Antique Arms & Militaria

A Very Fine & Rare Original Napoleonic Wars ANXI Light Cavalry Trooper's Sabre. Used by Napoleon's Most Famed Lancers, Hussars, Chasseurs. The Sabre Troupe de Cavalerie Légère Modèle AN XI

Very rare combat sabre for the troop, perfectly homogeneous and authentic to discover in superb state of conservation considering all the battles it experienced during the Napoleonic wars it deserves to find a fine place in a thematic collection.

During a parade the sight of the hussars would the women’s hearts made wildly pounding. In combat they rode yelling most unearthly, cursing and brandishing their weapons. They had their own code - that of reckless courage that bordered on a death wish. The hussars were the eyes, ears and … egos of the army.
With their look suitably piratical their hair plaited and queued they were one heck of mean buggers. Some regiments were composed of fellows who had a natural longing for a fight (or trouble !) The mutually supporting camaraderie of the hussars was important factor of their esprit de corps. Tactically they were used as scouts and screen for other troops and due to their combativeness were also used in pitched battles. It was not a rare sight to see a hussar in a forefront of a hack-and-slash melee, gripping his reins with his teeth, a pistol in one hand and saber in the other.

Three bar guard the pommel back strap piece has a slight tilt forward complete the hilt's elegant form. One unique elements of this sabre is the leather bound, ribbed grip with its brass olive shaped stud. The arsenal markings are on the back of the slightly fulled 34 3/4 inch blade.

Hilt stamped stamped by Joseph Innocent Krantz, Chef de Batt'on, the Napoleonic Imperial period sword inspector from 1812, and Jean George Bick's mark of 1812 a controller 1st class. Blade marked, Klingenthal Man Imperial Janvier 1813 {only Janvier 1813 is still easily visible} Joseph Innocent Krantz, Chef de Batt'on, stamp is also on the blade face

Referenced in the works of Michel Pétard "Des sabres et des épées - Troupes à cheval de l'Empire à nos jours - Tome Second", pages 137 and 138; long-tailed cap; calf-covered wooden handle with brass olive mount.
One of the rare sabres specifically made to re-arm the French cavalry after the catastrophic losses in 1812 in Russia.

The disaster of 1812 in Russia
It is estimated that 175.000 excellent horses of cavalry and artillery were lost in 1812 in Russia ! The remnants were mounted on Russian and Lithuanian peasant ponies. The rebuilding of the cavalry in 1813 was more difficult than infantry and artillery. Shortages of trained cavalrymen, officers, NCOs and war horses were critical. Promotions were rapidly handed out and temporary squadrons were formed.
In the beginning of April 1813 general Bourcier gathered 10.000 battle-hardened veterans from 60 regiments spread across the countryside. The cavalry centres were in the cities of Magdeburg and Metz. Horses were coming from northern Germany. During Armistice was more time to train the young troops and many regiments showed improvements in their maneuvers. But they never reached the level of pre-1812.

French Cavalry Under Napoleon.
"When I speak of excellent French cavalry,
I refer to its impetous bravery,
and not to its perfection"
- General Jomini

Napoleon's Cavalry and Its Leaders "Cavalry is useful before, during and after the battle," wrote Napoleon, and he stressed the need for audacity in its employment and careful training to achieve true discipline. He was also insistent that careful categorization according to role was of great importance... It was some time before the French cavalry reached its full potential, as it had suffered the loss of many officers during the Revolutionary period, but by 1807 it was reaching its prime. The great charges led by Murat at Eylau and Grouchy at Friedland played vital parts in the outcome of these battles." (Chandler - "Dictionary of the Napoleonic Wars" pp 85-86)
"Under Napoleon, the French cavalry were, in contrast to the infantry, far more renowned for their action in masses than for their duty as light troops. They were deemed irresistible, and even Napier admits their superiority over the English cavalry of that day. Wellington, to a certain degree, did the same. And strange to say, this irresistible cavalry consisted of such inferior horsemen ... no soldiers are so careless of their horses as the French." ("The Armies of Europe" in Putnam's Monthly, No. XXXII, published in 1855).

Used in such battles as;

In the Battle of Lützen (German: Schlacht von Großgörschen, 2 May 1813), Napoleon I of France defeated an allied army of the Sixth Coalition.

The Russian commander, Prince Peter Wittgenstein, attempting to forestall Napoleon's capture of Leipzig, attacked the French right wing near Lützen, Saxony-Anhalt, Germany, surprising Napoleon. Recovering quickly, Napoleon ordered a double envelopment of the allies. After a day of heavy fighting, the imminent encirclement of his army prompted Wittgenstein to retreat. Due to a shortage of cavalry, the French did not pursue.

The two armies would clash again in the Battle of Bautzen three weeks later.

The Battle of Vitoria in North-Eastern Spain, to the South of Bilbao and near the French border.

Wellington’s army comprised 52,000 British and 28,000 Portuguese troops. An army of 25,000 Spanish troops co-operated in the campaign. Wellington’s army had 90 guns.

The French army, drawn from the Army of the South, the Army of the Centre and the Army of Portugal, comprised 50,000 troops (including 7,000 cavalry), with 150 guns. It was Wellington’s decisive defeat of Joseph Bonaparte’s French army on 21st June 1813 in North-Eastern Spain in the Peninsular War

The Battle of Leipzig, also known as the Battle of the Nations, was fought from 16 to 19 October 1813 at Leipzig, Saxony. The Coalition armies of Austria, Prussia, Sweden, and Russia, led by Tsar Alexander I and Karl von Schwarzenberg, decisively defeated the Grande Armée of French Emperor Napoleon Bonaparte. Napoleon's army also contained Polish and Italian troops, as well as Germans from the Confederation of the Rhine (mainly Saxony and Württemberg). The battle was the culmination of the German Campaign of 1813 and involved 560,000 soldiers, 2,200 artillery pieces, the expenditure of 400,000 rounds of artillery ammunition, and 133,000 casualties, making it the largest battle of the Napoleonic Wars, and the largest battle in Europe prior to World War I.

The War of One Hundred Days, culminating in Quatre Bras and Waterloo. This fabulous sabre was almost certainly a trophy of war from Waterloo, and any or all of the the previously listed battles it would likely have seen service within.

After the fighting at Quatre Bras (16 June 1815) the two opposing commanders Marshal Ney and the Duke of Wellington initially held their ground while they obtained information about what had happened at the larger Battle of Ligny. They received intelligence that the Prussian army under the command of Prince Blücher had been defeated by the French Army of the North under the command of Napoleon Bonaparte.

Upon receiving this news Wellington organised the retreat of the Anglo-allied army to a place he had identified a year before as the best place in Belgium for him to be able to employ his reverse slope tactics when fighting a major battle: the escarpment close to the village of Waterloo.

On the 17th, aided by thunderstorms and torrential rain and before the arrival of Napoleon, Wellington's army successfully extricated itself from Quatre Bras and passed through the defile of Genappe. The infantry marched ahead and were screened by a large cavalry rearguard. The French harried Wellington's army, but were unable to inflict any substantial casualties before night fell and Wellington's men were ensconced in bivouacs on the plain of Mont-Saint-Jean.
As with all our items it comes complete with our certificate of authenticity
Without scabbard  read more

Code: 25565

Royal Artillery, Victorian Officer's 'Busby' Helmet Plume Holder Circa 1859-78.

A simply stunning example in superb condition. A very fine gilt example. Flaming grenade (straight flames), the ball mounted with Royal Arms with 'Ubique' scroll below; beneath the scroll, a gun with mounted wheel and scroll 'Quo Fas et Gloria Ducunt'.

Reverse retains plume holder and slider fitting. Very good condition.  read more

Code: 20591

Original, Antique, Victorian Household Cavalry Armour Breastplate Cuirass of the LifeGuards, The Blues &The Royals. the Mounted Personal Bodyguard Regiments of the British Monarch, Part of The Household Division

With With brass edge trim & rivets. It bears the ordnance inspection stamps. Used by all of H.M.Queen Victoria's Household Cavalry regiments.

We have a pair of these original Victorian Horse Guards cuirass breastplates, but they are for sale separately.

During a visit to the Tower several decades ago, thanks to an invitation by our friend Howard Blackmore {historian and assistant curator at the Tower} we had a discussion, amongst many other subjects, of the conversion of the Life Guards and Horseguards back to armoured heavy cavalry, after around 150 years of un-armoured service as the monarch's mounted guard since the 17th century.

This is one of those early cuirass breast plates created for the newly armoured horse guards regiments.

From 1661 to 1778, the Life Guards Troops saw action in the Jacobite Wars, the Second Dutch War
(when they served as sailors) ant the War of the Austrian Succession. In 1778 the four Horse
Guard Troops and Horse Grenadiers re-formed as the 1st Life Guards. Both Regiments fought
with distinction in the Waterloo campaign.
For the Egyptian War of 1882, Life Guards formed a Composite Household Cavalry
Regiment with the Royal Horse Guards, making Royal Horse Guards, making the famous
moonlight charge at Kassain. In 1894, for the relief of Khartoum, both Regiments contributed
soldiers to the Heavy Camel Regiment and were again formed as a Composite Household
Cavalry Regiment for the 2nd Boer War in 1900

The Royal Dragoons (1st Dragoons), initially known as The Tangier Horse, were raised by
King Charles II to form part of the garrison at Tangier, which had been acquired on his
marriage to Catherine of Braganza as part of her dowry. Known as The Royals, during the
18th century the Regiment saw service in most of the same wars as The Blues, including the
Peninsula campaign and Waterloo, where the Regiment famously captured the Eagle of the
French 105th Infantry Regiment. However, in the 19th century, unlike The Blues, The Royals
saw service in the Crimea and in India.  read more

Code: 25578

A Most Delightful, Original, Antique Carved Buffalo Horn Hilted Ottoman Empire Khanjar Dagger

this is a typical Ottoman Empire khanjar or jambiya of the 19th century, with traditional carved buffalo horn hilt.

Where they were adopted they had slight differences to the blade, hilt and scabbard. A significant part of a jambiya or khanjar is its hilt (handle). The saifani hilt is made of exotic horn, It is used on the daggers of wealthier men. Different versions of saifani hilts can be distinguished by their colour. Other jambiya hilts are made of different types of horn, wood, metal and ivory. Apart from the material used for the hilt, the design and detail is a measure of its value and the status of its owner. there are 53 different types of Jambiya in the Metropolitan museum Collection, some bear a similarity to this example, many with near identical blades.

The blade and carved hilt are in superb condition, the wooden scabbard is good and sound, but the embossed leather covering is thin and therefore now somewhat fragile with natural age losses.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us
Overall 11 inches long in scabbard.  read more

Code: 24521

A Stunning Ancient Roman Ist Century AD, Galloping Cavalry Soldier on Horseback, Stylized Intaglio Engraved Bronze 'Status' Seal Ring.

In Roman Britain, at any given time, there were at least 9000 auxiliary cavalry in the province, divided between alae (military formations composed of conscripts from the socii, Rome's Italian military allies), elite cavalry units, and the slightly lower-status mixed cohorts, which contained both infantry and cavalry.

Classified by the seminal classification of ancient ring forms, by Dr. Martin Henig, as Ancient Roman, Henig type Xb. Roman ring around 1900 years old. In copper bronze with great, natural age patination. Beautifully carved intaglio seal detail of wide oval bezel affixed to flattened shoulders engraved copper alloy, with a fair amount of aged surface russetting. Almost identical to one found in the UK, near Hadrian's Wall. The ring was important for displaying the Roman's status. For example Tiberius, who was after all left-handed according to Suetonius, thus displays a ring in his bronze portrait as the Pontifex Maximus:

From a small collection of British recovered original Roman rings, all in excavated condition, found in the 19th century from the same location. Examples of this type can be found in Henig, M. (1974) A corpus of engraved gemstones from British Sites, British Archaeological Reports 8 (II): 90.

The engraved intaglio seal ring was important for displaying the Roman's status. For example Tiberius, who was after all left-handed according to Suetonius, thus displays a ring in his bronze portrait as the Pontifex Maximus: The complete Roman Empire had around a 60 million population and a census more perfect than many parts of the world (to collect taxes, of course) but identification was still quite difficult and aggravated even more because there were a maximum of 17 men names and the women received the name of the family in feminine and a number (Prima for First, Secunda for Second…). A lot of people had the same exact name.
So the Roman proved the citizenship by inscribing themselves (or the slaves when they freed them) in the census, usually accompanied with two witnesses. Roman inscribed in the census were citizens and used an iron or bronze ring to prove it. With Augustus, those that could prove a wealth of more than 400,000 sesterces were part of a privileged class called Equites (knights) that came from the original nobles that could afford a horse. The Equites were middle-high class and wore a bronze or gold ring to prove it, with the famous Angusticlavia (a tunic with an expensive red-purple twin line). Senators (those with a wealth of more than 1,000,000 sesterces) also used the gold ring and the Laticlave, a broad band of purple in the tunic.

So the rings were very important to tell from a glimpse of eye if a traveller was a citizen, an equites or a senator, or legionary. People sealed and signed letters with the rings and its falsification could bring death.
The fugitive slaves didn’t have rings but iron collars with texts like “If found, return me to X” which also helped to recognise them. The domesticus slaves (the ones that lived in houses) didn’t wore the collar but sometimes were marked. A ring discovered 50 years ago is now believed to possibly be the ring of Pontius Pilate himself, and it was the same copper-bronze form ring as is this one, with identical stylized engraving.

Limestone architectural fragment; a door jamb, part of a doorway. From the temple of Set (which was built by Thutmosis III) at Ombos, Egypt. 18th Dynasty. The Petrie Museum

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading  read more

Code: 25586

A Magnificent Ancient Greek Wreath of Victory, A Crown of Hammered Gold. From the Era of Alexander The Great. Circa 300 BC. Now Re-Assembled For Our Display

An original fine sheet gold Wreath of Victory, Around 2300 years old, reassembled in our workshop over two weeks.

It is now been thus re-assembled, and display framed flat under glass, it is a magnificent historic wonder to behold. Around 2300 years old in fabulous condition overall considering the passing two plus millennia. Likely 22ct gold.

The Ancient Greek Gold Wreath of Victory
was was derived from wreaths of real leaves worn in religious ceremonies and given as prizes in athletic and artistic contests, at the point of triumph. Gold wreaths were fragile ant not meant to be frequently worn, but were definitely meant for display. See the Getty Collection for their partial view of an example of a Gold Crown of Triumph.
In Ancient Rome, in later centuries it was similarly worn on the head as a symbol of triumph. There are numerous, surviving original Roman carved sculptures of Roman Caesars and Emperors adorned with their Wreath of Victory.
The symbol of the laurel wreath is from Greek mythology. The Romans adopted the symbol because they admired Greek culture. In Rome, they were symbols of military victory.
Military commanders or emperors often wore them after a battle. Laurel wreaths in ancient times are most often shown as a horseshoe shape.

Greek goldsmiths and artisans inherited their techniques from Egypt and Mesopotamia, however, they managed to create and develop a unique style. Gold became the primary decorative material, although silver, lead, bronze and electrum were also used. Skilled artisans worked the gold in thin leaves
In Classic and Hellenistic Greece it was the advent of the Golden Age of Greece, when Hellenic culture blossomed, that Greek jewellery reached its high water mark. The reign of Alexander the Great saw an enormous influx of gold and precious stones from the Orient, providing the core resources to produce items of incredible splendour. This era was brought to an end when the Roman Empire took control of Greece in the 2nd century BC, bringing many drastic and dramatic changes in jewellery style.

Photos in the gallery show ours as we have assembled it, see photos 1, 2, 3 and how ours would likely have appeared 2300 years ago, when it was worn at the triumph see photo 7, and in the gallery we show the Massachusetts collection gold crown see pgoto 6, fully assembled, and the last photo is the Getty Collection crown photo 4.
In the gallery we show the other museum examples, in exactly how they would have looked when worn and complete. We also show one partial crown in the Getty Collection, our crown is designed with laurel leaves and some oak leaves. The Massachusetts collection, fully re-assembled example, sold in Christies in 2019 for $325,000 USD

The Somerset crown was incredibly rare gold crown believed to be more than 2,000 years old was discovered under a bed in a Somerset cottage. That was the last completely assembled example that we saw and had the opportunity to acquire. It was in 2016. The delicate Greek gold myrtle wreath, which was thought to date to 300BC, was found in a cardboard box in the modest Taunton property. When appraised by a local auction in 2016 it was estimated to be worth approaching 200,000 GBP.

We re-assembled our gold crown for our photographic display, but it will need re-assembling for whatever form of permanent display its new owner feels suits it best. It comprises of up to 100 parts of hammered gold from up 4 inches to 1/8th inch long.

Our example was from a late esteemed private collection of a famous British ‘Barrister at the Temple’ and antiquities collector, acquired in the 1960’s

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 24772

A Superb Original Imperial Roman Legionary's "Whistling" Sling Bullet Circa 1st to 2nd century AD.

Identical to the few found at an archaeological dig at a Roman Fort site in southwestern Scotland a few years ago, and one of a very small collection of fine original sling bullets of antiquity we acquired.
Over 1,800 years ago, Roman troops used "whistling" sling bullets as a "terror weapon" against their barbarian foes, such as were in Scotland and the Celts in England, according to archaeologists who found the cast lead bullets at a site in Scotland.

Weighing about 1 ounce (30 grams), each of the bullets had been drilled with a 0.2-inch (5 millimeters) hole that the researchers think was designed to give the soaring bullets a sharp buzzing or whistling noise in flight.

The bullets were found recently at Burnswark Hill in southwestern Scotland, where a massive Roman attack against native defenders in a hilltop fort took place in the second century A.D. These holes converted the bullets into a "terror weapon," said archaeologist John Reid of the Trimontium Trust, a Scottish historical society directing the first major archaeological investigation in 50 years of the Burnswark Hill site.

"You don't just have these silent but deadly bullets flying over; you've got a sound effect coming off them that would keep the defenders' heads down," Reid told Live Science. "Every army likes an edge over its opponents, so this was an ingenious edge on the permutation of sling bullets."

The whistling bullets were also smaller than typical sling bullets, and the researchers think the soldiers may have used several of them in their slings — made from two long cords held in the throwing hand, attached to a pouch that holds the ammunition — so they could hurl multiple bullets at a target with one throw.

"You can easily shoot them in groups of three of four, so you get a scattergun effect," Reid said. "We think they're for close-quarter skirmishing, for getting quite close to the enemy." Onasandrius wrote the 1st C. BC, in his book "Strategy". "The Sling is the deadly weapon used by light infantry because lead is of the same colour as the air and therefore not visible, thus the impact is unexpected and not only smites hard, but the bullet penetrates deeply into the victims flesh". Used by Roman auxiliary troops like Greeks, Sicilians, North Africans, but after the Roman conquest of the Balearic Islands elite slingers were always the Balearic that fought in the legions of Julius Caesar.

Together with arrows and catapults, sling-shots formed a key part of the long-range fire of the Roman army.
Lead bullets were cast in the shape of lemons or 'acorns', which would weigh around 1.7 ounces (50g).
Weighing around 0.7 ounces (20g), the holes were around a fifth of an inch (5mm) wide and the same deep.
While the size of these bullets would have made them not terribly dangerous, experiments using replicas of these small bullets showed that they produced a whistling noise while in flight.
It is thought the sound is produced by the air moving over the small opening, much like when blowing over the top of a milk bottle.
This has led some theories that these smaller bullets were used to invoke terror in the enemy.
It is a tactic that has been used by military forces around the world.About 20 per cent of the lead sling bullets found at Burnswark Hill had been drilled with holes.
This was a significant amount of effort to prepare enough ammunition for an assault, Dr Reid said. 'It's a tremendous amount of work to do, to just chuck them away.'

'Even more intriguingly, the mysterious holes proved to confer an aerophonic quality,' Dr Reid said in Current Archaeology.

'In flight, these lead shot whistled, or more accurately gave off a mechanical buzzing sound eerily reminiscent of an agitated wasp.' In Livy’s History of Rome, which was completed in 9 A.D., he states,

A hundred slingers were recruited from Aegium and Patrae and Dymae. These peoples were trained from boyhood … Having been trained to shoot through rings of moderate circumference from long distances, they would wound not merely the heads of their enemies but any part of the face at which they might have aimed. Photos of one of the three we acquired from a collector, we only have one remaining sling bullet, all near identical, see photos 8 and 9 in the gallery

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 24505

A Fabulous Original Egyptian Carved Wooden Mummy Mask 25th to 26th Dynasty Period to late Dynastic Period

Around 2700 to 2350 years old.

Beautifully painted over a gesso type plaster on cedar wood, with a substantial amount of paint remaining, showing excellent flesh tones, probably bronze insert eye lines with white painted eyes and large black pupils.

Piye established the Twenty-fifth Dynasty and appointed the defeated rulers as his provincial governors. He was succeeded first by his brother, Shabaka, and then by his two sons Shebitku and Taharqa. The reunited Nile valley empire of the 25th Dynasty was as large as it had been since the New Kingdom. Pharaohs of the dynasty, among them Taharqa, built or restored temples and monuments throughout the Nile valley, including at Memphis, Karnak, Kawa, and Jebel Barkal. The 25th Dynasty ended with its rulers retreating to their spiritual homeland at Napata. It was there (at El-Kurru and Nuri) that all 25th Dynasty pharaohs were buried under the first pyramids to be constructed in the Nile valley in hundreds of years

A mummy mask provided protection – both physical and magical – to the head of the mummy. Masks were introduced in the First Intermediate Period (c. 2181-2955 BC) and were used until Roman times (30BC-395AD). They show the deceased in an idealised form, like a god who has triumphed over death. The use of gilding on masks of the wealthy symbolises the golden skin of the gods.

Spell 151 from the Book of the Dead – the ‘Spell for the Head-of-Mystery’ – makes the function of the mask explicit:

Anubis speaks, the embalmer, lord of the divine hall, when he has placed his hands on the coffin of the deceased and equipped him with what he needs: ‘Hail, O beautiful of face, lord of vision, whom Ptah-Sokar has gathered together and whom Anubis has upraised, to whom Shu gave support, O beautiful of face among the gods!

Your right eye is the night boat, your left eye is the day boat, your eyebrows are the Ennead. The crown of your head is Anubis, the back of your head is Horus, your fingers are Thoth, your lock of hair is Ptah-Sokar. You the mask are in front of the deceased, he sees by means of you. You lead him on the goodly ways, you repel Seth’s band for him and cast his enemies under his feet for him in front of the Ennead of the great House of the Noble in Heliopolis. You take the goodly way to the presence of Horus, the lord of the nobles.’
This text appears on the famous golden mask of Tutankhamun, inscribing an object with its function in order to ensure that it would ‘work’ for the dead king. The spell makes clear that the mask was to protect the deceased (magically) from their enemies. As is common in such spells, the text is a command from a god to an inanimate object – divine authority used to spark to life a lifeless substance.

The spell emphasises the power of the mask to restore to the deceased the ability to see. An important part of the funeral ritual was a rite known as the ‘Opening of the Mouth’, which restored the power of speech, as well as the other senses to the mummy (set up outside the tomb, probably wearing the mummy mask). The senses were required for a successful rebirth into in the afterlife as a fully-functioning person, as in life.

Masks were made to give their owners the power of sight – and speech.

To show how mummy masks have become so desirable and collectable we show two masks sold in Sotheby's 2011 for 15,000 USD and the other one sold for 200,000 GBP in 2018.
Another photo shows a similar mask discovered recently but lacking paint to the face, being cleaned by the Cairo museum conservator.

The other photos are of Amenhotep I and his very similar mask still in place, we also show his outer sarcophagus.
Amenhotep I's Horus and Two Ladies names, "Bull who conquers the lands" and "He who inspires great terror," are generally interpreted to mean that Amenhotep I intended to dominate the surrounding nations. Two tomb texts indicate that he led campaigns into Nubia. According to the tomb texts of Ahmose, son of Ebana, Amenhotep later sought to expand Egypt's border southward into Nubia and he led an invasion force which defeated the Nubian army. The tomb biography of Ahmose Pen-Nekhebet says he also fought in a campaign in Kush, however it is quite possible that it refers to the same campaign as Ahmose, son of Ebana. Amenhotep built a temple at Saï, showing that he had established Egyptian settlements almost as far as the Third Cataract.
Sometime during the 20th or 21st Dynasty, Amenhotep's original tomb was either robbed or deemed insecure and emptied and his body was moved for safety, probably more than once. It was found in the Deir el-Bahri Cache, hidden with the mummies of numerous New Kingdom kings and nobles in or after the late 22nd dynasty above the Mortuary Temple of Hatshepsut and was kept in the Egyptian Museum in Cairo. His mummy had apparently not been looted by the 21st dynasty, and the priests who moved the mummy took care to keep the cartonnage intact. Because of that exquisite face mask, Amenhotep's is the only royal mummy which has not been unwrapped and examined by modern Egyptologists.

it was last acquired around 25 years after WW2 and remained since in a private collection

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us

Just over 20 cm high. As usual with most painted masks from ancient Egypt there is a degree of shedding of gesso {a mixture of gum and chalk powder} dust  read more

Code: 24113

A Good, Antique, 18th century, King George IIIrd Flintlock Officer’s Pistol by Wheeler, Used in the Peninsular War and Waterloo

Named to its owner, John Vine of Staining Lane. Walnut stock with fabulous age patina, with slab-sided grips, all brass furniture and trigger guard with acorn finial. Made by Wheeler of London. Two stage octagonal to round steel barrel with silver X foresight. A very nice officer's and gentleman's flintlock pistol from the 1790's used in the Napoleonic Wars period, the Peninsular War of Quatre Bras, & Waterloo. The Napoleonic Wars (1803-1815) were a series of wars declared against Napoleon's French Empire by opposing coalitions. As a continuation of the wars sparked by the French Revolution of 1789, they revolutionised European armies and played out on an unprecedented scale, mainly owing to the application of modern mass conscription. French power rose quickly as Napoleon's armies conquered much of Europe but collapsed rapidly after France's disastrous invasion of Russia in 1812. The alliance led by Britain and one of it's finest General's, the Duke of Wellington, brought about Napoleon's empire ultimately suffering a complete and total military defeat resulting in the restoration of the Bourbon monarchy in France and the creation of the Concert of Europe.

The last photo in the gallery shows a photograph of one section of the collection in the museum of Waterloo, taken in around 1900, showing all the weapons of Waterloo en situ, including all the protagonists {British, French, Prussian and Belgian muskets, swords, pistols, armour uniforms, etc}. The museum was founded and owned by a veteran of the 7th Hussars that fought at Waterloo

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 21443

A Simply Stunning Ancient & Historical Era Greek Leaf Shaped Bronze Sword With a Distinctive Blood Channel. From the Most Iconic Period Of Ancient Greek Classical History. Around 3200 Years Old

A wonderful original artefact of classical history, made and used by a Greek warrior from circa 1200 b.c. A Superb ancient Greek bronze age sword blade with fabulous areas of crystallised malachite blue/green patina. From the era of the legendary Mycenaean Greek Trojan Wars.

The story of the Trojan War the Bronze Age conflict between the kingdoms of Troy and Mycenaean Greece straddles the history and mythology of ancient Greece and inspired the greatest writers of antiquity, from Homer, Herodotus and Sophocles to Virgil. Since the 19th-century rediscovery of the site of Troy in what is now western Turkey, archaeologists have uncovered increasing evidence of a kingdom that peaked and may have been destroyed around 1,180 B.C. perhaps forming the basis for the tales recounted by Homer some 400 years later in the Iliad and the Odyssey. According to classical sources, the war began after the abduction (or elopement) of Queen Helen of Sparta by the Trojan prince Paris. Helen’s jilted husband Menelaus convinced his brother Agamemnon, king of Mycenae, to lead an expedition to retrieve her. Agamemnon was joined by the Greek heroes Achilles, Odysseus, Nestor and Ajax, and accompanied by a fleet of more than a thousand ships from throughout the Hellenic world. They crossed the Aegean Sea to Asia Minor to lay siege to Troy and demand Helen’s return by Priam, the Trojan king. The siege, punctuated by battles and skirmishes including the storied deaths of the Trojan prince Hector and the nearly-invincible Achilles, lasted more than 10 years until the morning the Greek armies retreated from their camp, leaving a large wooden horse outside the gates of Troy. After much debate (and unheeded warnings by Priam’s daughter Cassandra), the Trojans pulled the mysterious gift into the city. When night fell, the horse opened up and a group of Greek warriors, led by Odysseus, climbed out and sacked the Troy from within. After the Trojan defeat, the Greeks heroes slowly made their way home. Odysseus took 10 years to make the arduous and often-interrupted journey home to Ithaca recounted in the Odyssey. Helen, whose two successive Trojan husbands were killed during the war, returned to Sparta to reign with Menelaus. After his death, some sources say she was exiled to the island of Rhodes, where a vengeful war widow had her hanged.
Photo in the gallery of an Attic black figure vase that shows Theseus killing the Minotaur of the Cretan labyrinth with an identical pattern of Greek sword. A feminine figure looks on from the right, possibly Ariadne. Late 6th, early 5th century BCE. (Archaeological Museum, Milan). See discussion in Branigan, K. Aegean Metalwork of the Early and Middle Bronze Age, Oxford, 1974, p.8-21. 15.5 inches long overall

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