautiful samurai weaponry of battle, rather than those seeking blade condition perfection. 40 inches long approx overall in saya  read more

Code: 22916

Please View & Explore Probably The Largest Selection Of Original Antique & Historical Samurai Arms From The Past 800 Years For Sale in The World. Including, Swords, Spears, Armour, Helmets, Long Bows, Arrows, Daggers & Sword Fittings

Our amazing collection of recently acquired fine antique swords are to be added to very soon, including a fabulous, Shinto, Tokugawa tachi presented to a visiting famous American admiral and war hero in 1896, plus numerous samurai swords of all types and eras, also samurai war arrows ‘ tagari ya’ and rare swallow tail 'ageha ya’, a dozen ‘kazuya’ ya target arrows, plus a superb collection of 20 fabulous Koto to Shinto tsubas, have still yet to be collated and listed on our site. Plus, more swords, just added this month, both antique and WW2 ancestral shingunto etc. including one of the best we have seen in years.

“Weaponry both ancient and vintage, they all have style and a story to tell”

"Over the past 54 years I have personally supervised our company's determination to try provide the most historically interesting, educational, yet none too intimidating, gallery of original Japanese Samurai artefacts for sale in the collecting world. We were told a few years ago by Victor Harris { Japanese sword expert resident consultant at the British Museum, the UK's leading nihonto specialist} that we probably display the largest selection of original, fine samurai sword weaponry for sale, and of its kind, anywhere in the world.

Principally concentrating on a crucial combination of age, beauty, quality and history, & thanks to an extensive contact base, built up over the past 100 years or more, that stretches across the whole world, including collectors, curators, academics and consultants, we have been very fortunate, in that this effort has rewarded us with the ability to offer, what we believe to be, the most comprehensive selection of original ancient and antique samurai swords available for sale in one gallery or online in the world.

We have exported, over the past 100 years, likely tens of thousands of our original samurai weapons, helmets and armour to the four corners of the globe, with clients on all continents. Our swords grace the homes of collectors from literally all walks of life, from Presidents to Postmen, and we have traded with museums of all the major nations. We have always loved and been fascinated by the history of the Samurai, and their iconic weaponry, and we have long admired and envied their past near limitless skill at creating the unparalleled beauty and quality of samurai swords. Universally acknowledged to be likely the very best swords the world has ever seen.

Our Japanese weaponry vary tremendously in age, in fact up to, and sometimes over, an incredible 800 years old, and they are frequently some of the finest examples of specialist workmanship ever achieved by mankind.
We have tried to include, within the holistic description of most items, a brief generic history lesson, for those that have interest, and may wish to know, that will describe the eras, areas and circumstances that these items were used in ancient Japan. We have tried our utmost to be informative, holistic and as interesting as possible without being too academically technical, in order to keep the details vibrant, fascinating and comprehensible, thus not too complex.
We are always delighted to impart any knowledge that we have at our disposal to any curious new collectors when asked. In fact some of the most learned scholars in the world that we have met, and known, some studying the art of nihonto almost all of their adult lives, often admitted to us they were only scratching the surface of the knowledge to be learnt in this extraordinary field, so there is much to constantly uncover about the stories of the samurai and their legendary weaponry covering around 1000 years of Japanese history.

Please enjoy, with our compliments, our Japanese Gallery. It has been decades in the creation, and we intend it to remain as interesting and informative as possible, and, hopefully, for another century to come"..


Mark Hawkins
Partner
The Lanes Armoury

Did you know? the most valuable sword in the world today is a samurai sword, it belongs to an investment fund and has appeared illustrated in the Forbes 400 magazine. It is valued by them at $100 million, it is a tachi from the late Koto period 16th century and unsigned. Its blade is grey and now has no original polish remaining.  read more

Code: 22187

This Is A Truly Fabulous Ancestral Bladed WW2 Officer's Katana With A Rare Shinto Blade, Circa 1615, Signed Hizen no Kuni Ju Nin {Suriage, Tadayoshi} 肥前国住人 & 忠吉作 相模守義道 Bearing the Signatures of Two Master Sword Smiths of Both Hizen and Osaka

We have spent numerous decades, seeking the best and most historical ancestral bladed WW2 Japanese officers swords to be found. All with original, early samurai sword blades, many hundreds of years old, but this week we have found from impeccable sources three superb examples, two of them extraordinary rare examples.
This beauty has a most historical and unique Shinto blade, which is both signed by Hizen no Kuni Ju Nin (suriage} Tadayoshi {the original master smith} and further inscribed and signed on the reverse side of the nakago, Tadayoshi, followed further down with, "shortened {in 1737} by Sagami no Kami Minamoto Yoshimichi ". This fine ancestral blade, with two udenka-ana, is fitted within its very fine, hand made bespoke shin gunto military mounts, with its tsuka {hilt} field service fully leather covered, a traditional Edo circular iron sukashi tsuba, and the saya is matching with its field service leather covered over wood. Interestingly the tsuka field service leather has, on half its length, traditional diamond 'windows' carved through the surface leather, to reveal its traditional Edo period menuki beneath. A very special, yet small feature, but incredibly interesting, and we can't recall ever seeing such work of its like created before. Especially since we have handled, likely more Japanese swords {in our 104 years} than any other company in the world

The phrase "Tadayoshi shortened by Sagami no Kami Minamoto Yoshimichi" refers to a specific type of Japanese sword inscription where a famous Tadayoshi (often Hizen Tadayoshi lineage) sword had its signature shortened or altered by another renowned smith, Sagami no Kami Minamoto Yoshimichi (possibly 3rd Gen), often for quality control or to indicate a collaboration/re-tempering, showcasing two major Edo-period sword-making schools in one blade, a significant find for collectors.

Tadayoshi: Refers to the famous Hizen Tadayoshi school of swordsmiths from Saga, prominent in the early Edo period, known for their domain-sponsored production.
Sagami no Kami Minamoto Yoshimichi was a skilled Osaka-based smith, often associated with the Mishina school, known for his exceptional hamon (temper lines), particularly choji midare.
"Shortened by": This usually means Yoshimichi re-worked or finished a sword originally made by a Tadayoshi smith, sometimes signing his own name (Sagami no Kami Yoshimichi) alongside or over the original signature, perhaps to enhance quality or attest to its excellence.

Effectively this is a most rare blade showing two master swordsmith's names that worked upon a single blade. The second smith inscribed it when he re-worked the blade, around 100 years after the first smith originally crafted the blade: It combines two highly respected names from different major sword-making centres (Hizen and Osaka).
Such rare blades are much prized by collectors, highlighting master craftsmanship and unique historical moments in Japanese sword history,
The subject smith Yoshimichi 義道 with Sagami-no-kami 相模守 title was a student {and later master} of 2nd gen. Ouomi-no-kami Hisamichi 近江守久道. He was born in Hyuga Province (now in Miyazaki pref.) in Kyushu island. His real name was Tomita Jin-uemon 冨田甚右衛門. It is said that he also lived and worked in Hiroshima, Aki province (now in Hiroshima pref.).

'If' this katana was indeed made by the 1st generation Tadayoshi 忠吉, the recognized production year is judged on about Kencho 20 (ca.1615) from it's inscription. His katana's preserved the typical shape that became widespread during Keicho (1596-16) period. From his workmanship, Tadayoshi was very much influenced by the Soshu-Bizen works during Nanbokucho period
The first generation Tadayoshi was born in Genki 3 (1572) as a son of sword maker Hashimoto Michihiro 橋本道弘 in Nagase town, Saga district. He became separated from his father Michihiro 道弘 who died of a disease and grandfather Morihiro 盛弘 who met death in the battle of Shimabara at the same time in the 3rd month Tensho 12 (1584) when he was as young as 13 years old. He was compelled to serve his apprenticeship to the other local sword makers in his young ages. However he excelled in as a superior sword maker since teen age and finally was picked out by feudal lord Nabeshima Katsushige 鍋島勝茂.
Keicho 1 (1596), when he was 25 years old, he went up to Kyoto to join the famed school of Umetada Myouju 埋忠明寿 and learn the most updated culture and technique for three years.
From on about Keicho 18 (1613) down to Kanei 1 (1624) he intentionally used the other inscription of "Hizen-koku-junin Tadayoshi-saku" 肥前国住人忠吉作 mainly for those unconventional artworks which are out from the standard works of Tadayoshi's studio as if he challenged to make an innovative artworks to try using different sence of technique from antcient times and regions.
He passed away in the 15th day, the 8th month of Kanei 9 (1632), was 61 years old.

There is one most intriguing point about this fine blade. It was intentionally shortened by another master smith, Minamoto Yoshimichi, of high repute, thus, if it wasn't highly revered at the time {in 1727} why do this?, and thus, inscribe it accordingly.

Surely, one would never contemplate such a very special and most expensive treatment for the blade, if it was not of great significance of its owner at that time. Additionally, the master smith who shortened it and signed it accordingly, {Minamoto Yoshimichi} would likely never put his name to a blade he considered not correct, and thus, inferior to his efforts.

The blade is in good, original Edo polish, with small aged surface thinning, and a few minuscule edge nicks and the koshirae are in superb condition for a WW2 mounted officer's sword  read more

Code: 26010

An Ancestral WW2 Japanese Officer’s Sword, in Traditional Type 98 Japanese Officer's Gunto Military Mounts. Stunning Hamon Shinto Blade Circa 1680 Signed Shimosaka

WW2 ancestral Katana, signed Oite? Shu Ju Shimosaka, Shinto period.

The blade is in great polish showing the beautiful, incredible and elaborate hamon, of midare with areas of the sanbonsugi {three cedar} pattern. The full suite of koshirae, 98 pattern, show the usual, average, combat service wear light battle scars of a sword that has certainly seen action during its service of its officer in WW2. The robust nature of the type 98 mounts has protected the blade very well indeed.

During the Meiji period, the samurai class was gradually disbanded, and the Haitorei Edict in 1876 forbade the carrying of swords in public except for certain individuals such as former samurai lords (daimyōs), the military and police. Skilled swordsmiths had trouble making a living during this period as Japan modernised its military and many swordcsmiths started making other items such as cutlery. Military action by Japan in China and Russia during the Meiji Period helped revive the manufacture of swords and in the Showa period (1926–1989) before and during World War II swords were once again produced on a large scale.

During the pre World War II military buildup and throughout the war, all Japanese officers were required to wear a sword. Traditionally made swords were produced during this period but, in order to supply such large numbers of swords, blacksmiths with little or no knowledge of traditional Japanese sword manufacture were recruited. In addition, supplies of the type of Japanese steel (tamahagane) used for sword making were limited so several other types of steel were substituted. Shortcuts in forging were also taken, such as the use of power hammers and tempering the blade in oil rather than hand forging and water tempering; these measures created swords without the usual characteristics associated with Japanese swords.

However, families of great standing or with samurai backgrounds and ancestry were permitted to allow their son's to wear military mounted swords, but, containing ancient ancestral blades, usually of great significance to the family's history. This is one of those swords. it was once estimated only 1 in 100 had such historical swords to carry in combat, while serving their divine emperor Hirohito in WW2.

The Type 98 shin gunto ( kyuyon-shiki gunto) officers' sword's mounts replaced the Western style kyu gunto mounts in 1934. It had a traditionally constructed hilt (tsuka) with ray skin (same) wrapped with traditional silk wrapping (ito). The cherry blossom (a symbol of the Imperial Japanese Army) theme was incorporated into the guard (tsuba), pommels (fuchi and kashira), and ornaments (menuki).

The scabbard for the Type 98 was made of metal with a wood lining to protect the blade, and the option of adding a combat leather cover, or, a wooden scabbard covered with combat leather. It was often painted brown and was suspended from two brass mounts, one of which was removable and only used when in full dress uniform. The fittings on the metal scabbard were also decorated with cherry blossom designs.

Overall in better than average condition, the blade being spectacular with just a very few, minuscule, old age pits  read more

Code: 26004

A Simply Stunning Ancestral Bladed WW2 Officer's Sword With a Blade Circa 1665, Signed, Yamashiro Koku Jyu Minamoto Tsunahiro (山城国住源綱廣). It Is Extremely Likely An Ancestral Bladed War Service Sword Of a Surrendered General Or at Very Least a Colonel.

The condition of the full original koshirae is exemplary for age, which certainly indicates it was carried by an officer of the highest rank, plus, the small hole in the kabutogane {tsuka pommel} indicates it once held a silver clan mon {family crest}, that was removed, by design, just before its surrender, so as not to insult the memory of his noble clan and ancestors for his ignoble surrender. Plus, it has, and this is always a very good indicator of a blade of high standing and esteem, a two part gold habaki {blade collar} with two distinct types of design that interlock together, the top section with vertical takebori multi ribbing, the bottom section with diagonal engraving.

This blade is in fabulous condition for age showing a stunning midare hamon and nashiji hada, signed Yamashiro Koku Jyu Minamoto Tsunahiro(山城国住源綱廣). He was active as a master smith, and sword-forging during the Kanbun-Jyokyo era (1661-1688: the early Edo period), and judging from his remaining work and historical records. Therefore, we believe it was made about 350 years ago.

Yamashiro koku is the province’s name in the Kyoto area, and Jyu means living {in Japanese}. The signature indicates that this blade was created when Tsunahiro lived in Yamashiro Koku. There are also records of him signing as Omi no Kami Minamoto Tsunahiro. Omi no Kami is the title given to only selected swordsmiths whose sword-forging techniques were excellent.

Yamashiro province was famous for its sword-making style called Yamashiro-Den. Yamashiro-Den's origin dates back to the Heian period (794 A.D) when the capital city was moved from Nara to Kyoto. The swordsmiths in Yamashiro province initially prospered by forging swords for court nobles and imperial families. Later on, they also forged swords for feudal lords after Samurai military government took control of Japan. There are so many renowned swordsmiths from this region. It is said that the founder of Yamashiro-Den was Sanjo Munechika. And there are seven prestigious schools in this region. One of the most characteristics of Yamashiro-Den is its elegant design and beautiful Jigane.

Tsunahiro would certainly be the smith of choice for samurai nobles in the 17th century of very high rank, and their descendants could, or indeed would, certainly be likely such as Generals, and army commanders during WW2.  read more

Code: 26014