Japanese

Fabulous 800 Year Old Ancient Ancestral, Museum Quality, Sword, Chokutō (直刀, 'Straight Sword', 10th Century Kofun Style, Mounted In WW2 Officer's Katana Fittings A Wonderful & Rare Historical Rarity From The The Mongol Invasions & The Kamikazi Typhoon

Possibly this swords ancestral blade was used in combat during the time of the great Khan, {Kublai Khan} and his attempted two Mongol invasions of Japan, in 1274 and 1281.

During WW2, which for Japan started in 1936, families of great standing or with samurai backgrounds and ancestry were permitted to allow their son's to wear military mounted swords, but, containing ancient ancestral blades, usually of great significance to the family's history. This is one of those swords. This swords officer's ancestry clearly went back almost a thousand years, thus he must have had great status within Japanese society. It was once estimated only 1 in 100 had such historical swords to carry in combat, while serving their divine emperor Hirohito in WW2, but an original 13th century chokuto sword would have been likely to have been used by fewer than one in a hundred thousand officer's.

A 13th Century original Koto samurai sword blade in the ancient 1300 year old ancient samurai sword style. Ancestral Japanese officers sword, an early Koto period bladed katana, with a stunning and rare blade form, of a near straight blade in the ancient chokuto style.
A straight, single-edged Japanese sword used from the Kofun era through the middle of the Heian period (around 794 to the 10th century) before curved swords like the tachi became standard.

The chokuto (直刀, "straight sword") is a straight, one-edged Japanese sword that was produced prior to the 10th century. Its basic style is likely derived from similar swords of ancient China. Chokuto were used on foot for stabbing or slashing and were worn hung from the waist. Until the Heian period such swords were called tachi (大刀), which should not be confused with tachi written as 太刀 referring to curved swords.

The chokutō in various styles including these styles declined around the end of the Asuka period (593－710), and only the style called the hōtō-tachi (方頭大刀), in which the decoration on the tip of the handle was rectangular parallelepiped, survived from the Nara period (710－794)

Chokutō typically come in hira-zukuri and kiriha-zukuri tsukurikomi (blade styles) which make them very distinct from later tachi and katana which rarely use these forms. Swords of this period are classified as jōkotō and are often referred to in distinction from Japanese swords.

Chokutō as a weapon died out by the middle of the Heian period, in the 10th century. And as a weapon, it was completely replaced by the Japanese sword, which is known today for its deep and graceful curves. The first sword with this curve was called Kenukigata-tachi (ja:毛抜形太刀), which was made by improving Warabitetō (ja:蕨手刀) used by Emishi in Tohoku region. And Kenukigata-tachi evolved into tachi, which became the mainstream of Japanese swords for a long time.

However on rare occasions the Chokuto style was made in later centuries to represent for its samurai owner the truly ancient style of Japanese samurai's sword, possibly for a samurai whose ancestors had been as such in the 10th century, and he wished to emulate and demonstrate his connection to his earliest samurai ancestor.

The wars and conflicts this sword could potentially seen service are;
Kennin Rebellion (1301 / 1401? listed as 1301 or 1201): A brief regional uprising against the Kamakura shogunate's authority.

Hatakeyama Shigetada Rebellion (1205): A localized purge and battle as the ruling Hōjō clan eliminated powerful rival samurai houses within the shogunate.

Wada Rebellion (1213): A fierce internal conflict in Kamakura led by the Wada clan against the dominant Hōjō regency.

Jōkyū War (1221): A decisive civil war where the Imperial Court under retired Emperor Go-Toba tried to overthrow the Kamakura shogunate; the shogunate won, cementing samurai supremacy over imperial governance.

Miura Rebellion (1247): A violent purge that destroyed the powerful Miura clan, further concentrating power in the hands of the Hōjō family.

Mongol Invasions (1274 & 1281): Kublai Khan's Yuan dynasty attempted to conquer Japan twice, attacking Kyushu. Samurai forces repelled the landings in the Battle of Bun'ei and the second invasion, aided heavily by coastal defenses and the famous kamikaze typhoons.

The Mongol invasions of Japan were two failed military campaigns launched by Kublai Khan of the Yuan Dynasty in 1274 and 1281 CE to conquer the Japanese islands.

The First Invasion (1274)
Kublai Khan sent a fleet of roughly 900 ships and nearly 30,000 troops from Korea.
The fleet attacked the islands of Tsushima and Iki before landing at Hakata Bay on Kyushu.
Japanese samurai fought fiercely, but the Mongols had better group tactics and primitive explosives. However, a massive nighttime storm destroyed much of the Mongol fleet and forced a retreat back to Korea.

The Second Invasion (1281) After conquering the Southern Song Dynasty, Kublai Khan launched a much larger armada of around 4,400 ships and 140,000 soldiers.

The Japanese built stone coastal walls around Hakata Bay, which blocked the invaders from landing easily. Weeks of messy beach and ship battles followed.
A powerful typhoon struck the coast on August 15, 1281, and smashed the Mongol fleet against the rocks
The typhoons that saved Japan were called kamikaze or "divine winds". The high cost of defending the country drained the Kamakura Shogunate's money and led to political weakness.

Overall condition;
The ancient 800 year old blade is in superb condition for age showing a superb hamon, and hada grain, with just some areas of light surface thinning that is far less that one should expect for a blade so ancient. The WW2 officers mounts are very good, with its leather combat covered metal saya , and its tsuka is very good, with just some age wear to its ito and the samegawa beneath. The tsuba is the early pre war pierced sukashi type, with some small, old, field repairs to one side.

In the MET, The Metropolitan Museum in New York, there is an incredibly similar blade, Title: Blade for a Straight Single-Edged Sword (Chokutō)

Date: 7th century or earlier exhibit number 06.310.6, We show our 13th century chokuto blade next to the 7th century samurai chokuto blade in the MET in New York, as photo 10 in the gallery.  read more

Code: 26343

A Very Fine & Beautiful Handachi Katana Dated 1539 signed Bizen Kuni Osafune ju Tsuguiye

Just under 500 years old, and a delight to observe the wonderful curvature to the blade. It possesses a very long signature by the smith on the nakago. It has all original Edo period mounts fittings and saya, with original saya intricately patterned urushi lacquer. Typical Edo handachi mounts with a beautiful iron tsuba with gold onlay of prunus and grasses. It has a very active hamon on the stunning blade and it’s all original Edo tsukaito binding to the hilt, now somewhat pleasingly colour faded in part and usual signs of combat use age appropriate wear as to be expected.

The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.
Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means one who serves."

Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of bu to stop the spear expanding into bushido (the way of life of the warrior) and bun (the artistic, intellectual and spiritual side of the samurai). Originally conceived as away of dignifying raw military power, the two concepts were synthesised in feudal Japan and later became a key feature of Japanese culture and morality.The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday and was also a painting master. Members of a hierarchal class or caste, samurai were the sons of samurai and they were taught from an early age to unquestionably obey their mother, father and daimyo. When they grew older they may be trained by Zen Buddhist masters in meditation and the Zen concepts of impermanence and harmony with nature. The were also taught about painting, calligraphy, nature poetry, mythological literature, flower arranging, and the tea ceremony.

it has been said that part of their military training, samurai were taught to sleep with their right arm underneath them so if they were attacked in the middle of the night and their the left arm was cut off the could still fight with their right arm. Samurai that tossed and turned at night were cured of the habit by having two knives placed on either side of their pillow.

Samurai have been describes as "the most strictly trained human instruments of war to have existed." They were expected to be proficient in the martial arts of aikido and kendo as well as swordsmanship and archery---the traditional methods of samurai warfare---which were viewed not so much as skills but as art forms that flowed from natural forces that harmonized with nature.
Some samurai, it has been claimed, didn't become a full-fledged samurai until he wandered around the countryside as begging pilgrim for a couple of years to learn humility. When this was completed they achieved samurai status and receives a salary from his daimyo paid from taxes (usually rice) raised from the local populace.

Japanese lacquer, or urushi, is a transformative and highly prized material that has been refined for over 7000 years.

Cherished for its infinite versatility, urushi is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords

Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

Some provinces of Japan were famous for their contribution to this art: the province of Edo (later Tokyo), for example, produced the most beautiful lacquered pieces from the 17th to the 18th centuries. Lords and shoguns privately employed lacquerers to produce decorated samurai sword saya and also ceremonial and decorative objects for their homes and palaces.

27.25 inch blade tsuba to tip.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 24332

An Amazing Samurai Long-Sword Katana.Signed, Hizen kuni Dewa no kami Yukihiro Circa 1670 Made For the Nabeshima Clan. Yukihiro Acquired the Title of Dewa Daijo in 1648 & Was Ranked Up to Dewa (No) Kami in 1663. (Governor of Dewa Province)

A fabulous, signed, samurai katana of the Nabeshima clan lords. Likely, for such as a hatamoto (旗本, "Guardian of the banner") who was a high ranking samurai in the direct service of the Tokugawa shogunate of feudal Japan.

Hatamoto:
This term literally means "bannerman" and referred to the samurai who served directly under the Tokugawa Shogunate. They were a higher-ranking class compared to the Gokenin, who were the lower vassals.
Daimyo were powerful feudal lords who ruled their own domains and held significant power in Japanese society.
Karo, or clan elders, were the highest-ranking positions among a feudal lord's samurai retainers. They played a crucial role in managing political and economic affairs.

Overall in superb condition, and an absolute corker of an early samurai sword
All original Edo fittings to compliment the blade. A sword made circa 1670, with fine iron Higo school mounts with pure gold inlaid Imperial chrysanthemum mon to the fushi and kashira. Round iron signed Edo tsuba. Original Edo period urushi lacquer saya.

Yukihiro was a swordsmith of Hizen province, and as we believe this sword was made by him around 1670, he was making his swords for the Nebeshima at this time, so we believe it is very likely this was created for a high ranking samurai of that family clan, possibly such as a hatamoto. .
He was the Second son of Hashimoto Yoshinobu.
Yukihiro acquired the title of Dewa Daijo in 1648 and was ranked up to Dewa (No) Kami in 1663.
He travelled to Nagasaki to learn under Hisatsugu and Tanenaga who were highly informed about western steels brought to Japan by the Dutch. Yukihiro also studied Bizen-den style under the swordsmith that belonged to the Ishido School and sometimes added the character Ichi to his signature. Later he became a retained swordsmith of the Nabeshima family and lived in Nagase town. He passed away in 1683, aged 66. The clan controlled Saga Domain from the late Sengoku period through the Edo period.

The Nabeshima clan was a cadet branch of the Shoni clan and was descended from the Fujiwara clan. In the late 12th century, Fujiwara no Sukeyori, a descendant of Fujiwara no Hidesato in the 9th generation, received the title of Dazai Shoni (equivalent to that of vice-governor of the military government of Kyushu) from Shogun Minamoto no Yoritomo, and the title became the family name.

The clan played an important role in the region as early as the Muromachi period, when it helped suppress opposition to the Ashikaga shogunate's control of Kyushu. It did not take the name Nabeshima, however, until the late 15th century, when Shoni Shigenao established himself at Nabeshima in Hizen province (today part of Saga City, Saga prefecture). Later, in the Sengoku period (1467-1603), the Nabeshima were one of a number of clans which clashed over the island. The Nabeshima sided with the Ryuzoji clan against the Otomo clan, though this ultimately ended in failure and the death of Ryuzoji Takanobu at the 1584 battle of Okita Nawate. Several years later, however, the Nabeshima recovered power and prominence by aiding Toyotomi Hideyoshi in his 1587 invasion of Kyushu; Nabeshima Naoshige was granted the region of Saga as his fief, as a reward for his efforts. Naoshige also contributed to Hideyoshi's invasions of Korea in the 1590s.

The clan initially aided Ishida Mitsunari against Tokugawa Ieyasu in the Sekigahara Campaign in 1600. However, they switched sides to support the Tokugawa, who were ultimately victorious, before the campaign had ended, battling and occupying the forces of Tachibana Muneshige, who was thus prevented from contributing directly to the battle of Sekigahara. Though regarded as tozama daimyo ("outside" lords), and assigned particularly heavy corvee duties, the Nabeshima were allowed to keep their territory in Saga, and in fact had their kokudaka increased. The clan's forces served the new Tokugawa shogunate loyally in the years which followed; they remained in Kyushu during the 1615 Osaka Campaign as a check against a possible rebellion or uprising by the Shimazu clan, and aided in the suppression of the Shimabara Rebellion of 1637. In recognition of their service, members of the clan were granted the prestigious family honorific name of Matsudaira in 1648, Matsudaira being the original Tokugawa family name, the ruling Shogun of Japan for almost 300 years.

Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means one who serves."

Samurai were expected to be both fierce warriors and lovers of art, a dichotomy summed up by the Japanese concepts of bu to stop the spear exanding into bushido (the way of life of the warrior) and bun (the artistic, intellectual and spiritual side of the samurai). Originally conceived as away of dignifying raw military power, the two concepts were synthesised in feudal Japan and later became a key feature of Japanese culture and morality. The quintessential samurai was Miyamoto Musashi, a legendary early Edo-period swordsman who reportedly killed 60 men before his 30th birthday and was also a painting master. Members of a hierarchal class or caste, samurai were the sons of samurai and they were taught from an early age to unquestionably obey their mother, father and daimyo. When they grew older they may be trained by Zen Buddhist masters in meditation and the Zen concepts of impermanence and harmony with nature. The were also taught about painting, calligraphy, nature poetry, mythological literature, flower arranging, and the tea ceremony.


Very long 29.75 inch blade from tsuba to tip.

THE LANES ARMOURY, THE PREMIER HOME OF ORIGINAL AND AFFORDABLE ANCIENT ANTIQUITIES & ANTIQUE COLLECTABLES IN BRITAIN.

The Lanes Armoury, is world renown as Britain's favourite specialist collectors shop, and also a font of historical and educational information that is detailed with every single item. We detail each piece alongside its historical context, either generic or specific, for those that may wish to read, learn, or be informed, as opposed to simply acquire collectable items. We are probably one of the oldest companies of our kind in the whole of Europe and we have been established through generations, as specialists in armoury, military antiques, militaria collectables, and specialist books, since the early 1900’s, and thus we have continued to be one of the largest in the world today. We are also very pleased to know we are also studied and read by academics and students from hundreds of universities around the world, by those that are interested in not only British but worldwide history.
For this reason we are also well known to be a learning and researching website for students of history around the world.
Everyday we are contacted by historians that wish to make contributions to our detailed information for our pieces, and to thus add to our constant dedication to impart historical knowledge, that may be unknown to many of our millions of viewers.

As once told to us by an esteemed regular visitor to us here in our gallery, and the same words that are repeated in his book;

“In these textures lies an extraordinary and unique feature of the sword - the steel itself possesses an intrinsic beauty. The Japanese sword has been appreciated as an art object since its perfection some time during the tenth century AD. Fine swords have been more highly prized than lands or riches, those of superior quality being handed down from generation to generation. In fact, many well-documented swords, whose blades are signed by their makers, survive from nearly a thousand years ago. Recognizable features of the blades of hundreds of schools of sword-making have been punctiliously recorded, and the study of the sword is a guide to the flow of Japanese history.”
Victor Harris
Curator, Assistant Keeper and then Keeper (1998-2003) of the Department of Japanese Antiquities at the British Museum. He studied from 1968-71 under Sato Kenzan, Tokyo National Museum and Society for the Preservation of Japanese Swords

Overall 39 inches long in saya, some natural age surface thinning.  read more

Code: 25760

Wonderful, Original Antique, Japanese Samurai Battle Armour. A Super Pair of Edo Period Samurai Saddle Stirrups, Silver Inlaid & Signed By Yoshihira from Kashu Province. Probably a Daimyo or Seieibushi Samurai of the Maeda Clan, Lords of Kaga

Despite being designed, made and used, for samurai combat and warfare, they can be magnificent works of art in their own right, and created using the finest skills and materials with little or no consideration to the incredible cost involved.
The form of these gorgeous and luxurious stirrups is known traditionally as hato mune (pigeon breast). The stirrups were made in Kashu (now Kanazawa City, Ishikawa Prefecture), probably under the patronage of the Maeda clan, lords of Kaga and one of the most powerful families in Japan at the time. This Kaga zougan abumi, is a pair of armoured samurai stirrups, made in iron and of exceptional quality, and bears stunningly beautiful silver inlay of scrolling vines and leaves.

These are truly noteworthy museum grade works of art in their own right. There are a few most similar in the Metropolitan Museum in the USA for example. Absolutely signal examples, perfectly displaying the skill and technical craftsmanship of the highest order, for antique Japanese accoutrements, handmade for a samurai Daimyo clan lord or for a Seieibushi samurai, they were the elite, and the highest ranking of the samurai Made and used as part of his armour saddle fittings, but also for use as much when the samurai was in full armour or in regular daytime wear. The signature, of the maker Yoshihira from Kashu province, is inlaid in pure silver to match the d?cor. Abumi, Japanese stirrups, were used in Japan as early as the 5th century, and were a necessary component along with the Japanese saddle (kura) for the use of horses in warfare. Abumi became the type of stirrup used by the samurai class of feudal Japan Early abumi were flat-bottomed rings of metal-covered wood, similar to European stirrups. The earliest known examples were excavated from tombs. Cup-shaped stirrups (tsubo abumi) that enclosed the front half of the rider's foot eventually replaced the earlier design.

During the Nara period, the base of the stirrup which supported the rider's sole was elongated past the toe cup. This half-tongued style of stirrup (hanshita abumi) remained in use until the late Heian period (794 to 1185) when a new stirrup was developed. The fukuro abumi or musashi abumi had a base that extended the full length of the rider's foot and the right and left sides of the toe cup were removed. The open sides were designed to prevent the rider from catching a foot in the stirrup and being dragged.

The military version of this open-sided stirrup, called the shitanaga abumi, was in use by the middle Heian period. It was thinner, had a deeper toe pocket and an even longer and flatter foot shelf. It is not known why the Japanese developed this unique style of stirrup, but this stirrup stayed in use until European style-stirrups were introduced in the late 19th century. The abumi has a distinctive swan-like shape, curved up and backward at the front so as to bring the loop for the leather strap over the instep and achieve a correct balance. Most of the surviving specimens from this period are made entirely of iron, inlaid with designs of silver or other materials, and covered with lacquer. In some cases, there is an iron rod from the loop to the footplate near the heel to prevent the foot from slipping out. The footplates are occasionally perforated to let out water when crossing rivers, and these types are called suiba abumi. There are also abumi with holes in the front forming sockets for a lance or banner. Seieibushi (Elite Samurai)
Traditionally the highest rank among the samurai, these are highly skilled fully-fledged samurai. Most samurai at the level of Seieibushi take on apprentices or Aonisaibushi-samurai as their disciples.

Kodenbushi (Legendary Samurai)
A highly coveted rank, and often seen as the highest attainable position, with the sole exception of the rank of Shogun. These are samurai of tremendous capability, and are regarded as being of Shogun-level. Kodenbushi are hired to accomplish some of the most dangerous international missions. Samurai of Kodenbushi rank are extremely rare, and there are no more than four in any given country.

Daimyo (Lords)
This title translates to 'Big Name' and is given to the heads of the clan.

Shogun (Military Dictator)
The apex of the samurai, the Shogun is the most prestigious rank possible for a samurai. Shoguns are the leaders of their given district, or country, and are regarded as the most powerful samurai.Beautiful and sophisticated patterns in Kaga zougan have an outstanding, keen feel for designs and such fine expression is supported by the minute methods. The craftsman carves the pattern part on the metallic basis material with a burin (tagane in Japanese), making the bottom wider than the surface (this method is called "ari wo kiru" in Japanese) and inserts and drives in a different metal in the part.
Then, the metallic part for the pattern is pressed and spread inside and does not come off itself. This bonding technology was closely employed especially in Kaga to enable to express variously on the metal for expressive work and gained a high reputation as for the solid work.

Of all the techniques, "Abumi" (stirrup) has been a synonym for Kaga zougan and well known for the scrupulous technique making sure that the metallic parts of Kaga zougan never come off, in addition to its excellent novel designs and beauty.  read more

Code: 23043

The Lanes Armoury Probably The Largest Online Militaria Website in the World, After Over 100 Years of Brighton Trading, &, The 25th Anniversary of Our Best Antique & Collectables Shop in Britain Award

In this very special anniversary year of 2026

Presented by MILLER'S Antiques Guide, THE BBC, HOMES & ANTIQUES MAGAZINE in 2001.

With around 2000 visitors at our shop every day the most popular question asked, is, “where in earth do you find thousands of such incredible pieces?”
Well, although the answer relatively simple, it is based around over a 100 years of our firmly established reputation. Those that wish to sell, one way or another, find us, because we have been here, located and trading in Brighton for over four generations, and thus well known around the world, and more importantly, throughout the United Kingdom, as one of the most important buyers of ancient, antique and vintage collectables, in Great Britain.
We have been acquiring treasures from history, almost exclusively, from some of the most remarkable private sources for all that time, The family partners have had their specific and utterly remarkable business experience, literally unchallenged, for over fifty years. With the privilege of meeting some of the most incredible individuals imaginable, and all with their own unique story to tell, and their desire to pass on their past heirlooms, to become others heirlooms of the future.

Five years ago we were approached by a most historically enthusiastic young person studying at Sussex University who asked if they could research through our archive to complete a 'paper' based on us as one of the oldest remaining Sussex family business's.
It resulted in some remarkable statistics, that we thought we would share with our regulars, for those that have interest. The research only included the types of items that we regularly buy, sell and export today, with general antiques, furniture, porcelain, clocks, silver and works of art excluded, as we haven't been devoted to that side of the trade since selling our antique export shipping companies in 1992. However, when came to books, it was also another near impossible task to calculate, as it would likely stretch into the hundreds of thousands, {conservatively} if not millions of volumes {actually}.

In over 100 years of shop keeping in Brighton, at the time of his research, 80 of them pre-internet, apparently, we have likely sold over 200,000 books, {vintage and antique books were, and are, our largest selling single item}, 135,000 medals & badges, over 95,000 worldwide swords, knives and bayonets, over 32,000 Japanese samurai swords {for example, around 28 years ago we bought over 150 Japanese WW2 NCO swords in one vast lot, from the grandson of a WW2 British military surplus dealer, who acquired them for scrap in 1946 from the War Dept}. We have sold and exported,, apparently over 28,500 helmets of all origins and types, 27,000 pistols and muskets of all countries, at least 2450 suits of armour, European, British or Japanese, and over 1,500 cannon, both signal and full sized. Believe it or not, apparently, according to their research and calculations, these are potentially conservative figures, and the actual figure could indeed be much higher. However, in 1939 business trailed off a bit {WW2} but old pops, William {Bill} Hawkins went to the Alan West factory on the outskirts of Brighton {due to being too old to serve in the Navy} and engineered Army Tanks for the next 6 years.


So, please enjoy our historical website, and remember, every thing you see that is priced, is available, and for sale, we try to not keep our webstore filled with past 'sold' items.

Being part of the centre of the historic Brighton Lanes, anything up 2,000 to 3,000 people, will visit us here most days {especially on Saturdays} winter and summer, rain or shine.

We issue our unique, certificate of authenticity, with every single item purchased, and in regards to our Japanese items, both weapons and fittings etc. our ability to do this is based on well over a century of experience, as probably the largest military antiques dealers in Europe. We detail within our certificates, their beauty, approximate age, style, either specific or generic history, and the details of their fittings and mounts, and their potential position, use, and status in Japanese samurai history. We will detail the translations, if known, of the kanji (names) chisselled upon the nakago of swords, under their hilt bindings, but purely for information only. Although the myth persists that all Japanese master smiths signed their swords, historically, and factually, it is likely less than 30% of samurai blades were in fact ever signed. This fact is certainly found, and confirmed by us to be the case, due to our family’s 100 plus years experience. For example, it is said one of the greatest master smiths who ever lived, the great Masamune, was, apparently, most reluctant to ever sign his swords. Although this must be relative speculation, as so very few of his swords have been recognised to still exist

Our Certificates of Authenticity are our own unique version of a lifetime guarantee, based on our expertise honed over 100 years, containing a detailed description of any item purchased from our stock. In relation to our samurai weapons, the description with be a combination of our opinion of its style, approximate age and beauty, and for our Japanese samurai swords in particular, that it is an ‘original’, samurai sword, made and used by samurai, both ancient and vintage, within Japan, over the past 700 years, up to the last samurai period in the Meiji era of 1868, as well as up to 1945, if it is a military mounted shingunto sword.

Photos 4 and 5 are part of an editorial in Art and Antiques Weekly Magazine, featuring the story so far {in 1975} of the partner’s former family antiques export company, one of the largest in the world at that time. In 1992 Mark and David retired from the mass wholesale export market and morphed their business into the becoming one of the largest dedicated ‘military antiques’ and specialist book businesses instead, both of the partners true passions.  read more

Code: 22565

An 1886 Japanese Company Grade Type 19 Kyu-Gunto Officer's Sword Used Up To WW2. Used In 4 Wars, Sino Japanese War, The Russo Japanese War, WW1 & WW2

Company Grade Type 19 Kyu-Gunto having a single suspension mount on the nickeled steel scabbard

The blade is plated steel as is common on these Type 8 and Type 19 swords. The black polished horn grip and the hilt decoration on this sword indicating this was a sword for a junior Army Officer.

Company grade army officer’s parade sabre featuring brass hilt with pierced floral pattern
in the guard; knuckle bow joining the pommel with integral backstrap. A chrysanthemum in
relief is on the side and upper rear of the backstrap. Black polished horn grip with triple strands of alternating straight and twisted brass wire wrap.

Chrome-plated single-edged blade. Original
nickel-plate scabbard with single carry ring. Scabbard with some loss to the nickel plating. Guard
excellent with pleasing patina
Patterned after their Western martial counterparts, these kyu gunto swords were used for parade and
dress events by Army officers. Though they are by no means scarce, prices for original
WWII era swords and daggers have been rising steadily as fewer and fewer WWII
veterans survive.

First Sino-Japanese War (1894–1895)
Control over Korea and influence in East Asia. Japan easily beat China's Qing dynasty.

Japan gained Taiwan and the Liaodong Peninsula, proving its new modern military was strong.
Russo-Japanese War (1904–1905)
Competing power over Manchuria and Korea.
Japan shocked the Western world by eventually defeating the Russian Empire on both land and sea.
Japan took control of Korea and railway rights in Manchuria, cementing its status as a global military power.

Imperial Japan entered World War I on August 23, 1914, joining the Allied Powers against Germany under the Anglo-Japanese Alliance. Japan seized German territories in China and the Pacific, sent a naval squadron to the Mediterranean, and emerged at the Paris Peace Conference as one of the world's major military powers

Second Sino-Japanese War leading to WW2 (1937–1945) Total economic and territorial control of China.
Full-scale invasion following the 1931 seizure of Manchuria. It led to brutal campaigns, massive casualties, and large-scale occupation. This conflict merged directly into World War II and dragged on until Japan's final defeat

The blade has numerous areas of old pitting
Overall in scabbard around 33.5 inches long.  read more

Code: 26340

A Late 19th Century Most Attractive Hand Carved Japanese Samurai Style Export Sword From the Late Edo to Taisho Period. Decorated Throughout With Takebori Carved Figures of Armoured Samurai & Nobles In Court Dress

A very decorative original antique Japanese sword depicting as a representation the samurai tachi of old. Meiji period, circa late`19th century, fully carved faux ivory {bone} mountings {called koshirae}, with hand carved figures of Japanese armoured samurai with court cap hats and jingasa. Made in the late Meiji to Taisho period as a most decorative and attractive samurai style sword, with a Japanese Hocho Tetsu {cutler's} blade.

Of course this was not a traditional sword mounting for conflict, but when Japan was opening up to the world, after being a closed feudal society for almost 400 years, and the wearing of the samurai sword was forbidden in public, starting with the Haito edict. These swords were made for the newly opening Victorian, British, export market, and Europe's fascination with the ancient samurai warriors of Japan.

Thus samurai style swords and dagger fittings, such as this, were made especially for the early steam ship visitors from Europe, that arrived from the early steamship trade that started in Victorian England, through companies such as Thomas Cook & Co.

The tachi is a Japanese term referring to the traditional weapon, the slung sword, of the samurai.

The Haitōrei was one of a series of steps taken by the government to abolish the traditional privileges of the samurai class. The first Haitōrei of 1870 prohibited farmers or merchants from wearing swords and dressing like samurai. This measure was in part an effort to restore public safety and order during the tumultuous period immediately after the Meiji Restoration and during the
Boshin War.

In 1871, the government issued the Danpatsurei Edict, allowing samurai to cut their top-knots and wear their hair in the Western manner. However, this was not required, simply allowed and encouraged. Universal military conscription was instituted in 1873, and with the creation of the Imperial Japanese Army, the samurai lost their monopoly on military service. The hereditary stipends provided to the samurai by their formal feudal lords (and assumed by the central government in 1871) were likewise abolished in 1873. The prohibition on wearing swords was controversial with the Meiji oligarchy, but the argument that it was an anachronism not in keeping with the westernization of Japan won out.

On March 28, 1876 the Haitō Edict was passed by the Daijō-kan. It prevented former samurai, now known as shizoku, from carrying swords.

These changes in Japanese society and in the social and economic status of the samurai, then part of the four classes, were a major cause of discontent in early Meiji period Japan, and led to a number of samurai-led insurrections, particularly in western Japan and Kyūshū  read more

Code: 26338

A Simply Glorious Bladed 'Katateuchi' 500 Year Old Katana Signed Katsumitsu 勝光. The Bizen Osafune Smiths Renown For Some of The Finest And Most Beautiful Blades To Ever Behold. The Very Form of Katana Used By Musashi, The Greatest Samurai Warrior

The blade on this is katana is truly breathtaking and one of the most beautiful we have had the privilege to own and display for sale amongst our collection.

If the greatest samurai who ever lived, Musashi, had used this sword, it would already have been over 100 years old.

Made and used by samurai, who was an expert in the combat form of two sword combat, that Musashi made famous a century later, and detailed in his iconic biography, The Five Rings

We hope that the photographs truly do this breathtaking sword blade justice.

The blade is not only extraordinarily fine, and with a spectacular hamon, but in superb effectively flawless condition. The fuchi kashira and all the mounts are original Edo period with the Takeda clan kamon, the diamond form flower head of the Hanabishi, made of silvered copper-gold alloy. The hammered iron tsuba is very early, and most rare, made of tamehagane steel by an armourerer and swordsmith, and also in superb condition. The menuki, under the tsuka-ito, on the original samegawa giant rayskin, are shakudo and gold decorated plants.

A katateuchi by the Bizen smith Katsumitsu (late Muromachi period, around the late 15th to early 16th century) is a historical one-handed Japanese fighting sword (uchigatana) often measuring roughly 55 to 66 cm in length, featuring a distinctive short tang (nakago) designed for single-handed grip during the Sengoku period. This sword blade is 68cm.
Defining Features of Katsumitsu Katateuchi Crafted by the Osafune school smiths in Bizen Province (frequently associated with master smiths like Jirozaemonnojo Katsumitsu).

Miyamoto Musashi used and advocated for single-handed striking techniques, and the term katate-uchi (片手打ち, meaning "one-handed strike") describes both a functional sword style and a shorter type of uchigatana designed for one-handed use.

Musashi famously founded the two-sword strategy known as Niten Ichi-ryū, around 100 years after this sword was created, where he wielded a long sword (katana or daitō) and a companion short sword (wakizashi or shōtō) at the same time.
One- Wielding a long sword simultaneously with a short sword forces the practitioner to use the main katana with only one hand. Musashi noted in The Book of Five Rings (Go Rin No Sho) that training to use a long sword with one hand is essential because situations arise—such as being on a horse or in narrow spaces—where you cannot use both hands.

Late Muromachi / Sengoku era (circa 1490–1529), was an era of intense warfare. This sword is a most fine example of katana originally built strictly for one hand rather than the two-handed grip of a standard katana.
Typically a katana form that was, optimized for rapid drawing and close-quarters combat.

The Katsumitsu of Kashu Province resided in this province, This province was ruled by Maeda clan when Katsumitsu was alive. Maeda clan was originally a retainer of Oda family, who ruled Owari province. (today’s Nagoya area in Aichi prefecture) The first head of the Maeda clan was Toshie Maeda. He became the feudal lord of Kaga Province . It is said that he had a vast rice fief which is called Hyakuman Goku.
The Maeda clan was one of the most powerful lines in Samurai history. Toshie Maeda had a close tie with Oda Nobunaga and Hideyoshi Toyotomi.

The sword is mounted with a most fine Ko-Tōshō Sukashi Tsuba likely Kamakura period, ca. 1185–1333.

The Ko-Tōshō sukashi tsuba is solid iron plate tsuba, an early Japanese sword guard (tsuba) made by swordsmiths (Tōshō) during the pre Muromachi period (1336–1573). These pieces feature simple openwork (sukashi) cut from robust iron plates, blending utilitarian defense pierced with austere Zen-Buddhist symbolism. Made by early swordsmiths and armourers often using tamahagane sword steel

The saya needs a kurigata {sageo cord horn mount that is damaged} restored, a small task but we will attend to it. The saya is black ishime {stone finish in matt black}

Blade 68 cm long, 97 cm long overall in saya  read more

Code: 26326