A French Four Pounder Cannon Ball Fired at Waterloo Recovered at La Haye Sainte, the Battle of Waterloo. Approx 3 inches Diameter

The surface is very russetted by is nicely preserved overall, and it is a fabulous, historical, conversation piece.

Recovered alongside some relic items of combat, soldiers thimbles plus another cannon balls etc. discovered around La Haye Sainte (named either after Jesus Christ's crown of thorns or a bramble hedge round a field nearby).

It is a walled farmhouse compound at the foot of an escarpment on the Charleroi-Brussels road in Belgium. It has changed very little since it played a crucial part in the Battle of Waterloo on 18 June 1815.

La Haye Sainte was defended by about 400 King's German Legion troops during the Battle of Waterloo. They were hopelessly outnumbered by attacking French troops but held out until the late afternoon when they retired because their ammunition had run out. If Napoleon Bonaparte's army had captured La Haye Sainte earlier in the day, almost certainly he would have broken through the allied centre and defeated the Duke of Wellington's army.

The capture of La Haye Sainte in the early evening then gave the French the advantage of a defensible position from which to launch a potentially decisive attack on the Allied centre. However, Napoleon was too late—by this time, Blücher and the Prussian army had arrived on the battlefield and the outnumbered French army was defeated.

Strategic importance

A view of the battlefield from the Lion's mound. On the top right are the buildings of La Haye Sainte. This view looks east, with Allied forces behind the road to the left (north) and French forces out of shot to the right(south)
The road leads from La Belle Alliance, where Napoleon had his headquarters on the morning of the battle, through where the centre of the French front line was located, to a crossroads on the ridge which is at the top of the escarpment and then on to Brussels. The Duke of Wellington placed the majority of his forces on either side of the Brussels road behind the ridge on the Brussels side. This kept most of his forces out of sight of the French artillery.

During the night from the 17th to the 18th, the main door to the courtyard of the farm was used as firewood by the occupying troops. Therefore, when the King's German Legion (KGL) was stationed in the farm at the morning of the battle they had to hastily fortify La Haye Sainte.

The troops were the 2nd Light Battalion KGL commanded by Major Georg Baring, and part of the 1st Light Battalion KGL. During the battle, they were supported by the 1/2 Nassau Regiment and the light company of the 5th Line Battalion KGL. The majority of these troops were armed with the Baker rifle with grooved barrels, as opposed to the normal Brown Bess musket of the British Army. The French troops also used muskets which were quicker to load than the Baker rifle but the latter was more accurate and had about twice the range of a musket.

Both Napoleon and Wellington made crucial mistakes about La Haye Sainte as it was fought over and around during most of the day. Napoleon failed to allocate enough forces to take the farm earlier in the day while Wellington only realised the strategic value of the position when it was almost too late.

By 1812 the French had cannon operating on several organizational levels. Most infantry regiments had their own guns, each division would likely have a battery or two of artillery, and on top of that there would be several batteries in the reserve artillery of each Corps. It can get a bit confusing, so I decided to organize what I have and also plan ahead to make sure that I don't make too many mistakes when buying these impressive pieces.
Regimental Guns
Napoleon experimented with regimental guns already in 1809. To bolster both the impact and morale of his regiments he sprinkled out light cannon to give them some extra local firepower. This unfortunately had tactical disadvantages, since the guns could hinder the troops both when moving on the battlefield and during marches.

These were mostly smaller guns, by now completely outmatched in regular batteries. The regular infantry in 1812 were, according to research, largely equipped with 3-pounder cannon captured from Austria's impressive record of military misfortune. As far as I know these cannon came with or without a strange kind of fork-like attachment at the front.

The 9lb British “Blomfield” cannon used at the Battle of Waterloo. The heaviest type of artillery used by the British Army at Waterloo, {apart from the howitzers} it fired a solid cannonball weighing around nine pounds (about four kilos). Cannons were a vital part of warfare at the time of Waterloo, with the ability to rip through massed ranks of troops and inflict terrible casualties.

In 1780 Captain Thomas Blomfield RA was appointed Inspector of Artillery and Superintendent of the Royal Brass Foundry. Three years later he was given responsibility for re-organising the Ordnance Department. At the same time he was experimenting with new forms of ordnance. The resultant Blomfield guns had thicker breeches, thinner chases and a cascabel ring to control recoil, making them stronger without increasing their weight.

The Blomfield 9-pounder cannon, fired a round shot ball around 4 inches in diameter, was introduced to the Royal Artillery (RA) in 1805 as a response to the heavier French calibre guns. At Waterloo Wellington had 157 pieces but only 60 were 9-pdrs, in 12 batteries. The remaining 13 batteries had 6-pdrs and howitzers. Interestingly, the Dutch-Belgian and Brunswick Artillery, who fought alongside the British at Waterloo, used French cannons (known as An. XI Ordnance). Wellington employed his Royal Horse Artillery very effectively during the battle as a mobile reserve to plug holes in his line. For example, with Hougoumont under attack, Major Bull’s troop was brought forward in support from its original position towards the rear of the allied position.

The allied artillery faced 246 pieces in 34 French batteries. As was his usual tactic, Napoleon started the battle with a heavy artillery bombardment on the Allied line to soften up the enemy.

Cannons on both sides used round-shot of six nine or twelve pounds but the French also had four pounders, as is this ball. They were all lethal against columns of infantry, knocking down several men at once for as long as the ball continued to travel. Case shot or canister (tin coated iron cans) packed with smaller iron balls was devastating at close range. Only the British used spherical case (Shrapnel) where a shell was filled with small iron balls. A specially cut wooden fuse detonated a bursting charge.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading  read more

Code: 26165

A Rare and Original, American, Antique Civil War Remington Large Calibre Army Revolver, With an Original Wild West Rimfire Cartridge Conversion Upgrade. A Superb 5 Shot Revolver. One of The Most Interesting & Historical Guns of The Civil War & Frontier

In overall very nice condition indeed. The Remington Model 1858 was a cap & ball (also called "percussion") 44-calibre revolver, {upgraded to the larger .46-cal. rim fire in 1868} and used during the American Civil War from its close, then this rare pistol was converted to a larger cartridge, a seperate serial number added to the barrel underside, and re-finished addressed etc. and sold for use in the Wild West era onwards.
It was first used primarily as cap and ball by Union soldiers, and widely favoured over the standard issue Colt Army Model 1860 by those who could afford it, due primarily to its durability and ability to quickly reload. Of course if a gun such as this was captured in a Confederate victory it would be eagerly used by its new southern states owner as a highly prized trophy of war. It also saw considerable use in the American West, both in its original cap & ball configuration and as a metallic cartridge conversion.

At the end of our Civil War, the need to rearm with cartridge arms was an obvious imperative and signaled the end of the muzzleloading era worldwide. America was exhausted and money was tight in both the treasury and people’s pockets, yet the superiority of the copper-cased rimfire round to the paper cartridge couldn’t be ignored even though the obvious limitations of the rimfire system were soon evident. U.S. Civil War General Hiram Berdan’s bolt-action rifle, paper-patched bullet in a drawn brass case ignited by his Berdan primer electrified the world, but our Congress was in no mood to pay royalties on a new rifle and cartridge however superior—even to one of our war heroes—and our military became saddled with an inefficient inside-primed, copper-cased round developed at our arsenal for use in cartridge muskets initially converted from the vast stocks of muzzleloaders on hand.

Handguns were a different matter entirely. Smith & Wesson had locked up the bored-through cylinder patent necessary for the use of a cartridge, but only made .22s and .32s—hardly what a soldier or Indian fighter wanted to war with. The Army having to fight the war with a percussion handgun after seeing how well the Spencer and Henry cartridge rifles fared had no choice for a cartridge handgun with S&W working to renew the patent set to expire in 1869. The market was equally ready for a suitable belt-sized cartridge revolver, and the 1858 Remington was a nearly perfect platform.

While working on their own big bore, Smith & Wesson contracted with Remington to convert 4,575 1858 Army revolvers for a new .46 Short Rimfire cartridge. Of these, 4,141 were sold to wholesaler B. Kittredge & Co. in Cincinnati, Ohio for $3.36 each. That clearly puts these “modern” revolvers in the path of the folks heading West after the war. Due to the hand engraved cylinder patent date of 1855 we believe this is one of those very few intriguing revolvers. Matching six figure serial numbers on the barrel and grip frame, with matching cartridge conversion company serial numbers 2777 also on the barrel and grip frame. Several inspector's marks throughout.

There is a reason the .44 Henry wasn’t shoehorned into the first cartridge revolvers. The rimfire cartridge was nominally a .45. The “.44” in the percussion caliber is for the bore diameter, and the groove diameter was a .45. The conversion process was a lot cheaper without having to install a new barrel, and plenty of the old barrels and revolvers were on hand. Remington already chambered a .46 Long rimfire in Rolling Block carbines for use in the Civil War, and it easily transitioned into a rimfire handgun round with a shortened case and lighter heeled bullet. All these early cartridges, closely duplicated the ballistics of the combustible paper cartridges used in the percussion revolvers.

These first Remington Army conversions have been given the nickname “thin plate conversions” by collectors and were made in three versions. None had loading gates, and that likely made life interesting for those who held the revolver muzzle up while cocking! Perhaps the outside-lubricated bullets were sticky enough to keep the rounds from rocketing out. The original large rimfire was an easy transition to the 1858

A prized possession of the Remington Arms Company is a similar, original, New Model Army with ivory grips once carried by William F. "Buffalo Bill" Cody {see photo in our gallery}. The historic revolver is on display with Cody's simple handwritten note, "It never failed me". Cody carried the revolver in original percussion form well into the cartridge era, but didn't converted it to cartridge use. The Remington “Army” .44 percussion revolver was the primary competition to the Colt M1860 .44 percussion revolver during the American Civil War era. Although Sam Colt was the better salesman and marketer, Remington eventually beat Colt out of their military contracts by delivering a comparable (some felt superior) product for less money. In 1864, after the US government had finally beat Colt’s price down to $14.00 per revolver, they had been paying $20.00 or more per gun in the early days of the war, Remington agreed to furnish their “Army” revolver for only $12.00 per gun. That ended the reign of the Colt Army as the first choice for the Ordnance Department procurement officers.


In the field, even though the Colt revolver had the name and the mystique, many cavalry troopers preferred the much sturdier solid frame design of the Remington revolver. According to the research published in Remington Army & Navy Revolvers 1861-1868 by Donald L. Ware, Remington revolvers through serial 149,000 were accepted prior to the end of the Civil War. No license required to own or collect.

The New Model Army pattern
long 8 inch sighted octagonal barrel, stamped with the manufacturer's details and stamped with the serial no. 12XXXX to the underside, usual plain cylinder, usual plain frame, brass trigger guard, good two-piece varnished wooden grips.

Frank and Jesse James both owned and used Remington cartridge revolvers, at least two of which still exist: Frank’s No. 5116 and Jesse’s No. 559. An outlaw known as “Redtop” Callihan was wearing a large calibre cartridge Remington when he was gunned down in Bodie, Calif., in 1892 after allegedly killing six men with it. Businessman R.H. Bain went to Alaska with his Remington and reportedly shot two claim jumpers with it; its original belt, with holster, is stamped “KENNEDY HARDWARE, ANCHORAGE ALAS.”

This is an original antique, historical, collectable with no licence required to own or collect.

One photo in the gallery of Lee Van Cleef in ‘the Good the Bad and the Ugly’ with the Remington New Model Army.

Another photo of Clark Gable using his Remington New Model Army.

For ref;

The Cartridge Era Begins with the 1858 Remington Conversion.
Historical Arms, Old West  read more

Code: 25733

A Beautiful Ancient Samurai Long Sword, A Koto Period Katana Around 500 Years Old Sengoku Period With All Original Edo Period Mounts & Fittings

A most impressive and beautiful sword, a fine statement piece of any collection of oriental art. A sword mounted in wonderful original Edo period koshirae, all decorated on the theme of bamboo.
A superb pair of shakudo fuchigashira carved with bamboo leaves, shakudo is a billon of gold and copper (typically 4-10% gold, 96-90% copper) which can be treated to form an indigo/black patina resembling lacquer. Unpatinated shakudo Visually resembles bronze; the dark colour is induced by applying and heating rokusho, a special patination formula. Shakudo was historically used in Japan to construct or decorate katana fittings such as tsuba, menuki, and kozuka; as well as other small ornaments. When it was introduced to the West in the mid-19th century, it was thought to be previously unknown outside Asia, but recent studies have suggested close similarities to certain decorative alloys used in ancient Egypt, Greece, and Rome.
Large iron plate tsuba with bamboo and birds, and bamboo form menuki under the green/blue silk wrap over giant rayskin. The original Edo saya is subtly decorated with incredible skill and detail with wonderful, dark, scrolling and crushed Abilene shell. Long powerful blade, with beautiful polish. The activity of the grain in the hada {blade mid section} is now visible since renovation, and it looks absolutely beautiful, especially bearing in mind it is around 500 years old.

For centuries, if not millennia, bamboo has permeated everyday Japanese life, figured in some of the country’s best-known literature and become a staple of its art, as both motif and material. Its propensity to bend yet endure makes it a cultural symbol. In both Japan and China, an ink painting of a tiger in a grove of bamboo signifies social harmony and, it would seem, political savvy, as this wily animal is among the few able to navigate the dense bamboo forest. Bamboo contains multitudes. Perhaps nowhere more than in Japan, home to over 600 species of this amazing plant, officially a subfamily of grasses but blessed with a woody stem and the ability to lift well above its weight. Japan’s ubiquitous bamboo is unsurprisingly storied. Woven artifacts evidence from the later Jomon Period (10,000-200 B.C.). The ancient nation- and culture-building texts, the “Kojiki” (Records of Ancient Matters) and “Nihon Shoki” (“The Chronicles of Japan”), record bamboo knives and combs with magical powers. The oldest surviving baskets are 8th-century offering trays kept in the Shosoin treasure house in Nara. Bamboo was obviously crucial to the 10th-century prose narrative “Taketori Monogatari” (“Tale of the Bamboo Cutter”). Tea masters of the 15th century revered seemingly artless utensils in their burgeoning spiritual practice. Emperors were gifted the choicest of bamboo wares. The Sengoku period Sengoku Jidai, "Warring States period") is a period in Japanese history of near-constant civil war, social upheaval, and intrigue from 1467 to 1615.

The Sengoku period was initiated by the Ōnin War in 1467 which collapsed the feudal system of Japan under the Ashikaga Shogunate. Various samurai warlords and clans fought for control over Japan in the power vacuum, while the Ikkō-ikki emerged to fight against samurai rule. The arrival of Europeans in 1543 introduced the arquebus into Japanese warfare, and Japan ended its status as a tributary state of China in 1549. Oda Nobunaga dissolved the Ashikaga Shogunate in 1573 and launched a war of political unification by force, including the Ishiyama Hongan-ji War, until his death in the Honnō-ji Incident in 1582. Nobunaga's successor Toyotomi Hideyoshi completed his campaign to unify Japan and consolidated his rule with numerous influential reforms. Hideyoshi launched the Japanese invasions of Korea in 1592, but their eventual failure damaged his prestige before his death in 1598. Tokugawa Ieyasu displaced Hideyoshi's young son and successor Toyotomi Hideyori at the Battle of Sekigahara in 1600 and re-established the feudal system under the Tokugawa Shogunate. The Sengoku period ended when Toyotomi loyalists were defeated at the siege of Osaka in 1615.

It has been over one thousand years ago that the art of making swords appeared in Japan. The swordsmiths of the time may not have known it but they were creating a legendary sword. The Samurai sword has seen combat in many battlefields. From the early days of the Samurai warrior to the fierce battles in the South Pacific during WWII.

From the earliest days hand-made traditional the Samurai sword was unique because it was forged using the finest skills known to man. A tremendous amount of work was dedicated to creating these pieces. They were an instrument of war as much as a beautiful artifact to adorn any decor.

As once told to us by an esteemed regular visitor to us here in our gallery, Victor Harris {the most eminent sword expert in Europe, and sword curator of the British Museum} and his same words that are repeated in his book, see below;

“In these textures lies an extraordinary and unique feature of the sword - the steel itself possesses an intrinsic beauty. The Japanese sword has been appreciated as an art object since its perfection some time during the tenth century AD. Fine swords have been more highly prized than lands or riches, those of superior quality being handed down from generation to generation. In fact, many well-documented swords, whose blades are signed by their makers, survive from nearly a thousand years ago. Recognizable features of the blades of hundreds of schools of sword-making have been punctiliously recorded, and the study of the sword is a guide to the flow of Japanese history.”
Victor Harris
Curator, Assistant Keeper and then Keeper (1998-2003) of the Department of Japanese Antiquities at the British Museum. He studied from 1968-71 under Sato Kenzan, Tokyo National Museum and Society for the Preservation of Japanese Swords
For those that have interest in original Japanese swords, this is a perfect way to have a superbly made original hand made sword that it mounted in original Japanese fittings of the early samurai form of katana.
** Authentic, currently, modern hand-made nihonto (Japanese sword blades) from licensed swordsmiths in Japan today, typically start around $10,000–$25,000 for a katana, with prices often exceeding $60,000 for renowned top-tier sword masters or customized commissions.
These blades, forged from tamahagane steel, require 12+ months to create due to strict legal limits on production, with some high-end, custom pieces from master smiths such as Yoshindo Yoshihara exceeding $10,000 for smaller tanto blades.
A brand new, katana blade from a reputable but lower ranked smith usually starts around $7,500–$10,000.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery

.
Overall in super condition, just tiny denting to the small kashira {as is often the case}, overall length in saya 37.5 inches long, when the sword is withdrawn from saya it is 35.25 inches long overall  read more

Code: 24723

A Very Fine Yasutsugu School Katana, circa 1675-1684 Likely the 4th Generation, Signed, with Aoi Mon, Namban Tetsu Oite Bushu Edo Echizen Yasutsugu

With a stunning bi coloured, black ribbed and cinnabar red lacquer saya, hand decorated with a wonderful light feathering and a scrolling silver saya jiri bottom mount. The mounts fuchi kashira and menuki are gold and shakudo decorated of the chrysanthemum. The story of the Yasutsugu lineage starts with the birth of the first generation, Ichizaemon, who is believed to have been born around the middle of the sixteenth century. His place of birth was in Shimosaka of Shiga-gun in the province of Omi. Omi is next to Mino and contains Lake Biwa. Yasutsugu was born into a sword making family headed by his father, Hironaga, reputed to be the last descendent of Yamato no Kuni Senjuin. Though his father was from Omi, he was trained in the Mino tradition. Around the 11th or 12th year of this same period of Keicho (1606-1607), Yasutsugu’s fame reached the point that he was called to Edo (Tokyo) to share his forging skills with Tokugawa Ieyasu. About this time Yasutsugu was given the privilege of using the character “Yasu” (康) from Tokugawa Ieyasu’s (徳川家康) name. Thus, from that point on, he changed his name to Yasutsugu. About the same time (some feel it was a few years later) he was given the additional privilege of carving the Hollyhock crest (Aoi mon) on his blades. These privileges were given in perpetuity to Yasutsugu and his descendants. Thus the Yasutsugu swordsmiths became the kaji of the Tokugawa Family.
Yasutsugu worked in Echizen and Edo as was the custom with the Tokugawa family in those days. It was much like the practice of Sankin Kodai (alternate year attendance) that was required of the Daimyo of the country. He died in seventh year of Genna (1621) probably in his 70’s.

Upon the death of the first generation Yasutsugu , the family mantle was taken up by his son, Ichinojô.
Nidai Yasutsugu made swords in the same style as the first generation. Some say that his ability was nearly the equal of his father’s. While all do not agree, there seems to be a consensus that he was without a doubt a close second
The two branches of the Yasutsugu school continued for many generations. The Edo school continued through eleven generations. It is generally agreed that the only two smiths of the last eight generations that were of note are the fourth our sword and the eleventh generations. The fourth generation had the advantage of being trained by the third generation, a quality smith. In addition, the fourth generation left several works in which he collaborated with the well-known smith, Izumi (no) Kami Kaneshige. The fourth generation’s working period was from 1675, the third year of Enpo to 1684, the first year of Teikyo era.
Interestingly, the steel used to produce this sword was in part sourced from Europe, likely from
Dutch traders. This steel was known as “Namban tetsu”, (lit. Southern Barbarian steel). It would
have been expensive and unique to produce swords with steel from faraway lands in the late
1600s. Thus the nakago (tang) is chiselled with the words Namban tetsu.

it is mounted with An Antique Edo Period Iron Large Tsuba Inlaid with Silver Aoi Leaves
The Tsuba can be solid, semi pierced of fully pierced, with an overall perforated design, but it always a central opening which narrows at its peak for the blade to fit within. It often can have openings for the kozuka and kogai to pass through, and these openings can also often be filled with metal to seal them closed. For the Samurai, it also functioned as an article of distinction, as his sole personal ornament. The tsukaito is beautifully traditionally rebound as is the black ribbing lacquer, on its original Edo lacquer saya.
As can be seen it is likely in its last original Edo polish in stunning condition which is beautiful, with just the tiniest natural aged surface mark. The kashira is carved buffalo horn with an applied gold lacquer partially complete aoi mon

Overall length in saya 38 3/4, blade tsuba to tip 27 3/4 inches long

It has been over one thousand years ago that the art of making swords appeared in Japan. The swordsmiths of the time may not have known it but they were creating a legendary sword. The Samurai sword has seen combat in many battlefields. From the early days of the Samurai warrior to the fierce battles in the South Pacific during WWII.

From the earliest days hand-made traditional the Samurai sword was unique because it was forged using the finest skills known to man. A tremendous amount of work was dedicated to creating these pieces. They were an instrument of war as much as a beautiful artifact to adorn any decor.

As once told to us by an esteemed regular visitor to us here in our gallery, Victor Harris {the most eminent sword expert in Europe, and sword curator of the British Museum} and his same words that are repeated in his book, see below;

“In these textures lies an extraordinary and unique feature of the sword - the steel itself possesses an intrinsic beauty. The Japanese sword has been appreciated as an art object since its perfection some time during the tenth century AD. Fine swords have been more highly prized than lands or riches, those of superior quality being handed down from generation to generation. In fact, many well-documented swords, whose blades are signed by their makers, survive from nearly a thousand years ago. Recognizable features of the blades of hundreds of schools of sword-making have been punctiliously recorded, and the study of the sword is a guide to the flow of Japanese history.”
Victor Harris
Curator, Assistant Keeper and then Keeper (1998-2003) of the Department of Japanese Antiquities at the British Museum. He studied from 1968-71 under Sato Kenzan, Tokyo National Museum and Society for the Preservation of Japanese Swords
For those that have interest in original Japanese swords, this is a perfect way to have a superbly made original hand made sword that it mounted in original Japanese fittings of the early samurai form of katana.
** Authentic, currently, modern hand-made nihonto (Japanese sword blades) from licensed swordsmiths in Japan today, typically start around $10,000–$25,000 for a katana, with prices often exceeding $60,000 for renowned top-tier sword masters or customized commissions.
These blades, forged from tamahagane steel, require 12+ months to create due to strict legal limits on production, with some high-end, custom pieces from master smiths such as Yoshindo Yoshihara exceeding $10,000 for smaller tanto blades.
A brand new, katana blade from a reputable but lower ranked smith usually starts around $7,500–$10,000.

Every single item from The Lanes Armoury is accompanied by our unique Certificate of Authenticity. Part of our continued dedication to maintain the standards forged by us over the past 100 years of our family’s trading, as Britain’s oldest established, and favourite, armoury and gallery  read more

Code: 24038

Just Arrived And You May Never See Another Like it! An Incredibly Rare And Immensely Desirable Original Collectors Item For Machine Gun Collectors. A 1938 Dated Mauser, WW2 German MG 34 Machine Gunners Tool Kit. Complete and Mint

Naturally, an unfamiliar reader may find it incredible that a tool kit could be so valuable, but this, is for very, very, dedicated collectors of rare German WW2 militaria, and it is a once in a lifetime opportunity in the UK. Fortunately there are still some German WW2 collectables that are are still readily affordable, but some pieces, of great rarity, are prized beyond pearls

A Near mint MG-34 machine gun armourer’s kit with can dated "1938" and in original camouflage paint. Kit includes handles, files, pliers, calipers, spanner for MG-34, and adjustable wrench as manufactured by Mauser, as well as punches, portable vice and broken shell extractor. Some of the original paper packaging remains. These kits occasionally surface but are seldom if ever found in as complete and near mint a condition as this fantastic specimen.

Exceptional conditional throughout with little or no apparent use. Metal tools retain a light coating of preservative oil with original paint flaking at some of the high points. Just about as nice as can be possibly found. This is an absolutely tremendous find for the German WWII machine gun enthusiast. This is a museum piece of a rarity that cannot be over stated

We have only ever seen one near like it, and that sold at Murphy’s Auction in the States for $7,800 last year, after an astonishing bidding war.

It also includes a rare debris protection cover, in rubber, to put over the end of the muzzle of the MG34, and, two pretty rare original SS issue Frostschutzsalbe tin (anti-frostbite ointment), finished in red with impressed white lettering. The lid reads: “Frostschutzsalbe / Wehrkreissanitätspark VII / München / SS-Packung”; translates as “Anti-frostbite ointment / Army District Medical Depot VII / Munich / SS-Package.”
The ointment was supplied to frontline SS and Wehrmacht troops operating in extreme winter conditions, particularly on the Eastern Front, where frostbite was a major cause of casualties. These tins were distributed as part of cold-weather kits and personal medical issue. however, they were also used as a lubricant for the gun in minus 30 degrees and below.
One tin is large the other small. They remain sealed and cannot be opened, so it is not possible to confirm whether any of the original salve remains inside.

Frostbite was a critical threat to German forces during the harsh winters of the Eastern Front campaign. The German medical service issued frostbite salves and protective creams in small tins such as this, designed to fit easily into pockets or pouches. The reference to Wehrkreissanitätspark VII (Munich) identifies the regional medical supply depot responsible for production and distribution.
SS-marked examples are notably scarcer than standard Wehrmacht issue, reflecting both their restricted distribution and the relatively low survival rate of consumable medical supplies after the war.


Tool kit case dimensions: 14 - 1/2" X 3 - 1/2" X 7"  read more

Code: 26164

A Most Intruiging Allach Artwork. An Original Third Reich SS-Julleuchter. An Award & Trophy of the German Schutzstaffel Presented By Himmler to Officers Then Members of the SS From1936 -1944. A Pagan Runic Winter Solstice Lamp, An SS Service Decoration

NOW SOLD!

In brown ceramic with incised decoration of runic symbols, designed to hold the Winter Solstice candle, and it bears the large SS Allach factory stamp into one of its four feet. Their are numerous wax traces of original use, in several shades of white and dark brown

The Nordic history of the Third Reich Julleuchter, originated from a swedish artifact, a candle holder " The 16th century Julleuchter" was housed in the Nordic Museum and had a height of 15 cm and a base of 8.2 cm squared. It was a candle-holder that has an incised heart shape and a six-spoked opening.

The artefact was described in 1888 in the magazine of the Swedish literary club Runa (founded by Johan August Strindberg), which compared the six-spoked window in its base with the shape of the medieval h-rune; the 1888 article attributed a 16th-century date to the object (the earliest date of the introduction of candles to Scandinavian households)

The Runa article came to the attention of Herman Wirth because of its supposed "Hagal rune" (the six-spoked window at its base) who mentioned it in his Ura Linda Chronik, whence it passed into Nazi-era Germanic mysticism.

In a 1936 memorandum, Heinrich Himmler set forth a list of approved holidays, in part supposedly based on "pagan" traditions, including a "Julfest" intended to replace Christian rites. The Julleuchter and other symbols were also meant to serve as a consolation to women who, by having married into the SS, had to renounce the spiritual shelter and service of their church. The SS officer was instructed to set up a shrine that included, an awarded by Himmler, ceramic Julleuchter in the corner of one room of his household.

In January 1936, the SS Porzellan Manufaktur Allach was created under the control of Heinrich Himmler. Well known artists were forced to participate. in October 1937 production was shifted to the SS-operated Allach sub camp of the Dachau concentration camp.

An article about the Julleuchter was published in the German magazine "Germanien" in December 1936. The author argued that this "millennia old" lantern was to be used as "a memento of the "Year of the Great Migrations of the people of the north"". Another article was published in the SS periodical SS-Leitheft Jahrgang 7 Folge 8a. In 1939 the Julleuchter was also mentioned in "Die Gestaltung der Feste im Jahres und Lebenslauf in der SS-Familie"(Celebrations of the SS Family) by Fritz Weitzel.

The information about the 1936 issue of Germanien magazine about the Julleuchter is actually from the later magazine "Der Freiwillige." The article in "Der Freiwillige" reports Germanien magazine being, ..."the official organ of the German ancestor inheritance registered association, Berlin." The information given in that latter article is from Germanien magazine.

A 1936 issue of Germanien magazine claimed that the "millennium old" lantern had been used as a memento of the "Year of the Great Migrations" of the people of the north and as the small light of humanity under the stars of the night sky. When used during the 2 Solstice periods of the year, this is a symbol of the victory of Light over the Darkness, and also as a token of Eternal Circulation. The Julleuchter stands for an inseparable community, its conscience and attitude, and that it was used as a symbol of never ending sunlight. Further, the magazine stated that when the Julleuchter was used during the holiday of Yule (what is now known as The 12 Days of Christmas), twelve candles are used. One is used each night symbolizing the twelve months, until the 31 of December when the "July Moon shines." On that night a thirteenth candle is used for the new coming month of January. The candles always burn below but on the last night, the candle is again transferred upward – this is the sun, which is spilled in order to return to the earth from the gloom of another peace.

This very rarely surviving SS-Julleuchter was considered both an award and trophy of the German Schutzstaffel that was presented to officer's then later to members of the SS, from approximately 1936 until 1944 as a service decoration

Heinrich Himmler originally had the intention to make the Julleuchter a standard gift to all SS members and there were no criteria attached to its presentation. For reasons which are not entirely clear, by the start of World War II, the Julleuchter had begun to be viewed as an SS decoration, and was entered as such in SS service records once the Julleuchter had been presented. However, as the SS-Julleuchter was considered "non-portable" (much like the Luftwaffe Honor Goblet), there was no outward display on an SS uniform indicating its presentation.

Apparently even as the Red Army was advancing and the fall of Berlin was in the foreseeable future, The Julleuchter was used during the decoration French volunteers in the Waffen-SS. One surviving soldier said, "In the light of a candle burning on a Julleuchter, a Jule Candlestick, symbolizing the never dying sunlight, Fenet decorated a number of comrades with the Iron Cross. Although simple, the ceremony that evening seemed all the more extraordinary."
'Christmas in Nazi Germany'
Not only the presents but the whole celebration should be full of surprises for all members of the family. The father lights the candle in the Jul-Leuchter, or 'Jul Earthenware Candlestick', from which the tree candles in turn get their light. ... The Jul-Leuchter, presented by Reichsführer-SS Himmler to the SS Man, is the most important symbol used throughout the year to mark celebrations and commemorations. Its cut-out Heart represents hearth and home, and the Hagal Rune peace through victory. At midnight, when the candles on the Yuletide Tree are burnt down, the SS Man will put the Jul-Leuchter on the table. The Candlestick with its year-long candle has been lit at every family celebration the past year. Its candle has burned down, and it should receive a new one tonight. Just as our ancestors never let the sacred hearth cooking fire extinguish, so our Jul-Leuchter must always have a light. Thus it becomes a symbol of the never dying sunlight. Everyone becomes very thoughtful when the old candle finally burns down and the new one is put in its place. (From "Celebrations of the SS Family" by Fritz Weitzel, 1939).

The Allach factory deposited the Julleuchter design with the Imperial Patent Office in Berlin on 16 January 1936. The Allach Julleuchter was unique in that it was made as presentation piece for SS officers to celebrate the winter solstice. It was later given to all SS members on the same occasion, 21 December. Made of unglazed stoneware, the Julleuchter was decorated with early pagan Germanic symbols.

The lamp has had some old contemporary repairs to cracks in the body. It was originally found in Scandinavia where it has been since during the war.

Photos in the gallery include the letter that accompanied each lamp, a worker in the Allach factory at Dachau working upon a lantern, officially published Christmas postcards from Himmler, and a front cover of Germanien. For information only and not included.  read more

Code: 26163

A Good 1821 Pattern Light Cavalry Sabre For Dragoons Hussars and Lancer's

Overall in bright and clean order, in very nice condition. With good steel combat, later scabbard, with a superb snug fit, and a mid section dent.

Victorian-era British cavalry, spanning 1837–1901, comprised distinct roles for hussars and dragoons, though these differences became increasingly ceremonial over time. Hussars acted as light cavalry for reconnaissance, wearing flashy busbies and uniforms, while Dragoons (and Dragoon Guards) were heavier, riding larger horses for shock charges, wearing helmets. By the late 19th century, both functions heavily merged.
Hussars (Light Cavalry)
Light cavalry, designed for reconnaissance, speed, and pursuing a broken enemy.
Uniforms: Wore iconic, elaborate blue jackets with yellow/white braiding (braided pelisse over the shoulder), tight trousers, and the tall fur cap known as a "busby," usually with a white-over-red plume.
Equipment: Armed with curved swords (sabres) for cutting, and sometimes carbines. Due to tight trousers, they carried a "sabretache," a decorative leather pouch hanging from the belt used for carrying messages.
The regiments included the 3rd, 4th, 7th, 8th, 10th, 11th, and 15th Hussars, many of which were converted from light dragoon regiments.  read more

Code: 26162

English Civil War Heavy Siege Gun, a 'Whole' Cannon of 7 inches. Ball 50lbs x 7 Inches. Recovered from the Siege of Chester Castle Site

50-pounder cannon was at the extreme heavy end of artillery used in this period, likely restricted to siege work rather than field battles due to transport limitations.

Charles I of England (r. 1625-1649) considered himself an absolute monarch with absolute power and a divine right to rule, but his unwillingness to compromise with Parliament, particularly over money, led to a civil war from 1642 to 1651. Fought between the 'Roundheads' (Parliamentarians) and 'Cavaliers' (Royalists) in over 600 battles and sieges, the war was a bloody and protracted conflict.

Both armies had artillery units, but the number of cannons at any given battle or siege varied depending on availability, location, and the losses or captures of artillery in previous engagements. A general commanded an artillery train while groups of cannons – a battery – came under the command of a senior officer. Each individual gun team was led by the gunner who organised his various assistants. The Parliamentarian New Model Army began with 56 cannons, but the force expanded over time, especially with additions captured from the enemy. The Royalists, however, struggled to keep pace as the necessary finances became more difficult to raise as the war went in Parliament's favour.

The gun crew consisted of at least the following: a gunner who aimed the piece, the gunner's mate who loaded it, and an assistant. A specialist artillery engineer would have first calculated the correct range and trajectory using various instruments like scales, quadrants, and rulers to measure the angle of elevation of the barrel. His instruments would provide figures that could be compared to prepared charts, but really nothing replaced practical experience with a specific cannon.

For each new shot (at least for larger cannons), the crew had to first cool down the barrel using a blanket of thin leather or sheepskin soaked in water. This was to ensure the new charge of powder did not prematurely explode. Another precaution between shots was to clear the barrel and touchhole of any blockages, residue spent powder or burning embers. When ready, the required measure of gunpowder was pushed down the barrel, blocked in place with wadding such as hay or oakum, and the cannonball gently pushed in. Another quantity of wadding was then added. A rod was next used to ram everything tightly to the bottom of the barrel. If the charge was not firmly packed then the explosive energy was lost, which reduced the range of the shot. A poorly packed charge could even blow up the cannon itself. The gunpowder was then lit through the touchhole in the top of the cannon using a slow match attached to the end of a long pole (linstock) for safety. The match lit fine-grained priming powder, which in turn set off the main powder charge.

John Byron, 1st Baron Byron (1599–1652) was a staunch Royalist soldier and politician during the English Civil War, known for his cavalry leadership and unwavering loyalty to Charles I. Created a baron in 1643, he commanded forces in Cheshire and Lancashire, defended Chester, and later served in the royal court in exile, dying in Paris.

At the outset of the English Civil War, Chester was held by forces loyal to King Charles. The city was especially important to the Royalists as its location on the River Dee and proximity to the Irish Sea made it an important gateway to both Ireland and North Wales. The central city was surrounded partially by the river and protected by strong city walls dating back to the times of the Romans. When the civil war broke out, the Royalists further strengthened the city walls and added a ring of earthwork defences extending out and around portions of the city to the north and east

The siege of Chester occurred over a 16-month period between September 1644 and February 1646 during the First English Civil War. In the engagement, Sir William Brereton and the Parliamentarians were ultimately successful in taking possession of the city and Royalist garrison commanded by Lord Byron.

Although the siege spanned nearly one and a half years, the degree to which the city was confined varied in intensity. Throughout the 16-month time period, conflicts continued to occur between the Royalists and the Parliamentarians in Cheshire and during the spring and summer of 1645, the Royalists were successful in causing the Parliamentarians to temporarily lift the siege. Ultimately, however, the Parliamentarians enforced a total blockade and captured the city.



Ref; Mark Cartwright

https://www.worldhistory.org/article/1931/artillery-in-the-english-civil-wars/  read more

Code: 26159

A Superb, Original, Antique Maasai Lion Hunter's Enkuma 'Lion Spear' . From the Maasai Mara of The Great Rift Valley of Kenya. Of the Best, 'Original Maasai Cultural Artifact' Examples We Have Seen in Over 40 years

Around 200 years old. Beautifully hand polished. From a pair we acquired from a late retired Maasai Mara game wardens collection, that he collected between WW1 and WW2. Presented to him, as a revered tribal artifact {over 100 years old then} by a tribal senior elder in the 1920's.

A fabulous piece of Maasai tribal hand crafted 'worked steel'

Heavy African spear, used by the Masai of Kenya.
Termed a lion spear called an enkuma, these were traditionally used by young men in a rites of passage to kill a lion to attain adulthood. The long iron spearhead is very robust to avoid being bent, it would fit upon a small central wooden handle section, beneath which would be a very long steel spike.

There was nothing gratuitous about killings such as these. Maasai lion hunts were a battle to the death between two worthy adversaries. This was not trophy hunting, which, too often, involves sports hunters waiting in a safely concealed position for a lion to come to a bait, then shooting it with a high-powered weapon. Killing a lion with a spear, in hand-to-hand combat, requires great skill, strength, and immense courage. Maasai lion hunts were also relatively rare, and these rite-of-passage killings had little impact upon overall lion numbers.

These spears were carried by the tribe’s young men when they are charged with protecting the cattle that the Masai depended upon from the predation of lions. Reputedly, the technique was to firmly ground the tail spike of the spear and direct the spearpoint at a lion who was then enticed to charge. If all went well, the leaping beast would be impaled on the spear. Every Maasai youth needed to kill a lion in this way to be recognised as a warrior, but the smallest mistake on the young man’s part would likely not end well.

The Maasai are nomadic pastoralists of East Africa who range along the Great Rift Valley of Kenya and Tanzania, the Samburu of Kenya, and the semi-pastoral Arusha and Baraguyu (or Kwafi) of Tanzania. Maasai subsist almost entirely on the meat, blood, and milk of their herds. Their kraal, consisting of a large circular thornbush fence around a ring of mud-dung houses, holds four to eight families and their herds.

The Maasai maintain a number of patriarchal clans grouped into two classes, or “moieties”. Within the classes members are integrated in a system of age-sets that sees groups of the same age initiated into adult life together. The age-class thus formed is a permanent social grouping that lasts the lifetime of its members. They move up through a hierarchy of grades, each lasting approximately 15 years, including those of junior warriors, senior warriors, and junior elders, until they become senior elders authorized to make decisions for the tribe. Between the ages of about 14 and 30, young men are traditionally known as “morans”. During this period they live in isolation in the bush, learning tribal customs and developing the strength, courage, and endurance for which Maasai warriors are noted throughout the world.

Important!! Not to be confused with the common tourist examples that are frequently seen and described mistakenly as lion spears  read more

Code: 26160

Welcome to The Lanes Armoury, Britain's Truly Magical Place, Where Thousands of Original & Breathtaking Wonders Are For Sale And New Fantastic Original Treasures Added, Every, Single, Day.

Our beautiful pieces from history are not always just for looking at, some {such as the B3 Pilots Jacket} can still be enjoyed, and even worn, for every one to see.

This week we have some superb, British, Victorian swords from the Crimean War, for a new young officer serving in The Zulu War, and one beauty, regimentally marked to the 1st Battalion The Welsh Regiment, for an officer that served in combat Mahdist War (1888): The 1st Battalion was dispatched to Egypt in 1886, playing a key role in the Mahdist War at the Battle of Gemaizah (Suakin) in December 1888, where they were highly praised for their efficiency by their commander, Col.Kitchener.

Colonel Herbert Kitchener, {later to become known as the great Field Marshal Lord Kitchener} who wrote in his dispatches:

‘The half-Battalion of The Welsh Regiment are seasoned soldiers and whatever I asked of them to do they did well. They’re marksmen at Gemaizah Fort and the remainder of the half-Battalion on the left fired section volleys driving the Dervishes from their right position and inflicting severe punishment upon them when in the open. Significantly the Battalion did not lose a man”

Later, the 1st Battalion was dispatched to South Africa in November 1899 for the Second Boer War: it was engaged in Battle of Paardeberg in February 1900, where they suffered heavy losses, and again at the Battle of Driefontein in March 1900

Also, cannon balls from the English Civil War seige. One ball was recovered {in living memory} almost five feet beneath the surface mud. And an incredibly very rare and historical, WW2 British SOE agent’s ‘assassins’ issued sleeve dagger, used in the invasion of Sicily. NOW SOLD

Key aspects of SOE Special Operations Executive} involvement and special forces operations in Sicily include:
Targeting Fascist Italy: Between 1940 and 1943, the SOE worked to encourage sabotage and resistance against Mussolini’s regime. By the time of the Sicily invasion, this research and clandestine groundwork aimed to undermine Italian morale and operations.
Special Raiding Squadron (SRS): The Special Raiding Squadron, commanded by Paddy Mayne and often linked to the SAS and SOE’s broader special forces mission, spearheaded aspects of the invasion. These hand-picked raiders were tasked with lightning raids and close-quarter combat.
The SRS and special forces conducted raids to disrupt German and Italian defensive lines during the 1943 campaign, which lasted from 9 July to 17 August.
SOE's role was part of a larger, broader strategy to cripple Italian resistance and support the massive Allied conventional forces (160,000+ men) that landed in Sicily. While Operation Mincemeat was a separate intelligence operation, it was crucial in tricking the Axis into strengthening Greece instead of Sicily, easing the landing of Allied special forces and regular troops.

The SOE’s efforts in Italy were considered high-risk, as agents operated in a hostile enemy country rather than occupied territory.

Also see our latest incredible 'Royal' daggers from the 17th century Pattal-hatara (Four Workshops) of the King of Sri Lanka. Occasionally, as we are Great Britain’s leading gallery of our kind, we have had had such knives, over the past 30 years, before, but nothing as fine as these museum grade examples, from the small collection we were thrilled to have acquired.

We have just also just added to the web store; a German colonels sword surrendered at the formal surrender of the German armed forces in May 1945 to Field Marshal Lord Montgomery, and a beautiful and magnificent samurai swords from the 1600's Tokugawa Shogunate period, one of the most fabulous samurai swords you might ever see. Plus, an Ancient Greek short sword or long dagger From The Greco-Persian Wars era, From the time of the Spartans at Thermopylae, to Alexander the Great's conquest of Persia & Egypt

We Are Not Just A Webstore, We Are Always Welcoming Thousands Personal Visitors To View or Buy our Museum Pieces in Our Gallery In Brighton, Every Day* {but Sunday}

Thousands of original, historic, ancient, antique and vintage collectables. For example; from Ancient Rome, China and Greece, to Medieval Japan, and Viking Europe. Covering British, European, and in fact, all worldwide eras of historical events from the past 4000 years, with antiquities, weaponry, armour, object d’art, militaria and fabulous books, from the Stone Age, the Bronze Age and the iron age, and right up to WW2.

Where else in the world could you find, under one roof, original artifacts, such as,; a mace and archer’s ring recovered from the site of Battle of Crecy, a sword of a British Admiral or notorious pirate fleet captain of the Golden Age of piracy of 17th century England, a battle mace, possibly once used by of one the personal guards in the service of the most famous Pharoah, Rameses the Great of Egypt, or, a museum quality 500 year old sword of a samurai clan Daimyo lord, and a pair of gold and enamel Art Deco 1920’s Magic Circle medals awarded to a friend of Harry Houdini. And all of the above, with many, many other Museum pieces, have been just been offered upon the site within the past couple of weeks.

Personalised and unique ‘Certificates of Authenticity’ can be supplied for every, single, purchase.

Our family have been personally serving the public in Brighton for several generations, in fact, for over 105 years.

* Opening hours Monday to Saturday 11.00am till 4.00pm, closed Sundays and Bank Holidays.


See in the gallery Will Young wearing one of our fabulous Victorian tunics, plus, James Marshall ‘Jimi’ Hendrix

And Tom pops in again to pick up a few trinkets the other day, and Liz and Richard pop down to visit us in October 1970  read more

Code: 24055