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This Would Make a Fabulous Gift for A Napoleon Collector. 1st Edition Napoleon, Copies of the Original Letters and Despatches of the Generals, Ministers, Grand Officers of State, &c. at Paris, to the Emperor Napoleon, at Dresden;

This Would Make a Fabulous Gift for A Napoleon Collector. 1st Edition Napoleon, Copies of the Original Letters and Despatches of the Generals, Ministers, Grand Officers of State, &c. at Paris, to the Emperor Napoleon, at Dresden;

Printed in 1814. Part of a Napoleonic Wars collection we acquired. First edition of this interesting collection of primary source material, reprinting documents and letters covering diplomacy, military service, private letters, and correspondence and bulletins from Napoleon's Minister of Police, published following Napoleon's impressive victory over the combined forces of Austria, Russia and Prussia at Dresden (26-27 August 1813). Sandler remarks that "there are interesting details of the organisation, reinforcement and morale of the Grand Armée during the 1813 campaign". The anonymous editor notes in his preface that "The light troops... intercepted a considerable number of the enemy's expresses and couriers. It is known that the Cossacks have a peculiar talent for this sort of capture".

Octavo, green half calf, decorative gilt spine, red label, sides and corners trimmed with a blind foliate roll, Spanish pattern marbled sides, edges and endpapers.
Text in French and English.

Copies of the Original Letters and Despatches of the Generals, Ministers, Grand Officers of State, &c. at Paris, to the Emperor Napoleon, at Dresden;
intercepted by the advanced troops of the Allies in the north of Germany.
Armorial bookplate printed in pale red of James O'Byrne (arms of O'Byrne of Wicklow). Spine sunned, joints cracked at foot, binding rubbed, some wear to corners, recent presentation inscription to a preliminary blank. 8.75 inches x 5.75 x 1 inch  read more

Code: 23378

495.00 GBP

1st Edition Napoleon, by  Hewiston W. B. The Life of Napoleon Bonaparte. In Two Volumes Printed in 1814

1st Edition Napoleon, by Hewiston W. B. The Life of Napoleon Bonaparte. In Two Volumes Printed in 1814

London: Printed & Published by J. Wallis, and sold by S. A. Oddy, J. Goodwin, and Davies & Eldridge, Exeter, c. 1810
London: Wallis, 1814. 1st Edition. Hardcover. Two volume set. Good condition.

Illustrated with numerous b/w engraved plates. A popular British life of Napoleon. The two volumes are the first edition which ends with Napoleon's abdication to Elba. Photos to add of both books on Monday 23rd. Each volume is 8.25 inches x 5.25 inches x 1.25 inches
Napoleon Bonaparte (1769-1821), also known as Napoleon I, was a French military leader and emperor who conquered much of Europe in the early 19th century. Born on the island of Corsica, Napoleon rapidly rose through the ranks of the military during the French Revolution (1789-1799). After seizing political power in France in a 1799 coup d’état, he crowned himself emperor in 1804. Shrewd, ambitious and a skilled military strategist, Napoleon successfully waged war against various coalitions of European nations and expanded his empire. However, after a disastrous French invasion of Russia in 1812, Napoleon abdicated the throne two years later and was exiled to the island of Elba. In 1815, he briefly returned to power in his Hundred Days campaign. After a crushing defeat at the Battle of Waterloo, he abdicated once again and was exiled to the remote island of Saint Helena, where he died at 51. Napoleon was, and remains, famous for his battlefield victories, and historians have spent enormous attention in analysing them. In 2008, Donald Sutherland wrote:

The ideal Napoleonic battle was to manipulate the enemy into an unfavourable position through manoeuvre and deception, force him to commit his main forces and reserve to the main battle and then undertake an enveloping attack with uncommitted or reserve troops on the flank or rear. Such a surprise attack would either produce a devastating effect on morale, or force him to weaken his main battle line. Either way, the enemy's own impulsiveness began the process by which even a smaller French army could defeat the enemy's forces one by one.
After 1807, Napoleon's creation of a highly mobile, well-armed artillery force gave artillery usage increased tactical importance. Napoleon, rather than relying on infantry to wear away the enemy's defences, could now use massed artillery as a spearhead to pound a break in the enemy's line. Once that was achieved he sent in infantry and cavalry.  read more

Code: 23379

750.00 GBP

A Large Volume of Foxe's Book of Martyrs 1570, by An Impartial Hand. Detailing the Burning at the Stake of the Protestant Martyrs Under Queen ‘Bloody’ Mary the 1st’s Rule, Published 1741, Formerly Part of the Richard Hoare Collection.

A Large Volume of Foxe's Book of Martyrs 1570, by An Impartial Hand. Detailing the Burning at the Stake of the Protestant Martyrs Under Queen ‘Bloody’ Mary the 1st’s Rule, Published 1741, Formerly Part of the Richard Hoare Collection.

This would make a superb gift, or addition to a collection for a devoted antiquarian bibliophile.

Bearing original Richard Hoare’s Ex-Libris bookplate. One of the most foremost and important books of the 16th century, and a fabulous book for those that wish to have a most impressive rare book as a statement piece for an eclectic collection of unusual artefacts covering a broad spectrum. An absolute beauty. The Book of Martyrs: Containing an Account of the Sufferings and Death of the Protestants in the Reign of Queen Mary. ... Illustrated with Copper-plates. Originally Written by Mr. J. F., and Now Revised and Corrected by an Impartial Hand. One of the martyrs was Derek Carver, owner of a Brighton brewery barely 150 yards from our Brighton gallery. He was burnt at the stake in 1555, in our local Sussex market town of Lewes, while stood in a beer barrel, around 12 miles distant from us. A most fine example formerly from the library and private collection [with family crest and library plate] of Richard Hoare descendant of famous abolitionist and 'Sign of the Black Horse' founding banker, Samuel Hoare Jr. Richard, of Marden Hill Hertfordshire, was born in 1824, son of the banker Samuel Hoare (1783-1847) who was grandson of Quaker and abolitionist Samuel Hoare Jr. whose bank, Barnetts, Hoares, Hanbury & Lloyd, first used The Sign of the Black Horse as it's symbol, that was taken over and used by Lloyds Bank as it's logo in 1884. We show a portrait of young Richard Hoare painted by Royal Academician George Richmond
The book was originally produced in 1563 and illustrated with over sixty distinctive woodcut impressions and was to that time the largest publishing project ever undertaken in England. Their product was a single volume book, a bit over a foot long, two palms-span wide, too deep to lift with only one hand, and weighed about the same as a small infant. Foxe's own title for the first edition (as scripted and spelled), is Actes and Monuments of these Latter and Perillous Days, Touching Matters of the Church. Long titles being conventionally expected, so this title continues and claims that the book describes "persecutions and horrible troubles" that had been "wrought and practiced by the Roman Prelates, speciallye in this realm of England and Scotland". Foxe's temporal range was "from the yeare of our Lorde a thousand unto the tyme nowe present"

Following closely on the heels of the first edition (Foxe complained that the text was produced at "a breakneck speed"), the 1570 edition was in two volumes and had expanded considerably. The page count went from approximately 1,800 pages in 1563 to over 2,300 folio pages. The number of woodcuts increased from 60 to 150. As Foxe wrote about his own living (or executed) contemporaries, the illustrations could not be borrowed from existing texts, as was commonly practiced. The illustrations were newly cut to depict particular details, linking England's suffering back to "the primitive tyme" until, in volume I, "the reigne of King Henry VIII"; in volume two, from Henry's time to "Queen Elizabeth our gracious Lady now reygnyng..The title plate bears a hand penned note dating the entry in 1847 at Marden Hill. n the 1540s the Black Lion brewery was purchased by a Flemish man named Deryk Carver. A Protestant, Carver had fled religious persecution in his home country and had settled in England. At this time, England was a Protestant country following Henry VIII’s break with Rome and the establishment of the Church of England in the early 1530s. Unfortunately for Carver, this policy was reversed in 1553 when Queen Mary I succeeded to the throne. Mary restored Catholicism as the state religion, and revived a series of heresy laws that outlawed Protestant practices. In late 1554 a series of persecutions began, which have left Mary with the nickname of ‘Bloody Mary’.

Carver, who acted as lay preacher in his house in Brighton, was an early victim. He was arrested in October 1554, and tried in London the following year. When questioned by Bishop Bonner on his beliefs, Carver refused to recant his Protestant practices. Sealing his fate, Carver made a fierce attack on the Catholic faith:

‘..your doctrine is poison and sorcery. If Christ were here you would put Him to a worse death than He was put to before. You say that you can make a God: ye can make a pudding as well. Your ceremonies in the Church be beggary and poison.’ (Quoted in John Ackerson Erredge, History of Brighthelmstone 2005, p.120).

Carver was found guilty and burnt at the stake in Lewes on 22 July 1555. In order to mock his profession, he was placed in a barrel prior to his execution.

Carver is one of several Protestant martyrs whose death is marked by the bonfire celebrations in Lewes. But he has never been forgotten in Brighton. John Ackerson Erredge, the first historian of Brighton, dedicated an entire chapter of his History of Brighthelmstone to his execution. The Black Lion brewery was regarded as one of the oldest buildings in Brighton until it was demolished in about 1970. It was partially rebuilt in 1974 as a near-replica of the original building. David Hawkins [senior] attempted to buy the original former brewery, in order to save it for posterity, and donate it to the town, but his offer was sadly rejected, and an office block architecturally inspired by a shoebox, was built on its main site. In 1970 building regulations in Brighton were woefully inconsiderate to historically important buildings. Book dimensions; 9.75 inches x 15 inches x 2.25 inches 713 pages , plus index of the victims up to 'H'.  read more

Code: 19180

1895.00 GBP

Imperial Roman 400 ad. Aur.Theodosii Macrobii, v. cl. & Inlustris, Opera Published London 1694. Macrobius Is Historically Important Because He Rescued Opinions And Passages From Works That Have Been Long Lost

Imperial Roman 400 ad. Aur.Theodosii Macrobii, v. cl. & Inlustris, Opera Published London 1694. Macrobius Is Historically Important Because He Rescued Opinions And Passages From Works That Have Been Long Lost

by Ambrosius Aurelius Theodosius Macrobius, Johannes Isacius Pontanus, Johannes van Meurs, Jacobus Gronovius. First printing in England. Published by Dring and Harper of Fleet St. Imprimateur Rob. Ridgely, Feb 25, 169 1/2. 1694 Editio Novissima, Cum Indice Rerum & Vocum Locupletissimo. Calf leather, overall worn, with a spine with four raised bands.
Macrobius, ca. 400, is considered to be one of the last pagan Roman authors. His most important work is the Saturnalia, an account of a long dicussion held during a symposium on the occasion of the Saturnalia. The subjects discussed are grammar, philology, mythology, history. Macrobius also produced a commentary on the Somnium Scipionis of Cicero. The work of this late antique writer is important because he rescued opinions and passages from works that have been lost.

The Dutch classical scholar Johannes Isaac Pontanus, 1571-1639, was born at sea (hence his name), when his parents were on their way to Denmark. There he was for some time a helper of Tycho Brahe (NNBW I,1417). In 1606 he became professor of Mathematics at the University of Harderwijk. His edition of Macrobius, which included also notes of the Dutch scholar Johannes Meursius, dates from 1597, a second edition from 1628. § This edition of 1670 was produced by the young Dutch scholar Jacobus Gronovius, 1645-1716, after having finished his studies at the University of Leiden under his father Johannes Fredericus Gronovius, 1611-1671, who was professor of Greek and History from 1658, and from 1665 librarian of the University Library of Leiden. It was Jacobus' first important scholarly feat. In the preface Gronovius tells us that his father allowed him to inspect and cleanse ancient manuscripts, and how he conceived the plan to collate two rather old Macrobius manuscripts that were in a bad shape. ('duorum (.) MStorum situ & squalore horrentium, satis tamen antiquam manum ostendentium')
Later, in 1679, Jacobus succeeded his father as professor of History and Greek)

The leather binding is worn and aged, but very nice and original and it reflects the age and status of this work so much so that we recommend it is left as is, and not rebound. Of course this is a subjective opinion and can be ignored.  read more

Code: 23302

875.00 GBP

A Beautifully Bound Leather Book, Abraham Lincoln and The Downfall of American Slavery {Heroes of the Nations} by Noah Brooks 1894

A Beautifully Bound Leather Book, Abraham Lincoln and The Downfall of American Slavery {Heroes of the Nations} by Noah Brooks 1894

A Very Special Offer Item! A Prize Presented to Meg Haynes, July 1907, for her gaining three certificates in the University Extension Lectures, at Hamilton House, Tunbridge Wells

Noah Brooks (1830-1903) was a journalist and editor who worked for newspapers in Sacramento, San Francisco, Newark, and New York. Michael Burlingame is the May Buckley Sadowski '19 Professor Emeritus of History at Connecticut College, author of The Inner World of Abraham Lincoln, and editor of An Oral History of Abraham Lincoln and Inside Lincoln's White House, among other books

When Lincoln became president, the departure of the Southern members of Congress at the beginning of the Civil War made it finally possible to abolish slavery in the District of Columbia. The District of Columbia Compensated Emancipation Act of 1862 provided partial compensation to slave owners, paid out of federal funds. Lincoln hoped to persuade the border states of Maryland, Delaware, Kentucky, and Missouri to do the same, because that would eliminate their incentive to secede from the Union to join the Confederacy. Their secession might result both in the North losing the Civil War and in the continued existence of slavery.

On September 22, 1862, having waited until the North won a significant victory in the battle at Antietam, Lincoln used the power granted to the president under Article II, section 2, of the U.S. Constitution as "Commander in Chief of the Army and Navy" to issue the preliminary Emancipation Proclamation. It provided that, on January 1, 1863, in the states still in rebellion, the enslaved people would be freed. On January 1, 1863, as promised, he issued the final Emancipation Proclamation, which declared "that all persons held as slaves" in "States and parts of States ... in rebellion against the United States" on that day "are, and henceforward shall be free." The proclamation immediately freed on paper millions of the enslaved, but it had little practical effect until the Union Army was present. Week by week, as the army advanced, more slaves were liberated. The last were freed in Texas on a day they called "Juneteenth" (June 19, 1865), which became a federal holiday on June 17, 2021  read more

Code: 24406

SOLD

C15th Illuminated Medieval French Book of Hours Manuscript Leaf. From Around The Time of The Battle of Agincourt or Later

C15th Illuminated Medieval French Book of Hours Manuscript Leaf. From Around The Time of The Battle of Agincourt or Later

A vellum manuscript leaf from a French Book of Hours, illuminated in gold leaf, blue and red ink; recto and verso each with 16 lines of Latin text in blackletter script.
A simply beautiful 15th century vellum leaf from a 'Book of Hours' written in Paris, with a block of text lines to each side in batarde script with use of gold leaf; coloured filler blocks with white detailing, gold leaf . Fine condition.

Books of hours were the most popular books for laypeople in the late Middle Ages and Renaissance. They contained sets of prayers to be performed throughout the hours of the day and night. These books were often designed to be visually appealing, and wealthy patrons commissioned leading artists to work on them. The manuscript also contained illustrations of hell which acted as reminders that behaviour on Earth would determine the destination of their soul. Scenes within some manuscripts of this type may show people being captured, tortured and eaten by monsters and demons. Many were illuminated with miniatures, decorated initials and floral borders. Paper was rare and most Books of Hours were composed of sheets of parchment made from skins of animals, usually sheep or goats the finest were called vellum. By the 14th century, the cloisters of monks writing in the scriptorium had almost fully given way to urban scriptoria, especially in Paris, Rome and the Netherlands. While the process of creating an illuminated manuscript did not change, the move from monasteries to alternative settings was a radical step. Demand for manuscripts grew to an extent that Monastic libraries began to employ secular scribes and illuminators. These individuals often lived close to the monastery and, in instances, dressed as monks whenever they entered the monastery, but were allowed to leave at the end of the day. In reality, illuminators were often well known and acclaimed and many of their identities have survived.

First, the manuscript was "sent to the rubricator, who added (in red or other colours) the titles, headlines, the initials of chapters and sections, the notes and so on; and then – if the book was to be illustrated – it was sent to the illuminator". In the case of some manuscripts the writing would "undoubtedly have been discussed initially between the patron and the scribe but by the time that the written gathering were sent off to the illuminator there was no longer any scope for innovation"
FOOTNOTES:
c.1460 A.D. by a French scribe.  read more

Code: 24524

2450.00 GBP

1st Edition, Japanese Spears Polearms and Their Use in Old Japan Roald Knutsen,

1st Edition, Japanese Spears Polearms and Their Use in Old Japan Roald Knutsen,

Hardcover. Condition: Good. Dust Jacket Condition: Good.
By our local, world renowned sensei, and martial art expert and exponant, Roald Knutsen, who was the sensei of our 30 year late colleague, senpei, Christopher Fox, who was both a nihonto and Iaido expert of 40 years, and a remarkable exponent of all his martial arts in his own right.

This book charts the evolution of Japanese pole-arms from the bronze spears of the Yayoi period right up to to the Meiji Restoration; deals with the history and development of each category of spear; besides the blades, the shafts & mounts are described in detail; outlines the schools of spear and sword fencing from the early 14th century; a very necessary addition to the library of anyone interested in arms and armour; fully illustrated. Japanese spear-weapons mainly comprise the naginata (similar to the European glaive) and types of yari (pike / halberd). Hoko are a hook weapon.

This is the first book in English to provide a fully illustrated guide to the use of polearms - ranging from the earliest halberds and spears reaching Japan from the Asian mainland to the sophisticated naginata, nagamaki and various forms of yari used by the Japanese samurai through the medieval period. While the sword remains the best known of Japanese weapons, it was the halberd (naginata) and then the yari that dominated the battlefields up to the early seventeenth century, and thereafter the yari became an important status symbol to many warrior families. Additionally, the authors focus on the actual method of use of these weapons, hitherto an almost unknown aspect in the West.  read more

Code: 25110

240.00 GBP

Ist Edition of 'The Rommel Papers' Printed by Collins in 1953

Ist Edition of 'The Rommel Papers' Printed by Collins in 1953

The Rommel Papers is the collected writings by the German World War II field marshal Erwin Rommel published in 1953.

A good volume example of the career and tactics of one of the greatest and revered generals of the war. In fact even Winston Churchill announced his demise in parliament, as the death of a noble leader of men that was not tainted, unlike many others in Germany, by the NAZI disease and corrupt influences of the Third Reich.


The book included Rommel's writings of the war, edited by the British journalist and historian B. H. Liddell Hart, the former Wehrmacht officer Fritz Bayerlein, who served on Rommel's staff in North Africa, and Rommel's widow and son. The volume contained an introduction and commentary by Liddell Hart.

Liddell Hart had a personal interest in the work: by having coaxed Rommel's widow to include material favourable to himself, he could present Rommel as his "pupil" when it came to mobile armoured warfare.
Thus, Liddell Hart's "theory of indirect approach" became a precursor to the German blitzkrieg ("lightning war"). The controversy was described by the political scientist John Mearsheimer in his work The Weight of History, who concluded that, by "putting words in the mouths of German Generals and manipulating history", Liddell Hart was in a position to show that he had been at the root of the dramatic German successes in 1940.

The historian Mark Connelly argues that The Rommel Papers was one of the two foundational works that lead to a "Rommel renaissance" and "Anglophone rehabilitation", the other being Desmond Young's biography, Rommel: The Desert Fox. The book contributed to the perception of Rommel as a brilliant commander; in an introduction, Liddell Hart drew comparisons between Rommel and Lawrence of Arabia, "two masters of desert warfare"

In World War II, he commanded the 7th Panzer Division during the 1940 invasion of France. His leadership of German and Italian forces in the North African campaign established his reputation as one of the ablest tank commanders of the war, and earned him the nickname der Wüstenfuchs, "the Desert Fox". Among his British adversaries he had a reputation for chivalry, and his phrase "war without hate" has been uncritically used to describe the North African campaign. A number of historians have since rejected the phrase as a myth and uncovered numerous examples of German war crimes and abuses towards enemy soldiers and native populations in Africa during the conflict. Other historians note that there is no clear evidence Rommel personally was involved or aware of any of these crimes, with some pointing out that the war in the desert, as fought by Rommel and his opponents, still came as close to a clean fight as there was in World War II. He later commanded the German forces opposing the Allied cross-channel invasion of Normandy in June 1944.

With the Nazis gaining power in Germany, Rommel gradually accepted the new regime. Historians have given different accounts of the specific period and his motivations. He was a supporter of Adolf Hitler, at least until near the end of the war, if not necessarily sympathetic to the party and the paramilitary forces associated with it. In 1944, Rommel was implicated in the 20 July plot to assassinate Hitler. Because of Rommel's status as a national hero, Hitler wanted to eliminate him quietly instead of having him immediately executed, as many other plotters were. Rommel was given a choice between suicide, in return for assurances that his reputation would remain intact and that his family would not be persecuted following his death, or facing a trial that would result in his disgrace and execution; he chose the former and took a cyanide pill. Rommel was given a state funeral, and it was announced that he had succumbed to his injuries from the strafing of his staff car in Normandy.

Rommel became a larger-than-life figure in both Allied and Nazi propaganda, and in postwar popular culture. Numerous authors portray him as an apolitical, brilliant commander and a victim of Nazi Germany, although this assessment is contested by other authors as the Rommel myth. Rommel's reputation for conducting a clean war was used in the interest of the West German rearmament and reconciliation between the former enemies – the United Kingdom and the United States on one side and the new Federal Republic of Germany on the other. Several of Rommel's former subordinates, notably his chief of staff Hans Speidel, played key roles in German rearmament and integration into NATO in the postwar era. The German Army's largest military base, the Field Marshal Rommel Barracks, Augustdorf, and a third ship of Lütjens-class destroyer of the German Navy are both named in his honour. His son Manfred Rommel was the longtime mayor of Stuttgart, Germany and namesake of Stuttgart Airport.  read more

Code: 25106

85.00 GBP

A Very Rare Original Medeavil Book, Vitae Pontificum, Ist Edition, of 1479, By Bartolomaeus Platina, Vitae Pontificum (Lives of the Popes) and Personally Presented It To Pope Sixtus IV, From the Library of Abolishionist William Roscoe

A Very Rare Original Medeavil Book, Vitae Pontificum, Ist Edition, of 1479, By Bartolomaeus Platina, Vitae Pontificum (Lives of the Popes) and Personally Presented It To Pope Sixtus IV, From the Library of Abolishionist William Roscoe

Only the second example we have ever seen in almost 60 years.
Pope Sixtus IVth's Appointed Vatican Librarian. This remarkable tome an Incunabule is over 545 years old. When Bartolomeo Sacchi ('Platina', 1421-1481) wrote this Vitae pontificum (Lives of the Popes) and personally presented it to Pope Sixtus IV in 1475, he surely could not have imagined how influential it would become over the centuries. His was the first papal history, the lives of the popes from the time of Jesus Christ, to the reign of Sixtus IV, composed as a humanist Latin narrative and, as such, marked a distinct breakthrough in relation to the Liber pontificalis, the standard medieval chronicle of the papacy. Whatever Platina's intentions for the book that was published in 1479, it soon came to be regarded as the official history of the Roman pontiffs, an icon of the earliest printing. Formerly from the library of the renown Abolishionist William Roscoe, sold by him at auction in 1816 for £1.13/-, due to the financial difficulties of his banking house, and acquired by order of the Library Committee of the City of Bath Reference Library. This book was likely commissioned due to the influences of Pope Sixtus IV Francesco della Rovere upon his librarian, it's author, Bartolomaeus Platina. We show in the gallery a painting of Pope Sixtus appointing Platina as the official Vatican Librarian. An Incunable is a most rare book, pamphlet, or broadside (such as the Almanach cracoviense ad annum 1474) that was printed not handwritten before the year 1501 in Europe. They are the earliest form of printed books. Incunabula include the Gutenberg Bible of 1455, probably the most valuable book in the world. This is a First Edition of Bartholomaeus Platina's great history of the lives of the Popes, the first systematic papal history, not only to create the first detailed history of the Popes but also to villify his mortal enemy Pope Paul IInd Pietro Barbo. This book was created in the era of the great Rennaiscance, in the time of the notorious Borgias and in the year of the notorious Pazzi conspiracy, which was a plot by members of the Pazzi family and others to displace the de' Medici family as rulers of Renaissance Florence. It was printed at the time that Leonado De Vinci drew the hanging of a Pazzi conspiritor Bernardo di Bandino Baroncelli. On 26 April 1478 there was an attempt to assassinate Lorenzo de' Medici and his brother Giuliano de' Medici. Lorenzo was wounded but survived; Giuliano was killed. The failure of the plot served to strengthen the position of the de' Medici. The Pazzi were banished from Florence. During the time the Platina served as the first librarian at the Vatican under its modern founder, Sixtus IV. Platina started his career as a soldier employed by condottieri, before gaining long-term patronage from the Gonzagas, including the young cardinal Francesco, for whom he wrote a family history. He studied under the Byzantine humanist philosopher John Argyropulos in Florence, where he frequented other fellow humanists, as well as members of the ruling Medici family.

Around 1462 he moved with Francesco Gonzaga to Rome, where he purchased a post as a papal writer under the humanist Pius II (Enea Silvio Piccolomini) and became a member of the pagan-influenced Roman Academy founded by Pomponio Leto. Close acquaintance with the renowned chef Maestro Martino in Rome seems to have provided inspiration for a theoretical treatise on Italian gastronomy entitled De honesta voluptate et valetudine ("On honourable pleasure and health"), which achieved considerable popularity and has the distinction of being considered the first printed cookbook.

Platina's papal employment was abruptly curtailed on the arrival of an anti-humanist pope, Paul II (Pietro Barbo), who had the rebellious Platina locked up in Castel Sant'Angelo during the winter of 1464-65 as a punishment for his remonstrations. In 1468 he was again confined in Castel Sant'Angelo for a further year, where he was interrogated under torture, following accusations of an alleged pagan conspiracy by members of Pomponio's Roman academy involving plans to assassinate the pope.

Platina's fortunes were revived by the return to power of the strongly pro-humanist pope, Sixtus IV (Francesco della Rovere), who in 1475 made him Vatican librarian an appointment which was depicted in a famous fresco by Melozzo da Forli. He was granted the post after writing an innovative and influential history of the lives of the popes that gives ample space to Roman history and pagan themes, and concludes by vilifying Platina's nemesis, Paul Iia paragraph from Platina's Vitae Pontificum first gave rise to the legend of the excommunication of Halley's comet by Pope Callixtus III,
Vitae Pontificum ("Lives of the Popes", 1479) "Incunable" is the anglicised singular form of "incunabula", Latin for "swaddling clothes" or "cradle", which can refer to "the earliest stages or first traces in the development of anything." A former term for "incunable" is "fifteener", referring to the 15th century. Vitae pontificum, FIRST EDITION, 239 leaves (of 240, lacking first leaf), 39 lines, roman (and a little Greek) letter, capital spaces with guide letters, a few early marginal ink annotations, tears repaired to 2 leaves, small worm trace in upper margin of approximately 30 leaves (touching letters on approximately 20), inner margins of final leaves strengthened at gutter margins and a few other small paper repairs, gnawing to some fore-corners, blindstamp on approximately 6 leaves, late seventeenth/early eighteenth century red morocco gilt, sides panelled with corner, side and central decorations, spine gilt-tooled (including title and publication date) in 7 compartments within raised bands, rebacked preserving most of original spine. Venice, Johannes de Colonia and Johannes Manthen, 11 June 1479. William Roscoe's copy of the first editon of Platina's history of the Popes.

Provenance: William Roscoe (1753-1832), historian and author of Lorenzo de Medici (1796) and The Life of Pope Leo X (1805), with a 10-line pencil note in his hand, above which an ink note reads "Notes by Wm. Roscoe vide infra. Coll. By him". One of this books former owners was the renown William Roscoe (8 March 1753 , 30 June 1831). He was an English historian, leading abolitionist, art collector, M.P. Lawyer, banker, botanist and miscellaneous writer, perhaps best known today as an early abolitionist. 11.25 inches x 7.5inches x 2.25 inches.  read more

Code: 20006

4950.00 GBP

The Lanes Armoury's Specialist Museum Grade Restoration, Cleaning & Conservation

The Lanes Armoury's Specialist Museum Grade Restoration, Cleaning & Conservation

For generations we have prided ourselves on commissioning and providing the finest quality artisan restoration and conservation services available in the UK. Sadly, over the decades, many of these, and our, genius artisans have passed away, and there are so few that have today decided to follow in their esteemed footsteps, but we still have a few. Our late gunsmith, Dennis Ottery joined us as a gun restorer after his demobilisation from the British Army 'Green Jackets' Rifles Regt. in 1946, and he was our master gunsmith for more than 55 years, till the early 2000's.

Restoration is often a vital part to saving and preserving fine, rare or even regular pieces that have been neglected or damaged over the past decades or even hundreds of years, and by doing so we have had fantastic results that are incredibly satisfying and created a wonderful feeling of accomplishment. However, these specialist arts can progress slowly, and can be expensive, and are thus time-consuming but incredibly worth the wait and effort. Thus we do not actively undertake third-party restoration at all due to the often excessive costs and considerable time involved. It is not unknown for a specialist restoration and conservation project of a single piece to take several years

Another important factor though, is that bad and poorly executed restoration can be far worse than doing nothing at all.

Restoration is a magnificent art, and often well worthwhile for important pieces when successful, but it is not to be undertaken lightly without all due consideration.
It is important to understand all factors when considering such improvements to fine antique pieces.
We were once advisers for the restoration of our magnificent 16th century 'Brussels' tapestry, that we sold to one of the great American collectors some decades ago.
You can see it in our photo gallery, photographed on display in our Prince Albert Street shop, with Judy Hawkins, Mark’s incredibly talented and beloved late wife, standing in the foreground. Another photograph is of a specialist lady restorer's hands, working upon the tapestry. The eventual restoration cost, in today’s terms, was over £600,000, and it took over 3 years to complete. A sobering sum, often outside of the deep pockets of national collections resources, but incredibly worthwhile none the less, as that tapestry would now likely be valued in the millions of pounds.

When we undertake restoration and conservation of our pieces, it will only be on items that we have decided would richly benefit from such attention, and we will also undertake this work often for posterity, in order to save, for future generations, pieces that may well might have been discarded in their poor, previously un-restored, neglected state.

We will often contribute towards, and therefore subsidise, these conservation costs ourselves, in order to save a piece of rarity, beauty, or historical significance, for this very reason. The improvement of 'value' alone is never, ever, our primary concern, and should, ideally never be the principle desire for collectors either. It should be for the preservation of fine past craftsmanship, and to restore fine cultural heirlooms for posterity, and for the benefit of all the generations to come.

If we restore an item that was acquired from us by a client, pre restoration, be they a museum, a private collector or specialist dealer, the results can be not only spectacular, but also incredibly satisfying to know that a fine piece has been saved for generations to come, and will be an ancestral heirloom for the future  read more

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