An Exceptionally Handsome 500 Year Old Samurai Katana, Signed Bizen Osafune ju Kanemitsu, A Museum Quality Piece of Early Samurai History

In a classic and highly sophisticated all black ensemble of koshirae, and a sword that has a breathtakingly impressive curvature. It has all its original Edo mounts, of patinated copper, decorated with takebori relief dragons, an early iron Koto o-sukashi tsuba, a stunning, original, Edo period uniformly narrow ribbed black urushi lacquer saya, in super bright and glossy original condition. Deeply curved blade showing an outstanding active and vibrant hamon in great polish. The tsukaito is over-lacquered silk, in black, over-wrapped on pure gold and shakudo menuki which in turn are on traditional samegawa giant rayskin.

The activity in the hamon is, simply, spectacularly beautiful, and shows the wide Hi horimono groove on one side and a double Bo Hi on the other side of the blade face.

The Incredible Story of Japanese Lacquer on Samurai Swords Scabbards, called Saya

Japanese lacquer, or urushi, is a transformative and highly prized material that has been refined for over 7000 years.

Cherished for its infinite versatility, urushi is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords

Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

Some provinces of Japan were famous for their contribution to this art: the province of Edo (later Tokyo), for example, produced the most beautiful lacquered pieces from the 17th to the 18th centuries. Lords and shoguns privately employed lacquerers to produce ceremonial and decorative objects for their homes and palaces.

The varnish used in Japanese lacquer is made from the sap of the urushi tree, also known as the lacquer tree or the Japanese varnish tree (Rhus vernacifera), which mainly grows in Japan and China, as well as Southeast Asia. Japanese lacquer, 漆 urushi, is made from the sap of the lacquer tree. The tree must be tapped carefully, as in its raw form the liquid is poisonous to the touch, and even breathing in the fumes can be dangerous. But people in Japan have been working with this material for many millennia, so there has been time to refine the technique!

Flowing from incisions made in the bark, the sap, or raw lacquer is a viscous greyish-white juice. The harvesting of the resin can only be done in very small quantities.
Three to five years after being harvested, the resin is treated to make an extremely resistant, honey-textured lacquer. After filtering, homogenization and dehydration, the sap becomes transparent and can be tinted in black, red, yellow, green or brown.

Once applied on an object, lacquer is dried under very precise conditions: a temperature between 25 and 30°C and a humidity level between 75 and 80%. Its harvesting and highly technical processing make urushi an expensive raw material applied in exceptionally fine successive layers, on objects such as bowls or boxes.After heating and filtering, urushi can be applied directly to a solid, usually wooden, base. Pure urushi dries into a transparent film, while the more familiar black and red colours are created by adding minerals to the material. Each layer is left to dry and polished before the next layer is added. This process can be very time-consuming and labor-intensive, which contributes to the desirability, and high costs, of traditionally made lacquer goods. The skills and techniques of Japanese lacquer have been passed down through the generations for many centuries. For four hundred years, the master artisans of Zohiko’s Kyoto workshop have provided refined lacquer articles for the imperial household . Overall 37.75 inches long, blade tsuba to tip 27 inches  read more

Code: 24324

A Super WW2 Luftwaffe Bomber Radio, Morse Tapper and Earphones. Deutche Telefonwerk und Kabelindustrie ag Berlin Likely From A Heinkel He 111

A most rare Luftwaffe bomber radio element prufgerat PG10, with earphones, throat-mike and morse tapper. All original Luftwaffe issue and possibly removed from a crashed bomber. Serial number plate shows it was manufactured by Deutche Telefonwerk und Kabelindustrie ag Berlin, WW2 German code number 'bxo'. According to its 24 page manual it was issued with a splash-proof case, one might assume in case the plane crashed at sea and the radio was salvageable.

As may be used in the Heinkel He 111, and it probably was removed from such an aircraft. It was a German aircraft designed by Siegfried and Walter G?nter at Heinkel Flugzeugwerke in 1934. Through development it was described as a "wolf in sheep's clothing". Due to restrictions placed on Germany after the First World War prohibiting bombers, it masqueraded as a civil airliner, although from conception the design was intended to provide the nascent Luftwaffe with a fast medium bomber.

Perhaps the best-recognised German bomber due to the distinctive, extensively glazed "greenhouse" nose of later versions, the Heinkel He 111 was the most numerous Luftwaffe bomber during the early stages of World War II. The bomber fared well until the Battle of Britain, when its weak defensive armament was exposed. Nevertheless, it proved capable of sustaining heavy damage and remaining airborne. As the war progressed, the He 111 was used in a variety of roles on every front in the European theatre. It was used as a strategic bomber during the Battle of Britain, a torpedo bomber in the Atlantic and Arctic, and a medium bomber and a transport aircraft on the Western, Eastern, Mediterranean, Middle Eastern, and North African Front theatres. Top right guage lacking.  read more

Code: 21642

Simply Superb Hand Painted Portrait Miniature of a Winston Churchill’s ‘Harpoon Force’ Irish Guards Officer, 2nd Lieut. Gipps Romer, 2nd Batt. Irish Guards. The Heroic Rescuers of The Royal Dutch Family May 1940, And The Rear Guard Battle of Boulogne

A 2nd Battalion Irish Guards officer of ‘Harpoon Force’, and the heroic Dunkirk evacuation rear guard action at Boulogne, which was a ‘special section’ personally created by Churchill, the day Winston Churchill became Prime Minister.
Their first task was to rescue of the Dutch Royal Family and Government from the Hook of Holland and the second resulted in the incredible rear guard Battle of Boulogne. Effectively, it was Winston’s very first military special executive version of his later brainchild, the Commandos. A form of the British commando force before the commandos even existed. We had the privilege to own for a brief while the actual autographed book by Robert Graves, personally given to Churchill by Graves, {that he read in his bath during the war}, about a British Officer’s combat against the American sniper riflemen in the American Revolution, that inspired his decision how to create the British Commandos. That book now resides in a museum in Florida.

An original, stunning, WW2 Irish Guards miniature portrait. Of an officer of one of the great and famous regiments of the British Army. It was while serving in the Irish Guards that John Kipling, son of one of England's greatest poets and novelists, Rudyard Kipling, was declared missing, presumed killed, at Loos 1915.

A miniature portrait of 2nd Lieut. Gipps Romer, 2nd Batallion Irish Guards painted just prior to WW2, who died during his service in the early part of the war, August 1940.

His combat service included the protection of the Netherlands Royal Family in their evacuation in Holland, and his combat service was also noted by Colonel Hayden, commander of Harpoon Force, as being commendable at the rear guard action at Boulogne, to defend the withdrawal of the BEF and French Army from Dunkirk.

It is a fine small miniature, painted with stunning detail and a wonderfully fresh and vibrant colour. In a square gilt frame, with dart edging and plush velvet rear cover. Domed glass front.
The Irish Guards were formed on 1st April 1900 by order of HRH Queen Victoria to commemorate the bravery of the Irish people who fought in the Boer war. The Irish Guards played a major part in both World Wars, winning a total of six Victoria Crosses including the last to be presented in the Second World War and have seen armed conflict in many parts of the world since 1945.

During the Second World War, the regiment fought in Norway, France, North Africa, Italy, Belgium, Netherlands and Germany. The regiment first saw combat during the Norwegian Campaign. Following a challenging sea voyage to Norway, the 1st Battalion arrived in May 1940 and fought for two days at the town of Pothus before they were forced to retreat. The Irish Guards conducted a fighting withdrawal and served as the Allied rearguard.

The Battalion was evacuated along with the rest of the expeditionary force in June. While the 1st Battalion was fighting in Norway, the 2nd Battalion was deployed to the Hook of Holland to cover the evacuation of the Dutch Royal Family and Government in May 1940. The 2nd Battalion was then deployed to France and ordered to defend the port of Boulogne. The guardsmen held out against overwhelming odds for three days, buying valuable time for the Dunkirk Evacuation, before they were evacuated themselves. The Irish Guards (IG), part of the Guards Division, is one of the Foot Guards regiments of the British Army and, together with the Royal Irish Regiment, it is one of the two Irish infantry regiments in the British Army. The regiment has participated in campaigns in the First World War, the Second World War, the Iraq War and the War in Afghanistan as well as numerous other operations throughout its history. The Irish Guards claim six Victoria Cross recipients, four from the First World War and two from the Second World War. 1940: George Gipps Romer, known as 'Gipps' was involved in the evacuation in 1940. According to the history of the Irish Guards in Celtopedia:

"In May 1940, the 2nd Irish Guards deployed to the Hook of Holland to cover the evacuation of the Dutch Royal Family. The battalion evacuated the day after the Government and Dutch Royal Family had been evacuated. They had only a short respite upon their returned to the UK for just a few days later they returned, along with the Welsh Guards, to the continent, to Boulogne, a port in northern France, reaching the town on 22 May.

Their orders were to defend part of Boulogne during the epic evacuation of the British Expeditionary Force (BEF) from the overwhelming and inexorable advance of the Germans. The Guards stoutly defended their area of responsibility from better equipped German forces, repulsing a number of German attacks on the 22nd, but on the morning of the 23rd, superior Germany forces attacked the battalion and the Guards suffered very heavily in the attack. Later that day the battalion was evacuated from Boulogne, they were the last to leave, and fought valiantly while waiting to be evacuated." He was a "First reinforcement for the Harpoon Force under the command of Colonel Haydon.

"Colonel Haydon now determined to reorganize the whole position. Captain McCausland collected all his remaining men and at nine o’clock withdrew No. 1 Company to the centre of Outreau village, where they defended the road down into Boulogne. At the same time, Captain Murphy withdrew his remaining platoons to cover the area between No.. 1 and No. 2 Companies. No. 3 Company, under Captain Finlay, remained where it was, as yet untouched. Thus the line now ran from the centre of Outreau through some fields, which gave a field of fire of some 150 yards, on to the northern exits of Outreau, and thence to the sea. Though shorter than the original line, it was still too long and too thinly held to withstand a concentrated attack on any one point. Colonel Haydon sent Major Ross, his second-in-command, back to find some inner line of defence that could be held with only three companies, leaving one in reserve. ‘At this stage,’ he said, ‘I did not yet realize that No. 1 and 4 Companies had already been reduced to almost microscopic numbers.’ Of the 107 men of No. 4 Company who landed in Boulogne, only nineteen returned and only forty of No. 1 Company. Most of these casualties they had lost already, so the Battalion now had only two and a half rifle companies left.

A light railway runs through the middle of Boulogne, curving round behind the Battalion’s present position. At half-past ten the Companies began withdrawing to the line of this railway, from which they could defend the west of the town and the main road from the south. The remnants of No. 1 Company held the village till the rest of the Battalion was established in the houses and gardens along the railway. They and the Germans were within fifty yards of each other. For two hours the Company beat off every attempt to outflank or rush them. ‘The holding of this post by No. 1 Company,’ said Colonel Haydon, ‘in spite of the very heavy losses it had suffered, reflects the very highest credit on Captain C. R. McCausland, 2/Lieutenant G. G. Romer and the other ranks who held the post.’
80mm x 67mm in frame

link to;

THE RESCUE OF THE DUTCH ROYAL FAMILY
BY THE IRISH AND WELSH GUARDS
By Captain P.R.J.TILLEY
Former Welsh Guards
(Permission given to Krista Salter to publish article)

copy and paste

https://www.bbc.co.uk/history/ww2peopleswar/stories/21/a4678121.shtml  read more

Code: 23087

German Solid Silver Medal {900 fine} Commemorating The William Randolph Hearst Sponsored, American Flight, of the World’s First Round the World Passenger Flight, of the "Graf Zeppelin" Airship In August 1929.

Medal commemorating round the world flight of the "Graf Zeppelin" airship, with portraits of Zeppelin and Eckener, silver, diameter 36mm, depth 3mm, German, 1929. Rim legend: Preuss. Staatsmunze. Silber 900 Fein. Obverse: legend, Weltfahrt August 1929. L.Z.127; exergue scene, airship above ocean. Reverse: Graf Zeppelin. Dr Hugo Eckener. 1898-1928. exergue, double portrait bust profiles to left
The airship LZ 127 Graf Zeppelin is considered the most successful commercial airship of its time and marked the pinnacle of airship travel. On August 15, 1929, it started under the leadership of Dr. Hugo Eckener in Friedrichshafen on Lake Constance on the most spectacular demonstration flight in aviation history at the time:

Graf Zeppelin Round-the-World Flight (“Weltfahrt”)

In 1929, Graf Zeppelin made perhaps its most famous flight; a round-the-world voyage covering 21,2500 miles in five legs from Lakehurst to Friedrichshafen, Friedrichshafen to Tokyo, Tokyo to Los Angeles, Los Angeles to Lakehurst, and then Lakehurt to Friedrichshafen again.

It was the first passenger-carrying flight around the world and received massive coverage in the world’s press.

The flight was partly sponsored by American newspaper publisher William Randolph Hearst, who paid for about half the cost of the flight in return for exclusive media rights in the United States and Britain.
Hearst had insisted that the flight begin and end in America, while the Germans naturally thought the Round-the-World flight of a German ship should begin and end in Germany. As a compromise, there were two official flights; the “American” flight began and ended at Lakehurst, while the “German” flight began and ended at Friedrichshafen.

The Round-the-World flight carried 60 men and one woman, Hearst newspaper reporter Lady Grace Hay-Drummond-Hay, whose presence and reporting greatly increased the public’s interest in the journey. Other passengers included journalists from several countries, American naval officers Charles Rosendahl and Jack C. Richardson, polar explorer and pilot Sir Hubert Wilkins, young American millionaire Bill Leeds, and representatives of Japan and the Soviet Union. All of those that took part received one of these solid silver medals.

Graf Zeppelin left Friedrichshafen on July 27, 1929 and crossed the Atlantic to Lakehurst, New Jersey, and the “American” flight began on August 7, 1929 with an eastbound crossing back to Germany.

The successful journey took just under 5 weeks with stopovers in Tokyo, Los Angeles and Lakehurst (New York).  read more

Code: 24154

A Superb Pre WW2 Nazi SS Fire Protection Police Sidearm & Original Frog. Used From 1933 till 1945 By The SS. Feuerschutzpolizei.

Originally manufactured circa 1933. Used by the Fire Protection Police under the control of the SS. With original leather frog. Plated blade, plated hilt with checquered celluloid grip. Double 'S' quillon guard.

An organization that was an auxiliary to the Ordnungspolizei, and during the war was absorbed into the SS. Feuerschutzpolizei. By 1938, all of Germany's local fire brigades were part of the ORPO. Orpo Hauptamt had control of all civilian fire brigades. ORPO's chief was SS-Oberstgruppenfuhrer Kurt Daluege who was responsible to Himmler alone until 1943 when Daluege had a massive heart attack. From 1943, Daluege was replaced by Obergruppenfuhrer Alfred Wunnenberg until May 1945.

ORPO was structurally reorganised by 1941. It had been divided into the numerous offices covering every aspect of German law enforcement in accordance with Himmler's desire for public control of all things. Small lateral crack in both quillon.  read more

Code: 24018

A Beautiful Suit of Edo Samurai Armour in Gold and Black Lacquer With Blue and Black Lacing, Multi Plate Helmet with Dragon Fly Fukegaeshi, With Ressai {Fierce Face} Menpo

This is a wonderful piece of Japanese Samurai 'art' made for warfare, in a mixture of golds and black lacquer with blue and black with multi plate kabuto {helmet} with a dragonfly on the lacquer oneach front wing, and ressai {fierce face} mento face armour, which features a kuchi hige (mustache), shiwa (facial wrinkles). Extremely collectable art that is most desirable in its own right, often stunningly used for interior decoration as an individual work of samurai art in its own right. A very good urushi lacqured embossed iron mask of 'Me no Shita Men' (half face) type.

Gold and black lacquer do with blue lacing, kazuri with blue lacing, gold and blue laced shirokoro, kusazuri in gold lacquer and purple lacing, armoured sleeve kote.

This armour has remained untouched since it arrival in England likely over a hundred years ago, and probably for longer than that when it was in Japan, and only the two red cords have been replaced on the helmet and waist. We are leaving it exactly as is

Samurai used dragonfly motifs on their armour, clothing and weapons in hope of success in battle.

The urushi lacquer saya is in ishime stone finish pattern.

Japan was once known as the “Land of the Dragonfly”, as the Emperor Jimmu is said to have once climbed a mountain in Nara, and looking out over the land, claimed that his country was shaped like two Akitsu, the ancient name for the winged insects, mating.

Dragonflies appeared in great numbers in 1274 and again in 1281, when Kublai Khan sent his Mongol forces to conquer Japan. Both times the samurai repelled the attackers, with the aid of huge typhoons, later titled Kamikaze (the Divine Winds), that welled up, destroying the Mongol ships, saving Japan from invasion. For that reason, dragonflies were seen as bringers of divine victory.

Dragonflies never retreat, they will stop, but will always advance, which was seen as an ideal of the samurai. Further, although the modern Japanese word for dragonfly is Tombo, the old (Pre Meiji era) word for dragonfly was Katchimushi. “Katchi” means “To win”, hence dragonflies were seen as auspicious by the samurai.

Insects in general have been celebrated in Japanese culture for centuries. The Lady Who Loved Insects is a classic story of a caterpillar-collecting lady of the 12th century court; the Tamamushi, or Jewel Beetle Shrine, is a seventh century miniature temple, once shingled with 9,000 iridescent beetle forewings. In old Japanese literature, poems upon insects are to be found by thousands, Daisaburo Okumoto is director of the Fabre Insect Museum. An avid insect collector and a scholar of French literature, he has translated many of Fabre's works. He ascribes the popularity of insects in Japan to national character. It seems like Japanese eyes are like macro lenses and Western eyes are wide-angle, he says. A garden in Versailles, it's very wide and symmetrical. But Japanese gardens are continuous from the room and also very small. We feel calm when we look at small things. The medieval Japanese monk Yoshida Kenko put it this way: “If man were never to fade away like the dews of Adashino, never to vanish like the smoke over Toribeyama, how things would lose their power to move us!

In the 16th century, Japan began trading with Europe, during what would become known as the Nanban trade. This was the first time matchlock muskets were imported, and as they became mass-produced domestically, samurai needed lighter and more protective armour. As a result, a new style of armour called tosei-gusoku (gusoku), which means modern armour, appeared. After the Battle of Sekigahara and the victory of the Tokugawa, a united Japan was created and entered the so-called 'peaceful Edo period', however, then from henceforth, the shoguns promoted rivallry between his daimyo fuedal clan lords, in order for their military ambitions, attention and suspicions to be upon each other, rather than the shogun. So there were no wars, as such, for over 250 years, but, hundreds of internecine battles, thus samurai continued to combat as usual, using both plate and lamellar armour. This practice, of a version of divide and conquer, of internal factions, rather than external forces, was adopted by many despots ever since, including Sadam Hussein of Iraq, extremely efficiently, and for over 20 years in his case.

Ōyamazumi Shrine is known as a treasure house of Japanese armour. It houses 40% of Japanese armour that has been designated as a National treasure and an Important Cultural Property. Kasuga Grand Shrine is also known as a treasure house of valuable armour

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 25318

A Beautiful Samurai Wakizashi Signed Kunimune, Han Dachi Mounted, All Original Edo Koshirae and Deep Brown Urushi Lacquer Saya With Nishiji Gold With Very Rare Gold Foiled Throat

A Fine blade, in beautiful old polish, hon-zukuri form with a delightful notare hamon, plain copper habaki, signed tang, Hojoji Kunimune, Fabulous gold striped and shakudo takebori relief tiger menuki. Osukashi tsuba of triple leaves with scalloped edge

The samurai were roughly the equivalent of feudal knights. Employed by the shogun or daimyo, they were members of hereditary warrior class that followed a strict "code" that defined their clothes, armour and behaviour on the battlefield. But unlike most medieval knights, samurai warriors could read and they were well versed in Japanese art, literature and poetry.
Samurai endured for almost 700 years, from 1185 to 1867. Samurai families were considered the elite. They made up only about six percent of the population and included daimyo and the loyal soldiers who fought under them. Samurai means one who serves."
The Sengoku period Sengoku Jidai, "Warring States period") is a period in Japanese history of near-constant civil war, social upheaval, and intrigue from 1467 to 1615.

The Sengoku period was initiated by the Onin War in 1467 which collapsed the feudal system of Japan under the Ashikaga Shogunate. Various samurai warlords and clans fought for control over Japan in the power vacuum, while the Ikkō-ikki emerged to fight against samurai rule. The arrival of Europeans in 1543 introduced the arquebus into Japanese warfare, and Japan ended its status as a tributary state of China in 1549. Oda Nobunaga dissolved the Ashikaga Shogunate in 1573 and launched a war of political unification by force, including the Ishiyama Hongan-ji War, until his death in the Honnō-ji Incident in 1582. Nobunaga's successor Toyotomi Hideyoshi completed his campaign to unify Japan and consolidated his rule with numerous influential reforms. Hideyoshi launched the Japanese invasions of Korea in 1592, but their eventual failure damaged his prestige before his death in 1598. Tokugawa Ieyasu displaced Hideyoshi's young son and successor Toyotomi Hideyori at the Battle of Sekigahara in 1600 and re-established the feudal system under the Tokugawa Shogunate. The Sengoku period ended when Toyotomi loyalists were defeated at the siege of Osaka in 1615.

The Sengoku period was named by Japanese historians after the similar but otherwise unrelated Warring States period of China.

Cherished for its infinite versatility, urushi lacquer is a distinctive art form that has spread across all facets of Japanese culture from the tea ceremony to the saya scabbards of samurai swords

Japanese artists created their own style and perfected the art of decorated lacquerware during the 8th century. Japanese lacquer skills reached its peak as early as the twelfth century, at the end of the Heian period (794-1185). This skill was passed on from father to son and from master to apprentice.

The varnish used in Japanese lacquer is made from the sap of the urushi tree, also known as the lacquer tree or the Japanese varnish tree (Rhus vernacifera), which mainly grows in Japan and China, as well as Southeast Asia. Japanese lacquer, 漆 urushi, is made from the sap of the lacquer tree. The tree must be tapped carefully, as in its raw form the liquid is poisonous to the touch, and even breathing in the fumes can be dangerous. But people in Japan have been working with this material for many millennia, so there has been time to refine the technique!

Overall in excellent condition, just a tiny defensive edge nick at the kissaki curvature. See photo four in the gallery  read more

Code: 25303

A Most Elegant Equestrian Walking Stick Cum Dandy Cane

Finely carved handle of a horses hoof and fetlock. The stick is a superb close grain hardwood. Overall in super condition. Every other portrait of a Georgian, Victorian, or Edwardian gentleman, shows some nattily dressed fellow with a walking stick pegged jauntily into the ground or a slim baton negligently tucked under the elbow. The dress cane was the quintessential mark of the dandy for three centuries, part fashion accessory, part aid to communication, part weapon, and of course, a walking aid. A dandy, historically, is a man who places particular importance upon physical appearance, refined language, and leisurely hobbies, pursued with the appearance of nonchalance in a cult of self. A dandy could be a self-made man who strove to imitate an aristocratic lifestyle despite coming from a middle-class background, especially in late 18th- and early 19th-century Britain.

Previous manifestations of the petit-maitre (French for "small master") and the Muscadin have been noted by John C. Prevost, but the modern practice of dandyism first appeared in the revolutionary 1790s, both in London and in Paris. The dandy cultivated cynical reserve, yet to such extremes that novelist George Meredith, himself no dandy, once defined cynicism as "intellectual dandyism". Some took a more benign view; Thomas Carlyle wrote in Sartor Resartus that a dandy was no more than "a clothes-wearing man". Honore De Balzac introduced the perfectly worldly and unmoved Henri de Marsay in La fille aux yeux d'or (1835), a part of La Comedie Humaine, who fulfils at first the model of a perfect dandy, until an obsessive love-pursuit unravels him in passionate and murderous jealousy.

Charles Baudelaire defined the dandy, in the later "metaphysical" phase of dandyism, as one who elevates esthetics to a living religion, that the dandy's mere existence reproaches the responsible citizen of the middle class: "Dandyism in certain respects comes close to spirituality and to stoicism" and "These beings have no other status, but that of cultivating the idea of beauty in their own persons, of satisfying their passions, of feeling and thinking Dandyism is a form of Romanticism. Contrary to what many thoughtless people seem to believe, dandyism is not even an excessive delight in clothes and material elegance. For the perfect dandy, these things are no more than the symbol of the aristocratic superiority of mind."

The linkage of clothing with political protest had become a particularly English characteristic during the 18th century. Given these connotations, dandyism can be seen as a political protest against the levelling effect of egalitarian principles, often including nostalgic adherence to feudal or pre-industrial values, such as the ideals of "the perfect gentleman" or "the autonomous aristocrat". Paradoxically, the dandy required an audience, as Susann Schmid observed in examining the "successfully marketed lives" of Oscar Wilde and Lord Byron, who exemplify the dandy's roles in the public sphere, both as writers and as personae providing sources of gossip and scandal. Nigel Rodgers in The Dandy: Peacock or Enigma? Questions Wilde's status as a genuine dandy, seeing him as someone who only assumed a dandified stance in passing, not a man dedicated to the exacting ideals of dandyism. 36.5 inches long  read more

Code: 23211

Original 18th Century Scottish Fencible Regimental Basket Hilted Broadsword

With distinctive two part centrally welded basket, in sheet iron, with scrolls and thistles there over. Interesting original regimental swords of the 18th century, from Scottish regiments are very much sought after throughout the entire world. Scottish Fencible Regiment's swords are now jolly rare indeed, and they are highly distinctive in their most unique form. Fancy carved replacement grip. Some ironwork separation on the basket by the forte of the blade, but overall in good sound condition. Overall natural age surface pitting. Made for the war with Revolutionary France in the 1790's. The total number of British fencible infantry regiments raised during the Seven Years' War and the American War of Independence was nine, of which six were Scottish, two were English and one was Manx. The regiments were raised during a time of great turbulence in Europe when there was a real fear that the French would either invade Great Britain or Ireland, or that radicals within Britain and Ireland would rebel against the established order. There was little to do in Britain other than garrison duties and some police actions, but in Ireland there was a French supported insurrection in 1798 and British fencible regiments were engaged in some pitched battles. Some regiments served outside Great Britain and Ireland. Several regiments performed garrison duties on the Channel Islands and Gibraltar. A detachment of the Dumbarton Fencibles Regiment escorted prisoners to Prussia, and the Ancient Irish Fencibles were sent to Egypt where they took part in the operations against the French in 1801.

When it became clear that the rebellion in Ireland had been defeated and that there would be peace between France and Britain in 1802 (The preliminaries of peace were signed in London on 1 October 1801) the Fencible regiments were disbanded.
The British cavalry and light dragoon regiments were raised to serve in any part of Great Britain and consisted of a force of between 14,000 and 15,000 men. Along with the two Irish regiments, those British regiments that volunteered for service in Ireland served there. Each regiment consisted of eighteen commissioned officers and troops of eighty privates per troop. The regiments were always fully manned as their terms of service were considered favourable. At the beginning of 1800 all of the regiments were disbanded  read more

Code: 20632

A Spectacular & Beautiful 'Harvey' British Dragoon Basket Hilted Sword, Culloden Period, With Large King George's Crown & Cypher Engraved Blade Museum Grade Example

As used by the Scot's Dragoon's and the 7th Queens Dragoons, in fact all the British heavy dragoons in the 1740's up to 1790's. From the Battle of Culloden until the American Revolutionary War in the 1770's.

Likely made by the world famous English blade maker of his day, Samuel Harvey, and bearing the royal GR Cypher of King George. The Harvey surname was one of the marks of renown Birmingham maker, Samuel Harvey, 1718-1778, who supplied many basket hilted swords to the British Crown, mostly for use by Highland troops. This sword is marked with the surname alone, HARVEY below the Crown and Cypher [the overlapping monogram of GR] for King George. His more common mark was a running wolf, his other marks could be Harvey or S.Harvey. The fabulous basket hilt has the large oval ring insert, for the holding of the horses reins while gripping the sword when riding to battle, and part of the original buff hide basket liner. Wire bound fishskin grip, discoid pommel.

The British dragoon regiments were a decisive force in the Battle of Culloden for example; At the close of the battle the stand by the Royal Ecossais may have given Charles Edward Stuart the time to make his escape. At the time when the Macdonald regiments were crumbling and fleeing the field, Stuart seems to have been rallying Perth's and Glenbuchat's regiments when O'Sullivan rode up to Captain Shea who commanded Stuart's bodyguard: "Yu see all is going to pot. Yu can be of no great succor, so before a general deroute wch will soon be, Seize upon the Prince & take him off ". Shea then led Stuart from the field along with Perth's and Glenbuchat's regiments. From this point on the fleeing Jacobite forces were split into two groups: the Lowland regiments retired in order southwards, making their way to Ruthven Barracks; the Highland regiments however were cut off by the government cavalry, and forced to retreat down the road to Inverness. The result was that they were a perfect target for the government dragoons. Major-general Humphrey Bland led the charge against the fleeing Highlanders, giving "Quarter to None but about Fifty French Officers and Soldiers He picked up in his Pursuit". The basket hilted sword of this very form and character were used by British heavy dragoons for several decades, importantly in the American Revolutionary war. There is a near identical sword by Harvey, bearing the same form of maker mark and crown GR in a collection of American War of Independence weaponry featured in "Swords and Blades of the American Revolution" by George C. Neumann. Page 148 sword 261s
The shortage of cavalry in the Revolutionary War was a major drawback for the British. A strong cavalry presence at battles like Long Island and Brandywine could have enabled the British to encircle the Americans and prevent their retreat. It is possible that a strong cavalry force would have captured Washington's army entirely during the march south through New Jersey in 1776. This is the form of sword used by the Scot's Greys Dragoons in the 7 Years War against France, and by the 7th Queen's Dragoons. One of the earliest basket-hilted swords was recovered from the wreck of the Mary Rose, an English warship lost in 1545. Before the find, the earliest positive dating had been two swords from around the time of the English Civil War. At first the wire guard was a simple design but as time passed it became increasingly sculpted and ornate. During the 18th century, the fashion of duelling in Europe focused on the lighter smallsword, and fencing with the broadsword came to be seen as a speciality of Scotland. A number of fencing manuals teaching fencing with the Scottish broadsword were published throughout the 18th century. Portraits from the time show this very sword as worn. 35 3/4 inch blade length  read more

Code: 21608