Antique Arms & Militaria

A 19th Century Indian Percussion Howdah Pistol, Double Over and Under Barrelled

With steel barrels and engraved decorative brass frame, and of overall utility quality. Tight mainspring action. Large .6 inch bore

A Formidable and singularly impressive double barrel large bore pistol, for use when seated in the Howdah, when riding on an Elephant, for protection against Tiger attack. The name "Howdah pistol" comes from the sedan chair- known as a Howdah which is mounted on the back of an elephant. Hunters, and officers, especially during the period of the British Raj in India, used howdahs as a platform for hunting wild animals and needed large-calibre side-arms to protect themselves, the elephant, and their passengers from animal attacks at close range. Even though Howdah pistols were designed for use in the “gravest extreme” against dangerous game (such as tigers), they were used in combat by some officers, for both offence and defence, as their effectiveness was simply unrivalled in close quarter action. Demand for these potent weapons outstripped supply, and many seen still surviving today are in fact converted shotguns, with shortened barrels and pistol grip restocking, and in later years gunmakers responded with revolvers, in calibres as large as .500, in order to fill the need. Firearms like these were one source of inspiration for the overtly powerful .44 magnum revolver. A 1996 movie, called 'The Ghost and the Darkness', starring Michael Douglas, featured the Douglas character, Charles Remington, using a near identical "howdah" pistol in several scenes.

Being of utility functional design this is not a fine quality English made equivalent from the same era, however, due to this, it is priced accordingly, and approximately less than a quarter of the price we sold our last two fine English made examples for. One nipple is only partially present

As with all our antique guns no license is required as they are all unrestricted antique collectables  read more

Code: 24753

A Superb Napoleonic French 'Prisoner-of-War' Portable Travelling Dressing Case, Shaped in the Form of a Book

In wood covered in straw-work parquetry. crafted by a prisoner of war during the1793 - 1815 War between Napoleon's French Navy and the Naval forces of King George III of England. This piece was hand crafted by a captive, French, master artisan who created this unbelievably detailed box with nothing but coloured pieces of straw, paper and scraps of wood, {often taken from their bunks} for a frame, and boiled glue. This piece would have taken weeks to hand create, and the tiny pieces of straw are somehow cut into thousands of minuscule pieces and assembled in tiny multicoloured geometric patterns. A very similar example to one that is on display in the Burghley House Collection. Made by the captured Napoleonic and French wars French Prisoners-of-War in the early 1800's in order to subsidise their meagre prison rations, and this fine piece is made to give the impression it is a sizeable book when closed. The interior bears two small sections, lidded compartments with interior mirror in Georgian Vauxhall plate, and a geometric parquetry All of the interior straw-work is pristine in colour and unfaded showing wonderful contrasts.

Great Britain was at war with France continuously from 1793 to 1802. Hostilities ceased briefly in 1802, but conflict soon recommenced. The Napoleonic Wars continued until 1815, when Napoleon?s forces were finally defeated at Waterloo.

For example,iIn 1796 the first prison to house French prisoners was built at Norman Cross, some 5 miles north of Peterborough. Conditions must have been both harsh and crowded; disease killed more that 1,700 inmates between 1797 and 1814.

To supplement their rations and to provide small income, some prisoners made ornaments, models and toys, which they were allowed to sell. The materials used included straw, wood, bone and even human hair. Many of the items made were extraordinary in their complexity and design and were always very desirable to collectors. The proximity of Burghley House to the camp meant that members of the Cecil family acquired many fine examples.

Those displayed at Burghley include a number of containers made of wood with applied decoration of coloured straw, a stationery box, a set of bone spillikins in a pocket case, a framed straw-work picture of the house built for Napoleon Bonaparte on St Helena, to where he was exiled, a bone set of dominoes and playing cards and a detailed model of an 80-gun ship-of-the-line with hair rigging..

Two photos in the gallery are of New Cross market for the French POWs to sell their wears and hand made pieces to the locals and nobility who used to travel to such markets to buy these pieces that were incredibly popular with members of the aristocracy and high society. a a painting of a prison hulk in Sheerness, often made from the hulks of a scrapped old British man o'war, or a captured, damaged French or Spanish frigate,  read more

Code: 24739

A Rare 1840 Constabulary Carbine Bayonet with Deep Defensive Sword Cut

With spring recess in the blade no spring. The most amazing feature of this bayonet is that it has parried a sword thrust, which has deeply cut into the blade elbow. A fabulous battle scar that undoubtedly saved the mans life. The socket is numbered 60. Ordnance stamped blade

The British pattern 1840 Constabulary carbine was known in to distinct patterns. the earlier carbine was derived from the Pattern 1839 Musket, and the later carbine followed the lines of the pattern 42 musket. The main differences being the lock, side plate and bayonet catch. The earlier pattern using the P'39 lock, New Land Pattern side plate and the Hanoverian bayonet catch, while the later used the P'42 lock, Lovell cups and the Lovell bayonet catch. The Pattern 1840 Constabulary Carbine has a 26" barrel and the rear sling swivel is placed at the underside of the butt, rather than at the trigger guard.

The Pattern 1840 Constabulary Carbine was issued in NSW, Victoria, Tasmania, and Western Australia  read more

Code: 17601

An Antique 'Claw and Feather' Bronze Paper Knife or a “Unicorn” Page Turner.

Originally classified in the collecting world as a late Victorian page turner, yet in fact it may well not be a mythical collectible, or so-called ‘unicorn piece’, but thus actually a rare form of paper knife.
A most interesting piece for the bibliophile. In colour patinated bronze, possibly Austrian. Circa late 1800’s. 9.5 inches long.
Uncut pages were common to Victorian Era and earlier books, artifacts of the bookbinding practices of the day. As Spellerberg explains in Reading & Writing Accessories, long sheets of paper were folded numerous times to form a “signature” of pages or “leaves,” which would be printed on both sides. Signatures would be printed, collated, and then bound (which usually meant “sewn”) to create a book. “Most of the leaves were cut during the binding process,” he writes. “However, since all books were bound by hand at that time, leaves were sometimes left uncut and could not be opened unless they were cut.” Paper-knives made such books readable.

It wasn’t just books that required paper-knives to be read, which is why the tools came in all sizes. There were long ones for newspapers and magazines, as well as shorter ones for diminutive books made to fit in the palm of the hand. Regardless of their size, some were painted in handsome designs while others were carved and fitted with sterling-silver handles, transforming these prosaic implements of paper destruction into small works of art. And, of course, a great many paper-knives were treated as handheld advertisements, sold at tourist destinations as souvenirs or given away by companies wishing to extend their brands, as we might put it today.

Impossibly so, as it turns out: After researching the topic for several years, Spellerberg concluded that page turners simply did not exist during the Victorian Era. In fact, according to Spellerberg, page turners didn’t exist during any historical period at all, making them the unicorns, if you will, of office collectibles, mythical objects that tell us more about how we imagine people lived rather than how they actually did.
Page turners, then, were actually paper-knives, and paper-knives were the tools readers employed to get at the content inside an “unopened” book.
Matthew Haley of Bonhams, stated. “I was once told, but have never confirmed, that people still occasionally request books that have never been opened at the Bodleian Libraries in Oxford,” Haley says. “They are lent a paper-knife for the purposes of cutting the pages.” In fact, as Rosie Burke of the Bodelian told me via email, “I’m pleased to confirm that it is true that after all these years we still have many books with uncut pages—either completely uncut or only partially cut. Staff will issue paper-knives to readers for certain books, but anything that is particularly old or fragile will only be cut by either reading-room staff or a member of our conservation team.”

This is obviously good news for readers—as a library, the Bodelian is in the business of spreading knowledge rather than keeping it secreted within the uncut pages of the books on its shelves. But the utility of paper-knives raises an interesting dilemma for book collectors. Is a book with uncut pages more valuable than a comparable volume whose leaves have been sundered, however carefully, by a paper-knife?

“Generally speaking,” Haley says, “there is a slight premium placed by collectors on uncut or ‘unopened’ copies, as they are closer to how the book would have been originally supplied by the bookseller. It’s one of the fascinating ironies of book collecting,” he adds, “that an unreadable book could be worth more than one that’s ready to read.”
Some years ago we had an early edition of Darwin’s ‘On the Origin of Species’ from Winston Churchill’s personal library, and many pages were still uncut, which demonstrates that despite being an early edition from the mid 19th century it had neither been read or even cut by Spencer Churchill or Winston Churchill during their ownership  read more

Code: 18896

Edward VIIth 20th Hussars Cap Badge, Used in WW1

The regiment was not deployed to South Africa until December 1901 for service in the Second Boer War and therefore only took part in the final drives against the Boer commandos in spring 1902. The regiment was based in Ireland again from 1908 to 1911.

The regiment, which was based in Colchester at the start of the First World War, landed in France as part of the 5th Cavalry Brigade in the 2nd Cavalry Division in August 1914 for service on the First World War. The regiment saw action at the Battle of Mons in August 1914 and both the First Battle of the Marne and the First Battle of the Aisne in September 1914. It went on fight at the First Battle of Ypres in October 1914, the Battle of Arras in April 1917 and the Battle of Cambrai in November 1917. It later took part in the German Spring Offensive in 1918, the Battle of Amiens in August 1918 and the final push as the war drew to a close  read more

Code: 21116

Antique Persian Carved Bone Hilted Kindjal Short Sword

18th to Early 19th Century. The blade has traces of a complex etched design, possibly including some Islamic script. Carved bone hilt with single silver leaf d?cor and a nail mounting stud. Old cracking to hilt and overall russetting to the old blade. Overall 201/4 inches long  read more

Code: 23135

A Fine Bladed Indonesian Keris, Nickel Iron Meteoric Blade

19th Century Keris Dagger/Sword, but the blade may be far older. This Indonesian ceremonial dagger or Keris is believed to date from the 1800's based on the style, materials and condition of the steel. The handle made of wood indigenous to Java, appears to be from the 19th century. As the keris is handed down from generation to generation (sometimes over centuries), the wooden handle and scabbard are often replaced with the blade remaining original. Used in cultural ceremonies and traditionally worn as a symbol of status, the Keris is an important cultural item in Indonesian and Malaysian cultures. This particular example is done in the dapur bener (straight blade) style, and was hand forged with alternating laminations of so-called iron and meteoric nickel-rich iron. As a historic item that the blade can bu up to 300 years old or more, there is some rust and pitting in parts on the blade. However, the unique patterns of nickel in the steel are very visible on the blade and the edges are still quite sharp.

Painting in the Royal Collection by Frans Francken the Younger in the gallery, photo 10, painted in 1617, titled 'Cabinet of a Collector', clearly shows, top left, a 16th century Kris dagger, Even as early as the 16th century, awareness and collectability of the Indonesian kris had reached far into Europe.

The kris or keris is a distinctive, asymmetrical dagger from Indonesia. Both weapon and spiritual object, the kris is considered to possess magical powers. The earliest known kris go back to the tenth century and most probably spread from the island of Java throughout South-East Asia.

Kris blades are usually narrow with a wide, asymmetrical base. The sheath is often made from wood, though examples from ivory, even gold, abound. A kris’ aesthetic value covers the dhapur (the form and design of the blade, with some 40 variants), the pamor (the pattern of metal alloy decoration on the blade, with approximately 120 variants), and tangguh referring to the age and origin of a kris. A bladesmith, or empu, makes the blade in layers of different iron ores and meteorite nickel. In high quality kris blades, the metal is folded dozens or hundreds of times and handled with the utmost precision. Empus are highly respected craftsmen with additional knowledge in literature, history and occult sciences.

Kris were worn everyday and at special ceremonies, and heirloom blades are handed down through successive generations. Both men and women wear them. A rich spirituality and mythology developed around this dagger. Kris are used for display, as talismans with magical powers, weapons, sanctified heirlooms, auxiliary equipment for court soldiers, accessories for ceremonial dress, an indicator of social status, a symbol of heroism, etc

No scabbard  read more

Code: 24678

A Most Scarce Victorian Boer War Cap Badge of Her Majesty's Reserve Regiment of Dragoons

Used for only two years in service from 1900. Brass with intertwined initials, 'HMRR', above a scroll bearing the title, 'Dragoons'. Two lugs on reverse. The regiments were all disbanded in 1902 at the end of the Boer War.

A whole series of reserve regiments were raised during the Boer War (1899-1902). They were formed as a result of Army Orders issued in 1900 and consisted of men on the Reserve who could sign up. They were used for Garrison duties in Great Britain and were not liable for service overseas. These units were separate from the Volunteers, and Imperial Yeomanry which had also been raised at the same time.

The regiments were organised to follow elements of the regimental system. They included the Reserve Regiment of Dragoons, Lancers, Hussars, Royal Rifles Reserve Regiment and regional regiments such as the Royal Southern Reserve Regiment. There was also a Royal Guards Reserve Regiment, but this used the cap badges of the parent regiments, rather than bespoke badges which were introduced for the other regiments.  read more

Code: 24670

An Original Ancient 13th Century, Crusader Knight's Iron Battle Mace & Scorpion Head

Pineapple shaped head with large mounting hole. The type as were also used as a Flail Mace, with the centre mount being filled with lead and a chain mounted hook, when it was not mounted on a haft, as this mace is. Flattened pyramidical protuberances, possibly English or East European. Made for a mounted Knight in the era of the Crusades, to use as an Armour and Helmet Crusher in mortal combat. Although made in the 1200's it would have been continually used up to the 15th to 16th century. On a Flail it had the name of a Scorpion in England or France, or sometimes a Battle-Whip. It was also wryly known as a 'Holy Water Sprinkler'. King John The Ist of Bohemia used exactly such a weapon, as he was blind, and the act of 'Flailing the Mace' meant that his lack of site was no huge disadvantage in close combat. Although blind he was a valiant and the bravest of the Warrior Kings, who perished at the Battle of Crecy against the English in 1346. On the day he was slain he instructed his Knights [both friends and companions] to lead him to the very centre of battle, so he may strike at least one blow against his enemies. His Knights tied their horses to his, so the King would not be separated from them in the press, and they rode together into the thick of battle, where King John managed to strike not one but at least four noble blows. The following day of the battle, the horses and the fallen knights were found all about the body of their most noble King, all still tied to his steed.  read more

Code: 17235

A Beautiful & Very Fine Quality Gilt Early Belgian Order of the Crown, Gold Medal, For The Liberation of Belgium From the Nazi Occupation

In gilt bronze and excellent condition. The Order may also be bestowed to foreign nationals and is frequently awarded to military and diplomatic personnel of other countries stationed in (or providing support to) Belgium. During the Second World War, the Order of the Crown was extensively authorized for award to Allied military personnel who had helped to liberate Belgium from the occupation forces of Nazi Germany.

The Order of the Crown is awarded by royal decree.
The Order was established on October 15, 1897 by King Leopold II in his capacity as ruler of the Congo Free State. The order was first intended to recognize heroic deeds and distinguished service achieved for service in the Congo Free State. In 1908, the Order of the Crown was made a national honour of Belgium, junior to the Order of Leopold.
 read more

Code: 16570