Books

Two Original Medieval Pages From Sir John Froissart's Chronicles Of France Printed in 1495, of the 14th Century, From The Printing Personally Ordered By King Henry VIIth Of England.

Two original loose pages from the original medieval 1495 printed book, mounted and bound in folio form, within cloth hard back binding with gold titles, 13 x 9 inches. Original medieval pages taken from the book printed in Paris in 1495 by Verrard. This particular printing [that these pages came from] was personally ordered in book form by King Henry VIIth of England from Anthoine Verard in Paris, and his copy now resides in the British Museum. Froissart's Chronicles were initially in manuscript form with fine illustration but were first transformed in to book form in Paris in 1495. Full and complete copies of this book, published by Anthoine Verard in 1495, and as was ordered by King Henry, can now achieve six figure sums. Froissart might be called the great interviewer of the Middle Ages. The newspaper correspondent of modern times has scarcely surpassed this medieval collector of intelligence. He traveled extensively in the various countries of Europe; he conversed with gentlemen of rank everywhere; and he had the remarkable knack of persuading those about him to divulge all he wanted to know. He learned the details of battles from both sides and from every point of view. He delighted in the minutest affairs of every cavalry skirmish, of the capture of every castle, and of every brave action and gallant deed. He lived from 1337 to about 1410, and wrote chiefly of contemporaneous events. The Chronicles are universally considered as the most vivid and faithful picture we have of events in the 14th century. As a picture of the most favorable side of chivalry, the work has no equal (Adams, Manual of Historical Literature, 334-35). There has never been any difference of opinion on the distinctive merits of this great work. It presents a vivid and faithful drawing of the things done in the 14th-century. No more graphic account exists of any age. No historian has drawn so many and such faithful portraits? (Britannica). The Chronicles were originally circulated in manuscript form, with the first printed version appearing around 1498 in Paris. Froissart was one of the greatest of the medieval European writers. In his own century, -the fourteenth it is not easy to see anyone who can be put beside him as a prose-writer. But the literary language of the day was still predominantly verse, and prose was still regarded as something of a utility medium. Because
of this and because Froissart is known principally for his descriptions of warfare - the greatest and most famous chronicle of French and English medieval history. Jean Froissart (1338-C.1410) is the supreme annalist of medieval chivalry, historian, poet, traveller, friend of Chaucer, and by far the most entertaining source for our knowledge of the Hundred Years’ War. It is as much a profane romance as a history book. It is filled with delightful stories and adventures reported first-hand.
Froissart was born in Valenciennes. At the age of 18 he came to England where he entered the service of Queen Philippa of Hainaut, acting as her secretary and private diplomat. In 1366 he set off again on his long travels, settling for a time in the Duchy of Brabant. Much of his great chronicle was probably written in his home town of Valenciennes, and he continued it over his life to the events after the murder of Richard II in 1399.
Froissart began writing Book I sometime after 1370, possibly at the request of Robert de Namur, to whom the earliest version was dedicated. It covers the period from 1322 to 1377, including the accession of Edward III, his campaign in Scotland and his marriage to Philippa of Hainault, the battle of Sluys, the Siege of Tournai, the Breton war of succession, the Battle of Crécy, the Siege of Calais, the battle of Neville’s Cross, the battle of Winchelsea, the battle of Poitiers, Etienne Marcel’s merchant revolt in Paris, the Black Prince’s campaigns in the south of France, the peace of Brétigny, the death of king John II of France, the battle of Cocherel, the battle of Auray, the Castilian Civil War, the battle of Chizé, the deaths of the Black Prince and Edward III and the accession of Richard III. We show in the gallery three hand coloured illustrations that have been used to illustrate the various versions of his works in manuscripts or books. One shows the execution of Hugh the Younger Despenser.  read more

Code: 20579

C15th Illuminated Medieval French Book of Hours Manuscript Leaf. From Around The Time of The Battle of Agincourt or Later

A vellum manuscript leaf from a French Book of Hours, illuminated in gold leaf, blue and red ink; recto and verso each with 16 lines of Latin text in blackletter script.
A simply beautiful 15th century vellum leaf from a 'Book of Hours' written in Paris, with a block of text lines to each side in batarde script with use of gold leaf; coloured filler blocks with white detailing, gold leaf . Fine condition.

Books of hours were the most popular books for laypeople in the late Middle Ages and Renaissance. They contained sets of prayers to be performed throughout the hours of the day and night. These books were often designed to be visually appealing, and wealthy patrons commissioned leading artists to work on them. The manuscript also contained illustrations of hell which acted as reminders that behaviour on Earth would determine the destination of their soul. Scenes within some manuscripts of this type may show people being captured, tortured and eaten by monsters and demons. Many were illuminated with miniatures, decorated initials and floral borders. Paper was rare and most Books of Hours were composed of sheets of parchment made from skins of animals, usually sheep or goats the finest were called vellum. By the 14th century, the cloisters of monks writing in the scriptorium had almost fully given way to urban scriptoria, especially in Paris, Rome and the Netherlands. While the process of creating an illuminated manuscript did not change, the move from monasteries to alternative settings was a radical step. Demand for manuscripts grew to an extent that Monastic libraries began to employ secular scribes and illuminators. These individuals often lived close to the monastery and, in instances, dressed as monks whenever they entered the monastery, but were allowed to leave at the end of the day. In reality, illuminators were often well known and acclaimed and many of their identities have survived.

First, the manuscript was "sent to the rubricator, who added (in red or other colours) the titles, headlines, the initials of chapters and sections, the notes and so on; and then – if the book was to be illustrated – it was sent to the illuminator". In the case of some manuscripts the writing would "undoubtedly have been discussed initially between the patron and the scribe but by the time that the written gathering were sent off to the illuminator there was no longer any scope for innovation"
FOOTNOTES:
c.1460 A.D. by a French scribe.

Every item is accompanied with our unique, Certificate of Authenticity. Of course any certificate of authenticity, given by even the best specialist dealers, in any field, all around the world, is simply a piece of paper,…however, ours is backed up with the fact we are the largest dealers of our kind in the world, with over 100 years and four generation’s of professional trading experience behind us  read more

Code: 24524

A Fabulous Victorian Set of 24 of Charles Dickens Works, Superbly Bound In 17 Volumes By Chapman And Hall

If you wanted a stunning set to enjoy or as an heirloom for future generations you would likely never see a better set of this type. Very good condition indeed, 17 beautiful volumes octavo, finest calf leather with marbled boards, five raised bands across each spine, with titles, in gilt on red leather with green leather title labels, and gilt decoratio. Marbled edges, with marbled end papers original illustrations, all contents clean and bright and bindings firm.
Charles Dickens
TWENTY-FOUR Works in Seventeen Volumes
COMPLETE
Sketches by Boz.

The Posthumous Papers of the Pickwick Club.

The Adventures of Oliver Twist & A Tale of Two Cities.

The Life and Adventures of Nicholas Nickleby.

The Old Curiosity Shop.

Barnaby Rudge.

The Life and Adventures of Martin Chuzzlewit.

Christmas Books & Hard Times. Including A Christmas Carol

Dombey and Son.

The Personal History of David Copperfield.

Bleak House.

Little Dorrit.

Great Expectations & The Uncommercial Traveller.

Our Mutual Friend.

The Mystery of Edwin Drood & Reprinted Pieces.

American Notes for General Circulation & Pictures from Italy & A Child's History of England.

Christmas Stories & Master Humphrey's Clock.  read more

Code: 25195

A Perfect, Very Special Gift or Personal Choice. The Collected Ghost Stories of M. R. James Published in 1931, Printed in 1949 Edward Arnold & Co London

Every year around this time we try our best to find a super original early post war edition of probably the very finest book of ingenious yet disturbing ghost stories ever written.
This year we have managed once more.

Montague Rhodes James, who used the publication name M.R. James, was a noted British mediaeval scholar & provost of King's College, Cambridge (1905–18) & of Eton College (1918–36). He's best remembered for his ghost stories which are widely regarded as among the finest in English literature. One of James' most important achievements was to redefine the ghost story for the new century by dispensing with many of the formal Gothic trappings of his predecessors, replacing them with more realistic contemporary settings.
the stories contained are;
"Canon Alberic's Scrap-Book"
"Lost Hearts"
"The Mezzotint"
"The Ash Tree"
"Number 13"
"Count Magnus"
"'Oh, Whistle, and I'll Come to You, My Lad'"
"The Treasure of Abbot Thomas"
"A School Story"
"The Rose Garden"
"The Tractate Middoth"
"Casting the Runes"
"The Stalls of Barchester Cathedral"
"Martin's Close"
"Mr Humphreys and His Inheritance"
"The Residence at Whitminster"
"The Diary of Mr Poynter"
"An Episode of Cathedral History"
"The Story of a Disappearance and an Appearance"
"Two Doctors"
"The Haunted Dolls' House"
"The Uncommon Prayer-Book"
"A Neighbour's Landmark"
"A View from a Hill"
"A Warning to the Curious"
"An Evening's Entertainment"
"Wailing Well"
"There Was a Man Dwelt by a Churchyard"
"Rats"
"After Dark in the Playing Fields"
plus " Stories i have tried to write"

According to James, the story must "put the reader into the position of saying to himself, 'If I'm not very careful, something of this kind may happen to me!'" He also perfected the technique of narrating supernatural events through implication and suggestion, letting his reader fill in the blanks, and focusing on the mundane details of his settings and characters in order to throw the horrific and bizarre elements into greater relief. He summed up his approach in his foreword to the anthology Ghosts and Marvels: "Two ingredients most valuable in the concocting of a ghost story are, to me, the atmosphere and the nicely managed crescendo. ... Let us, then, be introduced to the actors in a placid way; let us see them going about their ordinary business, undisturbed by forebodings, pleased with their surroundings; and into this calm environment let the ominous thing put out its head, unobtrusively at first, and then more insistently, until it holds the stage."

He also noted: "Another requisite, in my opinion, is that the ghost should be malevolent or odious: amiable and helpful apparitions are all very well in fairy tales or in local legends, but I have no use for them in a fictitious ghost story."

Despite his suggestion (in the essay "Stories I Have Tried to Write") that writers employ reticence in their work, many of James's tales depict scenes and images of savage and often disturbing violence. For example, in "Lost Hearts", pubescent children are taken in by a sinister dabbler in the occult who cuts their hearts from their still-living bodies. In a 1929 essay, James stated:

Reticence may be an elderly doctrine to preach, yet from the artistic point of view, I am sure it is a sound one. Reticence conduces to effect, blatancy ruins it, and there is much blatancy in a lot of recent stories. They drag in sex too, which is a fatal mistake; sex is tiresome enough in the novels; in a ghost story, or as the backbone of a ghost story, I have no patience with it. At the same time don't let us be mild and drab. Malevolence and terror, the glare of evil faces, 'the stony grin of unearthly malice', pursuing forms in darkness, and 'long-drawn, distant screams', are all in place, and so is a modicum of blood, shed with deliberation and carefully husbanded; the weltering and wallowing that I too often encounter merely recall the methods of M G Lewis.
The condition overall is good with commensurate wear for age, with its original paper slip cover, although the original slip cover does have a tear and a small section over the spine lacking. It bears the original 1949 owners name on the inner blank page.  read more

Code: 23812

1st Edition James Bond, Man with the Golden Gun, by Ian Fleming

London: Jonathan Cape 1965. 1st Edition 1st Impression. Flemings 12th outing for Commander Bond. Minor spotting as to be expected. With dust jacket. Cover artist Richard Chopping (Jonathan Cape ed.). The Man with the Golden Gun is the twelfth novel (and thirteenth book) of Ian Fleming's James Bond series. It was first published by Jonathan Cape in the UK on 1 April 1965, eight months after the author's death. The novel was not as detailed or polished as the others in the series, leading to poor but polite reviews. Despite that, the book was a best-seller.

The story centres on the fictional British Secret Service operative James Bond, who had been posted missing, presumed dead, after his last mission in Japan. Bond returns to England via the Soviet Union, where he had been brainwashed to attempt to assassinate his superior, M. After being "cured" by the MI6 doctors, Bond is sent to the Caribbean to find and kill Francisco Scaramanga, the titular "Man with the Golden Gun".

The first draft and part of the editing process was completed before Fleming's death and the manuscript had passed through the hands of his copy editor, William Plomer, but it was not as polished as other Bond stories. Much of the detail contained in the previous novels was missing, as this was often added by Fleming in the second draft. Publishers Jonathan Cape passed the manuscript to Kingsley Amis for his thoughts and advice on the story, although his suggestions were not subsequently used.

The novel was serialised in 1965, firstly in the Daily Express and then in Playboy; in 1966 a daily comic strip adaptation was also published in the Daily Express. In 1974 the book was loosely adapted as the ninth film in the Eon Productions James Bond series, with Roger Moore playing Bond and Fleming's cousin, Christopher Lee, as Scaramanga.
The Man with the Golden Gun film was filmed in 1974 the ninth film entry in the James Bond series and the second to star Roger Moore as the fictional MI6 agent James Bond. A loose adaptation of Ian Fleming's novel of the same name, the film has Bond sent after the Solex Agitator, a device that can harness the power of the sun, while facing the assassin Francisco Scaramanga, the "Man with the Golden Gun". The action culminates in a duel between them that settles the fate of the Solex.

The Man with the Golden Gun was the fourth and final film in the series directed by Guy Hamilton. The script was written by Richard Maibaum and Tom Mankiewicz. The film was set in the face of the 1973 energy crisis, a dominant theme in the script. Britain had still not yet fully overcome the crisis when the film was released in December 1974. The film also reflects the then popular martial arts film craze, with several kung fu scenes and a predominantly Asian location, being set and shot in Thailand, Hong Kong, and Macau. Part of the film is also set in Beirut, Lebanon, but it was not shot there. Ian Fleming wrote The Man with the Golden Gun at his Goldeneye estate in Jamaica in January and February 1964, completing it by the beginning of March. His health affected him badly during the writing process and he dropped from his usual rate of two thousand words a morning to a little over an hour's worth of work a day.

As with his previous novels, Fleming used events from his past as elements in his novel. Whilst at Kitzbuhel in the 1930s, Fleming's car, a Standard Tourer, had been struck by a train at a level crossing and he had been dragged fifty yards down the track. From that time on he had associated trains with death, which led to their use as a plot device not just in The Man with the Golden Gun, but also in Diamonds Are Forever and From Russia, with Love. To show just how much all things original Bond are appreciated in the world of collectors the Walther pistol used by Connery in the poster of From Russia With Love, in 1963, and also drawn in the man With The Golden Gun poster [as shown here] an air pistol, .177 (4.5mm) Walther 'LP MOD.53' Air Pistol, Serial No. 054159, was sold by Christies in 2010 with an estimate of £15,000 to £20,000 for an incredible £277,000. Incredible in that it was never actually used in the film, was an air pistol, not a real automatic, and only used in promotional posters. It was 'said' to have been used by accident in fact as they couldn't find a correct Walther PPK on the day of the photoshoot.  read more

Code: 22632

What A Fantastic Gift For A Sherlock Holmes Devotee! First Editions In Book Form. A Beautiful and Rare Set Of The Original 8 Book Bindings, 'The Strand Magazine', That Famously Contains the First Bound Volumes of Sherlock Holmes Adventures

The Strand Magazine July 1891 till Dec. 1893 bound in 8 Volumes } Vol. I to VIII}

First editions in bound book form . . the original stories were published as a monthly magazine in these Strand Magazines.

The first appearance of the 24 Sherlock Holmes adventures preceeding the first publishing of the books "The Adventures of Sherlock Holmes" and "The Memoirs of Sherlock Holmes" (according A10 and A14 Green/Gibson). Including many of the famous original illustrations of Sidney Paget which help form the popular image of Holmes. Also very interesting is the article in Vol. IV about the daily life of Dr. Doyle with photos of him, his wife and his home. Volume II (July - Dec. 1891) Adventure I. - A Scandal in Bohemia Adventure II. - The Red-Headed League Adventure III. - A Case of Idendity Adventure IV. - The Boscombe Valley Mystery Adventure V. - The Five Orange Pips Adventure VI. - The Man With The Twisted Lip Volume III (Jan.- June 1892) Adventure VII. - The Adventure Of The Blue Carbuncle Adventure VIII. - The Adventure Of The Speckled Band Adventure IX. - The Adventure Of The Engineer's Thumb Adventure X. - The Adventure Of The Noble Bachelor Adventure XI. - The Adventure Of The Beryl Coronet Adventure XII. - The Adventure Of The Copper Beeches Volume IV (July to Dec. 1892) Article 'A Day with Dr. Conan Doyle' with Photos of him, his wife, his house and his study Adventure XIII. - The Adventure Of Silver Blaze Volume V (Jan. to June 1893) Adventure XIV - The Adventure Of The Cardboard Box Adventure XV. - The Adventure Of The Yellow Face Adventure XVI. - The Adventure Of The Stockbroker'Clerk Adventure XVII. - The Adventure Of The "GLORIA SCOTT" Adventure XVIII. - The Adventure Of The Musgrave Ritual Adventure XIX. - The Adventure Of The Reigate Squire Volume VI (July to Dec. 1893) Adventure XX. - The Adventure Of The Crooked Man Adventure XXI. - The Adventure Of The Resident Patient Adventure XXII. - The Adventure Of The Greek Interpreter Adventure XXIII. - The Adventure Of The Naval Treaty Adventure XXIV. - The Adventure Of The Final Problem There are many other interesting factual articles in addition to fictional short stories and series of different authors in these books. One example: "Towards The North Pole" by Dr. Fridtjof Nansen.

Plus, Volume III contains the first publication of Rudyard Kipling's short story "The Lost Legion." Volume IV contains the first English translation of Jules Verne's short horror story "Frritt-Flacc" as "Dr. Trifulgas."

If one wanted experience and read of the Victorian way of life in England, this is by far the best way to uncover it. The Sherlock Holmes stories are just a fraction of what they contain. Hundreds of wonderful stories and details of exploration, by dozens of highly rated Victorian authors, thus, thousands of unrivalled hours of pleasure awaits the next owner/s of these incredible books.

Books are in very good condition. Some light wear The bindings are very nice and some areas of foxing on the paper. A very rare collectable set of the first appearance of these famous stories. Hard to find in this nice condition. All articles are richly illustrated.

"Outside of a dog, man's best friend is a book. Inside of a dog, it's too dark to read."
— GROUCHO MARX  read more

Code: 25194

A German 'Wedding Gift' Presentation Grade Adolf Hitler's 'Mein Kampf' Published in 1939. Presentation & Personally Signed by Dr. Wiard Bronleewe Burgomeister & SA District Leader of Peine

Presented for the wedding of Kurt Wachholz to Margarete gebr. Vogt after some research apparently Kurt Wachholz was a German SS-Hauptscharführer who died in East Germany

Adolf Hitler Mein Kampf Wedding Edition, being an excellent condition example with cream hardboard covers having gilt tooled town emblem and the spine being blue leather covered with gilt tooled details. Inside page with printed page and inked details from the local official and dated 14th 1939, just six weeks after the start of WW2. Published by the official publisher of the NSDAP. The book also bears a facsimile signature of Adolf Hitler beneath his photograph, on the inside frontispiece, and the signed presentation certificate to the marrying couple from the Burgomeister. Originally when SS men were married the book may have been contained in a carved wooden SS box, some surviving boxes do exist but their definitive connection to the Wedding presentation Mein Kampf is unrecorded.

Leather bound with cream covers. Given just six weeks after the beginning of WW2 by the Burgermiester Dr. Wiard Bronleewe of Peine. Bearing the state crest of arms of Piene on the front cover. Condition very good to excellent. Mein Kampf ("My Struggle") is an autobiographical manifesto by Nazi leader Adolf Hitler, in which he outlines his political ideology and future plans for Germany. Volume 1 of Mein Kampf was published in 1925 and Volume 2 in 1926. The book was edited by the former Hieronymite friar Bernhard Stempfle, who was murdered during the Night of the Long Knives.

Hitler began dictating the book to his deputy Rudolf Hess while imprisoned for what he considered to be "political crimes" following his failed Putsch in Munich in November 1923. Although Hitler received many visitors initially, he soon devoted himself entirely to the book. As he continued, Hitler realized that it would have to be a two-volume work, with the first volume scheduled for release in early 1925. The governor of Landsberg noted at the time that "he Hitler hopes the book will run into many editions, thus enabling him to fulfill his financial obligations and to defray the expenses incurred at the time of his trial."

The lawyer Dr. Wiard Bronleewe joined the NSDAP in 1933 at the age of 36. Four years later he was appointed First Deputy Mayor of the city of Peine. After Mayor Erich Krüger was killed in an accident on a trip to the battlefields of the First World War, he took over his office. In addition, he was a member of the NSDAP district leadership in Peine as district office manager for local politics.

In his dual role as mayor, who was able to make all important decisions independently according to the "Führer principle", and member of the NSDAP district leadership, he was responsible for implementing the increasingly radical National Socialist policy during the war years. He played a particularly important role in the persecution of the Jewish community. In 1941 he planned to "level the Jewish cemetery and make it available to the public". His knowledge of the finality of the deportation of the Jewish population is shown by the fact that in early 1942 he coordinated the process of "distributing Jewish housing".

His behavior at the end of the war is controversial, when negotiations with the Americans succeeded in surrendering Peine without a fight and thus saving it from a feared bombing. Some reports describe him as a rather passive participant who had to be pressured to surrender the city, while others see him as the driving force of events, a view that he himself promoted.

Deposed by the Allies in 1945, he became active again in political parties and various associations in 1947, including the German Party. Bronleewe was a member of the Peine City Council again in 1952; after lengthy disputes, including legal ones, over his NSDAP past, he was able to become a city councillor and thus deputy city director in 1954. As a department head, he headed the legal department and social affairs. In 1957, he was promoted to senior city councillor. He retired in 1962 and lived in Peine until his death in 1976. Bronleewe's rapid rise to prominence in Peine politics and administration after 1945 is exemplary of the rapid integration of former NSDAP members, even when they had held leading positions of responsibility.

Photo in the gallery of Mayor Dr. Wiard Bronleewe giving a speech in front of the Peine town hall, 1940. in his full SA political leader uniform.

Another photo in the gallery of Kurt Wachholz in the uniform of SS-Hauptscharführer  read more

Code: 25521

A Very Interesting & Beautiful French Leather Book on the Royal Marines And French Marines 1815 to I863 Les Marines de la France et de L'Angleterre 1815-1863 by Raymond, M. Xavier

From the Royal Artillery Regimental Library, then transferred to the Royal Artillery Mess in Shoeburyness

An absolute gem of reference work volume comparing two branches of the marines of both nations. Printed by Librairie De L. Hachette Et. Cie, in Paris, in French.

Former Regimental Library and Mess books of military reference and interest are very collectable indeed.

Tri-colour leather with gilt tooled lettering to the spine and gilt stamped compartments, marble and leather sides . A few scuffs to the leather spine, cloth boards lightly rubbed. Marbled endpapers, with a regimental bookplate of the Royal Artillery to the inside cover

7inches x 5 inches  read more

Code: 24426

Rare 1st Edition 'Reveries or Memoirs Upon The Art of War', Printed in 1757

An important classic. First Edition in English. (8-1/4 x 10-1/2 inches) leather bound of 195 pages, and a page of advertisements for other books by the publisher. 40 copper plates, some fold out, on 34 pages. First edition in English of a classic 18th century military work by Saxe (1696-1750) the renowned soldier. The book is divided into 2 parts, the first examining the raising, feeding, clothing, exercising, paying, encamping, and moving of an army, and the 2nd covering the strategic aspects of combat, including attack and defence in various terrains. A nice rare copy with former owner's and name plate, Thomas Best of Park House, Boxley, Kent. Added some original Letters, upon various Military Subjects, wrote by the Count to the late King of Poland, and M. de Folard, which were never before made public: Together with His Reflections upon the Propagation of the Human Species. Translated from the French. This is the first edition in English of a classic military work by one of the world's most famous soldiers. At the age of twelve, Dresden-born Maurice de Saxe (1696?1750) entered the Saxon army, beginning a long and successful military career that culminated in his promotion to Marshal of France, where he retained full command of the main army in Flanders directly under Louis XV. Again and again, de Saxe achieved enormous victories over his enemies, becoming one of the greatest military leaders of the eighteenth century. Combining his memoirs and general observations with brilliant military thinking, Reveries on the Art of War was written in a mere thirteen days. Introducing revolutionary approaches to battles and campaigning at a time of changing military tactics and leadership styles, it stands as a classic of early modern military theory.
De Saxe's Reveries offered numerous procedural innovations for raising and training troops. His descriptions for establishing field camps were soon standard procedure. His ideas advanced weapon technology, including the invention of a gun specially designed for infantrymen and the acceptance of breech-loading muskets and cannons. De Saxe heightened existing battle formations by introducing a specific attack column that required less training, and he rediscovered a military practice lost since the ancient Romans ? the art of marching in cadence. He even delved into the minds and emotions of soldiers on the battlefield, obtaining a deeper understanding of their daily motivations.
Written by a military officer of great acumen, Reveries on the Art of War has deeply impacted modern military tactics. Enduringly relevant, this landmark work belongs in the library of anyone interested in the history, tactics, and weapons of European warfare. We show a wax miniature of the books owner, Thomas Best, in full military uniform. The miniature is held as part of the Victoria and Albert Museum Collection.  read more

Code: 21247

Very Rare, London Published, 1616 Coryate's Traveller for the English Wits

An incredible book for the seasoned explorer-traveller. Written by the first Englishman [and Elizabethan] to do so, simply for the joy of travelling to unvisited parts, and first published in 1616. Tom Coryate is known as only the second Englishman to visit India, and the first ever traveller of the so called Grand Tour. The man, that history accredits, who introduced dinner forks to the English speaking world. This superb tome is entitled 'Greeting from the court of the Great Moghul, and resident in Asmere a town in Eastern India'. By Tom Coliate. A seemingly small book, composed of numerous letters, sent in the early 1600's to his English friends, from India. They were various gentleman of note and standing, including the Master of the Rolles in Chancery Lane and to the "Fraternity of Sireniacal Gentlemen" at the Mermaid Inn. Coriates Traveller for the English Wits; Greetings from the court of the most mighty monarch, the Great Moghul. Publ London 1616. Very rare, original, early 18th century copy. It has many border annotations and quotes, made by an owner, some in ancient Greek, and additions affixed on the inside cover including old bookseller advertisements. The original and first 1616 printing is now so rare that we do not know of another coming on to the market in the last ten years, and today, if one was to appear it would be not unreasonable to attract a likely price of ?20,000. In 1912 another of his published books the earlier Cortyate's Crudities sold for the princely sum of ?45, the equivalent today of the paid employment of a household of servants for one year. Thomas Coriate traveller for the English wits, greeting: from the court of the Great Mogul, resident at the Towne of Asmere, in Easterne India ([London]: 1616), p.27. The remarkable and eccentric Coryate (1577-1617) was only the second Englishman to visit India simply out of curiosity, a journey of some 3,300 miles, most of which he accomplished on foot. In a letter to his mother in England Coryates writes, 'I have rid upon an elephant since I came to this Court, determining one day (by Gods leave) to have my picture expressed in my next Booke, sitting upon an elephant' (p.26). Coryat was born in Crewkerne, Somerset, and lived most of his life in the Somerset village of Odcombe. He was a son of George Coryate (d. 1607). He was educated at Winchester College from 1591, and at Gloucester Hall, Oxford from 1596 to 1599. He was employed by Prince Henry, eldest son of James I as a sort of "court jester" from 1603 to 1607, alongside Ben Jonson, John Donne and Inigo Jones.

From May to October 1608 he undertook a tour of Europe, somewhat less than half of which he walked. He travelled through France and Italy to Venice, and returned via Switzerland, Germany and the Netherlands. He published his memoirs of the events in a volume entitled Coryat's Crudities hastily gobbled up in Five Months Travels in France, Italy, &c' (1611). In 1611 he published a second volume of travel writings, this one entitled Coryats Crambe, or his Coleworte twice Sodden. Coryat's letters from this time refer to the famous Mermaid Tavern in London, and mention Ben Jonson, John Donne and other members of a drinking club "Fraternity of Sireniacal Gentlemen" that met there.

Ever restless, he set out once again in 1612, this time on a journey that would ultimately lead to Asia, visiting Greece, the eastern Mediterranean including Constantinople by 1614, and walking through Turkey, Persia and eventually Moghul India by 1615, visiting the Emperor Jahangir's court in Ajmer, Rajasthan. From Agra and elsewhere he sent letters describing his experiences; this very book his Greetings from the Court of the Great Mogul was published in London in 1616, and a similar volume of his letters home appeared posthumously in 1618. In September 1617, at the invitation of Sir Thomas Roe, he visited the imperial court at Mandu, Madhya Pradesh. In November 1617 he left for Surat; he died of dysentery there in December of that year, his demise hastened by the consumption of sack. Though his planned account of the journey was never to be, some of his unorganized travel notes have survived and found their way back to England. These were published in the 1625 edition of Samuel Purchas's Hakluytus Posthumus or Purchas his Pilgrimes, contayning a History of the World in Sea Voyages and Lande Travells, by Englishmen and others.

Coryat's writings were hugely popular at the time. His accounts of inscriptions, many of which are now lost, were valuable; and his accounts of Italian customs and manners?including the use of the table fork?were influential in England at a time when other aspects of Italian culture, such as the madrigal, had already been in vogue for more than twenty years. He is considered by many to have been the first Briton to do a Grand Tour of Europe; a practice which became a mainstay of the education of upper class Englishmen in the 18th century.  read more

Code: 20700